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Snake Baked a Hoecake
Songs like
Snake Baked a Hoecake
by
Peggy Seeger
Based on a tempo of (+/- 10%) and a similar genre
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Frank Proffitt
Tom Dooley
122 bpm • F Maj • 02:44 • -20db
18% Popularity • 50% Danceability • 23% Energy • 10% Liveness
10% Instrumentalness • 81% Positiveness
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Peggy Seeger
Snake Baked a Hoecake
122 bpm • F Maj • 01:06 • -25.36db
18% Popularity • 68% Danceability • 4% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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The Almanac Singers
Get Thee Behind Me, Satan
122 bpm • C# Maj • 02:36 • -10.56db
17% Popularity • 68% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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The Doc Watson Family
The Cuckoo Bird
122 bpm • G# Maj • 03:03 • -16.14db
28% Popularity • 53% Danceability • 41% Energy • 25% Liveness
10% Instrumentalness • 72% Positiveness
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Mimi And Richard Farina
Tuileries - Instrumental
122 bpm • B Maj • 01:49 • -15.91db
16% Popularity • 47% Danceability • 56% Energy • 14% Liveness
95% Instrumentalness • 89% Positiveness
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Hobart Smith
Railroad Bill
122 bpm • C# Maj • 02:38 • -12.42db
9% Popularity • 51% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Frank Proffitt
I'm Going Back to North Carolina
122 bpm • F# Maj • 01:54 • -22db
23% Popularity • 52% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Jim Jackson
Old Dog Blue
121 bpm • F# Maj • 02:58 • -11db
8% Popularity • 53% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Charlie Poole
White House Blues
121 bpm • G Maj • 03:31 • -8.64db
15% Popularity • 55% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
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Davy Graham
Black Is The Colour Of My True Love's Ha...
123 bpm • D# Maj • 02:24 • -19.69db
16% Popularity • 61% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Mimi And Richard Farina
V. - Instrumental
121 bpm • G# Maj • 03:35 • -12.59db
11% Popularity • 36% Danceability • 68% Energy • 4% Liveness
78% Instrumentalness • 61% Positiveness
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The Doc Watson Family
Frosty Morn
121 bpm • G# Maj • 01:41 • -21.64db
31% Popularity • 57% Danceability • 33% Energy • 20% Liveness
84% Instrumentalness • 95% Positiveness
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Rosalie Sorrels
Up Is a Nice Place to Be
123 bpm • G Maj • 02:50 • -24.2db
21% Popularity • 49% Danceability • 3% Energy • 10% Liveness
50% Instrumentalness • 34% Positiveness
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Bobbie McGee
Bread and Roses
121 bpm • A# Maj • 02:33 • -12.13db
9% Popularity • 54% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Joseph Spence
Jump in the line
123 bpm • G Maj • 05:41 • -19.35db
7% Popularity • 57% Danceability • 39% Energy • 16% Liveness
90% Instrumentalness • 77% Positiveness
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The New Lost City Ramblers
Franklin Roosevelt's Back Again
123 bpm • D Maj • 02:21 • -17db
16% Popularity • 71% Danceability • 22% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
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Ewan MacColl
Glasgow Peggy
123 bpm • G# min • 03:10 • -11.67db
7% Popularity • 66% Danceability • 50% Energy • 9% Liveness
3% Instrumentalness • 69% Positiveness
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The Doc Watson Family
Doodle Bug
121 bpm • F# Maj • 01:01 • -15.67db
23% Popularity • 55% Danceability • 26% Energy • 7% Liveness
1% Instrumentalness • 97% Positiveness
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Peggy Seeger
Lady, What Do You Do All Day?
121 bpm • A min • 03:46 • -15.65db
10% Popularity • 79% Danceability • 28% Energy • 74% Liveness
0% Instrumentalness • 83% Positiveness
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Neil Morris
The Banks of the Arkansas / Wave the Oce...
123 bpm • G# min • 01:58 • -12db
14% Popularity • 53% Danceability • 59% Energy • 22% Liveness
2% Instrumentalness • 61% Positiveness
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Barbara Dane
The Danville Girl
121 bpm • A# Maj • 03:06 • -17.51db
5% Popularity • 61% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Roscoe Holcomb
Mississippi Heavy Water Blues
123 bpm • C# Maj • 02:17 • -22db
21% Popularity • 66% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Ola Belle Reed
Fly Around My Pretty Little Miss
120 bpm • D Maj • 02:00 • -10.46db
23% Popularity • 60% Danceability • 53% Energy • 31% Liveness
65% Instrumentalness • 90% Positiveness
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Paul Clayton
The Maid Of Amsterdam
120 bpm • C Maj • 01:52 • -13.6db
17% Popularity • 79% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Peggy Seeger
Mister Rabbit
124 bpm • C Maj • 02:09 • -16.45db
3% Popularity • 62% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Old Reliable String Band
Cherokee Shuffle
124 bpm • A Maj • 01:02 • -15.07db
33% Popularity • 58% Danceability • 64% Energy • 14% Liveness
99% Instrumentalness • 28% Positiveness
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Barbara Dane
La Le Too Dum
120 bpm • F Maj • 03:18 • -12.3db
10% Popularity • 73% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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The Kossoy Sisters
Poor Ellen Smith
124 bpm • D Maj • 02:28 • -7.11db
23% Popularity • 68% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Phil Ochs
Going Down To Mississippi
120 bpm • C# Maj • 03:06 • -17.85db
15% Popularity • 58% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Washington Phillips
Denomination Blues, Pt. 1
120 bpm • F Maj • 03:07 • -12.21db
12% Popularity • 49% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Peggy Seeger
Little Girl Child
124 bpm • D min • 03:40 • -16.24db
3% Popularity • 64% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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The Doc Watson Family
Ground Hog
120 bpm • G Maj • 02:21 • -8.2db
14% Popularity • 61% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Mimi And Richard Farina
Children Of Darkness
124 bpm • D# Maj • 04:02 • -17db
12% Popularity • 63% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Mike Seeger
Free Little Bird
124 bpm • A# min • 02:12 • -24.02db
3% Popularity • 62% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Phil Ochs
Ballad of William Worthy
124 bpm • D Maj • 02:11 • -14.72db
23% Popularity • 68% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
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Frank Proffitt
Pretty Crowing Chicken
124 bpm • B Maj • 03:46 • -12.59db
11% Popularity • 51% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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Peggy Seeger
When I Was Single
124 bpm • C# min • 02:55 • -26.29db
16% Popularity • 40% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Paul Clayton
Bailiff's Daughter of Islington
124 bpm • A Maj • 03:34 • -18db
19% Popularity • 60% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Mimi And Richard Farina
Dandelion River Run
119 bpm • B min • 01:46 • -15db
33% Popularity • 49% Danceability • 60% Energy • 7% Liveness
82% Instrumentalness • 72% Positiveness
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Roscoe Holcomb
Graveyard Blues
119 bpm • G Maj • 03:01 • -11db
15% Popularity • 52% Danceability • 25% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Harry Dean Stanton
Danny Boy
119 bpm • C Maj • 02:19 • -20.83db
10% Popularity • 60% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Carolyn Hester
Dink's Song
125 bpm • C Maj • 02:58 • -15.92db
8% Popularity • 44% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Peggy Seeger
Katy Cruel
125 bpm • G Maj • 02:12 • -21.92db
14% Popularity • 59% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Mike Seeger
Scraping Up Sand In The Bottom Of The Se...
125 bpm • A# Maj • 01:40 • -27.93db
2% Popularity • 60% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Joe Glazer
The Tramp
119 bpm • E min • 02:22 • -21.35db
9% Popularity • 83% Danceability • 6% Energy • 11% Liveness
2% Instrumentalness • 57% Positiveness
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Roscoe Holcomb
The Hills of Mexico
125 bpm • C Maj • 02:32 • -8.8db
23% Popularity • 50% Danceability • 57% Energy • 7% Liveness
11% Instrumentalness • 65% Positiveness
► Preview
Uncle Bunt Stephens
Sail Away Lady - 2020 Remaster
125 bpm • D Maj • 02:58 • -10.59db
18% Popularity • 47% Danceability • 42% Energy • 43% Liveness
83% Instrumentalness • 76% Positiveness
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Jean Ritchie and Doc Watson
Swing and Turn Jubilee
125 bpm • A Maj • 02:12 • -16.53db
16% Popularity • 56% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Gaither Carlton
Rambling Hobo
125 bpm • B Maj • 01:43 • -14.18db
13% Popularity • 59% Danceability • 42% Energy • 17% Liveness
36% Instrumentalness • 96% Positiveness
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Mimi And Richard Farina
One-Way Ticket
125 bpm • F Maj • 03:28 • -10.64db
11% Popularity • 71% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Michael Hurley
Slurf Song
125 bpm • D Maj • 03:19 • -12.84db
24% Popularity • 55% Danceability • 28% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
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Hedy West
The Wife Wrapt in Wether's Skin
119 bpm • C# min • 02:32 • -18.52db
16% Popularity • 56% Danceability • 20% Energy • 16% Liveness
6% Instrumentalness • 75% Positiveness
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Bascom Lamar Lunsford
Dry Bones - 2020 Remaster
126 bpm • G# Maj • 03:00 • -11.26db
19% Popularity • 61% Danceability • 26% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
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Peggy Seeger
The Ballad of Accounting
126 bpm • C# min • 02:43 • -21.28db
13% Popularity • 63% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Burnett & Rutherford
Willie Moore
126 bpm • D Maj • 03:15 • -13.58db
10% Popularity • 59% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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Anna & Elizabeth
Little Black Train
118 bpm • C# Maj • 03:38 • -8.66db
19% Popularity • 79% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Michael Hurley
Fat Mama
118 bpm • B min • 04:06 • -22.29db
12% Popularity • 71% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Jean Ritchie
Jubilee
126 bpm • E Maj • 02:11 • -20.46db
33% Popularity • 58% Danceability • 8% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Rosalie Sorrels
If I Could Be the Rain
126 bpm • E Maj • 02:55 • -15db
15% Popularity • 61% Danceability • 15% Energy • 11% Liveness
7% Instrumentalness • 36% Positiveness
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Peggy Seeger
Broomfield Hill
118 bpm • D Maj • 02:55 • -16.15db
5% Popularity • 69% Danceability • 47% Energy • 95% Liveness
0% Instrumentalness • 89% Positiveness
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Dock Boggs
Sugar Baby
118 bpm • G# min • 02:57 • -13db
26% Popularity • 71% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Bascom Lamar Lunsford
Swannanoa Tunnel
118 bpm • E min • 03:00 • -18db
10% Popularity • 68% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Barbara Dane
Turkey Reveille
126 bpm • D min • 04:45 • -14.36db
8% Popularity • 71% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Katie Lee
Muddy River
118 bpm • E Maj • 03:24 • -16.68db
9% Popularity • 72% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Bessie Jones
Go to Sleep Little Baby
118 bpm • F min • 01:14 • -18.01db
21% Popularity • 72% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Peggy Seeger
Come Along John
126 bpm • G# Maj • 01:47 • -18.63db
1% Popularity • 62% Danceability • 37% Energy • 28% Liveness
16% Instrumentalness • 97% Positiveness
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Ewan MacColl
The False Lover Won Back
118 bpm • E Maj • 04:59 • -16.17db
6% Popularity • 64% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Peter La Farge
Hey, Mr. President
118 bpm • D# Maj • 01:35 • -16.39db
11% Popularity • 73% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Cannon's Jug Stompers
Walk Right In
118 bpm • C Maj • 02:55 • -14db
13% Popularity • 66% Danceability • 27% Energy • 23% Liveness
5% Instrumentalness • 70% Positiveness
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Frank Proffitt
Satan, Your Kingdom Must Come Down
117 bpm • D Maj • 01:51 • -11db
28% Popularity • 56% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Dock Boggs
Sugar Baby - 2020 Remaster
127 bpm • C# Maj • 02:58 • -14.97db
21% Popularity • 60% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Peggy Seeger
Yankee Doodle
126 bpm • F# Maj • 02:44 • -22.44db
3% Popularity • 78% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Jody Stecher
The Hills Of Isle Au Haut
127 bpm • F# Maj • 03:33 • -17.06db
14% Popularity • 57% Danceability • 4% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Buell Kazee
East Virginia
127 bpm • F# min • 04:11 • -12.46db
8% Popularity • 53% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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Phil Ochs
Changing Hands
117 bpm • D Maj • 02:43 • -19.04db
7% Popularity • 65% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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The Doc Watson Family
Every Day Dirt
127 bpm • G Maj • 02:08 • -9.88db
19% Popularity • 65% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 95% Positiveness
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The New Lost City Ramblers
Cotton Eyed Joe
117 bpm • F Maj • 01:15 • -15.68db
32% Popularity • 51% Danceability • 32% Energy • 28% Liveness
75% Instrumentalness • 96% Positiveness
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Peggy Seeger
Nobody Knew She Was There
117 bpm • D Maj • 03:07 • -14.24db
3% Popularity • 55% Danceability • 16% Energy • 37% Liveness
0% Instrumentalness • 59% Positiveness
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Barbara Dane
Don't Sing Love Songs
117 bpm • A min • 04:00 • -16.75db
10% Popularity • 56% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Jean Ritchie and Doc Watson
Pretty Polly
117 bpm • A# min • 02:25 • -11db
8% Popularity • 55% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Bruce Molsky
Peg And Awl
117 bpm • F# Maj • 05:00 • -10.13db
10% Popularity • 32% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Alabama Sacred Harp Singers
Rocky Road
117 bpm • B Maj • 02:46 • -13.14db
9% Popularity • 73% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
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Frank Proffitt
Cumberland Gap
128 bpm • G# Maj • 01:25 • -11.58db
33% Popularity • 56% Danceability • 56% Energy • 17% Liveness
15% Instrumentalness • 90% Positiveness
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Hamish Imlach
Black Is the Colour
117 bpm • B min • 02:33 • -13.96db
26% Popularity • 59% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Anne Briggs
The Recruited Collier
128 bpm • F Maj • 02:37 • -9.76db
19% Popularity • 64% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Wade Hemsworth
Ye Girls of Old Ontario
128 bpm • C# Maj • 02:47 • -17.86db
10% Popularity • 80% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 70% Positiveness
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Peggy Seeger
Madam I Have Come to Court You
128 bpm • A# min • 02:16 • -16.42db
1% Popularity • 69% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Dink Roberts
Georgia Buck (Georgie Buck)(Never Let a ...
116 bpm • C# Maj • 01:03 • -17.33db
17% Popularity • 67% Danceability • 36% Energy • 12% Liveness
4% Instrumentalness • 89% Positiveness
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Utah Phillips
Wabash Cannonball /Tolono
116 bpm • E Maj • 04:52 • -17.4db
8% Popularity • 55% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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The Weavers
Wimoweh
116 bpm • F# Maj • 01:49 • -16.39db
21% Popularity • 46% Danceability • 36% Energy • 99% Liveness
0% Instrumentalness • 76% Positiveness
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Kilby Snow
Wildwood Flower
116 bpm • D Maj • 01:26 • -13.79db
19% Popularity • 63% Danceability • 39% Energy • 19% Liveness
74% Instrumentalness • 96% Positiveness
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Malvina Reynolds
The Little Mouse
128 bpm • A Maj • 03:18 • -11.5db
8% Popularity • 48% Danceability • 43% Energy • 74% Liveness
0% Instrumentalness • 40% Positiveness
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Jody Stecher
Going Up On The Mountain
129 bpm • F# Maj • 02:45 • -14.09db
14% Popularity • 56% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Aunt Molly Jackson
I Am A Union Woman
116 bpm • F min • 02:41 • -22db
2% Popularity • 58% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
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Dock Boggs
Pretty Polly
129 bpm • G Maj • 02:56 • -10.76db
22% Popularity • 56% Danceability • 34% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Bascom Lamar Lunsford
Mole in the Ground
129 bpm • C# Maj • 03:03 • -14.25db
12% Popularity • 64% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Peggy Seeger
Jane Jane
129 bpm • B min • 01:32 • -11.43db
16% Popularity • 90% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Frank Proffitt
Beaver Dam Road
115 bpm • B Maj • 01:26 • -12.91db
22% Popularity • 64% Danceability • 46% Energy • 8% Liveness
83% Instrumentalness • 24% Positiveness
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Ewan MacColl
The Elfin Knight
115 bpm • D min • 04:07 • -16.35db
9% Popularity • 57% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Almeda Riddle
Chick-A-Li-Lee-Lo
130 bpm • C# Maj • 01:17 • -19.5db
12% Popularity • 54% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Snake Baked a Hoecake