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Snatching It Back
Songs like
Snatching It Back
by
Clarence Carter
Based on a tempo of (+/- 10%) and a similar genre
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The James Hunter Six
Minute By Minute
104 bpm • G# min • 03:39 • -7db
28% Popularity • 85% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Clarence Carter
Snatching It Back
104 bpm • F# Maj • 02:52 • -11.07db
40% Popularity • 73% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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The Valentinos
What About Me
104 bpm • G# min • 02:48 • -9db
15% Popularity • 66% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Dyke & The Blazers
Black Boy From the Ghetto
104 bpm • F min • 02:19 • -9.38db
27% Popularity • 73% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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Bill Withers
Everybody's Talkin'
104 bpm • E Maj • 03:24 • -9.91db
40% Popularity • 62% Danceability • 54% Energy • 14% Liveness
2% Instrumentalness • 96% Positiveness
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Jimmy Reed
Honest I Do
104 bpm • C# Maj • 02:51 • -9db
25% Popularity • 80% Danceability • 36% Energy • 7% Liveness
4% Instrumentalness • 55% Positiveness
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Charles Wright & The Watts 103rd Street Rhythm Band
What Can You Bring Me
103 bpm • F min • 02:49 • -8.17db
29% Popularity • 84% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Clarence Carter
Light My Fire
104 bpm • D Maj • 02:50 • -15.73db
12% Popularity • 51% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Bettye Swann
I'm Lonely For You
103 bpm • A min • 02:43 • -12.42db
30% Popularity • 57% Danceability • 44% Energy • 43% Liveness
0% Instrumentalness • 66% Positiveness
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The Mad Lads
Patch My Heart
105 bpm • C# Maj • 02:31 • -12.64db
27% Popularity • 81% Danceability • 38% Energy • 26% Liveness
5% Instrumentalness • 92% Positiveness
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Aaron Neville
Struttin' On Sunday
103 bpm • F Maj • 03:44 • -16.8db
10% Popularity • 58% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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The Soul Survivors
Expressway (To Your Heart) - Single Vers...
105 bpm • B Maj • 02:18 • -11db
37% Popularity • 51% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
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King Floyd
Groove Me
103 bpm • B Maj • 03:03 • -9.38db
54% Popularity • 91% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Clarence Carter
Snatching It Back - Single Version
103 bpm • C# Maj • 02:42 • -7.45db
13% Popularity • 74% Danceability • 74% Energy • 4% Liveness
4% Instrumentalness • 96% Positiveness
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Eddie Floyd
Knock on Wood
105 bpm • E Maj • 03:09 • -12.92db
61% Popularity • 86% Danceability • 35% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
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Billy Preston
Nothing From Nothing
103 bpm • A min • 02:36 • -4db
63% Popularity • 81% Danceability • 83% Energy • 20% Liveness
1% Instrumentalness • 91% Positiveness
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The Parliaments
(I Wanna) Testify (Mono Single Version)
105 bpm • A# Maj • 03:03 • -5.75db
24% Popularity • 67% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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Charles Wright
You Gotta Know Whatcha Doin' - Remastere...
103 bpm • A# min • 03:59 • -12.19db
11% Popularity • 69% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Sharon Jones & The Dap-Kings
I Learned the Hard Way
103 bpm • F min • 03:46 • -5.78db
31% Popularity • 62% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Clarence Carter
G Spot
105 bpm • C# Maj • 04:40 • -7.97db
7% Popularity • 72% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
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Bobby Patterson
T.C.B. or T.Y.A.
106 bpm • F min • 02:50 • -6.2db
24% Popularity • 66% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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The Dramatics
Your Love Was Strange
106 bpm • C Maj • 03:04 • -9db
29% Popularity • 59% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Garnet Mimms & The Enchanters
A Quiet Place
106 bpm • G min • 02:24 • -12.22db
36% Popularity • 69% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
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Major Lance
Please Don't Say No More
106 bpm • C min • 02:17 • -9.17db
14% Popularity • 70% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Tyrone Davis
Can I Change My Mind
102 bpm • C# min • 02:57 • -6.24db
38% Popularity • 55% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Clarence Carter
Too Weak to Fight
102 bpm • C# Maj • 02:18 • -14.18db
30% Popularity • 67% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Ruby Johnson
I'd Rather Fight Than Switch - Take 1
106 bpm • A# Maj • 02:17 • -9.79db
31% Popularity • 73% Danceability • 50% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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Shorty Long
Devil With The Blue Dress
106 bpm • D# Maj • 03:13 • -15.41db
30% Popularity • 76% Danceability • 46% Energy • 6% Liveness
4% Instrumentalness • 75% Positiveness
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Charles Wright & The Watts 103rd Street Rhythm Band
I Got Love
102 bpm • G Maj • 03:39 • -8.29db
22% Popularity • 70% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Jean Knight
Don't Talk About Jody
106 bpm • G# Maj • 02:43 • -10.97db
28% Popularity • 85% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 91% Positiveness
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Willie Mitchell
Soul Serenade
106 bpm • A# Maj • 02:21 • -15.91db
27% Popularity • 75% Danceability • 26% Energy • 8% Liveness
90% Instrumentalness • 57% Positiveness
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Clarence Carter
Too Weak to Fight
102 bpm • C# Maj • 02:17 • -15db
15% Popularity • 67% Danceability • 37% Energy • 3% Liveness
0% Instrumentalness • 93% Positiveness
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Alvin Robinson
I'm Just a Down Home Girl
106 bpm • F min • 03:02 • -10.13db
27% Popularity • 68% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Otis Clay
Trying To Live My Life Without You
106 bpm • D# Maj • 02:53 • -7.02db
13% Popularity • 84% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Charles Wright & The Watts 103rd Street Rhythm Band
I Got Love - Remastered Version
102 bpm • G Maj • 03:36 • -9.46db
10% Popularity • 70% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Ben E. King
Do It in the Name of Love
101 bpm • G# min • 04:20 • -8.37db
18% Popularity • 68% Danceability • 81% Energy • 28% Liveness
1% Instrumentalness • 68% Positiveness
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Otis Redding
Tramp
107 bpm • F Maj • 03:01 • -12.11db
47% Popularity • 89% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Merry Clayton
Steamroller
107 bpm • G Maj • 03:45 • -8db
15% Popularity • 58% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Bettye Swann
Today I Started Loving You Again
107 bpm • G# Maj • 02:40 • -11.56db
19% Popularity • 56% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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The Soul Children
Hearsay
107 bpm • C Maj • 03:35 • -13.18db
24% Popularity • 77% Danceability • 57% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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Charles Wright & The Watts 103rd Street Rhythm Band
I'm Aware
101 bpm • F Maj • 03:47 • -9.93db
13% Popularity • 59% Danceability • 41% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
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The Mighty Hannibal
Somebody in the World for You
107 bpm • D Maj • 02:52 • -8.06db
19% Popularity • 63% Danceability • 61% Energy • 9% Liveness
12% Instrumentalness • 66% Positiveness
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Eddie Bo
Check Your Bucket
100 bpm • A min • 04:52 • -10.38db
29% Popularity • 71% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Johnny Adams
Reconsider Me
108 bpm • F Maj • 03:55 • -11db
29% Popularity • 44% Danceability • 49% Energy • 42% Liveness
0% Instrumentalness • 56% Positiveness
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Chairmen Of The Board
Chairman of the Board
108 bpm • A# min • 03:35 • -5.73db
13% Popularity • 68% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
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Bo Diddley
Hit Or Miss
100 bpm • G Maj • 03:43 • -7db
34% Popularity • 70% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Carla Thomas
Let Me Be Good to You
108 bpm • A# Maj • 02:42 • -12.93db
22% Popularity • 74% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Bettye Swann
Make Me Yours
108 bpm • D# Maj • 03:15 • -8.13db
42% Popularity • 72% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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The Dramatics
Get Up And Get Down - 45 Version
100 bpm • C# min • 03:11 • -16db
39% Popularity • 59% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Doris Troy
Just One Look
108 bpm • F Maj • 02:31 • -15db
56% Popularity • 86% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Clarence Carter
Do What You Gotta Do
100 bpm • F Maj • 02:34 • -14.52db
29% Popularity • 58% Danceability • 42% Energy • 46% Liveness
0% Instrumentalness • 79% Positiveness
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Maxine Brown
Hold on I'm Coming
100 bpm • F Maj • 02:49 • -11.49db
29% Popularity • 58% Danceability • 49% Energy • 48% Liveness
0% Instrumentalness • 70% Positiveness
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Arthur Conley
Stuff You Gotta Watch
100 bpm • G Maj • 02:14 • -11.62db
11% Popularity • 50% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Art Neville
Cha Dooky-Doo
100 bpm • A Maj • 02:33 • -12db
29% Popularity • 59% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 95% Positiveness
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Earl King
Mama & Papa
108 bpm • A Maj • 03:05 • -7.61db
24% Popularity • 79% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Allen Toussaint
Brickyard Blues
109 bpm • G Maj • 03:44 • -7.06db
14% Popularity • 74% Danceability • 74% Energy • 91% Liveness
0% Instrumentalness • 94% Positiveness
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Clarence Carter
Soul Deep
100 bpm • C Maj • 02:41 • -15.66db
18% Popularity • 62% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
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The Mar-Keys
Plantation Inn
99 bpm • F Maj • 02:39 • -12db
32% Popularity • 86% Danceability • 42% Energy • 8% Liveness
92% Instrumentalness • 92% Positiveness
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Mable John
Wait You Dog
109 bpm • D Maj • 02:07 • -12.41db
15% Popularity • 74% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Diplomats of Solid Sound
Soul Connection
109 bpm • D Maj • 02:29 • -6.14db
44% Popularity • 65% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Ernie K-Doe
Back Street Lover - Remastered
109 bpm • A# Maj • 02:27 • -8db
13% Popularity • 72% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Four Tops
Loving You Is Sweeter Than Ever
99 bpm • F Maj • 02:50 • -8db
40% Popularity • 53% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Clarence Carter
Getting the Bills (But No Merchandise)
99 bpm • D Maj • 02:20 • -13.19db
19% Popularity • 67% Danceability • 34% Energy • 52% Liveness
0% Instrumentalness • 84% Positiveness
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Allen Toussaint
Here Comes The Girls - Remastered
99 bpm • C# Maj • 03:10 • -7.71db
35% Popularity • 79% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Jimmy Ruffin
What Becomes Of The Brokenhearted
99 bpm • G min • 02:55 • -12.67db
59% Popularity • 72% Danceability • 42% Energy • 57% Liveness
0% Instrumentalness • 59% Positiveness
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King Floyd
I Really Love You
110 bpm • A# Maj • 03:05 • -14.48db
28% Popularity • 83% Danceability • 41% Energy • 9% Liveness
38% Instrumentalness • 94% Positiveness
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Furacão 2000
Take It All Off
110 bpm • C# Maj • 02:55 • -13.22db
5% Popularity • 78% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 98% Positiveness
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Wilson Pickett
Something You Got
110 bpm • C Maj • 02:58 • -11db
37% Popularity • 77% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 94% Positiveness
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Clarence Carter
Changes
99 bpm • F# min • 02:57 • -15.25db
11% Popularity • 56% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Dyke & The Blazers
The Wobble
110 bpm • G# Maj • 02:38 • -10.88db
26% Popularity • 66% Danceability • 53% Energy • 13% Liveness
5% Instrumentalness • 68% Positiveness
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Freddie Scott
Am I Grooving You
98 bpm • A Maj • 03:11 • -11.1db
10% Popularity • 61% Danceability • 54% Energy • 40% Liveness
0% Instrumentalness • 62% Positiveness
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Billy Preston
Will It Go Round In Circles
98 bpm • C# Maj • 04:27 • -3.77db
46% Popularity • 69% Danceability • 95% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
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Sharon Jones & The Dap-Kings
Tell Me
111 bpm • F# Maj • 02:46 • -8db
59% Popularity • 77% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Wilson Pickett
Mustang Sally
110 bpm • C Maj • 03:07 • -17.71db
59% Popularity • 72% Danceability • 33% Energy • 21% Liveness
33% Instrumentalness • 69% Positiveness
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Clarence Carter
You've Been a Long Time Coming
111 bpm • C# Maj • 02:48 • -13.73db
11% Popularity • 66% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Geater Davis
My Love Is so Strong for You
111 bpm • G min • 03:05 • -9db
31% Popularity • 75% Danceability • 58% Energy • 7% Liveness
2% Instrumentalness • 95% Positiveness
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King Floyd
What Our Love Needs
98 bpm • B Maj • 03:03 • -8.2db
21% Popularity • 61% Danceability • 57% Energy • 69% Liveness
0% Instrumentalness • 72% Positiveness
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Ollie & The Nightengales
I Got A Sure Thing
98 bpm • B min • 02:36 • -11db
15% Popularity • 58% Danceability • 43% Energy • 57% Liveness
0% Instrumentalness • 71% Positiveness
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The James Hunter Six
Let The Monkey Ride
111 bpm • D Maj • 03:35 • -10db
15% Popularity • 84% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Bill Withers
I Wish You Well
98 bpm • F# Maj • 03:57 • -8.88db
33% Popularity • 60% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Clarence Carter
It's All in Your Mind
110 bpm • C Maj • 02:38 • -15.61db
16% Popularity • 55% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Eddie Bo
Check Mr. Popeye - Pt. 1
111 bpm • C Maj • 02:16 • -9db
31% Popularity • 83% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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King Floyd
Hard to Handle
98 bpm • D# Maj • 02:25 • -8db
28% Popularity • 73% Danceability • 69% Energy • 47% Liveness
0% Instrumentalness • 96% Positiveness
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Percy Sledge
When a Man Loves a Woman
97 bpm • C# Maj • 02:53 • -20.41db
69% Popularity • 52% Danceability • 15% Energy • 12% Liveness
8% Instrumentalness • 20% Positiveness
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The Soul Children
Signed, Sealed And Delivered
111 bpm • A# Maj • 03:22 • -12db
16% Popularity • 64% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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The Marvelettes
Here I Am Baby
97 bpm • C Maj • 02:49 • -8.32db
29% Popularity • 66% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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Allen Toussaint
Am I Expecting Too Much - Remastered Ver...
111 bpm • A Maj • 02:50 • -8.54db
18% Popularity • 85% Danceability • 85% Energy • 2% Liveness
0% Instrumentalness • 98% Positiveness
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Dyke & The Blazers
Runaway People
111 bpm • A min • 05:18 • -11db
17% Popularity • 63% Danceability • 73% Energy • 21% Liveness
6% Instrumentalness • 87% Positiveness
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James Carr
Pouring Water on a Drowning Man
111 bpm • C Maj • 02:39 • -7.82db
34% Popularity • 66% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Spencer Wiggins
Lonely Man
111 bpm • F# Maj • 02:12 • -7db
27% Popularity • 70% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Irma Thomas
Cheater Man - Alternate Mix
111 bpm • C# Maj • 02:32 • -11.34db
29% Popularity • 66% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Jean Knight
Pick Up The Pieces
111 bpm • D Maj • 02:31 • -12.82db
15% Popularity • 74% Danceability • 37% Energy • 16% Liveness
5% Instrumentalness • 90% Positiveness
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Jeanne & The Darlings
Soul Girl
97 bpm • C# Maj • 02:28 • -11.21db
27% Popularity • 74% Danceability • 49% Energy • 63% Liveness
0% Instrumentalness • 94% Positiveness
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The Chi-Lites
(For God's Sake) Give More Power To The ...
97 bpm • F# Maj • 03:00 • -10db
25% Popularity • 66% Danceability • 55% Energy • 42% Liveness
3% Instrumentalness • 90% Positiveness
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Willie Hutch
I Can't Get Enough
97 bpm • A Maj • 02:52 • -5db
15% Popularity • 56% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Clarence Carter
Think About It
112 bpm • C Maj • 02:45 • -14.55db
9% Popularity • 68% Danceability • 38% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Frederick Knight
I've Been Lonely For So Long
97 bpm • G Maj • 03:18 • -14db
38% Popularity • 79% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 87% Positiveness
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Delaney & Bonnie
We Can Love
112 bpm • C Maj • 02:23 • -8.34db
21% Popularity • 62% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Arthur Conley
I'm Gonna Forget About You
112 bpm • F# Maj • 02:14 • -11.16db
23% Popularity • 69% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Charles Wright & The Watts 103rd Street Rhythm Band
Love Land
97 bpm • F min • 03:11 • -12.47db
12% Popularity • 68% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
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Snatching It Back