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So Electric
Songs like
So Electric
by
Wild Future
Based on a tempo of (+/- 10%) and a similar genre
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Imogen Brough
Love Is Like A Match
132 bpm • C# Maj • 04:12 • -3.49db
10% Popularity • 45% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Wild Future
So Electric
132 bpm • D# Maj • 03:20 • -7.75db
6% Popularity • 55% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
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Lemonade
Vivid
132 bpm • F# min • 04:42 • -9.73db
18% Popularity • 62% Danceability • 61% Energy • 11% Liveness
58% Instrumentalness • 18% Positiveness
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Taken By Trees
Only Yesterday
132 bpm • C Maj • 02:39 • -10.88db
31% Popularity • 60% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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The Belle Game
Salt Water
132 bpm • A# min • 02:53 • -7.03db
11% Popularity • 32% Danceability • 52% Energy • 11% Liveness
68% Instrumentalness • 25% Positiveness
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Tula
River
132 bpm • A# min • 03:57 • -11.32db
27% Popularity • 46% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Great Northern
Driveway
131 bpm • C Maj • 04:24 • -8.26db
30% Popularity • 22% Danceability • 26% Energy • 11% Liveness
10% Instrumentalness • 8% Positiveness
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VHS or Beta
Bring On The Comets
131 bpm • C Maj • 04:03 • -5.97db
28% Popularity • 53% Danceability • 80% Energy • 7% Liveness
4% Instrumentalness • 52% Positiveness
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MARKS
The Modern Life
133 bpm • D Maj • 03:24 • -7.25db
21% Popularity • 68% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Danica The Morning Star
Kiss Kiss Kiss
133 bpm • F min • 03:20 • -5.09db
18% Popularity • 64% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Congratulationz
They
133 bpm • G min • 03:00 • -7.78db
13% Popularity • 68% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Empara Mi
The Come Down
133 bpm • G Maj • 03:43 • -6db
25% Popularity • 58% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Tara Lee
If I Burn (You Burn Too)
131 bpm • B min • 04:38 • -9.89db
11% Popularity • 55% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Cajsa Siik
Follow You Down
133 bpm • D Maj • 03:44 • -12.43db
17% Popularity • 46% Danceability • 28% Energy • 26% Liveness
2% Instrumentalness • 15% Positiveness
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Rosa Pullman
Daydreaming
131 bpm • B min • 04:10 • -11.61db
32% Popularity • 30% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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The Raveonettes
Suicide
134 bpm • C# Maj • 03:13 • -5.32db
30% Popularity • 57% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
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Kari Kimmel
Nothing Left to Lose
134 bpm • D Maj • 03:38 • -15.68db
30% Popularity • 63% Danceability • 25% Energy • 11% Liveness
4% Instrumentalness • 11% Positiveness
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Jaylene Johnson
No Matter How Hard We Try
134 bpm • G Maj • 03:40 • -6.94db
14% Popularity • 45% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Kyla La Grange
Catalyst
134 bpm • D min • 04:05 • -8.55db
19% Popularity • 40% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Lxandra
Dig Deep
134 bpm • G# Maj • 03:26 • -7db
27% Popularity • 54% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Jill Andrews
Rust or Gold
134 bpm • C# Maj • 04:33 • -13.82db
27% Popularity • 46% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
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The Sorry Kisses
Abandon Ship
134 bpm • C Maj • 04:16 • -5.27db
21% Popularity • 48% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Jillian Edwards
I Go On
134 bpm • D min • 04:07 • -13db
27% Popularity • 51% Danceability • 28% Energy • 16% Liveness
42% Instrumentalness • 11% Positiveness
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Andrew Belle
All Those Pretty Lights (Alternate Unive...
134 bpm • F Maj • 05:52 • -9.27db
20% Popularity • 66% Danceability • 71% Energy • 20% Liveness
75% Instrumentalness • 48% Positiveness
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Mackintosh Braun
Could It Be
130 bpm • A Maj • 04:01 • -7.68db
23% Popularity • 64% Danceability • 70% Energy • 10% Liveness
95% Instrumentalness • 52% Positiveness
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Ali Harter
Untitled No. 3
130 bpm • B min • 03:35 • -11.49db
19% Popularity • 82% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Merry Ellen Kirk
Save Me
130 bpm • D# min • 03:48 • -8.57db
9% Popularity • 63% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Shady Bard
These Quiet Times
130 bpm • C Maj • 03:36 • -8.27db
18% Popularity • 55% Danceability • 57% Energy • 10% Liveness
86% Instrumentalness • 13% Positiveness
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AG
Fool For You
130 bpm • C min • 03:29 • -4.22db
14% Popularity • 47% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 13% Positiveness
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Great Northern
Houses
130 bpm • E min • 04:17 • -5db
30% Popularity • 49% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 37% Positiveness
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Sarah Jaffe
Ride It Out
130 bpm • B min • 03:48 • -6.87db
18% Popularity • 68% Danceability • 48% Energy • 15% Liveness
7% Instrumentalness • 50% Positiveness
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Amphibious Zoo Music
Live the Life You Love
130 bpm • G Maj • 02:32 • -5.25db
20% Popularity • 58% Danceability • 74% Energy • 6% Liveness
93% Instrumentalness • 74% Positiveness
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Clint Michigan
Hawthorne to Hennepin
134 bpm • B Maj • 03:28 • -12.3db
13% Popularity • 61% Danceability • 48% Energy • 13% Liveness
2% Instrumentalness • 24% Positiveness
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Rie Sinclair
No Way Out
130 bpm • A min • 03:54 • -8.6db
24% Popularity • 57% Danceability • 44% Energy • 9% Liveness
49% Instrumentalness • 10% Positiveness
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Wild Future
Round and Round
130 bpm • G min • 03:12 • -6.89db
0% Popularity • 53% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Anya Marina
Shut Up
130 bpm • G Maj • 03:09 • -9.32db
24% Popularity • 78% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Little Children
Distant Shouts
130 bpm • E min • 05:42 • -10db
22% Popularity • 44% Danceability • 57% Energy • 39% Liveness
19% Instrumentalness • 30% Positiveness
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LYRA
Whitelady
130 bpm • G Maj • 04:12 • -9.66db
27% Popularity • 31% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
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Donora
Hold My Hand
130 bpm • D Maj • 03:54 • -6.22db
13% Popularity • 49% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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BANKS
Waiting Game - Postiljonen Remix
130 bpm • F min • 04:24 • -8.96db
18% Popularity • 28% Danceability • 69% Energy • 11% Liveness
69% Instrumentalness • 13% Positiveness
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Blake Lively
Double Dutch
135 bpm • F Maj • 01:22 • -17db
14% Popularity • 58% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
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Rachael Cantu
Devil's Thunder
129 bpm • D min • 03:56 • -9db
19% Popularity • 38% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Miras
Something I Don't Know
135 bpm • B min • 02:56 • -5db
21% Popularity • 66% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Wayfarers
Just Our Style
135 bpm • A min • 02:44 • -5db
36% Popularity • 63% Danceability • 77% Energy • 10% Liveness
1% Instrumentalness • 86% Positiveness
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Jesse Marchant
Only Now
135 bpm • D min • 03:55 • -9.24db
24% Popularity • 44% Danceability • 44% Energy • 11% Liveness
42% Instrumentalness • 6% Positiveness
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GREYCOATS
Watchman, What Is Left of the Night?
135 bpm • A min • 05:13 • -12.07db
18% Popularity • 53% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Extreme Music
Here Right Now
129 bpm • D min • 03:28 • -6.91db
8% Popularity • 48% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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We Are Lady Dave
Us Against the World
135 bpm • F min • 02:54 • -7db
12% Popularity • 59% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Charlotte OC
Stolen Car
129 bpm • E min • 03:40 • -6.1db
9% Popularity • 60% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Active Child
Silhouette
129 bpm • F# Maj • 04:08 • -7.64db
16% Popularity • 46% Danceability • 64% Energy • 8% Liveness
25% Instrumentalness • 27% Positiveness
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Laura Welsh
Ghosts
136 bpm • B min • 03:49 • -5.85db
19% Popularity • 56% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Matthew Todd Naylor
Love Runs Dry
136 bpm • F Maj • 03:35 • -9.7db
3% Popularity • 45% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Lili Blessing
Awake
136 bpm • C# Maj • 04:26 • -10.03db
16% Popularity • 34% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Niki & The Dove
DJ Ease My Mind
128 bpm • F# Maj • 04:03 • -6db
26% Popularity • 58% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Stuart Reid
Hear You Breathing
136 bpm • C min • 03:29 • -11.09db
23% Popularity • 56% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 9% Positiveness
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Regina Price
Hanging on the Edge
128 bpm • C Maj • 03:21 • -9.62db
23% Popularity • 62% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Sun Airway
All In
128 bpm • E Maj • 04:14 • -6db
25% Popularity • 52% Danceability • 84% Energy • 53% Liveness
0% Instrumentalness • 30% Positiveness
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Vaults
Poison
128 bpm • F# min • 03:24 • -8db
40% Popularity • 47% Danceability • 44% Energy • 11% Liveness
18% Instrumentalness • 11% Positiveness
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Morgan Page
Open Heart - Bonus Acoustic Mix
128 bpm • D min • 03:41 • -3.01db
25% Popularity • 54% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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of Verona
Better With You
128 bpm • E Maj • 03:34 • -5.43db
28% Popularity • 62% Danceability • 85% Energy • 11% Liveness
1% Instrumentalness • 58% Positiveness
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Giana Factory
Walking Mirror
128 bpm • A Maj • 03:10 • -11.04db
8% Popularity • 63% Danceability • 73% Energy • 11% Liveness
74% Instrumentalness • 8% Positiveness
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Lykke Li
Sleeping Alone
128 bpm • A min • 02:59 • -8.14db
35% Popularity • 38% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Ellie Goulding
Beating Heart
128 bpm • F Maj • 03:32 • -6db
48% Popularity • 55% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Maja Francis
Last Days Of Dancing
128 bpm • D min • 03:43 • -4.75db
29% Popularity • 59% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Richard Walters
All at Sea
128 bpm • A# Maj • 03:17 • -9.21db
15% Popularity • 49% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 13% Positiveness
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Claire Guerreso
Skipping Stones
128 bpm • G Maj • 03:52 • -9.48db
38% Popularity • 50% Danceability • 44% Energy • 36% Liveness
1% Instrumentalness • 44% Positiveness
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MS MR
Bones - Spotify Sessions
128 bpm • C# Maj • 04:34 • -11.4db
8% Popularity • 57% Danceability • 35% Energy • 71% Liveness
0% Instrumentalness • 44% Positiveness
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Julia Othmer
Pull Me Back
128 bpm • G# min • 03:55 • -12.16db
10% Popularity • 64% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Foxes
Youth
128 bpm • G# Maj • 04:19 • -9.96db
39% Popularity • 57% Danceability • 71% Energy • 27% Liveness
0% Instrumentalness • 21% Positiveness
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Altitude Music
It's You
136 bpm • C# min • 02:42 • -9db
25% Popularity • 60% Danceability • 43% Energy • 9% Liveness
11% Instrumentalness • 32% Positiveness
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Fauntella Crow
Lost Here
128 bpm • C Maj • 04:49 • -11.9db
17% Popularity • 30% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Augustines
Walkabout
137 bpm • C Maj • 05:00 • -9.05db
34% Popularity • 22% Danceability • 46% Energy • 13% Liveness
89% Instrumentalness • 14% Positiveness
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The Helio Sequence
The Measure
137 bpm • E Maj • 03:19 • -9.66db
24% Popularity • 54% Danceability • 65% Energy • 13% Liveness
74% Instrumentalness • 20% Positiveness
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Blake Lively
In Our Dreams
127 bpm • D min • 01:38 • -17db
26% Popularity • 54% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 18% Positiveness
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The Coral Sea
Look at Her Face
137 bpm • E Maj • 04:04 • -5.67db
22% Popularity • 48% Danceability • 78% Energy • 28% Liveness
14% Instrumentalness • 39% Positiveness
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RAIGN
Empire Of Our Own
127 bpm • F Maj • 03:41 • -6db
41% Popularity • 22% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Trent Dabbs
Follow Suit
137 bpm • D min • 03:53 • -10db
24% Popularity • 74% Danceability • 48% Energy • 9% Liveness
86% Instrumentalness • 53% Positiveness
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Rosie Doonan
Feel Love
127 bpm • F# Maj • 03:56 • -11.68db
20% Popularity • 60% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 15% Positiveness
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Until The Ribbon Breaks
Romeo
127 bpm • A min • 04:18 • -8db
9% Popularity • 33% Danceability • 52% Energy • 46% Liveness
11% Instrumentalness • 30% Positiveness
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The Pierces
Space & Time
138 bpm • G# Maj • 03:35 • -5.61db
27% Popularity • 26% Danceability • 52% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
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Mike Reed
Addicted to You
127 bpm • A min • 03:25 • -7.67db
19% Popularity • 61% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Maya Payne
Make up My Mind
138 bpm • A# min • 03:30 • -8.15db
31% Popularity • 45% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Problem Child
Come and Get It
126 bpm • A Maj • 02:48 • -6.44db
16% Popularity • 55% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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Mariah McManus
Unarmed
138 bpm • C Maj • 04:30 • -18.24db
22% Popularity • 35% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Gregory Douglass
Alibis
126 bpm • A# min • 03:13 • -17db
22% Popularity • 62% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Tim Myers
Today's The Day
126 bpm • C Maj • 04:32 • -2.42db
14% Popularity • 62% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Tegan and Sara
Don't Find Another Love
126 bpm • G# Maj • 03:17 • -7.28db
30% Popularity • 66% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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French Wives
Younger
126 bpm • C Maj • 05:25 • -3.77db
21% Popularity • 46% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Meiko
Bad Things
126 bpm • A min • 03:14 • -12.24db
37% Popularity • 69% Danceability • 45% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
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Blackchords
Into the Unknown
126 bpm • B min • 05:13 • -12db
35% Popularity • 52% Danceability • 43% Energy • 11% Liveness
80% Instrumentalness • 12% Positiveness
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Raphael Lake
Speed of Light
126 bpm • G Maj • 03:35 • -8db
22% Popularity • 56% Danceability • 87% Energy • 25% Liveness
76% Instrumentalness • 40% Positiveness
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Wizardz Of Oz
Million Dollar Life
126 bpm • G min • 02:48 • -5.47db
19% Popularity • 65% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
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New Found Land
What Is Love
126 bpm • A# Maj • 04:46 • -11.92db
29% Popularity • 64% Danceability • 56% Energy • 19% Liveness
62% Instrumentalness • 43% Positiveness
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We The Ghost
Come Down
126 bpm • C min • 03:07 • -7.48db
20% Popularity • 64% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Wild Future
We Are So Alive Tonight
126 bpm • C Maj • 04:05 • -11.93db
21% Popularity • 55% Danceability • 45% Energy • 10% Liveness
3% Instrumentalness • 8% Positiveness
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MIKA
I See You
126 bpm • D# Maj • 04:16 • -8.6db
34% Popularity • 57% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Raphael Lake
Go Get What You Want
126 bpm • D Maj • 03:30 • -8db
20% Popularity • 61% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Kari Kimmel
Black to Gray
138 bpm • A min • 04:19 • -11.01db
8% Popularity • 26% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Beasts With No Name
How Long
126 bpm • C min • 03:41 • -6db
20% Popularity • 54% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Claire Guerreso
Battle Cry
139 bpm • C# Maj • 03:31 • -6db
25% Popularity • 50% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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So Electric