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Snedtändning
Songs like
Snedtändning
by
Irya Gmeyner
Based on a tempo of (+/- 10%) and a similar genre
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Thea & The Wild
Power Is a Lonely Place
95 bpm • C min • 03:44 • -10.48db
26% Popularity • 54% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Janove
Spindelvevriff
95 bpm • G# Maj • 01:45 • -25.19db
28% Popularity • 52% Danceability • 12% Energy • 14% Liveness
90% Instrumentalness • 16% Positiveness
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Susanne Sundfør
When
95 bpm • C Maj • 04:05 • -11.49db
27% Popularity • 27% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Sarah Klang
Agony
95 bpm • C Maj • 03:58 • -13.08db
32% Popularity • 33% Danceability • 19% Energy • 20% Liveness
3% Instrumentalness • 10% Positiveness
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Alba August
Better Together
94 bpm • E min • 03:22 • -17db
27% Popularity • 30% Danceability • 19% Energy • 11% Liveness
4% Instrumentalness • 10% Positiveness
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Folke Nikanor
Kommer du?
96 bpm • C Maj • 03:02 • -8.43db
20% Popularity • 75% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Weeping Willows
Grow Old With Me
96 bpm • G Maj • 03:28 • -11db
23% Popularity • 47% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Irya Gmeyner
The Blue Duet
94 bpm • A min • 01:22 • -18.88db
12% Popularity • 88% Danceability • 23% Energy • 12% Liveness
93% Instrumentalness • 96% Positiveness
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Katharina Nuttall
The Patriarchy
94 bpm • C Maj • 01:33 • -13.25db
22% Popularity • 82% Danceability • 20% Energy • 10% Liveness
83% Instrumentalness • 15% Positiveness
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Sofia Jannok
Nohkat
96 bpm • F Maj • 02:38 • -16.33db
22% Popularity • 25% Danceability • 13% Energy • 13% Liveness
61% Instrumentalness • 5% Positiveness
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Metteson
Devotion
96 bpm • E Maj • 02:58 • -8.95db
31% Popularity • 56% Danceability • 76% Energy • 13% Liveness
3% Instrumentalness • 41% Positiveness
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Christian Balvig
End Credits
94 bpm • G min • 01:42 • -14.92db
10% Popularity • 24% Danceability • 30% Energy • 13% Liveness
14% Instrumentalness • 10% Positiveness
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Annika Norlin
Darkest Shade of Dark
94 bpm • D Maj • 03:34 • -10.73db
29% Popularity • 46% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Amason
Picture Seas
97 bpm • C# min • 02:27 • -10.9db
32% Popularity • 43% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Irya Gmeyner
Urban City
97 bpm • G min • 02:22 • -9.98db
35% Popularity • 56% Danceability • 74% Energy • 12% Liveness
95% Instrumentalness • 18% Positiveness
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Kerstin Ljungström
Ex
97 bpm • A min • 03:06 • -5.02db
22% Popularity • 28% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Metteson
80 Miles
94 bpm • G# Maj • 02:50 • -11db
28% Popularity • 50% Danceability • 58% Energy • 10% Liveness
13% Instrumentalness • 39% Positiveness
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Markus Krunegård
Det var en gång i Lissabon
97 bpm • C Maj • 03:56 • -6.33db
25% Popularity • 59% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Lustans Lakejer
Rialto (Deluxe)
97 bpm • E min • 04:00 • -11.61db
6% Popularity • 66% Danceability • 42% Energy • 10% Liveness
13% Instrumentalness • 32% Positiveness
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Jonathan Johansson
Aldrig ensam
93 bpm • C# Maj • 04:47 • -10.18db
44% Popularity • 79% Danceability • 43% Energy • 9% Liveness
65% Instrumentalness • 86% Positiveness
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April Snow
The Times We're Dreaming Of
97 bpm • A# min • 03:17 • -7.97db
10% Popularity • 30% Danceability • 41% Energy • 14% Liveness
7% Instrumentalness • 19% Positiveness
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Daniel Adams-Ray
Forever Young
93 bpm • C Maj • 04:10 • -11.52db
34% Popularity • 57% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
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Moa Lignell
Så blåögd är jag
98 bpm • A# Maj • 03:45 • -11.8db
37% Popularity • 55% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Sara Zacharias
Börja Om
98 bpm • B Maj • 02:56 • -8.73db
47% Popularity • 61% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
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Tusse
Got to Rise Up
98 bpm • D Maj • 03:28 • -7db
20% Popularity • 76% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Irya Gmeyner
Urban City - Daye3 Wen
98 bpm • G min • 03:38 • -6.26db
15% Popularity • 58% Danceability • 84% Energy • 12% Liveness
3% Instrumentalness • 11% Positiveness
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Ellen Sundberg
De fördömdas ö
98 bpm • C Maj • 05:17 • -10.14db
34% Popularity • 68% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Anna of the North
Nostalgi 3Millioner
98 bpm • D# Maj • 02:45 • -10db
28% Popularity • 58% Danceability • 46% Energy • 12% Liveness
9% Instrumentalness • 15% Positiveness
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Moonica Mac
Kom Till Mig
98 bpm • A# Maj • 03:53 • -9.43db
46% Popularity • 61% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Jonathan Johansson
Nya Sätt Att Vägra
92 bpm • D Maj • 03:39 • -8.72db
25% Popularity • 44% Danceability • 48% Energy • 18% Liveness
31% Instrumentalness • 15% Positiveness
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Emil Jensen
ÄN SUSAR SKOGEN
98 bpm • F Maj • 04:31 • -12.92db
23% Popularity • 37% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Irya Gmeyner
Midnight Cowgirl
92 bpm • A min • 02:03 • -8.51db
15% Popularity • 45% Danceability • 38% Energy • 10% Liveness
12% Instrumentalness • 12% Positiveness
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Lancelot
Förbjudet land
92 bpm • C min • 03:47 • -6.41db
24% Popularity • 49% Danceability • 62% Energy • 27% Liveness
1% Instrumentalness • 8% Positiveness
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Maja Francis
Lava Love
99 bpm • D min • 03:46 • -8.1db
27% Popularity • 47% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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KÃ…RP
Kuiper Belt
91 bpm • G# min • 03:16 • -9db
29% Popularity • 51% Danceability • 65% Energy • 14% Liveness
10% Instrumentalness • 20% Positiveness
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Gustaf & Viktor Norén
Two Roads
91 bpm • C Maj • 03:31 • -10.71db
19% Popularity • 55% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
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Little Jinder
Brustna hjärtans klubb
99 bpm • A# Maj • 03:22 • -8.02db
29% Popularity • 56% Danceability • 44% Energy • 11% Liveness
46% Instrumentalness • 34% Positiveness
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Juno Arcade
Upp genom luften
99 bpm • B min • 04:09 • -14.4db
11% Popularity • 26% Danceability • 14% Energy • 9% Liveness
7% Instrumentalness • 6% Positiveness
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Lancelot
Fördärvad
91 bpm • D# min • 02:38 • -6.82db
33% Popularity • 64% Danceability • 64% Energy • 22% Liveness
1% Instrumentalness • 41% Positiveness
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Highasakite
Through Tunnels And Towns
100 bpm • C Maj • 03:08 • -8db
6% Popularity • 42% Danceability • 33% Energy • 33% Liveness
0% Instrumentalness • 4% Positiveness
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Hampus Nessvold
Om du fanns
100 bpm • A# Maj • 03:31 • -13db
36% Popularity • 57% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Moonica Mac
Ibland
100 bpm • A Maj • 03:37 • -12.75db
42% Popularity • 52% Danceability • 15% Energy • 25% Liveness
0% Instrumentalness • 9% Positiveness
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Sofia Jannok
Världen
100 bpm • C Maj • 03:05 • -10db
20% Popularity • 84% Danceability • 67% Energy • 12% Liveness
1% Instrumentalness • 71% Positiveness
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Sara Yasmine
Okända land
100 bpm • B Maj • 03:29 • -9db
29% Popularity • 55% Danceability • 76% Energy • 20% Liveness
1% Instrumentalness • 66% Positiveness
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Vilma Flood
Fan of You
100 bpm • G Maj • 04:55 • -8.45db
30% Popularity • 47% Danceability • 43% Energy • 13% Liveness
29% Instrumentalness • 30% Positiveness
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Fleshquartet
Tjockare än vatten - Theme Song From Th...
100 bpm • C min • 03:16 • -7.65db
29% Popularity • 45% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
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Andreas Mattsson
Känns som 85
100 bpm • A Maj • 04:19 • -13.22db
20% Popularity • 69% Danceability • 28% Energy • 14% Liveness
3% Instrumentalness • 37% Positiveness
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GRANT
What's A Woman To You?
100 bpm • B Maj • 03:18 • -7db
21% Popularity • 57% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Thåström
Södra Korset
100 bpm • F Maj • 06:13 • -10.81db
32% Popularity • 46% Danceability • 54% Energy • 12% Liveness
4% Instrumentalness • 8% Positiveness
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Irya Gmeyner
Sara's Remedy
100 bpm • G min • 03:07 • -13.62db
15% Popularity • 35% Danceability • 11% Energy • 31% Liveness
72% Instrumentalness • 8% Positiveness
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Augustine
Fragrance
100 bpm • G Maj • 03:05 • -9db
41% Popularity • 65% Danceability • 41% Energy • 12% Liveness
2% Instrumentalness • 18% Positiveness
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Ane Brun
Visa Vid Midsommartid
100 bpm • C Maj • 03:33 • -14.42db
21% Popularity • 60% Danceability • 16% Energy • 11% Liveness
2% Instrumentalness • 17% Positiveness
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Folke Nikanor
SÃ¥ngstump
90 bpm • F# min • 03:25 • -11.94db
18% Popularity • 57% Danceability • 58% Energy • 14% Liveness
88% Instrumentalness • 10% Positiveness
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Anna Ternheim
Take Me Back
90 bpm • E min • 03:34 • -7.85db
27% Popularity • 65% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Daniel Adams-Ray
Hannas sång
90 bpm • G Maj • 03:14 • -13db
51% Popularity • 45% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Jonathan Johansson
Varje Regnbåge (Den Sista)
90 bpm • C Maj • 03:30 • -10.25db
29% Popularity • 30% Danceability • 75% Energy • 11% Liveness
14% Instrumentalness • 33% Positiveness
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Pernilla Andersson
Samma dag som Elvis
90 bpm • G min • 03:52 • -10.97db
13% Popularity • 56% Danceability • 52% Energy • 14% Liveness
20% Instrumentalness • 36% Positiveness
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Lars Winnerbäck
När jag såg dig
101 bpm • C Maj • 04:59 • -9.05db
43% Popularity • 52% Danceability • 54% Energy • 9% Liveness
40% Instrumentalness • 20% Positiveness
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ARY
La Vie Est Une Rose
89 bpm • G# min • 03:02 • -13.04db
32% Popularity • 50% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Lisa Ekdahl
Bang bang i mitt hjärta
89 bpm • B Maj • 03:18 • -10.16db
32% Popularity • 67% Danceability • 38% Energy • 18% Liveness
6% Instrumentalness • 51% Positiveness
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Ida Redig
Vintersaga
102 bpm • A min • 04:52 • -9.08db
25% Popularity • 51% Danceability • 44% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
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Daniel Adams-Ray
Döda hjärtan kan slå igen
102 bpm • C Maj • 03:28 • -13.8db
56% Popularity • 58% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Moonica Mac
River
102 bpm • D Maj • 03:46 • -12.3db
42% Popularity • 37% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Cornelia Jakobs
Fine
88 bpm • F min • 03:25 • -12.34db
33% Popularity • 34% Danceability • 28% Energy • 26% Liveness
0% Instrumentalness • 19% Positiveness
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Irya Gmeyner
Summer Night
102 bpm • C# min • 02:06 • -9.44db
3% Popularity • 54% Danceability • 63% Energy • 11% Liveness
89% Instrumentalness • 65% Positiveness
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Paulie Saxenborn
Girl You Got Me
88 bpm • F# min • 03:08 • -7.84db
8% Popularity • 57% Danceability • 67% Energy • 16% Liveness
1% Instrumentalness • 54% Positiveness
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Gustaf & Viktor Norén
Var är den vän
88 bpm • D min • 02:38 • -11.19db
27% Popularity • 58% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Annika Norlin
Mentor
103 bpm • C Maj • 02:46 • -11.21db
25% Popularity • 60% Danceability • 30% Energy • 9% Liveness
8% Instrumentalness • 35% Positiveness
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Brockas
New Heart
88 bpm • C# Maj • 04:07 • -16.87db
7% Popularity • 23% Danceability • 18% Energy • 12% Liveness
3% Instrumentalness • 12% Positiveness
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Lancelot
Jag vill inte ha dig tillbaks
103 bpm • F Maj • 03:20 • -6.46db
41% Popularity • 60% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Irya Gmeyner
The Thin Blue Line
103 bpm • C# Maj • 01:47 • -9db
23% Popularity • 55% Danceability • 64% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Highasakite
Mother
103 bpm • A Maj • 04:06 • -5.68db
44% Popularity • 67% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
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Vargas & Lagola
A Power In Letting Go
103 bpm • G min • 02:52 • -6db
33% Popularity • 50% Danceability • 85% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
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Ulrik Munther
Don't Worry
103 bpm • F# Maj • 04:15 • -9.96db
29% Popularity • 61% Danceability • 44% Energy • 11% Liveness
69% Instrumentalness • 20% Positiveness
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Samantha Ohlanders
El Condor Pasa
87 bpm • C Maj • 03:57 • -13.12db
10% Popularity • 42% Danceability • 42% Energy • 14% Liveness
20% Instrumentalness • 12% Positiveness
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Slowgold
Aska
87 bpm • G Maj • 03:24 • -16.57db
16% Popularity • 17% Danceability • 14% Energy • 22% Liveness
27% Instrumentalness • 5% Positiveness
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Dolce
Vilken värld
103 bpm • C# min • 03:20 • -11.83db
30% Popularity • 39% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Tomas Andersson Wij
Allt kommer inte att bli bra
104 bpm • C Maj • 03:41 • -9.88db
9% Popularity • 52% Danceability • 52% Energy • 9% Liveness
9% Instrumentalness • 35% Positiveness
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Vargas & Lagola
Daughter Of A Rifleman
104 bpm • C Maj • 04:48 • -7.45db
42% Popularity • 33% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
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Joakim Berg
Barn av vår tid
104 bpm • B min • 03:53 • -3.95db
42% Popularity • 60% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Irya Gmeyner
Blistery
86 bpm • C min • 01:47 • -19.08db
1% Popularity • 20% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 19% Positiveness
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Sara Parkman
Ediths låt
105 bpm • E min • 05:23 • -12.79db
20% Popularity • 44% Danceability • 62% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
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Dolce
Drömmarna
105 bpm • E Maj • 02:38 • -10.77db
23% Popularity • 34% Danceability • 30% Energy • 12% Liveness
77% Instrumentalness • 10% Positiveness
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Cleo
Leva Livet
105 bpm • D# Maj • 02:53 • -8.07db
31% Popularity • 48% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Anna Ternheim
När jag gick bredvid dig
105 bpm • C Maj • 03:37 • -7.96db
33% Popularity • 71% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Maxida Märak
Dimma
105 bpm • D Maj • 02:51 • -8.95db
42% Popularity • 72% Danceability • 48% Energy • 27% Liveness
1% Instrumentalness • 16% Positiveness
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Moonica Mac
Lassie
105 bpm • D Maj • 03:45 • -10.77db
39% Popularity • 59% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
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Felicia Falck
Gotlandsvisan
105 bpm • A Maj • 04:39 • -15.87db
18% Popularity • 42% Danceability • 27% Energy • 7% Liveness
1% Instrumentalness • 36% Positiveness
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Days of August
Homeplace
105 bpm • G Maj • 04:14 • -13.94db
41% Popularity • 44% Danceability • 35% Energy • 11% Liveness
91% Instrumentalness • 30% Positiveness
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Harriet Nauer
Hit Me Hard
85 bpm • F Maj • 03:37 • -13.19db
33% Popularity • 31% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Irya Gmeyner
Confrontation
105 bpm • D min • 03:37 • -14.99db
9% Popularity • 52% Danceability • 45% Energy • 10% Liveness
88% Instrumentalness • 5% Positiveness
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Ida Wiklund
"Gör slut med henne, va med mig"
85 bpm • C Maj • 03:18 • -7db
24% Popularity • 48% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Sara Parkman
Till Salka
107 bpm • D min • 06:06 • -9.24db
30% Popularity • 33% Danceability • 78% Energy • 13% Liveness
4% Instrumentalness • 15% Positiveness
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Amanda Tenfjord
Then I Fell In Love
107 bpm • A# min • 03:31 • -13db
3% Popularity • 67% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Bengt Nilsson
Gothenburg Night
107 bpm • C Maj • 01:33 • -13.09db
18% Popularity • 56% Danceability • 24% Energy • 12% Liveness
73% Instrumentalness • 9% Positiveness
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Amason
Heartbeats
85 bpm • C# Maj • 03:50 • -19db
37% Popularity • 52% Danceability • 23% Energy • 11% Liveness
6% Instrumentalness • 16% Positiveness
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Irya Gmeyner
Sara's Solitude
85 bpm • F Maj • 02:34 • -13.31db
13% Popularity • 11% Danceability • 17% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
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Marie Nilsson-Lind
Anropar himlen (Somewhere in Stockholm) ...
84 bpm • D min • 04:37 • -15.01db
11% Popularity • 39% Danceability • 21% Energy • 9% Liveness
2% Instrumentalness • 19% Positiveness
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Sara Parkman
Antropocen
107 bpm • G Maj • 04:39 • -11.16db
25% Popularity • 24% Danceability • 32% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Maja Francis
How Are We Doing
84 bpm • G Maj • 02:38 • -14.12db
30% Popularity • 56% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Snedtändning