Songs like So Far, So Close by Malcolm Anthony
Based on a tempo of (+/- 10%) and a similar genre
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Kozikoz
Sirens Off
108 bpm • E min • 03:38 • -8.63db
13% Popularity • 65% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 65% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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Trevor the Trash Man
The Playbook
108 bpm • D# min • 03:07 • -8db
13% Popularity • 80% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 80% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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KING SOL
DeLorean
108 bpm • A# min • 04:13 • -4.08db
29% Popularity • 90% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 90% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Young Drumma
Cold Shoulder
108 bpm • E min • 02:40 • -5.08db
0% Popularity • 73% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
0% Popularity • 73% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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TastyTreat
My Crew
108 bpm • D Maj • 03:04 • -4db
9% Popularity • 69% Danceability • 85% Energy • 11% Liveness
5% Instrumentalness • 13% Positiveness
9% Popularity • 69% Danceability • 85% Energy • 11% Liveness
5% Instrumentalness • 13% Positiveness
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Tim North
Fuck Luck
108 bpm • D min • 04:27 • -9db
25% Popularity • 74% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
25% Popularity • 74% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Malcolm Anthony
So Far, So Close
108 bpm • C# Maj • 02:04 • -2.43db
15% Popularity • 76% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
15% Popularity • 76% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Token
Little Boy
107 bpm • A# min • 03:58 • -6.76db
30% Popularity • 80% Danceability • 71% Energy • 87% Liveness
0% Instrumentalness • 29% Positiveness
30% Popularity • 80% Danceability • 71% Energy • 87% Liveness
0% Instrumentalness • 29% Positiveness
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Ty Law
Million Watts
107 bpm • C# Maj • 03:10 • -9.29db
11% Popularity • 80% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 80% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Mac Irv
Change
110 bpm • G# Maj • 04:19 • -6db
16% Popularity • 68% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
16% Popularity • 68% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Tre Capital
City Going Crazy
110 bpm • G min • 04:11 • -6.69db
14% Popularity • 71% Danceability • 55% Energy • 43% Liveness
1% Instrumentalness • 49% Positiveness
14% Popularity • 71% Danceability • 55% Energy • 43% Liveness
1% Instrumentalness • 49% Positiveness
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Spence Lee
All the Wrong Things
110 bpm • A min • 04:48 • -7.56db
18% Popularity • 71% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 71% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
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LaLion
Fist Raised
110 bpm • C# Maj • 02:36 • -8db
11% Popularity • 94% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 94% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
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Marty Grimes
Fuxk It Up
110 bpm • G# Maj • 03:25 • -7.86db
9% Popularity • 87% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
9% Popularity • 87% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Darnell Williams
Porno
106 bpm • A min • 02:40 • -2.96db
25% Popularity • 66% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
25% Popularity • 66% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
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DillanPonders
Hercules
106 bpm • C Maj • 04:01 • -8db
12% Popularity • 82% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
12% Popularity • 82% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Saint Pitre
Jealousy & Envy
106 bpm • C# Maj • 02:29 • -6.67db
8% Popularity • 84% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
8% Popularity • 84% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Malcolm Anthony
There She Go
110 bpm • D Maj • 02:10 • -10.58db
1% Popularity • 84% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
1% Popularity • 84% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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ShaqIsDope
Wraith Dreamz
106 bpm • C# min • 03:55 • -9db
16% Popularity • 74% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
16% Popularity • 74% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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![Dirty Acapella (Gucci Polo) [Remix] (feat. Emc, Alpha Zulu & Eli Garcia) cover art](https://i.scdn.co/image/ab67616d00001e023f44d4416bf208b09704c4e6)
Gush Mob
Dirty Acapella (Gucci Polo) [Remix]
110 bpm • E min • 05:58 • -6.26db
22% Popularity • 83% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 83% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Loudmouth
New Generation
110 bpm • C# min • 03:34 • -11.92db
27% Popularity • 74% Danceability • 43% Energy • 12% Liveness
3% Instrumentalness • 22% Positiveness
27% Popularity • 74% Danceability • 43% Energy • 12% Liveness
3% Instrumentalness • 22% Positiveness
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Arizona Zervas
Uber
110 bpm • F min • 03:40 • -4.38db
33% Popularity • 71% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
33% Popularity • 71% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Deff
Like Me
111 bpm • G# Maj • 03:55 • -12.19db
22% Popularity • 84% Danceability • 52% Energy • 74% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 84% Danceability • 52% Energy • 74% Liveness
0% Instrumentalness • 57% Positiveness
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Malcolm Anthony
Hooked
110 bpm • A min • 02:51 • -7.27db
4% Popularity • 69% Danceability • 76% Energy • 22% Liveness
2% Instrumentalness • 24% Positiveness
4% Popularity • 69% Danceability • 76% Energy • 22% Liveness
2% Instrumentalness • 24% Positiveness
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Matt Reed
Comin' Clean
111 bpm • C# Maj • 04:04 • -9db
12% Popularity • 66% Danceability • 78% Energy • 60% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 66% Danceability • 78% Energy • 60% Liveness
0% Instrumentalness • 46% Positiveness
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DREAMER
Broke - Original Mix
111 bpm • B min • 02:35 • -8db
19% Popularity • 53% Danceability • 57% Energy • 42% Liveness
0% Instrumentalness • 32% Positiveness
19% Popularity • 53% Danceability • 57% Energy • 42% Liveness
0% Instrumentalness • 32% Positiveness
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Darnell Williams
South Central
111 bpm • C Maj • 01:36 • -7.9db
24% Popularity • 95% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 95% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Lloyd P-White
No Morals
105 bpm • F min • 02:05 • -8.22db
34% Popularity • 65% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
34% Popularity • 65% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Ace Hood
2 Fux
111 bpm • C# Maj • 02:35 • -7.11db
15% Popularity • 94% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
15% Popularity • 94% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
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Jonah Cruzz
Gangsta Gangsta
105 bpm • C# Maj • 02:58 • -6.45db
14% Popularity • 82% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 82% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Oxyboy
Six Hundred Sixty Six
105 bpm • E min • 01:36 • -7db
17% Popularity • 82% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
17% Popularity • 82% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
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P.MO
Away
105 bpm • A min • 03:26 • -10.51db
16% Popularity • 54% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 20% Positiveness
16% Popularity • 54% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 20% Positiveness
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EMP
Rebellion
105 bpm • B min • 02:53 • -5db
14% Popularity • 70% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 70% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Ground Up
Code Red
105 bpm • G# Maj • 02:37 • -8.35db
11% Popularity • 57% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
11% Popularity • 57% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Blvck O
The Plot (Intro)
104 bpm • G min • 04:43 • -8db
16% Popularity • 52% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
16% Popularity • 52% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
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Jia Lih
Night Riders
105 bpm • D Maj • 03:21 • -2db
20% Popularity • 53% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 53% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Jazz Cartier
Nobody's Watching
112 bpm • C# Maj • 03:51 • -5.26db
13% Popularity • 75% Danceability • 64% Energy • 30% Liveness
1% Instrumentalness • 13% Positiveness
13% Popularity • 75% Danceability • 64% Energy • 30% Liveness
1% Instrumentalness • 13% Positiveness
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Diskord
War
104 bpm • C# Maj • 04:23 • -6db
14% Popularity • 71% Danceability • 89% Energy • 24% Liveness
1% Instrumentalness • 16% Positiveness
14% Popularity • 71% Danceability • 89% Energy • 24% Liveness
1% Instrumentalness • 16% Positiveness
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JayQ
Fuck Your Opinion
104 bpm • G Maj • 02:31 • -20.42db
13% Popularity • 66% Danceability • 42% Energy • 16% Liveness
1% Instrumentalness • 64% Positiveness
13% Popularity • 66% Danceability • 42% Energy • 16% Liveness
1% Instrumentalness • 64% Positiveness
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Crash Land
Weapons
104 bpm • C min • 02:43 • -7.29db
30% Popularity • 86% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 86% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Danon
Dab
103 bpm • C# Maj • 02:56 • -9.7db
22% Popularity • 57% Danceability • 38% Energy • 7% Liveness
1% Instrumentalness • 11% Positiveness
22% Popularity • 57% Danceability • 38% Energy • 7% Liveness
1% Instrumentalness • 11% Positiveness
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Jace
Midas - Bonus Track
103 bpm • B min • 02:55 • -7db
35% Popularity • 76% Danceability • 60% Energy • 64% Liveness
0% Instrumentalness • 57% Positiveness
35% Popularity • 76% Danceability • 60% Energy • 64% Liveness
0% Instrumentalness • 57% Positiveness
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Savier
Plan The Escape
114 bpm • C# Maj • 03:55 • -6.39db
10% Popularity • 57% Danceability • 82% Energy • 61% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 57% Danceability • 82% Energy • 61% Liveness
0% Instrumentalness • 42% Positiveness
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Malcolm Anthony
Intro
102 bpm • A min • 02:11 • -12.57db
0% Popularity • 56% Danceability • 44% Energy • 37% Liveness
0% Instrumentalness • 35% Positiveness
0% Popularity • 56% Danceability • 44% Energy • 37% Liveness
0% Instrumentalness • 35% Positiveness
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The Ninetys
F R E E W O R L D
114 bpm • D# min • 04:14 • -7.42db
24% Popularity • 68% Danceability • 65% Energy • 7% Liveness
2% Instrumentalness • 12% Positiveness
24% Popularity • 68% Danceability • 65% Energy • 7% Liveness
2% Instrumentalness • 12% Positiveness
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Spence Lee
White Collar
114 bpm • G min • 03:44 • -6.92db
18% Popularity • 77% Danceability • 53% Energy • 27% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 77% Danceability • 53% Energy • 27% Liveness
0% Instrumentalness • 35% Positiveness
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DillanPonders
Doubts
114 bpm • F Maj • 04:29 • -7.23db
18% Popularity • 90% Danceability • 77% Energy • 11% Liveness
1% Instrumentalness • 62% Positiveness
18% Popularity • 90% Danceability • 77% Energy • 11% Liveness
1% Instrumentalness • 62% Positiveness
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Kymani Kirby
Dro
102 bpm • C# min • 02:56 • -12.12db
16% Popularity • 73% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 73% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Ricky Remedy
FLOAT AWAY
114 bpm • E min • 03:17 • -7.71db
4% Popularity • 65% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
4% Popularity • 65% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Dougie F
Wilson Place
115 bpm • F Maj • 02:59 • -11db
24% Popularity • 76% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 76% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Stoppa
Hype Now
115 bpm • C# Maj • 02:40 • -9db
7% Popularity • 76% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
7% Popularity • 76% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Moh Flow
Speaking Crazy
115 bpm • A# min • 04:10 • -8db
10% Popularity • 73% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
10% Popularity • 73% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Kato On The Track
Hater Like U
115 bpm • C# Maj • 02:48 • -7db
16% Popularity • 84% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 84% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Bailo
SCRWD
115 bpm • G min • 02:42 • -9.85db
1% Popularity • 50% Danceability • 54% Energy • 9% Liveness
19% Instrumentalness • 12% Positiveness
1% Popularity • 50% Danceability • 54% Energy • 9% Liveness
19% Instrumentalness • 12% Positiveness
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Kayo
Nagato
115 bpm • G# Maj • 03:50 • -7.47db
13% Popularity • 60% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 60% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Malcolm Anthony
A Minute
101 bpm • F# min • 03:48 • -5.79db
1% Popularity • 66% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
1% Popularity • 66% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Fat Maxx
Thot
101 bpm • C min • 02:46 • -10.51db
0% Popularity • 92% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
0% Popularity • 92% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
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Raz Simone
Respect For The Dope
101 bpm • D Maj • 03:34 • -7.37db
10% Popularity • 78% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 20% Positiveness
10% Popularity • 78% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 20% Positiveness
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Ollie
Overtime
101 bpm • D Maj • 03:33 • -8db
24% Popularity • 88% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
24% Popularity • 88% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Croosh
Smile
116 bpm • F min • 02:16 • -5.8db
17% Popularity • 91% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 91% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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King Z3us
21 Pounds
100 bpm • C Maj • 03:58 • -17db
32% Popularity • 58% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
32% Popularity • 58% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Malcolm Anthony
Groupie Love
116 bpm • G Maj • 03:04 • -6.51db
0% Popularity • 76% Danceability • 84% Energy • 67% Liveness
0% Instrumentalness • 42% Positiveness
0% Popularity • 76% Danceability • 84% Energy • 67% Liveness
0% Instrumentalness • 42% Positiveness
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Ro Ransom
Donuts
100 bpm • C# Maj • 03:57 • -6.83db
14% Popularity • 71% Danceability • 49% Energy • 27% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 71% Danceability • 49% Energy • 27% Liveness
0% Instrumentalness • 28% Positiveness
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Tim Stacks
Slick Talk
100 bpm • A Maj • 03:52 • -7.86db
11% Popularity • 81% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 81% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Protohype
100
100 bpm • C Maj • 02:57 • -4.97db
1% Popularity • 73% Danceability • 86% Energy • 35% Liveness
2% Instrumentalness • 66% Positiveness
1% Popularity • 73% Danceability • 86% Energy • 35% Liveness
2% Instrumentalness • 66% Positiveness
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mike.
Gym
100 bpm • F min • 03:05 • -5.05db
26% Popularity • 76% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
26% Popularity • 76% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Tom Francis
Ijwp
100 bpm • F# Maj • 03:04 • -9.42db
22% Popularity • 78% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
22% Popularity • 78% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Malcolm Anthony
All Eyes on Me
116 bpm • E min • 03:18 • -6.6db
0% Popularity • 57% Danceability • 90% Energy • 64% Liveness
0% Instrumentalness • 15% Positiveness
0% Popularity • 57% Danceability • 90% Energy • 64% Liveness
0% Instrumentalness • 15% Positiveness
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DillanPonders
Mandem
100 bpm • A Maj • 02:43 • -7.57db
13% Popularity • 74% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 74% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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D. LYNCH
Don't Breathe
100 bpm • C min • 04:14 • -6db
12% Popularity • 88% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 88% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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graves
See the Whole World
100 bpm • D# min • 03:31 • -4db
15% Popularity • 63% Danceability • 90% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 63% Danceability • 90% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
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DBLCRSS
Young Moses
100 bpm • D Maj • 02:59 • -8db
20% Popularity • 46% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 46% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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DuRu Tha King
187
100 bpm • C# Maj • 03:59 • -5db
15% Popularity • 60% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
15% Popularity • 60% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Anonymuz
Darth Vader
117 bpm • F Maj • 02:38 • -8db
32% Popularity • 74% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 29% Positiveness
32% Popularity • 74% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 29% Positiveness
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HXV
PLAGUES
117 bpm • C# Maj • 04:38 • -3.41db
4% Popularity • 56% Danceability • 93% Energy • 11% Liveness
86% Instrumentalness • 16% Positiveness
4% Popularity • 56% Danceability • 93% Energy • 11% Liveness
86% Instrumentalness • 16% Positiveness
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Azad
Sweet
100 bpm • F Maj • 02:27 • -14db
31% Popularity • 58% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
31% Popularity • 58% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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ProbCause
Chicago Style
117 bpm • D Maj • 03:25 • -4db
24% Popularity • 63% Danceability • 94% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
24% Popularity • 63% Danceability • 94% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Ollie
On The Real
99 bpm • C# Maj • 02:58 • -8db
16% Popularity • 58% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
16% Popularity • 58% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Omar LinX
Way with You
99 bpm • C# min • 03:24 • -5.46db
22% Popularity • 43% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
22% Popularity • 43% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Ground Up
People
99 bpm • C# Maj • 04:02 • -8db
10% Popularity • 84% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 84% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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HXV
Vultures
117 bpm • C# Maj • 04:06 • -3.37db
7% Popularity • 41% Danceability • 95% Energy • 42% Liveness
87% Instrumentalness • 22% Positiveness
7% Popularity • 41% Danceability • 95% Energy • 42% Liveness
87% Instrumentalness • 22% Positiveness
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Azad
When I Grow Up
117 bpm • A Maj • 04:25 • -4db
19% Popularity • 66% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
19% Popularity • 66% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Sammy Pharaoh
In the Running
118 bpm • E min • 03:02 • -5db
36% Popularity • 58% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
36% Popularity • 58% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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A$AP TyY
Trump
99 bpm • G# min • 02:48 • -6db
21% Popularity • 73% Danceability • 66% Energy • 52% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 73% Danceability • 66% Energy • 52% Liveness
0% Instrumentalness • 33% Positiveness
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Malcolm Anthony
Trophy
118 bpm • D Maj • 02:14 • -9.47db
0% Popularity • 83% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 83% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Kidd Upstairs
The Color Purple
118 bpm • G# Maj • 03:40 • -8.02db
8% Popularity • 80% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 80% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Kwame Katana
Watch My Moves
118 bpm • F# min • 03:03 • -6.07db
11% Popularity • 88% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 88% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Shane Moyer
Fill It up Ft. Hi-Rez
118 bpm • B min • 04:06 • -12.46db
13% Popularity • 78% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
13% Popularity • 78% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Sammy Pharaoh
Iverson
118 bpm • C# Maj • 02:46 • -3.61db
23% Popularity • 81% Danceability • 83% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
23% Popularity • 81% Danceability • 83% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
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Luke Christopher
Famous - Alternate Version
118 bpm • C# Maj • 03:27 • -4.38db
16% Popularity • 75% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
16% Popularity • 75% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Malcolm Anthony
XO / Hidden Hills
118 bpm • E min • 04:50 • -7.42db
0% Popularity • 45% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 10% Positiveness
0% Popularity • 45% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 10% Positiveness
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Kayo
Bakara
118 bpm • G# Maj • 03:59 • -9.66db
20% Popularity • 77% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
20% Popularity • 77% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Jazz Cartier
How Did I Get This Deep?
119 bpm • C# Maj • 03:29 • -7.42db
17% Popularity • 53% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
17% Popularity • 53% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Da Kid Emm
How We Ride
99 bpm • G Maj • 04:17 • -4.98db
10% Popularity • 55% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
10% Popularity • 55% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
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Nguvo
Bangi
119 bpm • F min • 03:09 • -6.37db
11% Popularity • 79% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 79% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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DuRu Tha King
Mind Fuck
98 bpm • C min • 04:00 • -7.93db
12% Popularity • 55% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 55% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Good Times Ahead
Contract
98 bpm • A# min • 03:07 • -7.62db
38% Popularity • 51% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
38% Popularity • 51% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
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AD
Leakin
98 bpm • C# Maj • 03:08 • -6db
11% Popularity • 69% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 69% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
