Songs like Snake Rag by Mickey Ashman's Ragtime Jazz Band
Based on a tempo of (+/- 10%) and a similar genre
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Oscar Lank
Lazy Cats
134 bpm • G Maj • 01:08 • -16.36db
15% Popularity • 70% Danceability • 22% Energy • 20% Liveness
96% Instrumentalness • 76% Positiveness
15% Popularity • 70% Danceability • 22% Energy • 20% Liveness
96% Instrumentalness • 76% Positiveness
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Mickey Ashman's Ragtime Jazz Band
Snake Rag
134 bpm • G Maj • 03:06 • -7.86db
0% Popularity • 53% Danceability • 44% Energy • 46% Liveness
0% Instrumentalness • 63% Positiveness
0% Popularity • 53% Danceability • 44% Energy • 46% Liveness
0% Instrumentalness • 63% Positiveness
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Antonio Serrano
C'est magnifique - Live at the Fundació...
135 bpm • G Maj • 04:42 • -5.53db
8% Popularity • 60% Danceability • 47% Energy • 48% Liveness
74% Instrumentalness • 60% Positiveness
8% Popularity • 60% Danceability • 47% Energy • 48% Liveness
74% Instrumentalness • 60% Positiveness
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Terry Waldo
Do Do Do
133 bpm • G# Maj • 04:55 • -10.41db
13% Popularity • 61% Danceability • 20% Energy • 13% Liveness
21% Instrumentalness • 53% Positiveness
13% Popularity • 61% Danceability • 20% Energy • 13% Liveness
21% Instrumentalness • 53% Positiveness
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The Bobby Gordon Sextet
I'm Just Wild About Harry
135 bpm • C Maj • 02:52 • -16.85db
7% Popularity • 63% Danceability • 53% Energy • 15% Liveness
95% Instrumentalness • 94% Positiveness
7% Popularity • 63% Danceability • 53% Energy • 15% Liveness
95% Instrumentalness • 94% Positiveness
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Paul Lenart
Silk
133 bpm • D min • 01:31 • -14.31db
13% Popularity • 57% Danceability • 37% Energy • 24% Liveness
46% Instrumentalness • 85% Positiveness
13% Popularity • 57% Danceability • 37% Energy • 24% Liveness
46% Instrumentalness • 85% Positiveness
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Harry James
Life Goes To A Party
135 bpm • A# min • 03:04 • -8.58db
0% Popularity • 64% Danceability • 78% Energy • 18% Liveness
90% Instrumentalness • 69% Positiveness
0% Popularity • 64% Danceability • 78% Energy • 18% Liveness
90% Instrumentalness • 69% Positiveness
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Raymond Scott
Huckleberry Duck - 1940 Alternate Versio...
136 bpm • F Maj • 02:58 • -10.34db
9% Popularity • 70% Danceability • 51% Energy • 15% Liveness
95% Instrumentalness • 95% Positiveness
9% Popularity • 70% Danceability • 51% Energy • 15% Liveness
95% Instrumentalness • 95% Positiveness
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Stan Kenton
A Little Jive Is Good for You
135 bpm • G Maj • 02:04 • -10.83db
18% Popularity • 75% Danceability • 25% Energy • 89% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 75% Danceability • 25% Energy • 89% Liveness
0% Instrumentalness • 75% Positiveness
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Popoff & His Bootleggers
A Swinging Guy
136 bpm • C Maj • 03:05 • -15.21db
16% Popularity • 61% Danceability • 30% Energy • 25% Liveness
1% Instrumentalness • 73% Positiveness
16% Popularity • 61% Danceability • 30% Energy • 25% Liveness
1% Instrumentalness • 73% Positiveness
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Russ Conway
Piano Pops No 3 (Pt. 1) - 2003 Remaster
131 bpm • D# Maj • 03:07 • -11.07db
14% Popularity • 67% Danceability • 44% Energy • 10% Liveness
94% Instrumentalness • 78% Positiveness
14% Popularity • 67% Danceability • 44% Energy • 10% Liveness
94% Instrumentalness • 78% Positiveness
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Black Bottom Stompers
Clarinete Marmelade
131 bpm • F Maj • 04:02 • -13db
11% Popularity • 64% Danceability • 41% Energy • 21% Liveness
90% Instrumentalness • 96% Positiveness
11% Popularity • 64% Danceability • 41% Energy • 21% Liveness
90% Instrumentalness • 96% Positiveness
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Donald Lambert
Harlem Strut
137 bpm • C# Maj • 02:26 • -18db
17% Popularity • 42% Danceability • 56% Energy • 17% Liveness
84% Instrumentalness • 71% Positiveness
17% Popularity • 42% Danceability • 56% Energy • 17% Liveness
84% Instrumentalness • 71% Positiveness
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Raymond Scott
War Dance for Wooden Indians - 1939 Orch...
136 bpm • G min • 02:36 • -10.78db
12% Popularity • 56% Danceability • 55% Energy • 8% Liveness
76% Instrumentalness • 56% Positiveness
12% Popularity • 56% Danceability • 55% Energy • 8% Liveness
76% Instrumentalness • 56% Positiveness
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Mickey Ashman's Ragtime Jazz Band
Ice Cream
131 bpm • D min • 06:49 • -15.17db
0% Popularity • 64% Danceability • 49% Energy • 64% Liveness
74% Instrumentalness • 88% Positiveness
0% Popularity • 64% Danceability • 49% Energy • 64% Liveness
74% Instrumentalness • 88% Positiveness
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Tom Media
Vibrant Saxophone Conversations
131 bpm • C Maj • 04:11 • -11.77db
9% Popularity • 54% Danceability • 28% Energy • 9% Liveness
39% Instrumentalness • 26% Positiveness
9% Popularity • 54% Danceability • 28% Energy • 9% Liveness
39% Instrumentalness • 26% Positiveness
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Lake City Stompers
Savoy Blues
131 bpm • F Maj • 03:51 • -14.41db
17% Popularity • 62% Danceability • 38% Energy • 13% Liveness
69% Instrumentalness • 66% Positiveness
17% Popularity • 62% Danceability • 38% Energy • 13% Liveness
69% Instrumentalness • 66% Positiveness
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Greg Ruby
Low Down
137 bpm • G Maj • 03:41 • -14.57db
12% Popularity • 66% Danceability • 32% Energy • 8% Liveness
80% Instrumentalness • 81% Positiveness
12% Popularity • 66% Danceability • 32% Energy • 8% Liveness
80% Instrumentalness • 81% Positiveness
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Fats Waller
I'm A Hundred Percent For You
138 bpm • A# Maj • 03:07 • -15.61db
8% Popularity • 72% Danceability • 22% Energy • 12% Liveness
13% Instrumentalness • 60% Positiveness
8% Popularity • 72% Danceability • 22% Energy • 12% Liveness
13% Instrumentalness • 60% Positiveness
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New Orleans Delight
Maria Elena
130 bpm • A# Maj • 04:09 • -8.79db
9% Popularity • 70% Danceability • 59% Energy • 6% Liveness
85% Instrumentalness • 88% Positiveness
9% Popularity • 70% Danceability • 59% Energy • 6% Liveness
85% Instrumentalness • 88% Positiveness
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Volcano
初春の鳥
130 bpm • F min • 01:12 • -12.46db
10% Popularity • 69% Danceability • 34% Energy • 14% Liveness
37% Instrumentalness • 72% Positiveness
10% Popularity • 69% Danceability • 34% Energy • 14% Liveness
37% Instrumentalness • 72% Positiveness
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Johnny Dodds
Weary City
130 bpm • C Maj • 02:50 • -12.23db
14% Popularity • 55% Danceability • 32% Energy • 17% Liveness
93% Instrumentalness • 85% Positiveness
14% Popularity • 55% Danceability • 32% Energy • 17% Liveness
93% Instrumentalness • 85% Positiveness
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Marco Bianchi Vibes 4tet
Marching Line
130 bpm • C min • 02:33 • -5.82db
17% Popularity • 92% Danceability • 76% Energy • 7% Liveness
98% Instrumentalness • 98% Positiveness
17% Popularity • 92% Danceability • 76% Energy • 7% Liveness
98% Instrumentalness • 98% Positiveness
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Django Reinhardt
Crazy Rhythm
130 bpm • A min • 02:58 • -14.01db
24% Popularity • 70% Danceability • 39% Energy • 15% Liveness
92% Instrumentalness • 96% Positiveness
24% Popularity • 70% Danceability • 39% Energy • 15% Liveness
92% Instrumentalness • 96% Positiveness
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Les Elgart & His Orchestra
I Never Knew
130 bpm • F min • 02:19 • -12.11db
11% Popularity • 72% Danceability • 34% Energy • 32% Liveness
3% Instrumentalness • 78% Positiveness
11% Popularity • 72% Danceability • 34% Energy • 32% Liveness
3% Instrumentalness • 78% Positiveness
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Russ Conway
Oliver Medley: As Long as He Needs Me / ...
139 bpm • C Maj • 02:44 • -6.68db
20% Popularity • 65% Danceability • 79% Energy • 30% Liveness
84% Instrumentalness • 97% Positiveness
20% Popularity • 65% Danceability • 79% Energy • 30% Liveness
84% Instrumentalness • 97% Positiveness
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Jan Preston
Harry Lime Theme
129 bpm • C Maj • 02:08 • -6.45db
23% Popularity • 70% Danceability • 46% Energy • 7% Liveness
98% Instrumentalness • 78% Positiveness
23% Popularity • 70% Danceability • 46% Energy • 7% Liveness
98% Instrumentalness • 78% Positiveness
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Ivan Mladek
Rychlý bill
129 bpm • G Maj • 01:41 • -7.34db
12% Popularity • 81% Danceability • 88% Energy • 28% Liveness
6% Instrumentalness • 98% Positiveness
12% Popularity • 81% Danceability • 88% Energy • 28% Liveness
6% Instrumentalness • 98% Positiveness
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Tom Nicholls
Dizziness - Instrumental
140 bpm • C min • 01:02 • -8.69db
16% Popularity • 68% Danceability • 49% Energy • 16% Liveness
97% Instrumentalness • 96% Positiveness
16% Popularity • 68% Danceability • 49% Energy • 16% Liveness
97% Instrumentalness • 96% Positiveness
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Guy Lombardo
So Rare - Remastered
129 bpm • C Maj • 02:46 • -3.69db
9% Popularity • 62% Danceability • 52% Energy • 18% Liveness
20% Instrumentalness • 69% Positiveness
9% Popularity • 62% Danceability • 52% Energy • 18% Liveness
20% Instrumentalness • 69% Positiveness
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Jazz Chat Louis Comptines
Le Vieux MacDonald A Une Ferme - Saxopho...
140 bpm • C Maj • 01:06 • -11.35db
20% Popularity • 67% Danceability • 38% Energy • 10% Liveness
96% Instrumentalness • 78% Positiveness
20% Popularity • 67% Danceability • 38% Energy • 10% Liveness
96% Instrumentalness • 78% Positiveness
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Roger Williams
High Noon (Do Not Forsake Me)
128 bpm • C Maj • 03:50 • -10.66db
7% Popularity • 58% Danceability • 29% Energy • 8% Liveness
90% Instrumentalness • 43% Positiveness
7% Popularity • 58% Danceability • 29% Energy • 8% Liveness
90% Instrumentalness • 43% Positiveness
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John Rowcroft
Roaring Twenties
140 bpm • C Maj • 01:44 • -9.05db
12% Popularity • 90% Danceability • 69% Energy • 10% Liveness
94% Instrumentalness • 87% Positiveness
12% Popularity • 90% Danceability • 69% Energy • 10% Liveness
94% Instrumentalness • 87% Positiveness
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Marco Bianchi Vibes 4tet
Frenchmen Street
140 bpm • F Maj • 02:48 • -6.65db
16% Popularity • 89% Danceability • 42% Energy • 7% Liveness
94% Instrumentalness • 93% Positiveness
16% Popularity • 89% Danceability • 42% Energy • 7% Liveness
94% Instrumentalness • 93% Positiveness
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Jodi Stapler
Why Don't You Do Right
128 bpm • D min • 03:13 • -11.91db
22% Popularity • 61% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
22% Popularity • 61% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
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Roberto Delgado
Celito Lindo
140 bpm • C Maj • 02:24 • -7.92db
8% Popularity • 65% Danceability • 79% Energy • 10% Liveness
41% Instrumentalness • 97% Positiveness
8% Popularity • 65% Danceability • 79% Energy • 10% Liveness
41% Instrumentalness • 97% Positiveness
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Zbyněk Malý
Je na západ cesta dlouhá
127 bpm • C Maj • 03:22 • -10.11db
13% Popularity • 59% Danceability • 38% Energy • 11% Liveness
14% Instrumentalness • 80% Positiveness
13% Popularity • 59% Danceability • 38% Energy • 11% Liveness
14% Instrumentalness • 80% Positiveness
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Sammy Price
Back Home Again To France
127 bpm • G Maj • 02:57 • -16.27db
18% Popularity • 65% Danceability • 40% Energy • 10% Liveness
89% Instrumentalness • 85% Positiveness
18% Popularity • 65% Danceability • 40% Energy • 10% Liveness
89% Instrumentalness • 85% Positiveness
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Jacky Noguez et son orchestre
C’est a capri
127 bpm • F Maj • 02:38 • -20.47db
7% Popularity • 77% Danceability • 18% Energy • 6% Liveness
2% Instrumentalness • 97% Positiveness
7% Popularity • 77% Danceability • 18% Energy • 6% Liveness
2% Instrumentalness • 97% Positiveness
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Marco Bianchi Vibes 4tet
Choro da Carícia
140 bpm • F Maj • 04:38 • -14.5db
10% Popularity • 57% Danceability • 33% Energy • 12% Liveness
93% Instrumentalness • 69% Positiveness
10% Popularity • 57% Danceability • 33% Energy • 12% Liveness
93% Instrumentalness • 69% Positiveness
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Danny Moss
A Smooth One
127 bpm • F Maj • 04:16 • -10.78db
17% Popularity • 74% Danceability • 30% Energy • 27% Liveness
78% Instrumentalness • 55% Positiveness
17% Popularity • 74% Danceability • 30% Energy • 27% Liveness
78% Instrumentalness • 55% Positiveness
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Mickey Ashman's Ragtime Jazz Band
Make Me a Pallet on the Floor
126 bpm • F Maj • 05:43 • -7.29db
0% Popularity • 76% Danceability • 52% Energy • 66% Liveness
0% Instrumentalness • 70% Positiveness
0% Popularity • 76% Danceability • 52% Energy • 66% Liveness
0% Instrumentalness • 70% Positiveness
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Spirits of Rhythm
It's A Long Way To Tipperary
126 bpm • F Maj • 02:33 • -17.88db
10% Popularity • 88% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
10% Popularity • 88% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
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Members Of The Artie Shaw Orchestra
Begin The Beguine
143 bpm • D Maj • 03:11 • -13.83db
12% Popularity • 41% Danceability • 30% Energy • 13% Liveness
6% Instrumentalness • 45% Positiveness
12% Popularity • 41% Danceability • 30% Energy • 13% Liveness
6% Instrumentalness • 45% Positiveness
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Teddy Lasry and His Orchestra
Allen's Goodies
125 bpm • F Maj • 02:43 • -10.44db
12% Popularity • 84% Danceability • 50% Energy • 12% Liveness
76% Instrumentalness • 73% Positiveness
12% Popularity • 84% Danceability • 50% Energy • 12% Liveness
76% Instrumentalness • 73% Positiveness
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Marco Bianchi Vibes 4tet
Breakfast in New Orleans
128 bpm • A# Maj • 03:02 • -6.27db
18% Popularity • 90% Danceability • 50% Energy • 8% Liveness
89% Instrumentalness • 93% Positiveness
18% Popularity • 90% Danceability • 50% Energy • 8% Liveness
89% Instrumentalness • 93% Positiveness
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Charlie Kunz
Hold Your Hand Out, Naughty Boy
125 bpm • A# Maj • 01:04 • -25.39db
12% Popularity • 74% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 80% Positiveness
12% Popularity • 74% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 80% Positiveness
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Bourbon Street Jazzband
Too Late
125 bpm • D# Maj • 03:11 • -14.49db
12% Popularity • 62% Danceability • 38% Energy • 5% Liveness
78% Instrumentalness • 96% Positiveness
12% Popularity • 62% Danceability • 38% Energy • 5% Liveness
78% Instrumentalness • 96% Positiveness
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Rainbow Goldfish
Light and shadow
125 bpm • G min • 02:20 • -21.04db
10% Popularity • 84% Danceability • 26% Energy • 11% Liveness
93% Instrumentalness • 76% Positiveness
10% Popularity • 84% Danceability • 26% Energy • 11% Liveness
93% Instrumentalness • 76% Positiveness
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Future Forecast
夢のようなアイランド
125 bpm • F# Maj • 01:39 • -17.49db
8% Popularity • 98% Danceability • 45% Energy • 11% Liveness
92% Instrumentalness • 97% Positiveness
8% Popularity • 98% Danceability • 45% Energy • 11% Liveness
92% Instrumentalness • 97% Positiveness
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Larry Elgart
Light Flight
144 bpm • D min • 02:15 • -11.65db
20% Popularity • 65% Danceability • 43% Energy • 8% Liveness
76% Instrumentalness • 81% Positiveness
20% Popularity • 65% Danceability • 43% Energy • 8% Liveness
76% Instrumentalness • 81% Positiveness
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Henning Fuchs
Feierabend
125 bpm • A# min • 01:39 • -7.47db
8% Popularity • 84% Danceability • 73% Energy • 8% Liveness
30% Instrumentalness • 74% Positiveness
8% Popularity • 84% Danceability • 73% Energy • 8% Liveness
30% Instrumentalness • 74% Positiveness
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Harry Roy And His Mayfair Hotel Orchestra
Struttin' in the Strand
144 bpm • D min • 02:53 • -16.63db
8% Popularity • 58% Danceability • 20% Energy • 13% Liveness
13% Instrumentalness • 60% Positiveness
8% Popularity • 58% Danceability • 20% Energy • 13% Liveness
13% Instrumentalness • 60% Positiveness
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John Kirby
Arabian Nightmare
145 bpm • C Maj • 01:52 • -15.64db
13% Popularity • 38% Danceability • 28% Energy • 10% Liveness
63% Instrumentalness • 76% Positiveness
13% Popularity • 38% Danceability • 28% Energy • 10% Liveness
63% Instrumentalness • 76% Positiveness
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Johnny Wiggs
Saint Louis Blues
124 bpm • C# Maj • 03:22 • -5.56db
7% Popularity • 60% Danceability • 45% Energy • 7% Liveness
42% Instrumentalness • 38% Positiveness
7% Popularity • 60% Danceability • 45% Energy • 7% Liveness
42% Instrumentalness • 38% Positiveness
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Baby Blue
両手ひろげて
145 bpm • C Maj • 01:49 • -15db
12% Popularity • 79% Danceability • 31% Energy • 30% Liveness
30% Instrumentalness • 70% Positiveness
12% Popularity • 79% Danceability • 31% Energy • 30% Liveness
30% Instrumentalness • 70% Positiveness
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The Bourbon Street Stompers
I've Been Working On The Railroad
124 bpm • G Maj • 02:02 • -9db
10% Popularity • 65% Danceability • 71% Energy • 15% Liveness
84% Instrumentalness • 96% Positiveness
10% Popularity • 65% Danceability • 71% Energy • 15% Liveness
84% Instrumentalness • 96% Positiveness
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Fats Waller
(Oh Susannah)Dust Off That Old Pianna
145 bpm • C Maj • 02:34 • -11.93db
11% Popularity • 69% Danceability • 57% Energy • 11% Liveness
67% Instrumentalness • 96% Positiveness
11% Popularity • 69% Danceability • 57% Energy • 11% Liveness
67% Instrumentalness • 96% Positiveness
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Billy Cotton
That Lindy Hop
123 bpm • F Maj • 03:10 • -12db
16% Popularity • 76% Danceability • 45% Energy • 9% Liveness
82% Instrumentalness • 83% Positiveness
16% Popularity • 76% Danceability • 45% Energy • 9% Liveness
82% Instrumentalness • 83% Positiveness
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Gino Marinacci Ensemble
Always
146 bpm • F min • 02:47 • -13.56db
16% Popularity • 47% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
16% Popularity • 47% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Tocatas Brasil CCB
Ó Irmãos, a Deus Devemos...
123 bpm • F Maj • 04:34 • -17.43db
10% Popularity • 74% Danceability • 13% Energy • 11% Liveness
2% Instrumentalness • 86% Positiveness
10% Popularity • 74% Danceability • 13% Energy • 11% Liveness
2% Instrumentalness • 86% Positiveness
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Claudius Alzner
Auf dem Dach der Welt - Schlaf mein Lieb...
146 bpm • C Maj • 02:37 • -14.05db
12% Popularity • 51% Danceability • 25% Energy • 14% Liveness
2% Instrumentalness • 42% Positiveness
12% Popularity • 51% Danceability • 25% Energy • 14% Liveness
2% Instrumentalness • 42% Positiveness
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Franco Pisano
Folle Diva
123 bpm • C Maj • 01:49 • -12.09db
8% Popularity • 72% Danceability • 39% Energy • 24% Liveness
8% Instrumentalness • 94% Positiveness
8% Popularity • 72% Danceability • 39% Energy • 24% Liveness
8% Instrumentalness • 94% Positiveness
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Ahmad Jamal Trio
Music! Music! Music! Put Another Nickel ...
123 bpm • D Maj • 02:58 • -11.09db
13% Popularity • 76% Danceability • 62% Energy • 98% Liveness
30% Instrumentalness • 82% Positiveness
13% Popularity • 76% Danceability • 62% Energy • 98% Liveness
30% Instrumentalness • 82% Positiveness
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B.B. King
Jack the Bear
146 bpm • G# Maj • 03:29 • -8.72db
8% Popularity • 39% Danceability • 50% Energy • 18% Liveness
43% Instrumentalness • 73% Positiveness
8% Popularity • 39% Danceability • 50% Energy • 18% Liveness
43% Instrumentalness • 73% Positiveness
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New Orleans 1920s Jazz
Getaway Music
122 bpm • A Maj • 01:08 • -18.38db
22% Popularity • 83% Danceability • 43% Energy • 10% Liveness
83% Instrumentalness • 98% Positiveness
22% Popularity • 83% Danceability • 43% Energy • 10% Liveness
83% Instrumentalness • 98% Positiveness
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Benny Goodman Quartet
I Cried For You
147 bpm • D min • 03:18 • -14.84db
19% Popularity • 69% Danceability • 21% Energy • 18% Liveness
76% Instrumentalness • 74% Positiveness
19% Popularity • 69% Danceability • 21% Energy • 18% Liveness
76% Instrumentalness • 74% Positiveness
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Adam Plachetka
Bugatti Step
122 bpm • D# Maj • 02:37 • -12.29db
15% Popularity • 63% Danceability • 37% Energy • 15% Liveness
90% Instrumentalness • 85% Positiveness
15% Popularity • 63% Danceability • 37% Energy • 15% Liveness
90% Instrumentalness • 85% Positiveness
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Raymond Scott
Girl With the Light Blue Hair - 1939 Orc...
122 bpm • F min • 02:49 • -11.1db
10% Popularity • 60% Danceability • 49% Energy • 13% Liveness
88% Instrumentalness • 87% Positiveness
10% Popularity • 60% Danceability • 49% Energy • 13% Liveness
88% Instrumentalness • 87% Positiveness
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Giorgio Cuscito
West Coast Swing
148 bpm • A# Maj • 01:53 • -9.54db
32% Popularity • 87% Danceability • 32% Energy • 7% Liveness
93% Instrumentalness • 56% Positiveness
32% Popularity • 87% Danceability • 32% Energy • 7% Liveness
93% Instrumentalness • 56% Positiveness
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Members Of The Glenn Miller Orchestra
Anvil Chorus
121 bpm • C# Maj • 03:01 • -15.73db
10% Popularity • 47% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 47% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Alex Pangman
I'm One Hundred Percent for You
148 bpm • F min • 03:41 • -7.98db
9% Popularity • 62% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
9% Popularity • 62% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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楽しいジャズ
バックグラウンドミュージッ�...
149 bpm • F Maj • 02:02 • -17.13db
12% Popularity • 77% Danceability • 28% Energy • 10% Liveness
68% Instrumentalness • 92% Positiveness
12% Popularity • 77% Danceability • 28% Energy • 10% Liveness
68% Instrumentalness • 92% Positiveness
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Ella Fitzgerald
The Tender Trap - New Mono to Stereo Mix
121 bpm • D min • 02:58 • -5.29db
11% Popularity • 70% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 70% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
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Bobby Sherwood
And Suddenly It's Swing
120 bpm • A# Maj • 02:24 • -10.05db
10% Popularity • 64% Danceability • 63% Energy • 24% Liveness
2% Instrumentalness • 55% Positiveness
10% Popularity • 64% Danceability • 63% Energy • 24% Liveness
2% Instrumentalness • 55% Positiveness
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New Orleans 1920s Jazz
Classic Dixieland Jazz Jam
120 bpm • G# Maj • 01:00 • -18.55db
27% Popularity • 91% Danceability • 48% Energy • 13% Liveness
95% Instrumentalness • 100% Positiveness
27% Popularity • 91% Danceability • 48% Energy • 13% Liveness
95% Instrumentalness • 100% Positiveness
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Martin Landström
Dirt Floor Boogie
120 bpm • C Maj • 02:41 • -10.76db
9% Popularity • 83% Danceability • 48% Energy • 13% Liveness
92% Instrumentalness • 72% Positiveness
9% Popularity • 83% Danceability • 48% Energy • 13% Liveness
92% Instrumentalness • 72% Positiveness
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Jim Robinson
Indian Love Call
120 bpm • D# Maj • 05:23 • -18.58db
8% Popularity • 54% Danceability • 25% Energy • 17% Liveness
37% Instrumentalness • 83% Positiveness
8% Popularity • 54% Danceability • 25% Energy • 17% Liveness
37% Instrumentalness • 83% Positiveness
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Musique de Noel Playlist
O Arbre de Noël; Réveillon de Noël
120 bpm • C Maj • 03:00 • -10.11db
10% Popularity • 53% Danceability • 34% Energy • 16% Liveness
1% Instrumentalness • 50% Positiveness
10% Popularity • 53% Danceability • 34% Energy • 16% Liveness
1% Instrumentalness • 50% Positiveness
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Raymond Scott
Heavy Smoke in a Dance Hall - 1940
120 bpm • F Maj • 03:59 • -12.61db
15% Popularity • 74% Danceability • 47% Energy • 20% Liveness
86% Instrumentalness • 77% Positiveness
15% Popularity • 74% Danceability • 47% Energy • 20% Liveness
86% Instrumentalness • 77% Positiveness
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John Barry
Do You Like Bad Girls
120 bpm • F Maj • 01:28 • -11.4db
18% Popularity • 77% Danceability • 51% Energy • 5% Liveness
2% Instrumentalness • 88% Positiveness
18% Popularity • 77% Danceability • 51% Energy • 5% Liveness
2% Instrumentalness • 88% Positiveness
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Gentlemen Of Jazz
Corrine Corrina
120 bpm • C min • 04:08 • -13.16db
12% Popularity • 71% Danceability • 27% Energy • 7% Liveness
16% Instrumentalness • 67% Positiveness
12% Popularity • 71% Danceability • 27% Energy • 7% Liveness
16% Instrumentalness • 67% Positiveness
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Sweet Megg
San Antonio Rose
120 bpm • B Maj • 04:18 • -9.06db
9% Popularity • 68% Danceability • 46% Energy • 15% Liveness
4% Instrumentalness • 78% Positiveness
9% Popularity • 68% Danceability • 46% Energy • 15% Liveness
4% Instrumentalness • 78% Positiveness
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Paul Lenart
New Orleans Nights
120 bpm • A# Maj • 01:11 • -17.85db
21% Popularity • 77% Danceability • 18% Energy • 16% Liveness
78% Instrumentalness • 88% Positiveness
21% Popularity • 77% Danceability • 18% Energy • 16% Liveness
78% Instrumentalness • 88% Positiveness
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The Earl Hines Trio
A Damsel in Distress x: A Damsel in Dist...
119 bpm • C Maj • 02:23 • -14.39db
11% Popularity • 64% Danceability • 39% Energy • 10% Liveness
94% Instrumentalness • 78% Positiveness
11% Popularity • 64% Danceability • 39% Energy • 10% Liveness
94% Instrumentalness • 78% Positiveness
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Raymond Scott
Bambolina - 1940
119 bpm • A# Maj • 02:55 • -7.94db
13% Popularity • 63% Danceability • 61% Energy • 10% Liveness
97% Instrumentalness • 84% Positiveness
13% Popularity • 63% Danceability • 61% Energy • 10% Liveness
97% Instrumentalness • 84% Positiveness
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Charlie Kunz
In the Blue of Evening
119 bpm • F Maj • 03:08 • -22.23db
9% Popularity • 60% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 34% Positiveness
9% Popularity • 60% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 34% Positiveness
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Ken Colyer
Breeze
118 bpm • A Maj • 04:24 • -11.68db
11% Popularity • 92% Danceability • 24% Energy • 8% Liveness
26% Instrumentalness • 76% Positiveness
11% Popularity • 92% Danceability • 24% Energy • 8% Liveness
26% Instrumentalness • 76% Positiveness
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The Charleston Chasers
Symphonic Raps
118 bpm • F Maj • 03:12 • -9db
15% Popularity • 75% Danceability • 53% Energy • 6% Liveness
85% Instrumentalness • 91% Positiveness
15% Popularity • 75% Danceability • 53% Energy • 6% Liveness
85% Instrumentalness • 91% Positiveness
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Giorgio Cuscito
Moon Face
118 bpm • G min • 02:37 • -10.43db
21% Popularity • 77% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 76% Positiveness
21% Popularity • 77% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 76% Positiveness
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Henry Mancini
Big Band Rock'n'Roll - Rock Pretty Baby ...
152 bpm • G Maj • 02:09 • -9.35db
8% Popularity • 33% Danceability • 63% Energy • 33% Liveness
24% Instrumentalness • 92% Positiveness
8% Popularity • 33% Danceability • 63% Energy • 33% Liveness
24% Instrumentalness • 92% Positiveness
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Raymond Scott
Hemi-Semi-Demi Quaver - 1942
118 bpm • G min • 02:46 • -9.73db
12% Popularity • 73% Danceability • 55% Energy • 7% Liveness
84% Instrumentalness • 86% Positiveness
12% Popularity • 73% Danceability • 55% Energy • 7% Liveness
84% Instrumentalness • 86% Positiveness
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Charlie Kunz
If I Should Plant a Tiny Seed of Love
118 bpm • D# Maj • 01:21 • -8.17db
20% Popularity • 85% Danceability • 61% Energy • 10% Liveness
82% Instrumentalness • 98% Positiveness
20% Popularity • 85% Danceability • 61% Energy • 10% Liveness
82% Instrumentalness • 98% Positiveness
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The Three Tenors Of Swing
Bean Stalking - Idaho
118 bpm • F Maj • 01:58 • -14.59db
21% Popularity • 60% Danceability • 41% Energy • 68% Liveness
1% Instrumentalness • 88% Positiveness
21% Popularity • 60% Danceability • 41% Energy • 68% Liveness
1% Instrumentalness • 88% Positiveness
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New Orleans 1920s Jazz
On the Lam
117 bpm • F# Maj • 01:11 • -19.26db
23% Popularity • 85% Danceability • 42% Energy • 8% Liveness
90% Instrumentalness • 99% Positiveness
23% Popularity • 85% Danceability • 42% Energy • 8% Liveness
90% Instrumentalness • 99% Positiveness
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1923 Autopiano Player Piano
On the Mall
117 bpm • A# Maj • 02:33 • -18.3db
11% Popularity • 60% Danceability • 19% Energy • 10% Liveness
78% Instrumentalness • 95% Positiveness
11% Popularity • 60% Danceability • 19% Energy • 10% Liveness
78% Instrumentalness • 95% Positiveness
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Giorgio Cuscito
Bitter George
117 bpm • D Maj • 02:00 • -8.64db
16% Popularity • 84% Danceability • 55% Energy • 10% Liveness
88% Instrumentalness • 89% Positiveness
16% Popularity • 84% Danceability • 55% Energy • 10% Liveness
88% Instrumentalness • 89% Positiveness
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Benny Carter
Sleep - Edit
153 bpm • G Maj • 01:09 • -12.47db
9% Popularity • 48% Danceability • 28% Energy • 11% Liveness
93% Instrumentalness • 50% Positiveness
9% Popularity • 48% Danceability • 28% Energy • 11% Liveness
93% Instrumentalness • 50% Positiveness
