Songs like Smoke Gets In Your Eyes by Max Greger
Based on a tempo of (+/- 10%) and a similar genre
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Blue Heaven
Tampico
116 bpm • D# Maj • 02:41 • -9.61db
31% Popularity • 68% Danceability • 59% Energy • 30% Liveness
20% Instrumentalness • 91% Positiveness
31% Popularity • 68% Danceability • 59% Energy • 30% Liveness
20% Instrumentalness • 91% Positiveness
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Daniela de Santos
Hawaii Träume
116 bpm • C Maj • 03:10 • -6.82db
24% Popularity • 54% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 54% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Max Greger
Smoke Gets In Your Eyes
116 bpm • A# Maj • 03:41 • -15db
30% Popularity • 35% Danceability • 35% Energy • 16% Liveness
91% Instrumentalness • 10% Positiveness
30% Popularity • 35% Danceability • 35% Energy • 16% Liveness
91% Instrumentalness • 10% Positiveness
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Andi Häckel
Der Fremdenlegionär
116 bpm • A Maj • 03:02 • -9db
17% Popularity • 57% Danceability • 60% Energy • 11% Liveness
42% Instrumentalness • 62% Positiveness
17% Popularity • 57% Danceability • 60% Energy • 11% Liveness
42% Instrumentalness • 62% Positiveness
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Nikos Ignatiadis
Pireaus (Never On A Sunday)
116 bpm • A Maj • 02:59 • -11.63db
26% Popularity • 57% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 57% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Benny Bailey
Stardust
116 bpm • C# Maj • 03:14 • -14db
1% Popularity • 43% Danceability • 22% Energy • 20% Liveness
79% Instrumentalness • 33% Positiveness
1% Popularity • 43% Danceability • 22% Energy • 20% Liveness
79% Instrumentalness • 33% Positiveness
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Das Orchester Claudius Alzner
Ich hab' die Liebe geseh'n - Sweet Lorra...
116 bpm • D# Maj • 03:06 • -14.64db
28% Popularity • 61% Danceability • 32% Energy • 34% Liveness
82% Instrumentalness • 66% Positiveness
28% Popularity • 61% Danceability • 32% Energy • 34% Liveness
82% Instrumentalness • 66% Positiveness
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Pascale Andrews
La Femme Est L'Avenir De L'Homme
117 bpm • C Maj • 03:50 • -4.48db
15% Popularity • 72% Danceability • 72% Energy • 7% Liveness
26% Instrumentalness • 67% Positiveness
15% Popularity • 72% Danceability • 72% Energy • 7% Liveness
26% Instrumentalness • 67% Positiveness
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Max Greger
Rot Ist Der Wein (Spanish Eyes)
116 bpm • C Maj • 02:51 • -10db
22% Popularity • 57% Danceability • 37% Energy • 19% Liveness
89% Instrumentalness • 42% Positiveness
22% Popularity • 57% Danceability • 37% Energy • 19% Liveness
89% Instrumentalness • 42% Positiveness
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André Moss
My happiness
117 bpm • A# Maj • 02:26 • -6.82db
27% Popularity • 50% Danceability • 59% Energy • 10% Liveness
78% Instrumentalness • 54% Positiveness
27% Popularity • 50% Danceability • 59% Energy • 10% Liveness
78% Instrumentalness • 54% Positiveness
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Claudius Alzner
You belong to my heart - Ginny come late...
117 bpm • C Maj • 03:52 • -13db
27% Popularity • 58% Danceability • 33% Energy • 55% Liveness
56% Instrumentalness • 75% Positiveness
27% Popularity • 58% Danceability • 33% Energy • 55% Liveness
56% Instrumentalness • 75% Positiveness
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Hans Hollestelle
Because They're Young
115 bpm • E Maj • 02:16 • -13.95db
16% Popularity • 62% Danceability • 59% Energy • 19% Liveness
24% Instrumentalness • 62% Positiveness
16% Popularity • 62% Danceability • 59% Energy • 19% Liveness
24% Instrumentalness • 62% Positiveness
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Andi Häckel
La Paloma
117 bpm • G Maj • 04:06 • -8db
30% Popularity • 52% Danceability • 64% Energy • 8% Liveness
94% Instrumentalness • 78% Positiveness
30% Popularity • 52% Danceability • 64% Energy • 8% Liveness
94% Instrumentalness • 78% Positiveness
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Pepe Solera
Ich Werd' Von Dir Träumen
117 bpm • D# Maj • 03:03 • -4db
18% Popularity • 51% Danceability • 78% Energy • 30% Liveness
88% Instrumentalness • 68% Positiveness
18% Popularity • 51% Danceability • 78% Energy • 30% Liveness
88% Instrumentalness • 68% Positiveness
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Max Greger
Besame Mucho
116 bpm • A# min • 03:00 • -8db
15% Popularity • 59% Danceability • 63% Energy • 34% Liveness
88% Instrumentalness • 70% Positiveness
15% Popularity • 59% Danceability • 63% Energy • 34% Liveness
88% Instrumentalness • 70% Positiveness
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The Locomotions
Till
117 bpm • C Maj • 02:42 • -8.08db
24% Popularity • 43% Danceability • 55% Energy • 11% Liveness
89% Instrumentalness • 63% Positiveness
24% Popularity • 43% Danceability • 55% Energy • 11% Liveness
89% Instrumentalness • 63% Positiveness
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Claudius Alzner
La Paloma - Roter Mohn - Unter der roten...
117 bpm • C Maj • 04:05 • -14db
21% Popularity • 45% Danceability • 18% Energy • 8% Liveness
8% Instrumentalness • 48% Positiveness
21% Popularity • 45% Danceability • 18% Energy • 8% Liveness
8% Instrumentalness • 48% Positiveness
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Combo Alfredo
Rosen für Dich (roses for you) - Radio ...
117 bpm • G# Maj • 02:53 • -10db
25% Popularity • 60% Danceability • 58% Energy • 31% Liveness
19% Instrumentalness • 70% Positiveness
25% Popularity • 60% Danceability • 58% Energy • 31% Liveness
19% Instrumentalness • 70% Positiveness
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Blue Heaven
Napoli
115 bpm • E Maj • 02:57 • -8.05db
30% Popularity • 67% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
30% Popularity • 67% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Nikos Ignatiadis
Flight To Rhodos
115 bpm • F Maj • 03:31 • -13db
33% Popularity • 55% Danceability • 46% Energy • 36% Liveness
90% Instrumentalness • 39% Positiveness
33% Popularity • 55% Danceability • 46% Energy • 36% Liveness
90% Instrumentalness • 39% Positiveness
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Max Greger
I Just Called To Say I Love You
115 bpm • C Maj • 04:17 • -9.48db
4% Popularity • 65% Danceability • 54% Energy • 17% Liveness
86% Instrumentalness • 45% Positiveness
4% Popularity • 65% Danceability • 54% Energy • 17% Liveness
86% Instrumentalness • 45% Positiveness
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Bill Ramsey
Weltschlager - Medley
115 bpm • A Maj • 07:44 • -12.13db
9% Popularity • 47% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
9% Popularity • 47% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
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Claudius Alzner
September in the Rain - Komm zurück - N...
117 bpm • D# Maj • 04:33 • -12db
27% Popularity • 53% Danceability • 28% Energy • 10% Liveness
91% Instrumentalness • 45% Positiveness
27% Popularity • 53% Danceability • 28% Energy • 10% Liveness
91% Instrumentalness • 45% Positiveness
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Dirk Schiefen
Blue Spanish eyes
115 bpm • D# Maj • 02:42 • -9.95db
31% Popularity • 51% Danceability • 41% Energy • 18% Liveness
84% Instrumentalness • 50% Positiveness
31% Popularity • 51% Danceability • 41% Energy • 18% Liveness
84% Instrumentalness • 50% Positiveness
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Das Orchester Claudius Alzner
Die kleine Kneipe , Rififi
115 bpm • C Maj • 03:14 • -16db
21% Popularity • 42% Danceability • 28% Energy • 10% Liveness
83% Instrumentalness • 46% Positiveness
21% Popularity • 42% Danceability • 28% Energy • 10% Liveness
83% Instrumentalness • 46% Positiveness
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Caravelli
Quand Il Est Mort Le Poete
117 bpm • G# Maj • 02:46 • -10.91db
6% Popularity • 38% Danceability • 34% Energy • 20% Liveness
38% Instrumentalness • 44% Positiveness
6% Popularity • 38% Danceability • 34% Energy • 20% Liveness
38% Instrumentalness • 44% Positiveness
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Daniela de Santos
Guten Abend, gute Nacht
115 bpm • C Maj • 02:28 • -6.37db
25% Popularity • 38% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 38% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Hugo Strasser und die Heinrich Haas jr. Combo
SUMMERWIND
115 bpm • A# Maj • 02:49 • -9.01db
15% Popularity • 71% Danceability • 40% Energy • 29% Liveness
50% Instrumentalness • 50% Positiveness
15% Popularity • 71% Danceability • 40% Energy • 29% Liveness
50% Instrumentalness • 50% Positiveness
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The Jumping Jewels
Wheels
117 bpm • D Maj • 02:05 • -17.29db
32% Popularity • 81% Danceability • 31% Energy • 14% Liveness
82% Instrumentalness • 92% Positiveness
32% Popularity • 81% Danceability • 31% Energy • 14% Liveness
82% Instrumentalness • 92% Positiveness
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Dirk Schiefen
Morning Has Broken
115 bpm • G Maj • 02:52 • -9.22db
31% Popularity • 29% Danceability • 51% Energy • 20% Liveness
84% Instrumentalness • 39% Positiveness
31% Popularity • 29% Danceability • 51% Energy • 20% Liveness
84% Instrumentalness • 39% Positiveness
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Tol & Tol
Rounding The Cape (A Tribute To...)
114 bpm • A min • 03:52 • -14db
30% Popularity • 57% Danceability • 47% Energy • 16% Liveness
84% Instrumentalness • 65% Positiveness
30% Popularity • 57% Danceability • 47% Energy • 16% Liveness
84% Instrumentalness • 65% Positiveness
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Das Orchester Claudius Alzner
Je suis seule ce soir , Song sung Blue ,...
114 bpm • C Maj • 04:13 • -15.34db
19% Popularity • 51% Danceability • 28% Energy • 35% Liveness
25% Instrumentalness • 52% Positiveness
19% Popularity • 51% Danceability • 28% Energy • 35% Liveness
25% Instrumentalness • 52% Positiveness
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Bernie Saxophone Entertainer
Only You
114 bpm • G Maj • 02:38 • -5.17db
27% Popularity • 23% Danceability • 44% Energy • 12% Liveness
88% Instrumentalness • 43% Positiveness
27% Popularity • 23% Danceability • 44% Energy • 12% Liveness
88% Instrumentalness • 43% Positiveness
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Andi Häckel
Ein Schiff wird kommen
118 bpm • D Maj • 03:22 • -9.23db
31% Popularity • 56% Danceability • 57% Energy • 18% Liveness
96% Instrumentalness • 91% Positiveness
31% Popularity • 56% Danceability • 57% Energy • 18% Liveness
96% Instrumentalness • 91% Positiveness
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Daniela de Santos
Du bist mein erster Gedanke
114 bpm • C Maj • 03:07 • -8.87db
26% Popularity • 74% Danceability • 61% Energy • 8% Liveness
34% Instrumentalness • 51% Positiveness
26% Popularity • 74% Danceability • 61% Energy • 8% Liveness
34% Instrumentalness • 51% Positiveness
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Dirk Schiefen
Gummi Mambo
114 bpm • D# Maj • 02:54 • -10db
32% Popularity • 60% Danceability • 49% Energy • 26% Liveness
74% Instrumentalness • 70% Positiveness
32% Popularity • 60% Danceability • 49% Energy • 26% Liveness
74% Instrumentalness • 70% Positiveness
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Tol & Tol
Blue Moon Dancing
114 bpm • E Maj • 02:51 • -9.08db
33% Popularity • 70% Danceability • 60% Energy • 14% Liveness
68% Instrumentalness • 96% Positiveness
33% Popularity • 70% Danceability • 60% Energy • 14% Liveness
68% Instrumentalness • 96% Positiveness
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Günter Noris
Orfeu Negro
118 bpm • G min • 02:50 • -10db
15% Popularity • 41% Danceability • 36% Energy • 15% Liveness
79% Instrumentalness • 49% Positiveness
15% Popularity • 41% Danceability • 36% Energy • 15% Liveness
79% Instrumentalness • 49% Positiveness
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Bernie Saxophone Entertainer
Du Bist Mein Erster Gedanke
114 bpm • A# Maj • 02:52 • -5.13db
19% Popularity • 46% Danceability • 55% Energy • 18% Liveness
81% Instrumentalness • 46% Positiveness
19% Popularity • 46% Danceability • 55% Energy • 18% Liveness
81% Instrumentalness • 46% Positiveness
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Andi Häckel
Gruß an Kiel
114 bpm • C Maj • 03:00 • -5.58db
25% Popularity • 80% Danceability • 79% Energy • 12% Liveness
3% Instrumentalness • 97% Positiveness
25% Popularity • 80% Danceability • 79% Energy • 12% Liveness
3% Instrumentalness • 97% Positiveness
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Hector Delfosse
Un Amour Comme Le Nôtre / Ecris-moi / L...
114 bpm • D min • 02:39 • -10.48db
19% Popularity • 52% Danceability • 30% Energy • 10% Liveness
2% Instrumentalness • 55% Positiveness
19% Popularity • 52% Danceability • 30% Energy • 10% Liveness
2% Instrumentalness • 55% Positiveness
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Tango Orchester Alfred Hause
Tanze mit mir in den Morgen
114 bpm • C Maj • 02:43 • -10.46db
16% Popularity • 58% Danceability • 32% Energy • 13% Liveness
47% Instrumentalness • 86% Positiveness
16% Popularity • 58% Danceability • 32% Energy • 13% Liveness
47% Instrumentalness • 86% Positiveness
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Billy Vaughn y su Orquesta
Petite Fleur
118 bpm • G min • 02:39 • -7.95db
27% Popularity • 41% Danceability • 28% Energy • 12% Liveness
67% Instrumentalness • 38% Positiveness
27% Popularity • 41% Danceability • 28% Energy • 12% Liveness
67% Instrumentalness • 38% Positiveness
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Daniela de Santos
La Paranda
114 bpm • A Maj • 03:09 • -5db
31% Popularity • 54% Danceability • 93% Energy • 40% Liveness
93% Instrumentalness • 77% Positiveness
31% Popularity • 54% Danceability • 93% Energy • 40% Liveness
93% Instrumentalness • 77% Positiveness
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Bernie Saxophone Entertainer
Moonlight Melodie
114 bpm • G Maj • 02:46 • -6.87db
33% Popularity • 48% Danceability • 62% Energy • 23% Liveness
86% Instrumentalness • 60% Positiveness
33% Popularity • 48% Danceability • 62% Energy • 23% Liveness
86% Instrumentalness • 60% Positiveness
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Max Greger
More
114 bpm • F Maj • 01:33 • -15.42db
12% Popularity • 55% Danceability • 38% Energy • 44% Liveness
64% Instrumentalness • 57% Positiveness
12% Popularity • 55% Danceability • 38% Energy • 44% Liveness
64% Instrumentalness • 57% Positiveness
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Hector Delfosse
Le Plus Beau Tango Du Monde / Mon Coeur ...
114 bpm • G min • 02:24 • -8.45db
31% Popularity • 49% Danceability • 32% Energy • 5% Liveness
6% Instrumentalness • 65% Positiveness
31% Popularity • 49% Danceability • 32% Energy • 5% Liveness
6% Instrumentalness • 65% Positiveness
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Ladi Geisler & Friends
Eviva Espana / Valencia / Funiculi, Funi...
113 bpm • F Maj • 05:06 • -11db
9% Popularity • 69% Danceability • 46% Energy • 14% Liveness
95% Instrumentalness • 87% Positiveness
9% Popularity • 69% Danceability • 46% Energy • 14% Liveness
95% Instrumentalness • 87% Positiveness
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Alfred Hause
Un Violon Dans La Nuit
119 bpm • C Maj • 02:22 • -10.16db
37% Popularity • 36% Danceability • 38% Energy • 20% Liveness
21% Instrumentalness • 59% Positiveness
37% Popularity • 36% Danceability • 38% Energy • 20% Liveness
21% Instrumentalness • 59% Positiveness
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Tango Orchester Alfred Hause
Capri-Fischer
113 bpm • C Maj • 03:53 • -9.58db
13% Popularity • 50% Danceability • 44% Energy • 38% Liveness
79% Instrumentalness • 54% Positiveness
13% Popularity • 50% Danceability • 44% Energy • 38% Liveness
79% Instrumentalness • 54% Positiveness
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Claudius Alzner
My blue heaven - My bonnie is over the o...
113 bpm • F Maj • 02:20 • -13db
30% Popularity • 64% Danceability • 40% Energy • 7% Liveness
37% Instrumentalness • 90% Positiveness
30% Popularity • 64% Danceability • 40% Energy • 7% Liveness
37% Instrumentalness • 90% Positiveness
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Max Greger
Lovebird
113 bpm • A# Maj • 03:42 • -15.8db
8% Popularity • 59% Danceability • 50% Energy • 18% Liveness
79% Instrumentalness • 61% Positiveness
8% Popularity • 59% Danceability • 50% Energy • 18% Liveness
79% Instrumentalness • 61% Positiveness
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Gentlemen Of Trumpets
Cielito Lindo
119 bpm • A# Maj • 02:59 • -7db
19% Popularity • 68% Danceability • 86% Energy • 17% Liveness
93% Instrumentalness • 82% Positiveness
19% Popularity • 68% Danceability • 86% Energy • 17% Liveness
93% Instrumentalness • 82% Positiveness
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Botticelli
Song Sung Blue
119 bpm • C Maj • 02:15 • -13.81db
32% Popularity • 49% Danceability • 30% Energy • 34% Liveness
75% Instrumentalness • 57% Positiveness
32% Popularity • 49% Danceability • 30% Energy • 34% Liveness
75% Instrumentalness • 57% Positiveness
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World Sound Orchestra
Fett Polka
119 bpm • C Maj • 02:56 • -6.37db
21% Popularity • 82% Danceability • 75% Energy • 31% Liveness
74% Instrumentalness • 96% Positiveness
21% Popularity • 82% Danceability • 75% Energy • 31% Liveness
74% Instrumentalness • 96% Positiveness
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Pepe Solera
(Medley) La Paloma - La Golondrina
113 bpm • G Maj • 03:26 • -7.3db
28% Popularity • 48% Danceability • 56% Energy • 9% Liveness
34% Instrumentalness • 54% Positiveness
28% Popularity • 48% Danceability • 56% Energy • 9% Liveness
34% Instrumentalness • 54% Positiveness
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Hugo Strasser und die Heinrich Haas jr. Combo
FASZINATION
119 bpm • G min • 02:45 • -11db
21% Popularity • 74% Danceability • 38% Energy • 11% Liveness
62% Instrumentalness • 46% Positiveness
21% Popularity • 74% Danceability • 38% Energy • 11% Liveness
62% Instrumentalness • 46% Positiveness
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Tango Orchester Alfred Hause
O Sole Mio
113 bpm • G Maj • 02:55 • -14db
18% Popularity • 52% Danceability • 42% Energy • 29% Liveness
70% Instrumentalness • 71% Positiveness
18% Popularity • 52% Danceability • 42% Energy • 29% Liveness
70% Instrumentalness • 71% Positiveness
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Orchester Werner Tauber
Smoke Gets In Your Eyes
119 bpm • G Maj • 03:30 • -7.59db
12% Popularity • 56% Danceability • 41% Energy • 13% Liveness
50% Instrumentalness • 34% Positiveness
12% Popularity • 56% Danceability • 41% Energy • 13% Liveness
50% Instrumentalness • 34% Positiveness
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Botticelli
Forever and Ever
119 bpm • E Maj • 02:59 • -11.24db
27% Popularity • 39% Danceability • 45% Energy • 17% Liveness
79% Instrumentalness • 48% Positiveness
27% Popularity • 39% Danceability • 45% Energy • 17% Liveness
79% Instrumentalness • 48% Positiveness
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Max Greger
Begin The Beguine/Strange Paradise
113 bpm • C Maj • 03:29 • -11.28db
4% Popularity • 44% Danceability • 38% Energy • 8% Liveness
87% Instrumentalness • 45% Positiveness
4% Popularity • 44% Danceability • 38% Energy • 8% Liveness
87% Instrumentalness • 45% Positiveness
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Kurt Edelhagen
Slowfox: 30 Takte Pro Minute - Adios
120 bpm • F Maj • 02:20 • -11.22db
45% Popularity • 57% Danceability • 49% Energy • 13% Liveness
82% Instrumentalness • 67% Positiveness
45% Popularity • 57% Danceability • 49% Energy • 13% Liveness
82% Instrumentalness • 67% Positiveness
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RIAS Big Band
It Don't Mean A Thing
112 bpm • G Maj • 03:29 • -9.12db
1% Popularity • 62% Danceability • 54% Energy • 6% Liveness
20% Instrumentalness • 65% Positiveness
1% Popularity • 62% Danceability • 54% Energy • 6% Liveness
20% Instrumentalness • 65% Positiveness
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Tango Orchester Alfred Hause
Lago Maggiore
113 bpm • D Maj • 02:58 • -9.85db
10% Popularity • 56% Danceability • 49% Energy • 14% Liveness
37% Instrumentalness • 55% Positiveness
10% Popularity • 56% Danceability • 49% Energy • 14% Liveness
37% Instrumentalness • 55% Positiveness
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Stef Meeder
Lover, I'll See You In My Dreams, Do Re ...
112 bpm • C Maj • 03:08 • -14.23db
12% Popularity • 54% Danceability • 50% Energy • 33% Liveness
81% Instrumentalness • 47% Positiveness
12% Popularity • 54% Danceability • 50% Energy • 33% Liveness
81% Instrumentalness • 47% Positiveness
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Kevin Pabst
Spanish Eyes
112 bpm • A# Maj • 02:56 • -10.48db
14% Popularity • 62% Danceability • 50% Energy • 10% Liveness
95% Instrumentalness • 63% Positiveness
14% Popularity • 62% Danceability • 50% Energy • 10% Liveness
95% Instrumentalness • 63% Positiveness
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Jean Claude Borelly
Les salons du Titanic
112 bpm • B Maj • 03:33 • -6.95db
9% Popularity • 30% Danceability • 63% Energy • 17% Liveness
56% Instrumentalness • 40% Positiveness
9% Popularity • 30% Danceability • 63% Energy • 17% Liveness
56% Instrumentalness • 40% Positiveness
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Günter Noris
Bert Kaempfert Medley
112 bpm • A# Maj • 03:12 • -12db
30% Popularity • 55% Danceability • 54% Energy • 64% Liveness
97% Instrumentalness • 60% Positiveness
30% Popularity • 55% Danceability • 54% Energy • 64% Liveness
97% Instrumentalness • 60% Positiveness
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CBM-Orchester
Spiel noch einmal für mich Habanero
112 bpm • D# Maj • 03:11 • -7.18db
12% Popularity • 53% Danceability • 50% Energy • 22% Liveness
76% Instrumentalness • 65% Positiveness
12% Popularity • 53% Danceability • 50% Energy • 22% Liveness
76% Instrumentalness • 65% Positiveness
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Tango Orchester Alfred Hause
In einer kleinen Konditorei
120 bpm • A Maj • 02:38 • -10db
11% Popularity • 43% Danceability • 43% Energy • 14% Liveness
51% Instrumentalness • 48% Positiveness
11% Popularity • 43% Danceability • 43% Energy • 14% Liveness
51% Instrumentalness • 48% Positiveness
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Orchestra Grand Cafe
Du Schwarzer Zigeuner
120 bpm • E min • 02:19 • -10db
19% Popularity • 63% Danceability • 33% Energy • 13% Liveness
2% Instrumentalness • 63% Positiveness
19% Popularity • 63% Danceability • 33% Energy • 13% Liveness
2% Instrumentalness • 63% Positiveness
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Andi Häckel
Du Schwarzer Zigeuner
120 bpm • F Maj • 02:57 • -8.24db
18% Popularity • 54% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
18% Popularity • 54% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Guy Denys
Une Rose Pour Sandra
120 bpm • G# Maj • 02:08 • -3.74db
20% Popularity • 58% Danceability • 64% Energy • 62% Liveness
84% Instrumentalness • 68% Positiveness
20% Popularity • 58% Danceability • 64% Energy • 62% Liveness
84% Instrumentalness • 68% Positiveness
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Glen Lucas
Blue Bayou
112 bpm • A# Maj • 03:26 • -13db
36% Popularity • 63% Danceability • 33% Energy • 10% Liveness
83% Instrumentalness • 40% Positiveness
36% Popularity • 63% Danceability • 33% Energy • 10% Liveness
83% Instrumentalness • 40% Positiveness
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Francis Dupont
Little serenade
120 bpm • A# Maj • 03:12 • -14db
29% Popularity • 62% Danceability • 46% Energy • 12% Liveness
89% Instrumentalness • 80% Positiveness
29% Popularity • 62% Danceability • 46% Energy • 12% Liveness
89% Instrumentalness • 80% Positiveness
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The Romantic Sound Orchestra
The Last Rose Of Summer
120 bpm • D Maj • 03:45 • -10.85db
24% Popularity • 47% Danceability • 42% Energy • 9% Liveness
84% Instrumentalness • 37% Positiveness
24% Popularity • 47% Danceability • 42% Energy • 9% Liveness
84% Instrumentalness • 37% Positiveness
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Orchestra Grand Cafe
La Violettera
120 bpm • G Maj • 03:24 • -12db
9% Popularity • 63% Danceability • 34% Energy • 33% Liveness
9% Instrumentalness • 74% Positiveness
9% Popularity • 63% Danceability • 34% Energy • 33% Liveness
9% Instrumentalness • 74% Positiveness
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Gary Freeman
Oh, Mein Papa
112 bpm • C min • 02:19 • -11db
35% Popularity • 52% Danceability • 56% Energy • 18% Liveness
74% Instrumentalness • 59% Positiveness
35% Popularity • 52% Danceability • 56% Energy • 18% Liveness
74% Instrumentalness • 59% Positiveness
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Andi Häckel
Aloha Oe
112 bpm • A# Maj • 03:24 • -8.94db
29% Popularity • 56% Danceability • 72% Energy • 20% Liveness
96% Instrumentalness • 96% Positiveness
29% Popularity • 56% Danceability • 72% Energy • 20% Liveness
96% Instrumentalness • 96% Positiveness
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Hugo Strasser
Ein bisschen Frieden
112 bpm • C Maj • 02:52 • -8db
24% Popularity • 52% Danceability • 53% Energy • 32% Liveness
94% Instrumentalness • 54% Positiveness
24% Popularity • 52% Danceability • 53% Energy • 32% Liveness
94% Instrumentalness • 54% Positiveness
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Saxophon: Lui Martin
A Man Without Love
112 bpm • C# Maj • 03:22 • -6.31db
15% Popularity • 51% Danceability • 56% Energy • 16% Liveness
16% Instrumentalness • 50% Positiveness
15% Popularity • 51% Danceability • 56% Energy • 16% Liveness
16% Instrumentalness • 50% Positiveness
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Das Orchester Claudius Alzner
Buona sera - O sole mio - Kriminaltango
120 bpm • C Maj • 04:08 • -17db
10% Popularity • 52% Danceability • 26% Energy • 7% Liveness
45% Instrumentalness • 63% Positiveness
10% Popularity • 52% Danceability • 26% Energy • 7% Liveness
45% Instrumentalness • 63% Positiveness
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Orchestra Grand Cafe
Wenn Der Weisse Flieder Wieder Blüht
120 bpm • F Maj • 02:52 • -11.97db
12% Popularity • 68% Danceability • 43% Energy • 9% Liveness
4% Instrumentalness • 85% Positiveness
12% Popularity • 68% Danceability • 43% Energy • 9% Liveness
4% Instrumentalness • 85% Positiveness
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Tango Orchester Alfred Hause
El Choclo
120 bpm • D min • 02:38 • -12.7db
11% Popularity • 64% Danceability • 31% Energy • 13% Liveness
61% Instrumentalness • 82% Positiveness
11% Popularity • 64% Danceability • 31% Energy • 13% Liveness
61% Instrumentalness • 82% Positiveness
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Pascale Andrews
On Se Quitte Et Pourtant
112 bpm • A Maj • 03:30 • -1.95db
18% Popularity • 65% Danceability • 86% Energy • 3% Liveness
30% Instrumentalness • 64% Positiveness
18% Popularity • 65% Danceability • 86% Energy • 3% Liveness
30% Instrumentalness • 64% Positiveness
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Max Greger
Raindrops Keep Falling On My Head
120 bpm • D# Maj • 02:39 • -17.21db
10% Popularity • 53% Danceability • 28% Energy • 47% Liveness
87% Instrumentalness • 54% Positiveness
10% Popularity • 53% Danceability • 28% Energy • 47% Liveness
87% Instrumentalness • 54% Positiveness
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Billy Vaughn y su Orquesta
Blue Tango
112 bpm • D# Maj • 02:52 • -8db
26% Popularity • 68% Danceability • 42% Energy • 7% Liveness
16% Instrumentalness • 69% Positiveness
26% Popularity • 68% Danceability • 42% Energy • 7% Liveness
16% Instrumentalness • 69% Positiveness
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Das Orchester Claudius Alzner
Mexican Girl , Living next door to Alice...
120 bpm • F Maj • 04:06 • -15.32db
9% Popularity • 56% Danceability • 39% Energy • 12% Liveness
62% Instrumentalness • 73% Positiveness
9% Popularity • 56% Danceability • 39% Energy • 12% Liveness
62% Instrumentalness • 73% Positiveness
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Orchestra Grand Cafe
Rosamunde
112 bpm • F Maj • 03:38 • -11.65db
15% Popularity • 79% Danceability • 46% Energy • 9% Liveness
10% Instrumentalness • 96% Positiveness
15% Popularity • 79% Danceability • 46% Energy • 9% Liveness
10% Instrumentalness • 96% Positiveness
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Kurt Edelhagen
Rumba: 28 Takte Pro Minute - Dancing Wit...
112 bpm • G min • 02:35 • -10.83db
35% Popularity • 64% Danceability • 48% Energy • 7% Liveness
96% Instrumentalness • 81% Positiveness
35% Popularity • 64% Danceability • 48% Energy • 7% Liveness
96% Instrumentalness • 81% Positiveness
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The Blue Comets
Beyond The Reef
121 bpm • D Maj • 02:45 • -11.63db
32% Popularity • 59% Danceability • 46% Energy • 19% Liveness
51% Instrumentalness • 55% Positiveness
32% Popularity • 59% Danceability • 46% Energy • 19% Liveness
51% Instrumentalness • 55% Positiveness
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Pascale Andrews
J'Adore Les Femmes
121 bpm • C Maj • 03:04 • -3.94db
20% Popularity • 62% Danceability • 72% Energy • 42% Liveness
46% Instrumentalness • 76% Positiveness
20% Popularity • 62% Danceability • 72% Energy • 42% Liveness
46% Instrumentalness • 76% Positiveness
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Nikos Ignatiadis
Greek Medley
111 bpm • G Maj • 07:35 • -11db
26% Popularity • 33% Danceability • 39% Energy • 10% Liveness
73% Instrumentalness • 26% Positiveness
26% Popularity • 33% Danceability • 39% Energy • 10% Liveness
73% Instrumentalness • 26% Positiveness
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Das Orchester Claudius Alzner
Capri-Fischer
121 bpm • A Maj • 02:57 • -11.22db
15% Popularity • 44% Danceability • 41% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 44% Danceability • 41% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
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Pepe Jaramillo
South of the Border
121 bpm • A# Maj • 02:59 • -13db
34% Popularity • 76% Danceability • 27% Energy • 10% Liveness
92% Instrumentalness • 91% Positiveness
34% Popularity • 76% Danceability • 27% Energy • 10% Liveness
92% Instrumentalness • 91% Positiveness
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Tango Orchester Alfred Hause
Florentinische Nächte
121 bpm • D Maj • 02:59 • -10.96db
31% Popularity • 38% Danceability • 44% Energy • 40% Liveness
67% Instrumentalness • 24% Positiveness
31% Popularity • 38% Danceability • 44% Energy • 40% Liveness
67% Instrumentalness • 24% Positiveness
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Richard Abel
La Paloma
111 bpm • C Maj • 03:07 • -11db
34% Popularity • 62% Danceability • 47% Energy • 16% Liveness
95% Instrumentalness • 64% Positiveness
34% Popularity • 62% Danceability • 47% Energy • 16% Liveness
95% Instrumentalness • 64% Positiveness
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Pascale Andrews
Tous Les Bouquets Se Fânent
121 bpm • D Maj • 03:44 • -4db
21% Popularity • 55% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
21% Popularity • 55% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness