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Smashing Third
Songs like
Smashing Third
by
Paul Posnak
Based on a tempo of (+/- 10%) and a similar genre
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Leonard Bernstein
West Side Story Suite: III. Tonight (Ver...
98 bpm • A# Maj • 03:45 • -19.19db
1% Popularity • 23% Danceability • 18% Energy • 7% Liveness
47% Instrumentalness • 6% Positiveness
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Richard Wagner
Tannhauser: Overture
98 bpm • B Maj • 09:48 • -21db
32% Popularity • 18% Danceability • 4% Energy • 58% Liveness
92% Instrumentalness • 4% Positiveness
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James Lyle Scott
Kansas City Rag
98 bpm • C Maj • 02:37 • -24.46db
12% Popularity • 48% Danceability • 16% Energy • 10% Liveness
85% Instrumentalness • 78% Positiveness
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James Levine
Sugar Cane
98 bpm • A# Maj • 03:01 • -16.15db
12% Popularity • 42% Danceability • 30% Energy • 10% Liveness
89% Instrumentalness • 91% Positiveness
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Paul Posnak
Smashing Third
98 bpm • G Maj • 03:28 • -15.79db
1% Popularity • 52% Danceability • 24% Energy • 9% Liveness
92% Instrumentalness • 52% Positiveness
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Frederic Curzon
The Boulevardier
98 bpm • A# Maj • 03:56 • -25.67db
11% Popularity • 69% Danceability • 9% Energy • 9% Liveness
37% Instrumentalness • 61% Positiveness
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Morten Gunnar Larsen
Peace and Plenty Rag
99 bpm • C Maj • 03:03 • -22.4db
6% Popularity • 44% Danceability • 14% Energy • 9% Liveness
94% Instrumentalness • 62% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: Gnomus
99 bpm • B Maj • 02:39 • -20.94db
27% Popularity • 31% Danceability • 4% Energy • 14% Liveness
64% Instrumentalness • 9% Positiveness
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Larisa Migachyov
Arugula Leaf Rag
97 bpm • A# Maj • 03:08 • -15.85db
13% Popularity • 43% Danceability • 34% Energy • 19% Liveness
93% Instrumentalness • 72% Positiveness
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Ernesto Nazareth
Garoto
97 bpm • D min • 03:49 • -19.79db
0% Popularity • 29% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 54% Positiveness
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Paul Posnak
Honeysuckle Rose
98 bpm • F Maj • 02:59 • -22.27db
2% Popularity • 43% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
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Darius Milhaud
Scaramouche, Suite for 2 Pianos: 3. Braz...
99 bpm • F Maj • 02:35 • -25.88db
18% Popularity • 42% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 45% Positiveness
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John Alden Carpenter
Piano Quintet: III. Allegro non troppo
97 bpm • G Maj • 07:18 • -22.2db
0% Popularity • 37% Danceability • 12% Energy • 7% Liveness
57% Instrumentalness • 18% Positiveness
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Sue Keller
St. Louis Rag - Tom Turpin, 1903
97 bpm • C Maj • 03:06 • -19.83db
9% Popularity • 49% Danceability • 20% Energy • 24% Liveness
86% Instrumentalness • 92% Positiveness
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Spirit LoFi
City Lights, Soft Sounds
97 bpm • D# Maj • 02:55 • -26.43db
10% Popularity • 68% Danceability • 14% Energy • 10% Liveness
97% Instrumentalness • 30% Positiveness
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Alexander Tsfasman
Suite for Piano and Orchestra: No. 4, Ra...
99 bpm • F Maj • 03:02 • -15.35db
12% Popularity • 40% Danceability • 46% Energy • 32% Liveness
91% Instrumentalness • 65% Positiveness
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Paul Posnak
Valentine Stomp
99 bpm • G Maj • 03:56 • -18.23db
1% Popularity • 51% Danceability • 23% Energy • 31% Liveness
95% Instrumentalness • 64% Positiveness
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Kurt Weill
American Song Suite: II. My Ship (Versio...
96 bpm • F Maj • 02:59 • -18.85db
9% Popularity • 20% Danceability • 23% Energy • 27% Liveness
36% Instrumentalness • 29% Positiveness
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Ernesto Nazareth
Cavaquinho, por que choras?
96 bpm • A# Maj • 02:49 • -14.16db
0% Popularity • 50% Danceability • 35% Energy • 16% Liveness
86% Instrumentalness • 43% Positiveness
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John Alden Carpenter
Violin Sonata: II. Allegro
97 bpm • D# Maj • 06:24 • -19.77db
0% Popularity • 26% Danceability • 12% Energy • 19% Liveness
16% Instrumentalness • 7% Positiveness
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John Philip Sousa
Hands across the Sea
100 bpm • A# Maj • 02:24 • -12.67db
8% Popularity • 66% Danceability • 56% Energy • 10% Liveness
86% Instrumentalness • 89% Positiveness
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Aaron Copland
2 Preludes: Prelude No. 2 for Violin and...
96 bpm • B Maj • 04:54 • -31.43db
0% Popularity • 19% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
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Scott Cotton
More Powder
96 bpm • C Maj • 01:31 • -14.9db
11% Popularity • 55% Danceability • 32% Energy • 15% Liveness
91% Instrumentalness • 76% Positiveness
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Leonard Bernstein
Overture [Arr. C. Harmon for Orchestra]
96 bpm • G Maj • 05:18 • -13.84db
18% Popularity • 32% Danceability • 30% Energy • 9% Liveness
64% Instrumentalness • 36% Positiveness
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Paul Posnak
Etude in A-Flat (Chopin)
96 bpm • G# Maj • 02:22 • -21.57db
0% Popularity • 22% Danceability • 29% Energy • 19% Liveness
82% Instrumentalness • 13% Positiveness
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Frédéric Chopin
Allegro con brio in A Major "Military"
96 bpm • D Maj • 04:51 • -18.48db
3% Popularity • 39% Danceability • 20% Energy • 19% Liveness
84% Instrumentalness • 40% Positiveness
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Charles Trenet
En Avril, à Paris (Arr. Weissenberg)
96 bpm • F# min • 03:26 • -23.57db
15% Popularity • 33% Danceability • 3% Energy • 20% Liveness
80% Instrumentalness • 7% Positiveness
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Wolfgang Amadeus Mozart
Symphony No. 34 in C Major, K. 338: II. ...
96 bpm • F Maj • 07:45 • -30.54db
16% Popularity • 26% Danceability • 1% Energy • 32% Liveness
2% Instrumentalness • 9% Positiveness
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Joseph F. Lamb
Sensation
100 bpm • G Maj • 02:46 • -23db
13% Popularity • 51% Danceability • 20% Energy • 12% Liveness
86% Instrumentalness • 90% Positiveness
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Tom Turpin
Harlem Rag
101 bpm • D Maj • 02:41 • -18.29db
14% Popularity • 46% Danceability • 27% Energy • 17% Liveness
82% Instrumentalness • 71% Positiveness
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Pau Cladera Marroig
A l'era, Sota el Sol
95 bpm • F# min • 05:07 • -23.48db
8% Popularity • 31% Danceability • 3% Energy • 10% Liveness
84% Instrumentalness • 5% Positiveness
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John Alden Carpenter
Violin Sonata: IV. Presto giocoso
95 bpm • G Maj • 08:39 • -19.58db
0% Popularity • 23% Danceability • 16% Energy • 22% Liveness
3% Instrumentalness • 6% Positiveness
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Samuel Barber
Violin Concerto, Op. 14: I. Allegro
95 bpm • G Maj • 10:11 • -19.55db
2% Popularity • 20% Danceability • 15% Energy • 36% Liveness
13% Instrumentalness • 8% Positiveness
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Ivor Novello
Glamorous Night [Arr. S. Mulligan for P...
95 bpm • C Maj • 03:20 • -18.24db
11% Popularity • 45% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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Gaspar D. Villate
Cómo Tú Quieras Ay Ay
101 bpm • F# min • 01:11 • -19.53db
10% Popularity • 47% Danceability • 22% Energy • 16% Liveness
90% Instrumentalness • 89% Positiveness
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Aaron Copland
Violin Sonata: I. Andante semplice
95 bpm • G Maj • 07:41 • -25.35db
10% Popularity • 27% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 11% Positiveness
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Ernesto Nazareth
Duvidoso
95 bpm • F# min • 02:55 • -19.55db
0% Popularity • 58% Danceability • 29% Energy • 12% Liveness
93% Instrumentalness • 67% Positiveness
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Louis Moreau Gottschalk
Souvenir de Porto Rico (Marcha De Los Ji...
101 bpm • D# min • 06:22 • -18.35db
13% Popularity • 48% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 32% Positiveness
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William Grant Still
Suite for Violin and Piano: III.
95 bpm • D Maj • 02:11 • -18.05db
7% Popularity • 49% Danceability • 22% Energy • 7% Liveness
49% Instrumentalness • 59% Positiveness
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Fanny Mendelssohn
Adagio in E-Flat Major
95 bpm • D# Maj • 03:46 • -26db
12% Popularity • 38% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
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Erich Wolfgang Korngold
Violin Concerto in D Major, Op. 35: II. ...
102 bpm • G Maj • 07:11 • -17.58db
15% Popularity • 21% Danceability • 26% Energy • 10% Liveness
30% Instrumentalness • 4% Positiveness
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Aaron Copland
Shaw, Artie : Clarinet Concerto
102 bpm • A# Maj • 07:34 • -13.3db
12% Popularity • 44% Danceability • 26% Energy • 37% Liveness
54% Instrumentalness • 35% Positiveness
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Béla Bartók
Bartók / Arr. Székely: 6 Romanian Folk...
102 bpm • A min • 01:04 • -23db
8% Popularity • 58% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 58% Positiveness
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William Bolcom
3 Ghost Rags: No. 2. The Poltergeist
102 bpm • D# min • 03:54 • -19.95db
9% Popularity • 52% Danceability • 18% Energy • 17% Liveness
88% Instrumentalness • 36% Positiveness
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Paul Posnak
Etude in G-Flat (Chopin)
102 bpm • C# Maj • 01:04 • -20.22db
0% Popularity • 25% Danceability • 60% Energy • 13% Liveness
79% Instrumentalness • 90% Positiveness
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Kurt Weill
Kleine Dreigroschenmusik: III. Anstatt-d...
102 bpm • B Maj • 02:02 • -29.12db
19% Popularity • 55% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 38% Positiveness
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Nikolai Kapustin
Sinfonietta for Piano 4-Hands, Op. 49: I...
94 bpm • C# Maj • 05:05 • -17.59db
10% Popularity • 59% Danceability • 32% Energy • 10% Liveness
87% Instrumentalness • 51% Positiveness
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Paul Jeanjean
Variations on The Carnival of Venice
94 bpm • A# Maj • 08:07 • -21db
9% Popularity • 33% Danceability • 9% Energy • 9% Liveness
45% Instrumentalness • 33% Positiveness
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Willie "The Lion" Smith
Rippling Waters
103 bpm • D Maj • 02:30 • -26db
18% Popularity • 40% Danceability • 12% Energy • 8% Liveness
89% Instrumentalness • 45% Positiveness
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Domenico Scarlatti
Sonata in E Major, K. 380 (L. 23)
93 bpm • E Maj • 05:18 • -28.37db
17% Popularity • 42% Danceability • 6% Energy • 15% Liveness
91% Instrumentalness • 15% Positiveness
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Paul Posnak
Gladyse
94 bpm • G Maj • 03:05 • -18.95db
1% Popularity • 50% Danceability • 19% Energy • 10% Liveness
89% Instrumentalness • 53% Positiveness
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Alexander Scriabin
Piano Sonata No. 9, Op. 68 "Black Mass"
103 bpm • C Maj • 08:08 • -21.15db
7% Popularity • 32% Danceability • 14% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
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William Grant Still
Suite for Violin and Piano: III. Gamin
93 bpm • D Maj • 02:13 • -12.92db
8% Popularity • 56% Danceability • 40% Energy • 6% Liveness
55% Instrumentalness • 78% Positiveness
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Charles Wakefield Cadman
Piano Trio in D Major, Op. 56: I. Allegr...
93 bpm • F Maj • 08:59 • -21.18db
0% Popularity • 26% Danceability • 10% Energy • 7% Liveness
7% Instrumentalness • 7% Positiveness
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Tom Brier
Over the Top
103 bpm • F Maj • 03:41 • -13.98db
10% Popularity • 23% Danceability • 41% Energy • 7% Liveness
88% Instrumentalness • 87% Positiveness
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Francis Poulenc
Poulenc: Concerto for Two Pianos in D Mi...
103 bpm • D# Maj • 08:23 • -25.2db
18% Popularity • 42% Danceability • 7% Energy • 6% Liveness
78% Instrumentalness • 6% Positiveness
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Aaron Copland
Billy the Kid (version for violin and pi...
103 bpm • A Maj • 03:56 • -32.05db
0% Popularity • 22% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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John Alden Carpenter
Violin Sonata: I. Larghetto
93 bpm • G Maj • 06:10 • -22.47db
0% Popularity • 19% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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William Grant Still
In memoriam, "The Colored Soldiers who D...
103 bpm • A# min • 07:28 • -25.81db
8% Popularity • 18% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
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Paul Posnak
Swanee
93 bpm • D Maj • 03:18 • -20.19db
0% Popularity • 44% Danceability • 15% Energy • 8% Liveness
89% Instrumentalness • 25% Positiveness
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Tom Brier
That Dahm Rag
93 bpm • D Maj • 02:54 • -16.68db
10% Popularity • 44% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 85% Positiveness
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childhood dreams
Schumann: Variations On The Name „Abeg...
93 bpm • F Maj • 01:06 • -19.3db
17% Popularity • 52% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Florence Beatrice Price
Symphony No. 4 in D Minor: II. Andante c...
93 bpm • A# Maj • 05:40 • -33db
10% Popularity • 11% Danceability • 1% Energy • 16% Liveness
58% Instrumentalness • 4% Positiveness
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Paul Lewis
English Suite: Jig
104 bpm • F# min • 01:50 • -23.17db
12% Popularity • 47% Danceability • 18% Energy • 19% Liveness
92% Instrumentalness • 54% Positiveness
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Samuel Barber
Concerto for Violin & Orchestra, Op. 14:...
92 bpm • G Maj • 10:13 • -18.16db
17% Popularity • 21% Danceability • 17% Energy • 52% Liveness
70% Instrumentalness • 7% Positiveness
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Fritz Kreisler
Schön Rosmarin
104 bpm • G Maj • 01:56 • -26db
13% Popularity • 47% Danceability • 10% Energy • 25% Liveness
83% Instrumentalness • 75% Positiveness
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Charles Wakefield Cadman
Violin Sonata in G Major: I. Allegretto ...
92 bpm • G Maj • 06:48 • -23.25db
0% Popularity • 26% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Max Keenlyside
Charleston Rag
104 bpm • C# Maj • 03:28 • -18.85db
14% Popularity • 47% Danceability • 22% Energy • 16% Liveness
90% Instrumentalness • 62% Positiveness
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Aram Khachaturian
Gayane Suite No. 3: I. The Hunt - Andant...
92 bpm • D Maj • 05:00 • -17.08db
9% Popularity • 21% Danceability • 22% Energy • 18% Liveness
91% Instrumentalness • 4% Positiveness
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Aaron Copland
2 Preludes: Prelude No. 1 for Violin and...
92 bpm • C# Maj • 03:41 • -27.06db
0% Popularity • 23% Danceability • 2% Energy • 13% Liveness
12% Instrumentalness • 4% Positiveness
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Igor Stravinsky
Ebony Concerto: 1. Allegro moderato
92 bpm • A# Maj • 03:09 • -27db
10% Popularity • 55% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 57% Positiveness
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James Lyle Scott
Grace and Beauty
105 bpm • C# Maj • 03:06 • -25db
12% Popularity • 44% Danceability • 14% Energy • 12% Liveness
86% Instrumentalness • 78% Positiveness
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Johann Nepomuk Hummel
Trumpet Concerto in E-Flat Major, S. 49:...
105 bpm • G# Maj • 04:14 • -24.11db
9% Popularity • 25% Danceability • 7% Energy • 10% Liveness
85% Instrumentalness • 18% Positiveness
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Stephen Heller
25 Etudes Mélodiques, Op. 45: No. 2 in ...
92 bpm • D min • 01:03 • -17.09db
13% Popularity • 46% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 69% Positiveness
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Jasmine Choi, Sam Minaie, Nathaniel Smith & Hugh Sung
Suite for Flute and Jazz Trio : Baroque ...
105 bpm • C Maj • 05:31 • -18.77db
9% Popularity • 44% Danceability • 23% Energy • 6% Liveness
94% Instrumentalness • 48% Positiveness
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Paul Hindemith
Symphonic Metamorphosis of Themes by Car...
91 bpm • F min • 04:01 • -29.86db
25% Popularity • 21% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
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Igor Stravinsky
The Rite of Spring (Scenes of Pagan Russ...
92 bpm • D Maj • 03:20 • -31db
31% Popularity • 18% Danceability • 2% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
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Augusta Holmès
Trois petites pièces: Gigue
105 bpm • F Maj • 01:23 • -24db
14% Popularity • 58% Danceability • 18% Energy • 14% Liveness
89% Instrumentalness • 88% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. M. Rave...
91 bpm • G min • 01:33 • -22.57db
15% Popularity • 38% Danceability • 3% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
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Charlie Chaplin
Weeping Willows
91 bpm • D min • 03:19 • -15.55db
11% Popularity • 42% Danceability • 13% Energy • 4% Liveness
23% Instrumentalness • 26% Positiveness
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Paul Posnak
African Ripples
105 bpm • E min • 03:19 • -17.6db
1% Popularity • 55% Danceability • 15% Energy • 14% Liveness
91% Instrumentalness • 20% Positiveness
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Ernesto Nazareth
Odeon
105 bpm • C# min • 02:47 • -19.95db
0% Popularity • 37% Danceability • 25% Energy • 10% Liveness
89% Instrumentalness • 58% Positiveness
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Stephen Perillo
Flute Sonata: I. Allegro
91 bpm • F Maj • 05:11 • -9.03db
0% Popularity • 75% Danceability • 63% Energy • 12% Liveness
15% Instrumentalness • 80% Positiveness
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Vladimir Horowitz
The Stars and Stripes Forever
106 bpm • D# Maj • 04:35 • -19.58db
19% Popularity • 41% Danceability • 24% Energy • 7% Liveness
86% Instrumentalness • 50% Positiveness
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Alan Hovhaness
Symphony No. 2, Op. 132, "Mysterious Mou...
91 bpm • C Maj • 05:25 • -27.37db
9% Popularity • 10% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Darius Milhaud
Scaramouche, Op. 165b: III. Brazileira (...
106 bpm • F Maj • 02:17 • -18.76db
13% Popularity • 63% Danceability • 28% Energy • 13% Liveness
88% Instrumentalness • 74% Positiveness
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Camille Saint-Saëns
Clarinet Sonata in E-Flat Major, Op. 167...
106 bpm • A# min • 02:01 • -27db
20% Popularity • 38% Danceability • 5% Energy • 10% Liveness
48% Instrumentalness • 22% Positiveness
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Samuel Barber
The School For Scandal Overture Op. 5
106 bpm • A min • 08:31 • -23.7db
4% Popularity • 25% Danceability • 6% Energy • 10% Liveness
79% Instrumentalness • 13% Positiveness
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Ernesto Nazareth
Tupinamba
91 bpm • C Maj • 03:51 • -17.72db
0% Popularity • 39% Danceability • 25% Energy • 20% Liveness
87% Instrumentalness • 52% Positiveness
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Agathe Backer Grøndahl
Fantasy Pieces, Op. 45: Summer Song
91 bpm • G Maj • 02:25 • -30.64db
15% Popularity • 12% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 9% Positiveness
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Nikolai Kapustin
Sonata Fantasy (Piano Sonata No. 1) Op. ...
106 bpm • D Maj • 03:02 • -11.07db
12% Popularity • 46% Danceability • 62% Energy • 14% Liveness
90% Instrumentalness • 71% Positiveness
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Bill Evans
Waltz for Debbie
91 bpm • F Maj • 01:43 • -27.52db
7% Popularity • 38% Danceability • 6% Energy • 11% Liveness
81% Instrumentalness • 11% Positiveness
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Edward MacDowell
Woodland Sketches, Op. 51: No. 2: Will-o...
106 bpm • F# min • 01:28 • -33.71db
12% Popularity • 40% Danceability • 1% Energy • 8% Liveness
81% Instrumentalness • 43% Positiveness
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Earl Wild
7 Virtuoso Etudes: No. 1, I Got Rhythm (...
106 bpm • F# Maj • 02:12 • -19.15db
20% Popularity • 34% Danceability • 27% Energy • 9% Liveness
91% Instrumentalness • 25% Positiveness
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Charles Wakefield Cadman
Piano Quintet in G Minor: II. Andante co...
90 bpm • G Maj • 06:55 • -28.99db
0% Popularity • 10% Danceability • 3% Energy • 9% Liveness
74% Instrumentalness • 3% Positiveness
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Paul Posnak
Handful of Keys
106 bpm • F Maj • 03:28 • -18.01db
1% Popularity • 55% Danceability • 24% Energy • 6% Liveness
91% Instrumentalness • 76% Positiveness
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Ernesto Nazareth
Tango Brasileiro
90 bpm • A# min • 02:25 • -22.2db
0% Popularity • 42% Danceability • 16% Energy • 9% Liveness
89% Instrumentalness • 56% Positiveness
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Claude Debussy
Golliwog's Cake-walk
107 bpm • F min • 02:59 • -23.29db
18% Popularity • 48% Danceability • 13% Energy • 10% Liveness
89% Instrumentalness • 28% Positiveness
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Dmitri Shostakovich
Piano Trio No. 2 in E Minor, Op. 67: IV....
90 bpm • A Maj • 10:41 • -18.2db
8% Popularity • 34% Danceability • 14% Energy • 7% Liveness
23% Instrumentalness • 15% Positiveness
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Alexander Borodin
String Quartet No.2 in D Major
90 bpm • A Maj • 08:12 • -20.95db
21% Popularity • 18% Danceability • 12% Energy • 7% Liveness
75% Instrumentalness • 11% Positiveness
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Smashing Third