Songs like So Little Time (Script Only) by Peter Sellers
Based on a tempo of (+/- 10%) and a similar genre
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Jack Jones
Wives And Lovers
96 bpm • F min • 02:29 • -13.22db
47% Popularity • 35% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
47% Popularity • 35% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
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Peter Sellers
So Little Time (Script Only)
96 bpm • F min • 06:36 • -15.3db
1% Popularity • 67% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
1% Popularity • 67% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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The Ray Charles Singers
Hello Dolly!
96 bpm • F# min • 02:13 • -10.5db
10% Popularity • 63% Danceability • 69% Energy • 78% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 63% Danceability • 69% Energy • 78% Liveness
0% Instrumentalness • 78% Positiveness
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Joe Loss & His Orchestra
A Nice Cup Of Tea
96 bpm • G# Maj • 02:49 • -19db
16% Popularity • 77% Danceability • 12% Energy • 16% Liveness
7% Instrumentalness • 90% Positiveness
16% Popularity • 77% Danceability • 12% Energy • 16% Liveness
7% Instrumentalness • 90% Positiveness
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Noel Coward
London Pride
96 bpm • D Maj • 03:20 • -18db
12% Popularity • 45% Danceability • 13% Energy • 22% Liveness
22% Instrumentalness • 54% Positiveness
12% Popularity • 45% Danceability • 13% Energy • 22% Liveness
22% Instrumentalness • 54% Positiveness
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Alma Cogan
Sugartime
96 bpm • D# Maj • 01:50 • -10db
17% Popularity • 69% Danceability • 42% Energy • 64% Liveness
0% Instrumentalness • 89% Positiveness
17% Popularity • 69% Danceability • 42% Energy • 64% Liveness
0% Instrumentalness • 89% Positiveness
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Alice Faye
You'll Never Know / No Love, No Nothin -...
96 bpm • F Maj • 03:33 • -15db
18% Popularity • 29% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
18% Popularity • 29% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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Peter Sellers
Common Entrance - 1999 Remaster
95 bpm • D Maj • 05:05 • -18.42db
0% Popularity • 72% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 72% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Patti Page
Little Green Apples
97 bpm • C Maj • 03:03 • -16.9db
28% Popularity • 37% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 37% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Eddie Fisher
Oh My Papa
97 bpm • A# Maj • 03:04 • -1.33db
22% Popularity • 40% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
22% Popularity • 40% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
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The Cast
The Five Pennies
95 bpm • D Maj • 02:18 • -12.43db
33% Popularity • 27% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
33% Popularity • 27% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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Tony Bennett
Cold, Cold Heart - Remastered
97 bpm • G Maj • 02:42 • -9.4db
14% Popularity • 30% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 30% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Leroy Holmes Orchestra
Mah-Na, Mah-Na - 1997 Remastered
97 bpm • C Maj • 02:33 • -15.07db
16% Popularity • 65% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 65% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Peter Sellers
Balham - Gateway to the South
97 bpm • C Maj • 06:02 • -11.83db
3% Popularity • 64% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
3% Popularity • 64% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
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Sandie Shaw
One Note Samba
95 bpm • G# Maj • 02:18 • -8.77db
11% Popularity • 64% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 64% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 80% Positiveness
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Johnnie Ray
Just Walkin' in the Rain
97 bpm • F Maj • 02:37 • -17db
50% Popularity • 64% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
50% Popularity • 64% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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David Rose Orchestra
The Stripper
95 bpm • F Maj • 01:57 • -12.69db
26% Popularity • 45% Danceability • 44% Energy • 20% Liveness
97% Instrumentalness • 56% Positiveness
26% Popularity • 45% Danceability • 44% Energy • 20% Liveness
97% Instrumentalness • 56% Positiveness
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Benny Hill
What a World
98 bpm • E Maj • 02:45 • -8.66db
9% Popularity • 62% Danceability • 63% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
9% Popularity • 62% Danceability • 63% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
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Rita Hayworth
The Shorty Georges
98 bpm • G# Maj • 04:09 • -13.87db
16% Popularity • 62% Danceability • 45% Energy • 9% Liveness
73% Instrumentalness • 79% Positiveness
16% Popularity • 62% Danceability • 45% Energy • 9% Liveness
73% Instrumentalness • 79% Positiveness
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Peter Sellers
Auntie Rotter
94 bpm • F Maj • 03:07 • -12.81db
3% Popularity • 66% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
3% Popularity • 66% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Bernard Cribbins
Right Said Fred
98 bpm • C# Maj • 02:20 • -8.02db
25% Popularity • 78% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 78% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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The Ames Brothers
Cruising Down the River
98 bpm • D Maj • 02:40 • -14db
20% Popularity • 64% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 64% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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David Rose Orchestra
The Stripper (Alternate Take)
95 bpm • C Maj • 01:59 • -11.66db
14% Popularity • 62% Danceability • 39% Energy • 5% Liveness
71% Instrumentalness • 82% Positiveness
14% Popularity • 62% Danceability • 39% Energy • 5% Liveness
71% Instrumentalness • 82% Positiveness
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Eartha Kitt With Orchestra
If I Love Ya, Then I Need Ya, If I Need ...
94 bpm • A Maj • 02:27 • -6.83db
8% Popularity • 62% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
8% Popularity • 62% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Reg Owen
Manhattan Spiritual
98 bpm • G# Maj • 02:45 • -14.89db
17% Popularity • 73% Danceability • 40% Energy • 7% Liveness
65% Instrumentalness • 65% Positiveness
17% Popularity • 73% Danceability • 40% Energy • 7% Liveness
65% Instrumentalness • 65% Positiveness
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Peter Sellers
The Bulls of Salamanca
98 bpm • A Maj • 01:46 • -11.89db
2% Popularity • 51% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
2% Popularity • 51% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Debbie Reynolds
Singin' in the Rain (In A-Flat)
94 bpm • D# Maj • 01:29 • -8db
23% Popularity • 62% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
23% Popularity • 62% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Bernard Cribbins
Right Said Fred
99 bpm • G Maj • 02:17 • -6.18db
16% Popularity • 77% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 77% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Charles Trenet
Boum !
99 bpm • D Maj • 02:34 • -13db
40% Popularity • 73% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
40% Popularity • 73% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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Nino Rota
La dolce vita - Final
99 bpm • C# min • 03:01 • -15db
24% Popularity • 57% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
24% Popularity • 57% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Henry Mancini
The Shadow Of Paris -
99 bpm • C min • 02:57 • -10.75db
13% Popularity • 34% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 34% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Peter Sellers
Grandpa's Grave - 1999 Remaster
93 bpm • C Maj • 03:20 • -14.54db
1% Popularity • 57% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
1% Popularity • 57% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Maurice Chevalier
Thank Heaven For Little Girls
99 bpm • G Maj • 02:18 • -19db
24% Popularity • 59% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 59% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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The Fontane Sisters
Chanson D'amour
99 bpm • G min • 02:14 • -12db
20% Popularity • 52% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 52% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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The Platters
Goodnight Sweetheart (It's Time To Go)
93 bpm • G min • 02:17 • -12db
37% Popularity • 76% Danceability • 39% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
37% Popularity • 76% Danceability • 39% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
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Teresa Brewer
(Put Another Nickel In) Music! Music! Mu...
99 bpm • D Maj • 02:40 • -14.39db
31% Popularity • 75% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 75% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Flanagan & Allen
Shine On, Harvest Moon
93 bpm • C min • 02:35 • -19.39db
13% Popularity • 50% Danceability • 7% Energy • 28% Liveness
76% Instrumentalness • 30% Positiveness
13% Popularity • 50% Danceability • 7% Energy • 28% Liveness
76% Instrumentalness • 30% Positiveness
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Peter Sellers
I Haven't Told Her, She Hasn't Told Me -...
99 bpm • A# Maj • 01:13 • -24.25db
14% Popularity • 85% Danceability • 10% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 85% Danceability • 10% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
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Hoagy Carmichael
Riverboat Shuffle
93 bpm • A# Maj • 02:13 • -14db
34% Popularity • 84% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
34% Popularity • 84% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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The Ames Brothers
Hawaiian War Chant
93 bpm • C Maj • 02:33 • -12.73db
14% Popularity • 83% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 83% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Elsie Bianchi Trio
The Shadows of Paris
93 bpm • F min • 04:08 • -20db
20% Popularity • 65% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
20% Popularity • 65% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Don Robertson
The Happy Whistler
99 bpm • G# Maj • 02:27 • -11.42db
19% Popularity • 77% Danceability • 86% Energy • 31% Liveness
65% Instrumentalness • 89% Positiveness
19% Popularity • 77% Danceability • 86% Energy • 31% Liveness
65% Instrumentalness • 89% Positiveness
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The Temperance Seven
Pasadena
100 bpm • F min • 03:02 • -14.89db
11% Popularity • 69% Danceability • 32% Energy • 7% Liveness
7% Instrumentalness • 60% Positiveness
11% Popularity • 69% Danceability • 32% Energy • 7% Liveness
7% Instrumentalness • 60% Positiveness
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Renato Carosone
Tu Vuo FÃ L'Americano
93 bpm • A# min • 03:25 • -7.67db
43% Popularity • 82% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
43% Popularity • 82% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Flanagan & Allen
Underneath the Arches
92 bpm • F min • 03:27 • -21db
10% Popularity • 35% Danceability • 20% Energy • 38% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 35% Danceability • 20% Energy • 38% Liveness
0% Instrumentalness • 41% Positiveness
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George Formby
The Window Cleaner (No 2)
100 bpm • A# Maj • 02:54 • -13.49db
14% Popularity • 85% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
14% Popularity • 85% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Bob Hope
Thanks for the Memory - Remastered
100 bpm • D Maj • 03:07 • -11.79db
18% Popularity • 47% Danceability • 21% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 47% Danceability • 21% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
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Anthony Newley
Why?
100 bpm • G min • 02:26 • -9.38db
24% Popularity • 59% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 59% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Unit 4 + 2
Concrete and Clay
101 bpm • C# Maj • 02:17 • -10.08db
35% Popularity • 62% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
35% Popularity • 62% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Ben E. King
Amor
101 bpm • A# Maj • 03:07 • -12db
34% Popularity • 55% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
34% Popularity • 55% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Mrs Mills
Tie a Yellow Ribbon - 2003 Remaster
91 bpm • C Maj • 03:10 • -11.22db
8% Popularity • 63% Danceability • 59% Energy • 39% Liveness
0% Instrumentalness • 74% Positiveness
8% Popularity • 63% Danceability • 59% Energy • 39% Liveness
0% Instrumentalness • 74% Positiveness
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Arthur Askey
The Bee Song
101 bpm • A# Maj • 02:42 • -17db
15% Popularity • 83% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 83% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Piero Umiliani
Mah NÃ Mah NÃ
101 bpm • C Maj • 01:56 • -10.83db
40% Popularity • 75% Danceability • 51% Energy • 40% Liveness
0% Instrumentalness • 82% Positiveness
40% Popularity • 75% Danceability • 51% Energy • 40% Liveness
0% Instrumentalness • 82% Positiveness
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Anthony Newley
Pop Goes The Weasel
101 bpm • F Maj • 02:47 • -8.34db
12% Popularity • 69% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 69% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
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Peter Sellers
Peter Sellers Sings Rudolph Friml
91 bpm • G Maj • 01:03 • -11.34db
0% Popularity • 69% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
0% Popularity • 69% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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Cab Calloway & His Orchestra
Jumpin Jive
91 bpm • G# Maj • 02:49 • -10.89db
22% Popularity • 68% Danceability • 47% Energy • 14% Liveness
5% Instrumentalness • 87% Positiveness
22% Popularity • 68% Danceability • 47% Energy • 14% Liveness
5% Instrumentalness • 87% Positiveness
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Russ Conway
Side Saddle
91 bpm • D# Maj • 01:54 • -13db
27% Popularity • 56% Danceability • 53% Energy • 13% Liveness
91% Instrumentalness • 97% Positiveness
27% Popularity • 56% Danceability • 53% Energy • 13% Liveness
91% Instrumentalness • 97% Positiveness
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![A Little Bird Told Me (with The Stardusters) [1948 Single Remastered] cover art](https://i.scdn.co/image/ab67616d00001e02e075d261d3faa028fd34d444)
Evelyn Knight
A Little Bird Told Me [1948 Single Rema...
91 bpm • C Maj • 02:37 • -10.53db
32% Popularity • 82% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
32% Popularity • 82% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Anton Karas
The Harry Lime Theme
91 bpm • F# Maj • 02:14 • -11.59db
20% Popularity • 47% Danceability • 34% Energy • 9% Liveness
94% Instrumentalness • 86% Positiveness
20% Popularity • 47% Danceability • 34% Energy • 9% Liveness
94% Instrumentalness • 86% Positiveness
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Piero Umiliani
Mah Na Mah Na - Original 7' Mix
101 bpm • C Maj • 02:12 • -9.51db
15% Popularity • 82% Danceability • 40% Energy • 19% Liveness
45% Instrumentalness • 93% Positiveness
15% Popularity • 82% Danceability • 40% Energy • 19% Liveness
45% Instrumentalness • 93% Positiveness
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Allan Sherman
Headaches
102 bpm • G# Maj • 02:55 • -12.09db
11% Popularity • 56% Danceability • 52% Energy • 68% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 56% Danceability • 52% Energy • 68% Liveness
0% Instrumentalness • 82% Positiveness
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Petula Clark
Suddenly There's a Valley
102 bpm • G# Maj • 02:38 • -12.67db
26% Popularity • 28% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
26% Popularity • 28% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Ronnie Hilton
No Other Love
90 bpm • B Maj • 03:08 • -10.33db
19% Popularity • 26% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
19% Popularity • 26% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
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The Manhattan Transfer
Java Jive
103 bpm • F# Maj • 02:48 • -19db
35% Popularity • 75% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 75% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Anton Karas
The Third Man Theme (The Harry Lime Them...
90 bpm • F# Maj • 02:13 • -7.4db
31% Popularity • 49% Danceability • 50% Energy • 7% Liveness
88% Instrumentalness • 83% Positiveness
31% Popularity • 49% Danceability • 50% Energy • 7% Liveness
88% Instrumentalness • 83% Positiveness
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Anne Shelton
Seven Days
90 bpm • D Maj • 02:29 • -8db
13% Popularity • 49% Danceability • 28% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 49% Danceability • 28% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
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Fred Buscaglione
Love in Portofino
89 bpm • C Maj • 03:04 • -11.66db
44% Popularity • 56% Danceability • 26% Energy • 8% Liveness
6% Instrumentalness • 57% Positiveness
44% Popularity • 56% Danceability • 26% Energy • 8% Liveness
6% Instrumentalness • 57% Positiveness
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Peter Sellers
All the Things You Are
90 bpm • D# Maj • 02:11 • -9.06db
2% Popularity • 21% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
2% Popularity • 21% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Malcolm Vaughan
If You Were the Only Girl in the World a...
103 bpm • F min • 02:25 • -21.55db
17% Popularity • 32% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 32% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Kim Novak
My Funny Valentine - Single
89 bpm • F min • 02:01 • -19.83db
10% Popularity • 25% Danceability • 5% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
10% Popularity • 25% Danceability • 5% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
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The Warner Bros. Studio Orchestra
Knock On Wood
89 bpm • F Maj • 01:16 • -10db
21% Popularity • 68% Danceability • 61% Energy • 84% Liveness
0% Instrumentalness • 83% Positiveness
21% Popularity • 68% Danceability • 61% Energy • 84% Liveness
0% Instrumentalness • 83% Positiveness
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George Formby
Happy Go Lucky Me
104 bpm • G Maj • 02:17 • -7.94db
20% Popularity • 55% Danceability • 61% Energy • 29% Liveness
2% Instrumentalness • 84% Positiveness
20% Popularity • 55% Danceability • 61% Energy • 29% Liveness
2% Instrumentalness • 84% Positiveness
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Rita Hayworth
Amado Mio (Alternate Take)
88 bpm • G# min • 02:58 • -11.31db
10% Popularity • 31% Danceability • 51% Energy • 18% Liveness
67% Instrumentalness • 62% Positiveness
10% Popularity • 31% Danceability • 51% Energy • 18% Liveness
67% Instrumentalness • 62% Positiveness
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Peter Sellers
We'll Let You Know
89 bpm • F min • 03:37 • -20.14db
0% Popularity • 58% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
0% Popularity • 58% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Isham Jones
I'll See You In My Dreams
88 bpm • G min • 02:38 • -8.36db
16% Popularity • 23% Danceability • 37% Energy • 28% Liveness
0% Instrumentalness • 13% Positiveness
16% Popularity • 23% Danceability • 37% Energy • 28% Liveness
0% Instrumentalness • 13% Positiveness
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Jane Morgan
With Open Arms
104 bpm • F Maj • 02:17 • -12db
25% Popularity • 60% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 60% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Patti Page
Old Cape Cod
104 bpm • C min • 03:07 • -15.85db
35% Popularity • 32% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 32% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
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Ken Dodd
Tears
88 bpm • C Maj • 02:51 • -11db
25% Popularity • 25% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 25% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Peter Skellern
Puttin' On The Ritz
105 bpm • F min • 02:41 • -16.17db
16% Popularity • 71% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
16% Popularity • 71% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Peter Sellers
We Need the Money - 1999 Remaster
88 bpm • E min • 05:47 • -13.59db
0% Popularity • 65% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
0% Popularity • 65% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Teresa Brewer
Sing Sing Sing
105 bpm • A# Maj • 02:35 • -8.73db
13% Popularity • 71% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
13% Popularity • 71% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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George Formby
Bless 'Em All (The Service Song)
105 bpm • D# Maj • 02:59 • -13db
22% Popularity • 90% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
22% Popularity • 90% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Bernard Cribbins
Gossip Calypso
88 bpm • C# Maj • 02:07 • -12db
12% Popularity • 76% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 76% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Warren Barker Orchestra
77 Sunset Strip
105 bpm • C# Maj • 02:11 • -7db
12% Popularity • 63% Danceability • 52% Energy • 17% Liveness
9% Instrumentalness • 67% Positiveness
12% Popularity • 63% Danceability • 52% Energy • 17% Liveness
9% Instrumentalness • 67% Positiveness
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Benny Hill
Ernie (The Fastest Milkman in the West)
105 bpm • G Maj • 03:51 • -10.92db
35% Popularity • 49% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
35% Popularity • 49% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
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Peter Sellers
My Old Dutch - 1999 Remaster
105 bpm • G Maj • 02:52 • -15.21db
0% Popularity • 60% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 60% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Buddy Holly
Raining In My Heart
105 bpm • G Maj • 02:47 • -19.92db
45% Popularity • 67% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
45% Popularity • 67% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Mandy Miller
Nellie the Elephant
105 bpm • C Maj • 02:31 • -9.58db
25% Popularity • 77% Danceability • 33% Energy • 39% Liveness
0% Instrumentalness • 86% Positiveness
25% Popularity • 77% Danceability • 33% Energy • 39% Liveness
0% Instrumentalness • 86% Positiveness
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Bernard Cribbins
The Bird on the Second Floor
87 bpm • C Maj • 01:49 • -14db
12% Popularity • 76% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 76% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
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Dickie Valentine
Venus
106 bpm • C Maj • 02:32 • -10.42db
10% Popularity • 51% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 51% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
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Ronnie Ronalde
In a Monastery Garden
87 bpm • F Maj • 03:11 • -9db
7% Popularity • 22% Danceability • 35% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
7% Popularity • 22% Danceability • 35% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
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Peter Sellers
Party Political Speech
88 bpm • C# min • 03:03 • -11.78db
2% Popularity • 61% Danceability • 76% Energy • 38% Liveness
0% Instrumentalness • 19% Positiveness
2% Popularity • 61% Danceability • 76% Energy • 38% Liveness
0% Instrumentalness • 19% Positiveness
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Toni Fisher
West of the Wall
106 bpm • D Maj • 02:34 • -5.47db
9% Popularity • 64% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
9% Popularity • 64% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Joni James
How Important Can It Be - Remastered
87 bpm • C# Maj • 02:35 • -9db
21% Popularity • 42% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
21% Popularity • 42% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Dean Jones
Part Two
87 bpm • C Maj • 01:09 • -19.02db
0% Popularity • 64% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
0% Popularity • 64% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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The Hilltoppers
Marianne
106 bpm • G Maj • 02:16 • -7.97db
23% Popularity • 71% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
23% Popularity • 71% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
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Spike Milligan
Dance with Me Henry - 1999 Remaster
106 bpm • G Maj • 03:16 • -14.41db
1% Popularity • 56% Danceability • 42% Energy • 73% Liveness
0% Instrumentalness • 65% Positiveness
1% Popularity • 56% Danceability • 42% Energy • 73% Liveness
0% Instrumentalness • 65% Positiveness
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Georgie Fame
The Ballad of Bonnie & Clyde
106 bpm • G Maj • 03:09 • -16.25db
18% Popularity • 66% Danceability • 30% Energy • 44% Liveness
0% Instrumentalness • 74% Positiveness
18% Popularity • 66% Danceability • 30% Energy • 44% Liveness
0% Instrumentalness • 74% Positiveness
