Songs like Smoke! Smoke! Smoke! by Commander Cody and His Lost Planet Airmen
Based on a tempo of (+/- 10%) and a similar genre
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The Ozark Mountain Daredevils
Keep On Churnin'
146 bpm • D Maj • 02:54 • -9.93db
30% Popularity • 48% Danceability • 83% Energy • 16% Liveness
11% Instrumentalness • 96% Positiveness
30% Popularity • 48% Danceability • 83% Energy • 16% Liveness
11% Instrumentalness • 96% Positiveness
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Loggins & Messina
Your Mama Don't Dance
146 bpm • C Maj • 02:47 • -7.37db
54% Popularity • 55% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
54% Popularity • 55% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Robbie Fulks
Rock Bottom, Pop. 1
146 bpm • A Maj • 02:40 • -8.93db
25% Popularity • 61% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 95% Positiveness
25% Popularity • 61% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 95% Positiveness
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The Stanley Brothers
Mountain Dew
146 bpm • D# Maj • 02:43 • -14.01db
39% Popularity • 54% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
39% Popularity • 54% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Henson Cargill
Skip a Rope
146 bpm • F# min • 02:40 • -13db
46% Popularity • 62% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
46% Popularity • 62% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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George Thorogood & The Destroyers
Move It On Over
147 bpm • G Maj • 04:20 • -8db
53% Popularity • 50% Danceability • 86% Energy • 8% Liveness
1% Instrumentalness • 81% Positiveness
53% Popularity • 50% Danceability • 86% Energy • 8% Liveness
1% Instrumentalness • 81% Positiveness
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Conway Twitty
Rocky Top
147 bpm • G Maj • 02:48 • -12.61db
51% Popularity • 52% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
51% Popularity • 52% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
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Kinky Friedman
Sold American
145 bpm • E Maj • 03:17 • -13db
28% Popularity • 56% Danceability • 42% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
28% Popularity • 56% Danceability • 42% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Lefty Frizzell
Saginaw, Michigan
145 bpm • A# Maj • 03:06 • -14db
44% Popularity • 58% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
44% Popularity • 58% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Loudon Wainwright III
Dead Skunk
147 bpm • G Maj • 03:05 • -11.51db
41% Popularity • 63% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
41% Popularity • 63% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Steve Goodman
How Much Tequila (Did I Drink Last Night...
147 bpm • G Maj • 02:29 • -11.23db
12% Popularity • 63% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 95% Positiveness
12% Popularity • 63% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 95% Positiveness
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The International Submarine Band
I Must Be Somebody Else You've Known
147 bpm • E Maj • 02:20 • -7db
36% Popularity • 51% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
36% Popularity • 51% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Dale Watson
I Lie When I Drink
147 bpm • E Maj • 03:07 • -10.01db
33% Popularity • 53% Danceability • 52% Energy • 6% Liveness
23% Instrumentalness • 78% Positiveness
33% Popularity • 53% Danceability • 52% Energy • 6% Liveness
23% Instrumentalness • 78% Positiveness
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Pure Prairie League
Two Lane Highway
147 bpm • A Maj • 04:07 • -10db
35% Popularity • 52% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
35% Popularity • 52% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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Mission Mountain Wood Band
Take a Whiff on Me
147 bpm • G Maj • 03:03 • -10.33db
14% Popularity • 53% Danceability • 90% Energy • 61% Liveness
1% Instrumentalness • 94% Positiveness
14% Popularity • 53% Danceability • 90% Energy • 61% Liveness
1% Instrumentalness • 94% Positiveness
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Lynyrd Skynyrd
The Ballad Of Curtis Loew
145 bpm • A Maj • 04:51 • -12.17db
61% Popularity • 43% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
61% Popularity • 43% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Merle Haggard & The Strangers
Little Ole Wine Drinker Me
145 bpm • F# Maj • 02:38 • -7db
29% Popularity • 71% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 71% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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C.W. McCall
Classified
145 bpm • F min • 02:39 • -16db
42% Popularity • 74% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
42% Popularity • 74% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Dan Hicks & His Hot Licks
Payday Blues
145 bpm • D Maj • 02:52 • -14.34db
18% Popularity • 58% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
18% Popularity • 58% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Ray Wylie Hubbard
Mother Blues
148 bpm • B min • 05:56 • -10db
39% Popularity • 81% Danceability • 56% Energy • 11% Liveness
2% Instrumentalness • 88% Positiveness
39% Popularity • 81% Danceability • 56% Energy • 11% Liveness
2% Instrumentalness • 88% Positiveness
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Arlo Guthrie
Oklahoma Hills - Remastered
144 bpm • G Maj • 03:27 • -9db
25% Popularity • 62% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
25% Popularity • 62% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Jim Croce
Bad, Bad Leroy Brown
148 bpm • G Maj • 02:59 • -10.74db
73% Popularity • 70% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
73% Popularity • 70% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Roy Drusky
Peel Me a Nanner
144 bpm • E Maj • 01:43 • -10.65db
37% Popularity • 76% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 76% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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C.W. McCall
Four Wheel Drive
144 bpm • A# Maj • 03:04 • -14db
47% Popularity • 51% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
47% Popularity • 51% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Commander Cody and His Lost Planet Airmen
Roll Your Own
149 bpm • A# Maj • 03:22 • -4.66db
10% Popularity • 63% Danceability • 89% Energy • 14% Liveness
2% Instrumentalness • 72% Positiveness
10% Popularity • 63% Danceability • 89% Energy • 14% Liveness
2% Instrumentalness • 72% Positiveness
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The Soggy Bottom Boys
In The Jailhouse Now
143 bpm • B Maj • 03:36 • -12.69db
48% Popularity • 55% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
48% Popularity • 55% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Murray McLauchlan
Honky Red
149 bpm • B min • 03:58 • -5.53db
12% Popularity • 69% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
12% Popularity • 69% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
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George Thorogood & The Destroyers
Cocaine Blues
143 bpm • C Maj • 02:55 • -8.33db
33% Popularity • 57% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 57% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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Henson Cargill
Skip a Rope
143 bpm • E Maj • 02:35 • -16.51db
21% Popularity • 66% Danceability • 37% Energy • 16% Liveness
2% Instrumentalness • 78% Positiveness
21% Popularity • 66% Danceability • 37% Energy • 16% Liveness
2% Instrumentalness • 78% Positiveness
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David Bromberg
The New Lee Highway Blues
142 bpm • G Maj • 05:39 • -10.9db
20% Popularity • 30% Danceability • 73% Energy • 20% Liveness
7% Instrumentalness • 60% Positiveness
20% Popularity • 30% Danceability • 73% Energy • 20% Liveness
7% Instrumentalness • 60% Positiveness
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Little Feat
Dixie Chicken
150 bpm • A Maj • 03:59 • -10.08db
54% Popularity • 57% Danceability • 67% Energy • 59% Liveness
7% Instrumentalness • 92% Positiveness
54% Popularity • 57% Danceability • 67% Energy • 59% Liveness
7% Instrumentalness • 92% Positiveness
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Dr. Hook
The Cover of "Rolling Stone"
142 bpm • A Maj • 02:52 • -8.17db
58% Popularity • 61% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 83% Positiveness
58% Popularity • 61% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 83% Positiveness
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Pure Prairie League
Kansas City Southern
150 bpm • E Maj • 02:56 • -11.63db
23% Popularity • 46% Danceability • 72% Energy • 45% Liveness
0% Instrumentalness • 86% Positiveness
23% Popularity • 46% Danceability • 72% Energy • 45% Liveness
0% Instrumentalness • 86% Positiveness
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David Allan Coe
Walkin' Bum
152 bpm • B min • 03:34 • -11.43db
21% Popularity • 64% Danceability • 51% Energy • 13% Liveness
2% Instrumentalness • 76% Positiveness
21% Popularity • 64% Danceability • 51% Energy • 13% Liveness
2% Instrumentalness • 76% Positiveness
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Ray Wylie Hubbard
Bad on Fords
152 bpm • A Maj • 03:19 • -7db
37% Popularity • 57% Danceability • 85% Energy • 53% Liveness
0% Instrumentalness • 82% Positiveness
37% Popularity • 57% Danceability • 85% Energy • 53% Liveness
0% Instrumentalness • 82% Positiveness
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The Ozark Mountain Daredevils
Country Girl
152 bpm • G Maj • 03:17 • -13db
35% Popularity • 51% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
35% Popularity • 51% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
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Delbert McClinton
Two More Bottles Of Wine
140 bpm • A Maj • 03:01 • -10db
42% Popularity • 64% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
42% Popularity • 64% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Steve Earle
Hard-Core Troubadour
140 bpm • G Maj • 02:41 • -4.44db
43% Popularity • 47% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
43% Popularity • 47% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Jim Croce
Cigarettes, Whiskey and Wild Wild Women
140 bpm • A Maj • 01:49 • -14.86db
37% Popularity • 54% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 54% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Little Feat
Oh, Atlanta
152 bpm • C Maj • 03:29 • -14db
42% Popularity • 52% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 81% Positiveness
42% Popularity • 52% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 81% Positiveness
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The Beat Farmers
Gun Sale At The Church
140 bpm • G Maj • 02:59 • -12db
21% Popularity • 57% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
21% Popularity • 57% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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Johnny Paycheck
Fifteen Beers
140 bpm • C Maj • 02:38 • -9.45db
45% Popularity • 69% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
45% Popularity • 69% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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Delbert McClinton
Solid Gold Plated Fool
153 bpm • A Maj • 03:04 • -8.95db
17% Popularity • 72% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 72% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Southern Culture on the Skids
King Of The Mountain
140 bpm • E Maj • 04:12 • -3db
25% Popularity • 59% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 59% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Arlo Guthrie
The Motorcycle Song
153 bpm • F# Maj • 02:50 • -14.09db
36% Popularity • 43% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
36% Popularity • 43% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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The Marshall Tucker Band
Heard It in a Love Song
153 bpm • D Maj • 04:57 • -7.48db
57% Popularity • 56% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
57% Popularity • 56% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Dr. Hook
Marie Lavaux
139 bpm • E Maj • 02:37 • -11.99db
29% Popularity • 72% Danceability • 71% Energy • 68% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 72% Danceability • 71% Energy • 68% Liveness
0% Instrumentalness • 74% Positiveness
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Commander Cody and His Lost Planet Airmen
Eighteen Wheels - Live
139 bpm • E Maj • 03:28 • -11.33db
10% Popularity • 56% Danceability • 80% Energy • 88% Liveness
17% Instrumentalness • 97% Positiveness
10% Popularity • 56% Danceability • 80% Energy • 88% Liveness
17% Instrumentalness • 97% Positiveness
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David Allan Coe
The Fish Aren't Bitin' Today
153 bpm • D Maj • 03:08 • -9.61db
38% Popularity • 54% Danceability • 53% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
38% Popularity • 54% Danceability • 53% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
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Johnny Paycheck
She's All I Got
139 bpm • A# Maj • 02:56 • -14.76db
48% Popularity • 61% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
48% Popularity • 61% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Don Walser
Hot Rod Mercury
153 bpm • E Maj • 04:27 • -9.52db
5% Popularity • 66% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
5% Popularity • 66% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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The International Submarine Band
Miller's Cave
154 bpm • F Maj • 02:48 • -8.77db
32% Popularity • 45% Danceability • 51% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
32% Popularity • 45% Danceability • 51% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
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The Marshall Tucker Band
Fly Eagle Fly
138 bpm • G Maj • 04:25 • -8db
38% Popularity • 62% Danceability • 55% Energy • 32% Liveness
1% Instrumentalness • 48% Positiveness
38% Popularity • 62% Danceability • 55% Energy • 32% Liveness
1% Instrumentalness • 48% Positiveness
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Commander Cody and His Lost Planet Airmen
Lightnin-Bar Blues
153 bpm • D Maj • 02:35 • -2.51db
14% Popularity • 61% Danceability • 95% Energy • 33% Liveness
1% Instrumentalness • 89% Positiveness
14% Popularity • 61% Danceability • 95% Energy • 33% Liveness
1% Instrumentalness • 89% Positiveness
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Southern Culture on the Skids
Liquored Up And Lacquered Down
154 bpm • F Maj • 02:24 • -3.1db
29% Popularity • 49% Danceability • 84% Energy • 54% Liveness
0% Instrumentalness • 97% Positiveness
29% Popularity • 49% Danceability • 84% Energy • 54% Liveness
0% Instrumentalness • 97% Positiveness
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The Beat Farmers
California Kid
138 bpm • B min • 02:39 • -8.94db
15% Popularity • 74% Danceability • 74% Energy • 37% Liveness
0% Instrumentalness • 83% Positiveness
15% Popularity • 74% Danceability • 74% Energy • 37% Liveness
0% Instrumentalness • 83% Positiveness
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Robbie Fulks
She Took A Lot Of Pills (And Died)
155 bpm • A Maj • 02:43 • -6.84db
34% Popularity • 72% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
34% Popularity • 72% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Kitty Wells
It Wasn't God Who Made Honky Tonk Angels...
138 bpm • A Maj • 02:32 • -10db
55% Popularity • 59% Danceability • 22% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
55% Popularity • 59% Danceability • 22% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Ray Wylie Hubbard
Screw You, We're From Texas
138 bpm • A Maj • 04:02 • -6.46db
37% Popularity • 60% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 85% Positiveness
37% Popularity • 60% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 85% Positiveness
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Commander Cody and His Lost Planet Airmen
Back To Tennessee
138 bpm • G Maj • 02:52 • -11.61db
20% Popularity • 65% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 65% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
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Jessi Colter
Why You Been Gone so Long
137 bpm • A min • 03:05 • -11.53db
40% Popularity • 77% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
40% Popularity • 77% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Flatt & Scruggs and the Foggy Mountain Boys
The Ballad of Jed Clampett
137 bpm • A Maj • 01:36 • -15db
29% Popularity • 51% Danceability • 51% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 51% Danceability • 51% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
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Joe Ely
Dallas
137 bpm • E Maj • 03:30 • -12.36db
26% Popularity • 65% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 72% Positiveness
26% Popularity • 65% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 72% Positiveness
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Sleepy LaBeef
Poke Salad Annie
156 bpm • A Maj • 05:35 • -12.92db
8% Popularity • 53% Danceability • 61% Energy • 12% Liveness
9% Instrumentalness • 51% Positiveness
8% Popularity • 53% Danceability • 61% Energy • 12% Liveness
9% Instrumentalness • 51% Positiveness
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Jim Stafford
A Real Good Time
137 bpm • E Maj • 03:33 • -11.39db
14% Popularity • 71% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 71% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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George Thorogood & The Destroyers
One Bourbon, One Scotch, One Beer
137 bpm • A Maj • 08:26 • -14.52db
60% Popularity • 55% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
60% Popularity • 55% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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The Dillards
Dooley
136 bpm • B Maj • 02:04 • -11db
44% Popularity • 45% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 97% Positiveness
44% Popularity • 45% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 97% Positiveness
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Bob Wills & Tommy Duncan with The Texas Playboys
Take Me Back To Tulsa
136 bpm • D Maj • 02:34 • -8.37db
35% Popularity • 73% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 73% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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Joe Ely
Boxcars - 2022 Remaster
137 bpm • C Maj • 03:59 • -9.03db
24% Popularity • 39% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 73% Positiveness
24% Popularity • 39% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 73% Positiveness
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Kinky Friedman
Arsehole from El Paso - Live
157 bpm • F Maj • 02:30 • -11.15db
7% Popularity • 40% Danceability • 76% Energy • 71% Liveness
0% Instrumentalness • 88% Positiveness
7% Popularity • 40% Danceability • 76% Energy • 71% Liveness
0% Instrumentalness • 88% Positiveness
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The Outlaws
There Goes Another Love Song
136 bpm • C Maj • 03:04 • -5.89db
48% Popularity • 51% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
48% Popularity • 51% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Shinyribs
I Don't Give a Shit
136 bpm • A Maj • 03:08 • -5.13db
33% Popularity • 71% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
33% Popularity • 71% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Michael Nesmith
Mama Nantucket
157 bpm • F# Maj • 02:39 • -9.38db
33% Popularity • 37% Danceability • 82% Energy • 26% Liveness
2% Instrumentalness • 87% Positiveness
33% Popularity • 37% Danceability • 82% Energy • 26% Liveness
2% Instrumentalness • 87% Positiveness
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Merle Travis
Sixteen Tons
135 bpm • B min • 02:57 • -16.14db
34% Popularity • 80% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
34% Popularity • 80% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Joe Ely
I Had My Hopes Up High - 2022 Remaster
137 bpm • F Maj • 03:31 • -7.68db
17% Popularity • 60% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
17% Popularity • 60% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Lynyrd Skynyrd
What's Your Name
135 bpm • G Maj • 03:33 • -9.35db
58% Popularity • 65% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
58% Popularity • 65% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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Southern Culture on the Skids
Fried Chicken And Gasoline
135 bpm • B min • 04:17 • -5.53db
23% Popularity • 59% Danceability • 92% Energy • 26% Liveness
61% Instrumentalness • 94% Positiveness
23% Popularity • 59% Danceability • 92% Energy • 26% Liveness
61% Instrumentalness • 94% Positiveness
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David Allan Coe
Spotlight
135 bpm • G Maj • 03:06 • -7.77db
43% Popularity • 50% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
43% Popularity • 50% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Jimmy Dean
Smoke, Smoke, Smoke That Cigarette
135 bpm • G Maj • 02:45 • -16db
28% Popularity • 77% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 77% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Don Rich
Cajun Fiddle
158 bpm • G# Maj • 01:45 • -8.12db
27% Popularity • 50% Danceability • 62% Energy • 7% Liveness
69% Instrumentalness • 99% Positiveness
27% Popularity • 50% Danceability • 62% Energy • 7% Liveness
69% Instrumentalness • 99% Positiveness
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Commander Cody and His Lost Planet Airmen
Looking at the World Through a Windshiel...
135 bpm • C Maj • 02:18 • -11.34db
15% Popularity • 70% Danceability • 73% Energy • 96% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 70% Danceability • 73% Energy • 96% Liveness
0% Instrumentalness • 96% Positiveness
► Preview
Emmylou Harris
Two More Bottles of Wine - 2003 Remaster
134 bpm • D# Maj • 03:06 • -7.57db
46% Popularity • 76% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
46% Popularity • 76% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Johnny Paycheck
Drinkin' and Drivin'
134 bpm • G Maj • 03:03 • -13.63db
37% Popularity • 82% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
37% Popularity • 82% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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Southern Culture on the Skids
Banana Puddin'
134 bpm • C# Maj • 04:48 • -4.07db
21% Popularity • 55% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 55% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Paul Thorn
It's a Great Day to Whup Somebody's Ass
134 bpm • F# Maj • 03:31 • -8.8db
38% Popularity • 59% Danceability • 45% Energy • 92% Liveness
0% Instrumentalness • 62% Positiveness
38% Popularity • 59% Danceability • 45% Energy • 92% Liveness
0% Instrumentalness • 62% Positiveness
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Commander Cody And His Lost Planet Airman
Truck Stop Rock
159 bpm • C# min • 02:41 • -10.06db
10% Popularity • 53% Danceability • 73% Energy • 77% Liveness
0% Instrumentalness • 71% Positiveness
10% Popularity • 53% Danceability • 73% Energy • 77% Liveness
0% Instrumentalness • 71% Positiveness
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Commander Cody and His Lost Planet Airmen
Hot Rod Lincoln
133 bpm • E Maj • 03:01 • -11.9db
22% Popularity • 68% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 94% Positiveness
22% Popularity • 68% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 94% Positiveness
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Jim Stafford
The Last Chant
133 bpm • F Maj • 03:18 • -11.2db
15% Popularity • 72% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
15% Popularity • 72% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Jim Croce
Workin’ at the Car Wash Blues
133 bpm • G Maj • 02:34 • -10.95db
54% Popularity • 75% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
54% Popularity • 75% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
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Dick Curless
Drag 'Em Off The Interstate, Sock It To ...
160 bpm • G Maj • 02:33 • -9.72db
23% Popularity • 62% Danceability • 68% Energy • 9% Liveness
28% Instrumentalness • 85% Positiveness
23% Popularity • 62% Danceability • 68% Energy • 9% Liveness
28% Instrumentalness • 85% Positiveness
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Elvin Bishop
Fishin'
133 bpm • F# min • 04:33 • -7.49db
17% Popularity • 60% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
17% Popularity • 60% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
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The Kentucky Headhunters
Spirit In The Sky
133 bpm • A Maj • 04:21 • -7.04db
46% Popularity • 48% Danceability • 76% Energy • 6% Liveness
3% Instrumentalness • 66% Positiveness
46% Popularity • 48% Danceability • 76% Energy • 6% Liveness
3% Instrumentalness • 66% Positiveness
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Commander Cody and His Lost Planet Airmen
My Window Faces South - Live
133 bpm • C Maj • 02:29 • -11.52db
8% Popularity • 62% Danceability • 65% Energy • 88% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 62% Danceability • 65% Energy • 88% Liveness
0% Instrumentalness • 70% Positiveness
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Jesse Dayton
I'm at Home Gettin' Hammered (While She'...
133 bpm • B min • 02:13 • -6.84db
21% Popularity • 53% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 53% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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The Outlaws
Knoxville Girl
132 bpm • G Maj • 03:32 • -7db
27% Popularity • 59% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
27% Popularity • 59% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Southern Culture on the Skids
Cheap Motels
161 bpm • D Maj • 02:21 • -5db
22% Popularity • 61% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
22% Popularity • 61% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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The International Submarine Band
I Still Miss Someone
161 bpm • D Maj • 02:51 • -8.02db
28% Popularity • 43% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 88% Positiveness
28% Popularity • 43% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 88% Positiveness
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Del Reeves
Girl On The Billboard
162 bpm • D Maj • 02:47 • -12db
33% Popularity • 58% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
33% Popularity • 58% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
