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Sneakin' Suspicion
Songs like
Sneakin' Suspicion
by
Ed Burleson
Based on a tempo of (+/- 10%) and a similar genre
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Summer Dean
Picket Fence
91 bpm • A Maj • 03:13 • -7.8db
11% Popularity • 68% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
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Eleven Hundred Springs
Hank Williams Wouldn't Make It Now in Na...
91 bpm • D Maj • 02:43 • -7.82db
34% Popularity • 56% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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The Great Divide
Days Go
91 bpm • G Maj • 02:45 • -6.32db
21% Popularity • 61% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Jarrod Birmingham
Where'd You Go Country Music
91 bpm • D Maj • 03:23 • -7.81db
9% Popularity • 63% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Weldon Henson
An Empty Glass
91 bpm • G Maj • 03:50 • -7.89db
12% Popularity • 58% Danceability • 54% Energy • 12% Liveness
2% Instrumentalness • 29% Positiveness
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Travis Tritt
Gambler's Blues
91 bpm • G Maj • 03:30 • -4.36db
11% Popularity • 54% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
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Max Stalling
Green Lights
91 bpm • D Maj • 03:14 • -7.07db
16% Popularity • 68% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
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Ed Burleson
Sneakin' Suspicion
91 bpm • G Maj • 02:17 • -8.79db
1% Popularity • 64% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Bastard Sons of Johnny Cash
Leave a Light On
90 bpm • E Maj • 02:47 • -5.81db
16% Popularity • 57% Danceability • 74% Energy • 12% Liveness
13% Instrumentalness • 72% Positiveness
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The Freightshakers
When the Whiskey Calls
91 bpm • D Maj • 04:34 • -4.99db
8% Popularity • 61% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Jesse Daniel
Gracie Henrietta
92 bpm • A Maj • 02:46 • -4.02db
16% Popularity • 40% Danceability • 85% Energy • 52% Liveness
1% Instrumentalness • 91% Positiveness
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Owen Temple
Wanna Wanna Bar
90 bpm • G Maj • 04:31 • -8.29db
18% Popularity • 70% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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Dave Stamey
It's The West
90 bpm • F Maj • 03:49 • -6.19db
22% Popularity • 62% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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The Reeves Brothers
Medicine Man
90 bpm • G Maj • 04:14 • -17.26db
12% Popularity • 63% Danceability • 41% Energy • 11% Liveness
5% Instrumentalness • 58% Positiveness
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Tony Martinez
Does She Miss Me
90 bpm • C Maj • 03:04 • -6.09db
13% Popularity • 64% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Zane Williams
Overnight Success
92 bpm • D Maj • 03:50 • -6.73db
27% Popularity • 67% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Matt Hillyer
If These Old Bones Could Talk
90 bpm • E Maj • 03:36 • -8.51db
18% Popularity • 70% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Owen Temple
I Just Can't Quit Loving You
90 bpm • C Maj • 03:16 • -7.15db
14% Popularity • 65% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
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Whitey Morgan and the 78's
Cheaters Always Lose
90 bpm • E Maj • 03:10 • -7.95db
26% Popularity • 60% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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The Reeves Brothers
100 Proof Honky-Tonk
90 bpm • B min • 03:03 • -5.01db
27% Popularity • 67% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
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Daron Little
A Cowboy's Day
90 bpm • G Maj • 02:52 • -9.44db
17% Popularity • 56% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Dub Miller
Insantiy and Texas
93 bpm • A# Maj • 04:01 • -11.52db
9% Popularity • 52% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Davin James
Magnolia
93 bpm • E Maj • 04:57 • -7.82db
9% Popularity • 58% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Wylie & The Wild West
16 Hands
93 bpm • C Maj • 02:51 • -11.9db
19% Popularity • 58% Danceability • 45% Energy • 11% Liveness
2% Instrumentalness • 34% Positiveness
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Owen Temple
When I Hit San Antone
89 bpm • E Maj • 03:59 • -8.41db
22% Popularity • 59% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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The Reeves Brothers
I've Lost All My Strength to Sing the Bl...
92 bpm • D Maj • 02:23 • -6.44db
14% Popularity • 72% Danceability • 61% Energy • 10% Liveness
1% Instrumentalness • 56% Positiveness
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Jesse Daniel
You Asked Me To
93 bpm • C Maj • 04:28 • -9.22db
23% Popularity • 63% Danceability • 54% Energy • 14% Liveness
7% Instrumentalness • 77% Positiveness
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Whitey Morgan and the 78's
Carryin' On
89 bpm • D Maj • 04:47 • -6.46db
28% Popularity • 56% Danceability • 85% Energy • 35% Liveness
72% Instrumentalness • 67% Positiveness
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Ed Burleson
My Perfect World
93 bpm • C Maj • 04:05 • -9.43db
2% Popularity • 56% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Sunny Sweeney
But You Like Country Music
89 bpm • G Maj • 03:49 • -6.82db
27% Popularity • 72% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
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Whitey Morgan
You're Still on My Mind
88 bpm • G Maj • 03:04 • -8.82db
27% Popularity • 37% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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R.W. Hampton
Don't Tell Me
89 bpm • D Maj • 02:45 • -7.31db
24% Popularity • 62% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Jarrod Birmingham
If You Don't Like Me
94 bpm • E Maj • 04:22 • -6.65db
22% Popularity • 61% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Dave Stamey
The Dude String Trail
94 bpm • F# Maj • 03:00 • -5.22db
23% Popularity • 78% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Gene Watson
Raisin' Cane In Texas
94 bpm • D Maj • 02:39 • -7db
37% Popularity • 65% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Jonathan Parker
I'd Have It Made
94 bpm • E Maj • 03:12 • -4.1db
7% Popularity • 65% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Shane Owens
Love to Try Them On
94 bpm • D Maj • 02:56 • -4.35db
22% Popularity • 59% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
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Whitey Morgan and the 78's
Hard Scratch Pride
94 bpm • C Maj • 04:59 • -7.23db
35% Popularity • 66% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
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Jamie Richards
Last Call
94 bpm • F Maj • 04:14 • -8.72db
18% Popularity • 56% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Robert Earl Keen
Amarillo Highway
94 bpm • A Maj • 02:27 • -11.65db
32% Popularity • 63% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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Mike McClure
In My Ears
95 bpm • G Maj • 02:16 • -7.97db
26% Popularity • 61% Danceability • 75% Energy • 39% Liveness
0% Instrumentalness • 82% Positiveness
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Jake Hooker
Night Coach Out of Dallas
95 bpm • D Maj • 02:43 • -9.4db
13% Popularity • 61% Danceability • 43% Energy • 35% Liveness
0% Instrumentalness • 83% Positiveness
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Jesse Daniel
Bringin' Home the Roses
95 bpm • F# Maj • 02:48 • -6.46db
26% Popularity • 64% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
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Whitey Morgan and the 78's
Love and Honor
94 bpm • E Maj • 03:12 • -5.16db
21% Popularity • 46% Danceability • 58% Energy • 12% Liveness
58% Instrumentalness • 48% Positiveness
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Ed Burleson
All Bucked Up
95 bpm • D Maj • 03:05 • -6.5db
6% Popularity • 76% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Robert Earl Keen
Tom Ames' Prayer
95 bpm • G Maj • 03:23 • -10.19db
31% Popularity • 50% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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The Reeves Brothers
Stagestop Bar
95 bpm • A Maj • 03:14 • -5db
25% Popularity • 66% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Tom Buller
Whiskey and Wanting You
96 bpm • C Maj • 04:08 • -7.3db
11% Popularity • 64% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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J Parson
Song of the Last Real Cowboy
86 bpm • B min • 03:50 • -12.08db
8% Popularity • 60% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 55% Positiveness
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Jason James
Ole Used To Be
96 bpm • A Maj • 03:18 • -10.17db
21% Popularity • 64% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Craig Gerdes
If Guitars Were Guns
96 bpm • G Maj • 04:31 • -10.91db
8% Popularity • 58% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Tim Hus
Madawaska River
96 bpm • B Maj • 03:17 • -6.93db
15% Popularity • 60% Danceability • 83% Energy • 41% Liveness
0% Instrumentalness • 88% Positiveness
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Jamie Richards
Cold In Mexico
96 bpm • D Maj • 03:13 • -6.92db
16% Popularity • 66% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Jarrod Birmingham
That's What Dancers Do
96 bpm • E Maj • 03:30 • -6.1db
23% Popularity • 59% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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The Back Alley Boys
The Sight Of You
96 bpm • G Maj • 02:41 • -8.39db
13% Popularity • 57% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Jason James
World Of Make Believe
96 bpm • B Maj • 03:22 • -8.59db
14% Popularity • 55% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Larry Joe Taylor
Third Coast
96 bpm • B Maj • 07:18 • -9.33db
16% Popularity • 46% Danceability • 41% Energy • 8% Liveness
1% Instrumentalness • 38% Positiveness
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Owen Temple
Tennessee Highway
86 bpm • E Maj • 03:58 • -8.6db
24% Popularity • 56% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Eleven Hundred Springs
Long Haired Tattooed Hippie Freak
97 bpm • D Maj • 03:03 • -7db
26% Popularity • 42% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 93% Positiveness
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Mike and the Moonpies
Honky Tonk Hotel
86 bpm • B min • 02:42 • -4.75db
16% Popularity • 58% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
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Red Steagall
Freckles Brown
97 bpm • D Maj • 03:50 • -10.76db
19% Popularity • 56% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
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Stryker Brothers
Charlie Duke Took Country Music to the M...
97 bpm • E Maj • 04:00 • -6.35db
10% Popularity • 69% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Ian Tyson
The Gift
85 bpm • C Maj • 04:22 • -16.51db
22% Popularity • 65% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Owen Temple
Dry Creek
97 bpm • E Maj • 03:16 • -8db
16% Popularity • 68% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 83% Positiveness
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Whitey Morgan and the 78's
Hold Her When She Cries
85 bpm • D Maj • 03:53 • -4.92db
31% Popularity • 62% Danceability • 70% Energy • 14% Liveness
16% Instrumentalness • 53% Positiveness
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Tim Hus
Short Go Shuffle
97 bpm • D Maj • 03:20 • -7.03db
8% Popularity • 60% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Red Steagall
Lone Star Beer and Bob Wills Music
97 bpm • E Maj • 02:19 • -6.55db
8% Popularity • 73% Danceability • 67% Energy • 38% Liveness
0% Instrumentalness • 87% Positiveness
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Mel McDaniel
Maximum Living On A Minimum Wage
98 bpm • C# Maj • 02:57 • -7.47db
36% Popularity • 72% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Robert Henry & the Repeaters
Last Cowboy Hat in California
98 bpm • D Maj • 02:39 • -8.94db
8% Popularity • 62% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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Eleven Hundred Springs
Hard Working Just Ain't Working Anymore
98 bpm • A Maj • 03:51 • -5db
32% Popularity • 76% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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Jarrod Birmingham
Jesus and Johnny Cash
98 bpm • A Maj • 03:29 • -6db
17% Popularity • 58% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Jake Penrod
Have You Ever Been a Fool
98 bpm • E Maj • 02:57 • -4.25db
11% Popularity • 61% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
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Bastard Sons of Johnny Cash
New Old Story
98 bpm • F Maj • 03:36 • -5.82db
15% Popularity • 66% Danceability • 88% Energy • 13% Liveness
34% Instrumentalness • 94% Positiveness
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Jason James
Achin’ Takin’ Place
98 bpm • F Maj • 03:31 • -10db
22% Popularity • 57% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Dave Stamey
Twelve Mile Road
98 bpm • A Maj • 03:38 • -6.47db
26% Popularity • 65% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
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Gary Stewart
Let's Go Jukin'
84 bpm • F min • 02:32 • -11.76db
20% Popularity • 46% Danceability • 65% Energy • 19% Liveness
9% Instrumentalness • 94% Positiveness
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David Gideon
Red Boots
99 bpm • D Maj • 01:59 • -5.62db
18% Popularity • 61% Danceability • 76% Energy • 25% Liveness
2% Instrumentalness • 59% Positiveness
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Jonathan Parker
Hard Time Blues
84 bpm • D Maj • 04:16 • -5.53db
11% Popularity • 54% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Red Steagall
Lone Star Beer and Bob Wills
99 bpm • E Maj • 02:09 • -7db
35% Popularity • 69% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Tom Buller
If I Can Make Texas Tonite
84 bpm • E Maj • 02:59 • -6.82db
19% Popularity • 68% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Bruce Robison
See You Around
83 bpm • G Maj • 02:55 • -8.92db
20% Popularity • 57% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Gary Stewart
Hand Me Another
83 bpm • C Maj • 03:17 • -9.21db
17% Popularity • 70% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
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Tim Hus
Man With The Big Hat ( With Gary Fjellga...
83 bpm • C Maj • 05:48 • -8.11db
8% Popularity • 59% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Tejas Brothers
Red, White and Blue
100 bpm • G Maj • 03:01 • -6db
11% Popularity • 72% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Eleven Hundred Springs
This Crazy Life
83 bpm • G Maj • 03:14 • -9.37db
27% Popularity • 73% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Mel McDaniel
Mountain Eyes
83 bpm • B Maj • 02:51 • -6.67db
15% Popularity • 56% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Jake Hooker
I'm Gonna Act Right
83 bpm • F Maj • 01:53 • -10.51db
13% Popularity • 63% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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JP Harris
On The Rebound
100 bpm • A# Maj • 03:00 • -6.57db
7% Popularity • 70% Danceability • 76% Energy • 10% Liveness
2% Instrumentalness • 72% Positiveness
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Jamie Richards
Don't Try To Find Me
83 bpm • F# Maj • 03:55 • -5.03db
24% Popularity • 61% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Ian Tyson
One Jump Ahead Of The Devil
100 bpm • G Maj • 03:20 • -13.71db
8% Popularity • 61% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Gethen Jenkins
Western Gold
101 bpm • D Maj • 04:02 • -5.16db
17% Popularity • 48% Danceability • 74% Energy • 6% Liveness
3% Instrumentalness • 32% Positiveness
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Hank Williams, Jr.
Old Nashville Cowboys
82 bpm • A Maj • 03:04 • -16.11db
42% Popularity • 54% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Jesse Daniel
Mayo and the Mustard
82 bpm • F# Maj • 03:04 • -5.26db
26% Popularity • 60% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
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Owen Temple
Swear It off Again
82 bpm • D Maj • 04:01 • -6.92db
14% Popularity • 58% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Craig Gerdes
Haggard Fan
101 bpm • D Maj • 03:44 • -7.14db
16% Popularity • 64% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
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Will Banister
She's Somewhere in Texas Tonight
101 bpm • F Maj • 03:18 • -6.07db
14% Popularity • 65% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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Gethen Jenkins
Bell Mountain
102 bpm • D Maj • 03:06 • -6.27db
15% Popularity • 64% Danceability • 72% Energy • 32% Liveness
7% Instrumentalness • 82% Positiveness
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Whitey Morgan and the 78's
Honky Tonk Angel
102 bpm • A Maj • 03:12 • -5.65db
33% Popularity • 60% Danceability • 82% Energy • 7% Liveness
54% Instrumentalness • 67% Positiveness
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Max Stalling
If Only the Good Die Young
102 bpm • C Maj • 03:48 • -5.59db
15% Popularity • 64% Danceability • 61% Energy • 9% Liveness
4% Instrumentalness • 63% Positiveness
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Ryan Fritz
Ranchin' Man
102 bpm • F Maj • 02:54 • -6.22db
13% Popularity • 66% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 81% Positiveness
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Sneakin' Suspicion