Songs like So in Love by Howard Keel
Based on a tempo of (+/- 10%) and a similar genre
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Josie de Guzman
I've Never Been in Love Before
141 bpm • C# Maj • 02:06 • -15db
31% Popularity • 31% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 31% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
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Leonard Bernstein
West Side Story : Act II: Gee, Officer K...
141 bpm • G Maj • 04:01 • -15.53db
18% Popularity • 62% Danceability • 48% Energy • 67% Liveness
0% Instrumentalness • 76% Positiveness
18% Popularity • 62% Danceability • 48% Energy • 67% Liveness
0% Instrumentalness • 76% Positiveness
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Howard Keel
So in Love
141 bpm • A Maj • 02:20 • -13.58db
5% Popularity • 25% Danceability • 21% Energy • 12% Liveness
2% Instrumentalness • 6% Positiveness
5% Popularity • 25% Danceability • 21% Energy • 12% Liveness
2% Instrumentalness • 6% Positiveness
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Johnny Green
Call Me Up Some Rainy Afternoon
141 bpm • C Maj • 01:30 • -21.59db
9% Popularity • 53% Danceability • 7% Energy • 11% Liveness
85% Instrumentalness • 62% Positiveness
9% Popularity • 53% Danceability • 7% Energy • 11% Liveness
85% Instrumentalness • 62% Positiveness
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Carol Burnett
The Trolley Song
141 bpm • G min • 02:53 • -6.82db
20% Popularity • 56% Danceability • 56% Energy • 51% Liveness
0% Instrumentalness • 75% Positiveness
20% Popularity • 56% Danceability • 56% Energy • 51% Liveness
0% Instrumentalness • 75% Positiveness
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Jane Summerhays
Thinking Of No-One But Me - Original Cas...
141 bpm • D# Maj • 02:49 • -17.58db
14% Popularity • 47% Danceability • 18% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
14% Popularity • 47% Danceability • 18% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
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Tammy Grimes
About a Quarter to Nine
141 bpm • C# Maj • 02:16 • -20.79db
18% Popularity • 41% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
18% Popularity • 41% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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MGM Studio Orchestra
The Night They Invented Champagne
141 bpm • D# Maj • 01:42 • -12.42db
8% Popularity • 61% Danceability • 40% Energy • 37% Liveness
0% Instrumentalness • 85% Positiveness
8% Popularity • 61% Danceability • 40% Energy • 37% Liveness
0% Instrumentalness • 85% Positiveness
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Lt. Cable
Carefully Taught
141 bpm • E Maj • 01:13 • -13.95db
26% Popularity • 54% Danceability • 22% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
26% Popularity • 54% Danceability • 22% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
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Don Francks, Petula Clark, Fred Astaire & Chorus
If This Isn't Love
141 bpm • F Maj • 03:37 • -11.36db
13% Popularity • 55% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 55% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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John Williams
I'll Plant My Own Tree
142 bpm • A min • 02:26 • -5.55db
10% Popularity • 35% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 35% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Betty Noyes
Would You?
140 bpm • G# Maj • 02:59 • -13db
31% Popularity • 27% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 27% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Robert Farnon
Travel Topic
140 bpm • E min • 02:27 • -11.35db
6% Popularity • 25% Danceability • 35% Energy • 12% Liveness
85% Instrumentalness • 38% Positiveness
6% Popularity • 25% Danceability • 35% Energy • 12% Liveness
85% Instrumentalness • 38% Positiveness
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Carol Burnett
Shy
140 bpm • D Maj • 03:45 • -21.13db
13% Popularity • 36% Danceability • 20% Energy • 46% Liveness
1% Instrumentalness • 40% Positiveness
13% Popularity • 36% Danceability • 20% Energy • 46% Liveness
1% Instrumentalness • 40% Positiveness
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Lauren Bacall
One of the Boys
139 bpm • G# Maj • 04:07 • -9db
11% Popularity • 49% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
11% Popularity • 49% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
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Vanessa Redgrave
Take Me to the Fair - Guenevere and the ...
139 bpm • F# Maj • 04:58 • -16.78db
14% Popularity • 50% Danceability • 30% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
14% Popularity • 50% Danceability • 30% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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John Cullum
Come Back to Me
143 bpm • C Maj • 02:21 • -11.99db
10% Popularity • 44% Danceability • 41% Energy • 54% Liveness
0% Instrumentalness • 43% Positiveness
10% Popularity • 44% Danceability • 41% Energy • 54% Liveness
0% Instrumentalness • 43% Positiveness
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John Davidson
'Bout Time
143 bpm • D Maj • 02:45 • -8db
14% Popularity • 35% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
14% Popularity • 35% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Betty Hutton
There's No Business Like Show Business
138 bpm • F Maj • 02:30 • -9.36db
4% Popularity • 65% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
4% Popularity • 65% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Emile De Becque
This Nearly Was Mine
138 bpm • C Maj • 02:09 • -13.76db
27% Popularity • 23% Danceability • 26% Energy • 16% Liveness
95% Instrumentalness • 4% Positiveness
27% Popularity • 23% Danceability • 26% Energy • 16% Liveness
95% Instrumentalness • 4% Positiveness
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Tammy Grimes
Shadow Waltz
138 bpm • A min • 03:29 • -21.42db
19% Popularity • 37% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
19% Popularity • 37% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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Broadway Cast Recording
We Open In Venice
138 bpm • C# Maj • 02:00 • -12.27db
17% Popularity • 62% Danceability • 51% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
17% Popularity • 62% Danceability • 51% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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Gwen Verdon
A Little Brains, A Little Talent
145 bpm • F Maj • 03:39 • -16db
19% Popularity • 61% Danceability • 12% Energy • 53% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 61% Danceability • 12% Energy • 53% Liveness
0% Instrumentalness • 72% Positiveness
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Bob Hope
Buttons and Bows
144 bpm • C min • 03:00 • -12db
23% Popularity • 63% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 63% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Scott Wise
Isn't It Kinda Fun?
138 bpm • F Maj • 04:07 • -13.1db
8% Popularity • 51% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 51% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Leonard Bernstein
West Side Story : Act I: Tonight
137 bpm • C min • 03:52 • -19.06db
23% Popularity • 25% Danceability • 12% Energy • 22% Liveness
0% Instrumentalness • 15% Positiveness
23% Popularity • 25% Danceability • 12% Energy • 22% Liveness
0% Instrumentalness • 15% Positiveness
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Renée Fleming
June Is Bustin' Out All Over
137 bpm • F# min • 06:45 • -10.3db
24% Popularity • 51% Danceability • 38% Energy • 58% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 51% Danceability • 38% Energy • 58% Liveness
0% Instrumentalness • 41% Positiveness
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Judy Garland
Easter Parade: A Fella with an Umbrella
145 bpm • A# Maj • 02:28 • -17.78db
18% Popularity • 33% Danceability • 12% Energy • 18% Liveness
26% Instrumentalness • 47% Positiveness
18% Popularity • 33% Danceability • 12% Energy • 18% Liveness
26% Instrumentalness • 47% Positiveness
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Jim Walton
Sara Lee
145 bpm • G Maj • 02:37 • -19.04db
11% Popularity • 52% Danceability • 14% Energy • 59% Liveness
0% Instrumentalness • 45% Positiveness
11% Popularity • 52% Danceability • 14% Energy • 59% Liveness
0% Instrumentalness • 45% Positiveness
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Joel Grey
Give My Regards to Broadway
137 bpm • C Maj • 03:59 • -12.49db
10% Popularity • 44% Danceability • 47% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
10% Popularity • 44% Danceability • 47% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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Howard Keel
Bless Your Beautiful Hide
146 bpm • D Maj • 02:00 • -10.81db
5% Popularity • 52% Danceability • 43% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
5% Popularity • 52% Danceability • 43% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
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Richard Harris
Finale Ultimo
137 bpm • D# Maj • 02:39 • -15.13db
17% Popularity • 34% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
17% Popularity • 34% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Leonard Bernstein
West Side Story : Act I: Tonight (Quinte...
146 bpm • E min • 03:38 • -18.07db
19% Popularity • 33% Danceability • 35% Energy • 91% Liveness
0% Instrumentalness • 48% Positiveness
19% Popularity • 33% Danceability • 35% Energy • 91% Liveness
0% Instrumentalness • 48% Positiveness
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Joseph Bova
Shuffle Off to Buffalo
146 bpm • C Maj • 03:50 • -15.97db
20% Popularity • 41% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 41% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Betty Hutton
Annie Get Your Gun: There's No Business ...
136 bpm • A# Maj • 02:31 • -12.45db
9% Popularity • 74% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
9% Popularity • 74% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Joel Grey
Give My Regards to Broadway
137 bpm • C Maj • 03:37 • -8db
20% Popularity • 45% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 45% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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Stubby Kaye (performer), Guys and Dolls Chorus
Sit Down You're Rockin the Boat!
136 bpm • D# Maj • 02:01 • -13db
23% Popularity • 63% Danceability • 46% Energy • 47% Liveness
0% Instrumentalness • 68% Positiveness
23% Popularity • 63% Danceability • 46% Energy • 47% Liveness
0% Instrumentalness • 68% Positiveness
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Adolph Deutsch
Colonel Buffalo Bill
135 bpm • G# Maj • 02:34 • -10.95db
1% Popularity • 62% Danceability • 43% Energy • 43% Liveness
0% Instrumentalness • 72% Positiveness
1% Popularity • 62% Danceability • 43% Energy • 43% Liveness
0% Instrumentalness • 72% Positiveness
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Gwen Verdon
Whatever Lola Wants
147 bpm • A min • 03:14 • -15db
21% Popularity • 53% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 53% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Barbara Cook
This Is All Very New To Me
135 bpm • C# Maj • 02:56 • -12db
12% Popularity • 33% Danceability • 26% Energy • 38% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 33% Danceability • 26% Energy • 38% Liveness
0% Instrumentalness • 31% Positiveness
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Imelda Staunton
Everything's Coming Up Roses
134 bpm • A Maj • 03:02 • -7.21db
20% Popularity • 46% Danceability • 51% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 46% Danceability • 51% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
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Howard Keel
Goin' co'tin'
135 bpm • D# Maj • 02:53 • -14db
10% Popularity • 66% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
10% Popularity • 66% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Richard Harris
I Wonder What the King Is Doing Tonight ...
134 bpm • D# Maj • 02:08 • -15db
18% Popularity • 51% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 51% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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Lucie Arnaz
They're Playing Our Song (The Bows) - 19...
134 bpm • C Maj • 01:20 • -13.53db
24% Popularity • 73% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
24% Popularity • 73% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
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The Palladium Singers
Wouldn't It Be Lovely
134 bpm • F Maj • 02:15 • -14.41db
1% Popularity • 48% Danceability • 18% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
1% Popularity • 48% Danceability • 18% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Gordon Macrae
People Will Say We're in Love (Excerpts ...
134 bpm • G# Maj • 04:22 • -12db
22% Popularity • 29% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 29% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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MGM Studio Orchestra
Finale
134 bpm • F Maj • 03:32 • -16.32db
9% Popularity • 63% Danceability • 33% Energy • 20% Liveness
81% Instrumentalness • 36% Positiveness
9% Popularity • 63% Danceability • 33% Energy • 20% Liveness
81% Instrumentalness • 36% Positiveness
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Broadway Cast Recording
Another Op'nin', Another Show
149 bpm • G# Maj • 06:16 • -9.82db
21% Popularity • 43% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 43% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Vanessa Redgrave
I Loved You Once in Silence - Guenevere ...
134 bpm • D Maj • 02:57 • -26.72db
17% Popularity • 33% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
17% Popularity • 33% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Kate Smith
The Last Time I Saw Paris
133 bpm • D# Maj • 02:34 • -19.11db
13% Popularity • 51% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 51% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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Howard Keel
You Were Always on My Mind
133 bpm • C# Maj • 03:59 • -17.46db
11% Popularity • 38% Danceability • 18% Energy • 9% Liveness
42% Instrumentalness • 16% Positiveness
11% Popularity • 38% Danceability • 18% Energy • 9% Liveness
42% Instrumentalness • 16% Positiveness
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Adolph Deutsch
Finale / End Title
133 bpm • A# Maj • 01:19 • -9.81db
0% Popularity • 39% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
0% Popularity • 39% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Marvin Hamlisch
One (Reprise) / Finale
133 bpm • D# Maj • 05:04 • -8.99db
27% Popularity • 56% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
27% Popularity • 56% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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David Hyde Pierce
Penny in My Pocket
150 bpm • G Maj • 02:49 • -10.98db
23% Popularity • 67% Danceability • 48% Energy • 44% Liveness
0% Instrumentalness • 84% Positiveness
23% Popularity • 67% Danceability • 48% Energy • 44% Liveness
0% Instrumentalness • 84% Positiveness
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MGM Studio Orchestra
Main Title (An American In Paris / 'S Wo...
132 bpm • C Maj • 01:35 • -8.89db
14% Popularity • 36% Danceability • 58% Energy • 38% Liveness
87% Instrumentalness • 48% Positiveness
14% Popularity • 36% Danceability • 58% Energy • 38% Liveness
87% Instrumentalness • 48% Positiveness
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Robert Preston
Ya Got Trouble / Seventy-Six Trombones
132 bpm • C min • 02:50 • -11.88db
31% Popularity • 59% Danceability • 63% Energy • 50% Liveness
0% Instrumentalness • 85% Positiveness
31% Popularity • 59% Danceability • 63% Energy • 50% Liveness
0% Instrumentalness • 85% Positiveness
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Barbara Cook
Ice Cream
131 bpm • E Maj • 03:11 • -13db
9% Popularity • 57% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 57% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
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Barbara Ruick, Shirley Jones,The 20th Century-Fox Orchestra
If I Loved You
131 bpm • F Maj • 06:20 • -13db
18% Popularity • 28% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
18% Popularity • 28% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Rae Allen
Shoeless Joe from Hannibal, Mo.
131 bpm • G Maj • 03:42 • -12.65db
11% Popularity • 64% Danceability • 58% Energy • 60% Liveness
0% Instrumentalness • 78% Positiveness
11% Popularity • 64% Danceability • 58% Energy • 60% Liveness
0% Instrumentalness • 78% Positiveness
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Bob Hope
Two Sleepy People - Remastered
131 bpm • A# Maj • 03:00 • -10.94db
11% Popularity • 56% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 56% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Ken Darby Male Chorus
There Is Nothin' Like A Dame
131 bpm • G Maj • 03:48 • -15.77db
27% Popularity • 62% Danceability • 29% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 62% Danceability • 29% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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The Music Man Motion-Picture Ensemble
The Wells Fargo Wagon
131 bpm • A Maj • 02:36 • -13.29db
29% Popularity • 68% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 68% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Charles Strouse
Applause
131 bpm • C Maj • 04:09 • -9.65db
10% Popularity • 47% Danceability • 50% Energy • 71% Liveness
0% Instrumentalness • 51% Positiveness
10% Popularity • 47% Danceability • 50% Energy • 71% Liveness
0% Instrumentalness • 51% Positiveness
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Andrea McArdle
It Might As Well Be Spring
130 bpm • D# Maj • 03:11 • -18.08db
21% Popularity • 32% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
21% Popularity • 32% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Leonard Bernstein
Candide, Act I (Remastered): Oh, Happy W...
130 bpm • G Maj • 01:51 • -15db
13% Popularity • 44% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 44% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Danny Kaye
Thumbelina
130 bpm • G Maj • 01:49 • -11.23db
14% Popularity • 78% Danceability • 26% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 78% Danceability • 26% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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Carol Channing
Do It Again!
129 bpm • G# Maj • 02:03 • -13db
9% Popularity • 40% Danceability • 56% Energy • 14% Liveness
6% Instrumentalness • 49% Positiveness
9% Popularity • 40% Danceability • 56% Energy • 14% Liveness
6% Instrumentalness • 49% Positiveness
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MGM Studio Orchestra
I'm Glad I'm Not Young Anymore
130 bpm • C Maj • 02:49 • -15db
4% Popularity • 52% Danceability • 19% Energy • 76% Liveness
0% Instrumentalness • 42% Positiveness
4% Popularity • 52% Danceability • 19% Energy • 76% Liveness
0% Instrumentalness • 42% Positiveness
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Mitzi Gaynor
It's De-Lovely
129 bpm • F min • 05:49 • -12.46db
7% Popularity • 40% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
7% Popularity • 40% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
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Ken Darby Male Chorus
Bloody Mary
129 bpm • D# Maj • 01:54 • -10.37db
27% Popularity • 79% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 97% Positiveness
27% Popularity • 79% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 97% Positiveness
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Original Broadway Cast "Boys From Syracuse"
Sing For Your Supper
155 bpm • G min • 03:45 • -9.32db
8% Popularity • 47% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 47% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Meredith Willson
Seventy-Six Trombones
128 bpm • G# Maj • 03:01 • -14.13db
19% Popularity • 60% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 60% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Robert Preston
Seventy Six Trombones / Goodnight My Som...
128 bpm • C Maj • 01:30 • -12.88db
33% Popularity • 38% Danceability • 20% Energy • 50% Liveness
0% Instrumentalness • 23% Positiveness
33% Popularity • 38% Danceability • 20% Energy • 50% Liveness
0% Instrumentalness • 23% Positiveness
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Deanna Durbin
Danny Boy
128 bpm • D# Maj • 04:02 • -10db
14% Popularity • 25% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 25% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 8% Positiveness
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Original Broadway Cast of 'Pal Joey'
Zip
128 bpm • A# Maj • 03:13 • -8db
9% Popularity • 61% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 61% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Paulette Girard
Perfect Young Ladies
128 bpm • F Maj • 01:13 • -15db
15% Popularity • 84% Danceability • 30% Energy • 41% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 84% Danceability • 30% Energy • 41% Liveness
0% Instrumentalness • 94% Positiveness
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Johnny Green
Along Came Ruth
128 bpm • C Maj • 01:05 • -23db
11% Popularity • 55% Danceability • 3% Energy • 22% Liveness
95% Instrumentalness • 68% Positiveness
11% Popularity • 55% Danceability • 3% Energy • 22% Liveness
95% Instrumentalness • 68% Positiveness
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Danny Kaye
Everything Is Ticketty-Boo
127 bpm • A Maj • 02:11 • -7.62db
14% Popularity • 78% Danceability • 63% Energy • 67% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 78% Danceability • 63% Energy • 67% Liveness
0% Instrumentalness • 70% Positiveness
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Russ Brown
Heart
127 bpm • G# Maj • 04:41 • -14db
16% Popularity • 63% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 63% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Original Broadway Cast: Me And My Girl
Finale "Me And My Girl" - Original Cast ...
127 bpm • B Maj • 01:34 • -14.91db
15% Popularity • 43% Danceability • 48% Energy • 45% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 43% Danceability • 48% Energy • 45% Liveness
0% Instrumentalness • 50% Positiveness
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Kathryn Grayson
Show Boat: Bill
127 bpm • D# Maj • 02:25 • -17.56db
4% Popularity • 37% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 16% Positiveness
4% Popularity • 37% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 16% Positiveness
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Virginia Gibson
June Bride
127 bpm • F Maj • 03:18 • -19db
28% Popularity • 35% Danceability • 6% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
28% Popularity • 35% Danceability • 6% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
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Jerry Herman
Mame: Mame
127 bpm • F min • 06:16 • -11.54db
20% Popularity • 38% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 38% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Alfred Newman
Overture / I’m Bound For The Promised ...
126 bpm • F Maj • 04:28 • -17.69db
13% Popularity • 34% Danceability • 23% Energy • 6% Liveness
3% Instrumentalness • 39% Positiveness
13% Popularity • 34% Danceability • 23% Energy • 6% Liveness
3% Instrumentalness • 39% Positiveness
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Donald O'Connor
Make 'Em Laugh
158 bpm • F min • 02:28 • -4db
8% Popularity • 53% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 53% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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Tommy Steele
Half a Sixpence
126 bpm • A# Maj • 05:16 • -11db
12% Popularity • 42% Danceability • 35% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
12% Popularity • 42% Danceability • 35% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
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Jim Dale
The Colors of My Life (Pt. I)
126 bpm • F Maj • 02:46 • -12.8db
12% Popularity • 31% Danceability • 25% Energy • 21% Liveness
0% Instrumentalness • 17% Positiveness
12% Popularity • 31% Danceability • 25% Energy • 21% Liveness
0% Instrumentalness • 17% Positiveness
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Jack Soo
Don't Marry Me
126 bpm • A# Maj • 03:00 • -13.7db
9% Popularity • 53% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
9% Popularity • 53% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Danny Kaye
My Heart Knows A Lovely Song
159 bpm • F Maj • 02:22 • -11db
16% Popularity • 32% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 32% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Johnny Green
This Is the Life (Dog Act)
159 bpm • C Maj • 01:08 • -16.81db
9% Popularity • 48% Danceability • 71% Energy • 15% Liveness
80% Instrumentalness • 43% Positiveness
9% Popularity • 48% Danceability • 71% Energy • 15% Liveness
80% Instrumentalness • 43% Positiveness
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Howard Keel
Bless Yore Beautiful Hide - (Rehearsal R...
160 bpm • C Maj • 02:34 • -15.45db
14% Popularity • 72% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 72% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Fiona Fullerton
Camelot
124 bpm • F Maj • 02:32 • -14db
18% Popularity • 55% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
18% Popularity • 55% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Vanessa Redgrave
The Lusty Month of May
124 bpm • G Maj • 02:24 • -14.4db
20% Popularity • 36% Danceability • 23% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
20% Popularity • 36% Danceability • 23% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
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Ann Miller
Why Can't You Behave
124 bpm • F Maj • 04:02 • -15.84db
10% Popularity • 36% Danceability • 18% Energy • 46% Liveness
0% Instrumentalness • 31% Positiveness
10% Popularity • 36% Danceability • 18% Energy • 46% Liveness
0% Instrumentalness • 31% Positiveness
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The Original Broadway Cast Of Brigadoon
The Heather On The Hill
124 bpm • D# Maj • 04:25 • -24.12db
9% Popularity • 32% Danceability • 10% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 32% Danceability • 10% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
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MGM Studio Orchestra
Goin' Co'tin'
124 bpm • D# Maj • 03:51 • -11.32db
7% Popularity • 59% Danceability • 39% Energy • 42% Liveness
0% Instrumentalness • 75% Positiveness
7% Popularity • 59% Danceability • 39% Energy • 42% Liveness
0% Instrumentalness • 75% Positiveness
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Howard Keel
They Say It's Wonderful
160 bpm • E Maj • 03:30 • -12.15db
3% Popularity • 23% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
3% Popularity • 23% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Adolph Deutsch
Main Title (Seven Brides For Seven Broth...
124 bpm • D Maj • 02:11 • -15.3db
23% Popularity • 39% Danceability • 28% Energy • 8% Liveness
54% Instrumentalness • 80% Positiveness
23% Popularity • 39% Danceability • 28% Energy • 8% Liveness
54% Instrumentalness • 80% Positiveness
