Songs like So Incredible (feat. Aziatix) by Stevie Hoang
Based on a tempo of (+/- 10%) and a similar genre
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Stevie Hoang
Luv You
118 bpm • C Maj • 04:07 • -7db
23% Popularity • 68% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
23% Popularity • 68% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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Greyson Chance
Hold On 'Til The Night
118 bpm • F# Maj • 03:41 • -4db
27% Popularity • 65% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 65% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Matt Palmer
Fall For You
118 bpm • C Maj • 03:18 • -4.46db
26% Popularity • 74% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
26% Popularity • 74% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
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Jamillions
Love you like I do
118 bpm • G min • 03:54 • -5db
30% Popularity • 72% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
30% Popularity • 72% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Martin Kember
Back 2 Him She Goes
118 bpm • G# Maj • 04:01 • -3db
16% Popularity • 61% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 61% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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THELIONCITYBOY
YAYA
118 bpm • C Maj • 03:16 • -8.67db
16% Popularity • 75% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 75% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Stevie Hoang
So Incredible
118 bpm • D# min • 04:09 • -5db
29% Popularity • 81% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 81% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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Dawin
Shenanigans
118 bpm • B min • 03:56 • -2.79db
22% Popularity • 84% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
22% Popularity • 84% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Hailey Rowe
My Boyfriend Is Gay
118 bpm • B min • 03:55 • -5db
23% Popularity • 86% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
23% Popularity • 86% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
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August
Clock's Stop
118 bpm • G min • 04:05 • -7db
19% Popularity • 72% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
19% Popularity • 72% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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George Nozuka
Stay Up
118 bpm • G min • 03:44 • -9db
28% Popularity • 70% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 70% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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E R I K
Let Me Go
119 bpm • A Maj • 03:44 • -6.8db
26% Popularity • 45% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 45% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Stevie Hoang
Little Things
118 bpm • A Maj • 04:12 • -7db
42% Popularity • 73% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
42% Popularity • 73% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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TheSmartLocal
Can You Feel It - Duet Version
117 bpm • A Maj • 04:09 • -12.2db
24% Popularity • 54% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
24% Popularity • 54% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Rachel Platten
Lone Ranger
117 bpm • G min • 03:10 • -5db
45% Popularity • 74% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
45% Popularity • 74% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Robbie Nova
My Forever
117 bpm • G# Maj • 03:57 • -7.14db
21% Popularity • 64% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
21% Popularity • 64% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Danny Fernandes
Fantasy
117 bpm • F# Maj • 03:53 • -5.81db
24% Popularity • 75% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
24% Popularity • 75% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Eric Chou
Come Out Your Way
120 bpm • D Maj • 03:48 • -9db
32% Popularity • 55% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 55% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Stevie Hoang
Addicted
118 bpm • C# Maj • 04:17 • -5db
46% Popularity • 80% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
46% Popularity • 80% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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J Rice
Thank You for the Broken Heart
120 bpm • G# Maj • 03:51 • -7db
48% Popularity • 70% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
48% Popularity • 70% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Jamillions
Broken and Scarred
120 bpm • F# Maj • 03:38 • -7db
14% Popularity • 65% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
14% Popularity • 65% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Bobby Tinsley
I'm Missing U
116 bpm • B Maj • 04:18 • -7db
41% Popularity • 86% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
41% Popularity • 86% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
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Baptiste Giabiconi
New York
120 bpm • F# Maj • 03:16 • -4.3db
19% Popularity • 76% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 76% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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TAEYANG
I'll Be There - English Version
120 bpm • A# min • 03:19 • -4.02db
25% Popularity • 76% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 76% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Stevie Hoang
Close to You
120 bpm • C Maj • 03:34 • -3.04db
13% Popularity • 55% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
13% Popularity • 55% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Jim Gaven
Make This Moment Last
120 bpm • G# Maj • 04:30 • -13.79db
8% Popularity • 69% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 69% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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DaniElle DeLaite
Love Sex Goddess
120 bpm • C Maj • 03:18 • -3.62db
11% Popularity • 69% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
11% Popularity • 69% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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MKTO
Forever Until Tomorrow
120 bpm • C# Maj • 03:46 • -4.95db
36% Popularity • 52% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
36% Popularity • 52% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Elliott Yamin
Wait for You
116 bpm • C Maj • 04:21 • -6.73db
58% Popularity • 76% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
58% Popularity • 76% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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SHIMICA
The Way We Dance
120 bpm • C Maj • 02:52 • -6.67db
12% Popularity • 61% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
12% Popularity • 61% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Stevie Hoang
Sorry for Loving You
120 bpm • C Maj • 03:49 • -4.15db
26% Popularity • 82% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
26% Popularity • 82% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Jr Aquino
This Time Around
120 bpm • B Maj • 04:01 • -4db
17% Popularity • 62% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 62% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
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Jamillions
Now or Never
120 bpm • C min • 03:38 • -8db
15% Popularity • 64% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
15% Popularity • 64% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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JJ Lin
Cries In A Distance
120 bpm • C Maj • 03:45 • -7db
20% Popularity • 86% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
20% Popularity • 86% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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David Archuleta
Zero Gravity
120 bpm • C min • 03:26 • -4.66db
21% Popularity • 72% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
21% Popularity • 72% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Frankmusik
Wrecking Ball
120 bpm • C# min • 03:23 • -4.3db
19% Popularity • 77% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
19% Popularity • 77% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Stevie Hoang
Until I Found You
120 bpm • G# Maj • 03:32 • -5.47db
16% Popularity • 77% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
16% Popularity • 77% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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This Century
My Weakness
120 bpm • A Maj • 02:49 • -3.53db
13% Popularity • 70% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
13% Popularity • 70% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
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Tata Young
Burning Out
116 bpm • G# Maj • 03:42 • -4.43db
16% Popularity • 71% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 71% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
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Kyla
Wait for You
116 bpm • F Maj • 04:25 • -5.78db
35% Popularity • 66% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 47% Positiveness
35% Popularity • 66% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 47% Positiveness
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MKTO
Could Be Me
120 bpm • E Maj • 03:30 • -5.09db
40% Popularity • 73% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
40% Popularity • 73% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
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Rosie Yang
Whole Lot of Yellow
120 bpm • C# Maj • 03:00 • -4.9db
15% Popularity • 64% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
15% Popularity • 64% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Stevie Hoang
I'll Be Fine
120 bpm • C Maj • 03:49 • -3.72db
19% Popularity • 69% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 69% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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BECKA
20 Seconds
121 bpm • C# Maj • 02:25 • -5db
16% Popularity • 83% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
16% Popularity • 83% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Eleven Past One
The World Is Ours
115 bpm • G min • 03:55 • -4.64db
33% Popularity • 60% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
33% Popularity • 60% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
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Iyaz
OK
121 bpm • C Maj • 03:43 • -3.46db
46% Popularity • 79% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
46% Popularity • 79% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Rixton
Speakerphone
115 bpm • B Maj • 03:28 • -6.09db
45% Popularity • 73% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
45% Popularity • 73% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Jason Zhang
Pretty White Lies
115 bpm • F Maj • 03:22 • -4.18db
35% Popularity • 74% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
35% Popularity • 74% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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Stevie Hoang
There Was a Girl
116 bpm • B Maj • 03:19 • -7.64db
21% Popularity • 82% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
21% Popularity • 82% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Chris Lago
Runway Model
115 bpm • G# min • 04:06 • -4.54db
9% Popularity • 84% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
9% Popularity • 84% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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This Century
Slow Dance Night
115 bpm • F Maj • 03:09 • -3.71db
14% Popularity • 66% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
14% Popularity • 66% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Eric Chou
That's Why I Like You
115 bpm • A# Maj • 03:33 • -8.21db
45% Popularity • 71% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 15% Positiveness
45% Popularity • 71% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 15% Positiveness
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Kristina Maria
Understatement
115 bpm • G# Maj • 03:27 • -4.65db
20% Popularity • 62% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
20% Popularity • 62% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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JJ Lin
2infinity And Beyond
115 bpm • G Maj • 04:07 • -4.42db
13% Popularity • 70% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
13% Popularity • 70% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Stevie Hoang
I Hate Falling in Love
115 bpm • G# Maj • 03:40 • -4db
28% Popularity • 78% Danceability • 80% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
28% Popularity • 78% Danceability • 80% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Armon
I Won't Be Alone
115 bpm • G# Maj • 03:01 • -12.01db
21% Popularity • 70% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
21% Popularity • 70% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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David Choi
Missing Piece
122 bpm • G Maj • 03:19 • -8.29db
30% Popularity • 67% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 67% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Iyaz
So Big
122 bpm • F# Maj • 03:19 • -4.55db
53% Popularity • 70% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
53% Popularity • 70% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
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Glenna
Shutterbug
122 bpm • C# Maj • 03:18 • -6.72db
28% Popularity • 75% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 75% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Kaci Battaglia
Body Shots
122 bpm • B min • 04:03 • -4.62db
33% Popularity • 95% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
33% Popularity • 95% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Stevie Hoang
Miss You Now
122 bpm • B Maj • 03:21 • -8.28db
18% Popularity • 79% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
18% Popularity • 79% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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Bobby Tinsley
Can We Get Back
114 bpm • F Maj • 04:51 • -10db
21% Popularity • 72% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
21% Popularity • 72% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Matt Palmer
#1 to Infinity
114 bpm • C Maj • 06:31 • -8.36db
11% Popularity • 53% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 53% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Iyaz
So Big
122 bpm • F# Maj • 03:19 • -5.03db
36% Popularity • 73% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
36% Popularity • 73% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Jaicko Lawrence
Will You Be There
123 bpm • F min • 03:59 • -5.67db
10% Popularity • 71% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 71% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Dr Joos
Meet Somebody Else
123 bpm • G Maj • 03:09 • -5.58db
29% Popularity • 63% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
29% Popularity • 63% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Stevie Hoang
Somebody's Girl
122 bpm • G Maj • 03:13 • -5.55db
18% Popularity • 79% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
18% Popularity • 79% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Praise the Lord
His Love Endures Forevermore
113 bpm • D Maj • 02:03 • -7.75db
13% Popularity • 69% Danceability • 76% Energy • 42% Liveness
0% Instrumentalness • 83% Positiveness
13% Popularity • 69% Danceability • 76% Energy • 42% Liveness
0% Instrumentalness • 83% Positiveness
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Jasmine Sokko
1057
123 bpm • D min • 04:01 • -5.43db
21% Popularity • 65% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 65% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 33% Positiveness
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Nico
Love Mail
113 bpm • A# Maj • 03:29 • -4.27db
15% Popularity • 69% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
15% Popularity • 69% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Tata Young
My Bloody Valentine
113 bpm • G min • 03:49 • -5.4db
27% Popularity • 78% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
27% Popularity • 78% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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George Nozuka
Hurting Child
113 bpm • G Maj • 02:51 • -8.4db
10% Popularity • 69% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
10% Popularity • 69% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Taylor Grey
Intentionally
113 bpm • A# min • 03:09 • -8db
37% Popularity • 94% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
37% Popularity • 94% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Scarlet Avenue
Paper Plane
124 bpm • A Maj • 04:17 • -6.16db
10% Popularity • 64% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 64% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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It Boys!
Right One
124 bpm • G Maj • 03:54 • -3.23db
8% Popularity • 71% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 71% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Selwyn
Negative Things
124 bpm • A min • 04:31 • -6db
30% Popularity • 72% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 72% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Mizz Nina
Around the World
124 bpm • G Maj • 03:27 • -4.64db
13% Popularity • 74% Danceability • 82% Energy • 84% Liveness
0% Instrumentalness • 85% Positiveness
13% Popularity • 74% Danceability • 82% Energy • 84% Liveness
0% Instrumentalness • 85% Positiveness
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Kelly Clarkson
Catch My Breath
124 bpm • A Maj • 04:11 • -3.22db
50% Popularity • 69% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
50% Popularity • 69% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Avril Lavigne
Fly
124 bpm • F# Maj • 03:06 • -6.03db
37% Popularity • 60% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
37% Popularity • 60% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Manny X
Forever Yours
112 bpm • B Maj • 03:42 • -6.6db
31% Popularity • 71% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
31% Popularity • 71% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Greyson Chance
Summertrain
112 bpm • F# Maj • 04:31 • -4.44db
29% Popularity • 61% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
29% Popularity • 61% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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JJ Lin
Until The Day
125 bpm • D Maj • 04:35 • -6.41db
30% Popularity • 44% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
30% Popularity • 44% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Stevie Hoang
Beatiful to Me
125 bpm • C Maj • 03:22 • -6.09db
26% Popularity • 76% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
26% Popularity • 76% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Jaicko Lawrence
FFWD
125 bpm • C min • 03:31 • -4.55db
22% Popularity • 74% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 74% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
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Rosie Yang
I Fell in Love
125 bpm • A min • 02:55 • -5.69db
8% Popularity • 59% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 59% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Craig David
Insomnia
125 bpm • C# Maj • 03:27 • -4.13db
59% Popularity • 62% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
59% Popularity • 62% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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NICKTHEREAL
你是我的菜
125 bpm • F min • 03:41 • -5.51db
25% Popularity • 66% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 67% Positiveness
25% Popularity • 66% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 67% Positiveness
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Matt Palmer
That Way
126 bpm • C Maj • 03:35 • -7.43db
23% Popularity • 74% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
23% Popularity • 74% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Stevie Hoang
Just in Case
125 bpm • B Maj • 03:39 • -4.91db
31% Popularity • 81% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
31% Popularity • 81% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Bobby Tinsley
Never Give Up On Love
126 bpm • D Maj • 04:52 • -14.91db
15% Popularity • 68% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
15% Popularity • 68% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Mizz Nina
What You Waiting For
126 bpm • E Maj • 04:22 • -6db
33% Popularity • 81% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
33% Popularity • 81% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Tanner Patrick
Merry Go Round
126 bpm • D Maj • 03:21 • -5.76db
11% Popularity • 62% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
11% Popularity • 62% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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MC Jin
Brand New Me
110 bpm • A# Maj • 03:46 • -6.72db
10% Popularity • 77% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 77% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
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Colby O'Donis
Don't Turn Back - Main
110 bpm • A Maj • 04:07 • -7.65db
32% Popularity • 86% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 86% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Eleven Past One
I'm Ready
110 bpm • C# Maj • 03:25 • -4.34db
12% Popularity • 64% Danceability • 86% Energy • 27% Liveness
1% Instrumentalness • 74% Positiveness
12% Popularity • 64% Danceability • 86% Energy • 27% Liveness
1% Instrumentalness • 74% Positiveness
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Eric Chou
No one like you
110 bpm • C# Maj • 03:54 • -6.65db
27% Popularity • 75% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
27% Popularity • 75% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Alex Adventures
Gate to North Pole
110 bpm • F min • 04:12 • -7.59db
13% Popularity • 65% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
13% Popularity • 65% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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George Nozuka
Last Time (Remix)
110 bpm • F min • 03:26 • -6.84db
14% Popularity • 67% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 67% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
