Songs like So Louco by Richard Clayderman
Based on a tempo of (+/- 10%) and a similar genre
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Studio Orchestra
Jeux Interdits (Narciso Yepes Cover)
108 bpm • D Maj • 03:45 • -17.89db
26% Popularity • 57% Danceability • 18% Energy • 8% Liveness
74% Instrumentalness • 18% Positiveness
26% Popularity • 57% Danceability • 18% Energy • 8% Liveness
74% Instrumentalness • 18% Positiveness
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Pierre Charlon
Sound of Music
108 bpm • C# Maj • 03:14 • -15.22db
30% Popularity • 26% Danceability • 23% Energy • 22% Liveness
78% Instrumentalness • 14% Positiveness
30% Popularity • 26% Danceability • 23% Energy • 22% Liveness
78% Instrumentalness • 14% Positiveness
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Christopher West
My Way
108 bpm • C Maj • 03:07 • -18.59db
29% Popularity • 40% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
29% Popularity • 40% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
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Luis Siu Riveron
Y Volvere - Instrumental
108 bpm • A min • 02:55 • -13.21db
39% Popularity • 58% Danceability • 34% Energy • 9% Liveness
93% Instrumentalness • 65% Positiveness
39% Popularity • 58% Danceability • 34% Energy • 9% Liveness
93% Instrumentalness • 65% Positiveness
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Richard Clayderman
The Most Beautiful Girl
108 bpm • G Maj • 02:35 • -12.74db
44% Popularity • 61% Danceability • 48% Energy • 15% Liveness
98% Instrumentalness • 8% Positiveness
44% Popularity • 61% Danceability • 48% Energy • 15% Liveness
98% Instrumentalness • 8% Positiveness
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Waldo De Los RÃos
La traviata
107 bpm • C Maj • 03:39 • -10db
28% Popularity • 24% Danceability • 47% Energy • 12% Liveness
89% Instrumentalness • 7% Positiveness
28% Popularity • 24% Danceability • 47% Energy • 12% Liveness
89% Instrumentalness • 7% Positiveness
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Billy Vaughn
Look For A Star
107 bpm • G# Maj • 02:12 • -11db
46% Popularity • 46% Danceability • 40% Energy • 12% Liveness
1% Instrumentalness • 57% Positiveness
46% Popularity • 46% Danceability • 40% Energy • 12% Liveness
1% Instrumentalness • 57% Positiveness
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Pierre Charlon
Recuerdos De Infancia
108 bpm • G Maj • 02:52 • -12.03db
33% Popularity • 49% Danceability • 41% Energy • 10% Liveness
89% Instrumentalness • 28% Positiveness
33% Popularity • 49% Danceability • 41% Energy • 10% Liveness
89% Instrumentalness • 28% Positiveness
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Richard Mayner
Recuerdos de Infancia
107 bpm • G Maj • 02:52 • -17.05db
40% Popularity • 59% Danceability • 26% Energy • 7% Liveness
26% Instrumentalness • 44% Positiveness
40% Popularity • 59% Danceability • 26% Energy • 7% Liveness
26% Instrumentalness • 44% Positiveness
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MelodÃas Mágicas
Pigalle
109 bpm • C Maj • 02:19 • -13.21db
49% Popularity • 69% Danceability • 41% Energy • 11% Liveness
68% Instrumentalness • 62% Positiveness
49% Popularity • 69% Danceability • 41% Energy • 11% Liveness
68% Instrumentalness • 62% Positiveness
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Carlos Velasco
Puente Sobre el Rio Kwai
109 bpm • C Maj • 03:09 • -9db
47% Popularity • 73% Danceability • 54% Energy • 12% Liveness
90% Instrumentalness • 69% Positiveness
47% Popularity • 73% Danceability • 54% Energy • 12% Liveness
90% Instrumentalness • 69% Positiveness
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Roger Williams
Autumn Leaves
109 bpm • D min • 02:53 • -7.92db
37% Popularity • 29% Danceability • 48% Energy • 13% Liveness
19% Instrumentalness • 24% Positiveness
37% Popularity • 29% Danceability • 48% Energy • 13% Liveness
19% Instrumentalness • 24% Positiveness
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Diego De Cossio
Romance Anónimo
109 bpm • E min • 04:03 • -12.41db
35% Popularity • 35% Danceability • 35% Energy • 9% Liveness
95% Instrumentalness • 11% Positiveness
35% Popularity • 35% Danceability • 35% Energy • 9% Liveness
95% Instrumentalness • 11% Positiveness
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Pierre Charlon
Monalisa
108 bpm • G Maj • 02:47 • -16.2db
37% Popularity • 53% Danceability • 22% Energy • 9% Liveness
62% Instrumentalness • 55% Positiveness
37% Popularity • 53% Danceability • 22% Energy • 9% Liveness
62% Instrumentalness • 55% Positiveness
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The Gino Marinello Orchestra
Love Is Blue (L'amour est bleu)
107 bpm • A Maj • 02:31 • -13.21db
34% Popularity • 60% Danceability • 32% Energy • 16% Liveness
91% Instrumentalness • 50% Positiveness
34% Popularity • 60% Danceability • 32% Energy • 16% Liveness
91% Instrumentalness • 50% Positiveness
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Sergio Ortiz
La Ultima Nieve de Primavera
110 bpm • D min • 03:07 • -20db
46% Popularity • 39% Danceability • 23% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
46% Popularity • 39% Danceability • 23% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
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Henry Dubois
Mandy
107 bpm • A# Maj • 02:27 • -10.9db
44% Popularity • 51% Danceability • 51% Energy • 14% Liveness
88% Instrumentalness • 47% Positiveness
44% Popularity • 51% Danceability • 51% Energy • 14% Liveness
88% Instrumentalness • 47% Positiveness
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Richard Clayderman
Mandy
106 bpm • A# Maj • 02:22 • -14.56db
47% Popularity • 58% Danceability • 35% Energy • 10% Liveness
96% Instrumentalness • 40% Positiveness
47% Popularity • 58% Danceability • 35% Energy • 10% Liveness
96% Instrumentalness • 40% Positiveness
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Jean Claude Borelly
Dont't Cry for Me Argentina
110 bpm • D# Maj • 03:03 • -7.1db
26% Popularity • 40% Danceability • 35% Energy • 9% Liveness
84% Instrumentalness • 15% Positiveness
26% Popularity • 40% Danceability • 35% Energy • 9% Liveness
84% Instrumentalness • 15% Positiveness
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Zantalino and his Orchestra
Historia De Un Amor
106 bpm • A min • 02:46 • -7.83db
34% Popularity • 70% Danceability • 75% Energy • 28% Liveness
72% Instrumentalness • 86% Positiveness
34% Popularity • 70% Danceability • 75% Energy • 28% Liveness
72% Instrumentalness • 86% Positiveness
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Jimmy De León
Invierno Triste
106 bpm • A# Maj • 02:17 • -15.15db
48% Popularity • 79% Danceability • 31% Energy • 9% Liveness
87% Instrumentalness • 65% Positiveness
48% Popularity • 79% Danceability • 31% Energy • 9% Liveness
87% Instrumentalness • 65% Positiveness
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Ronald Valentino
Solamente una Vez
110 bpm • D# Maj • 02:45 • -11db
46% Popularity • 77% Danceability • 53% Energy • 8% Liveness
92% Instrumentalness • 80% Positiveness
46% Popularity • 77% Danceability • 53% Energy • 8% Liveness
92% Instrumentalness • 80% Positiveness
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Alan Alonmoore
Quizas quizas quizas
110 bpm • A min • 02:16 • -12.51db
32% Popularity • 84% Danceability • 33% Energy • 10% Liveness
84% Instrumentalness • 67% Positiveness
32% Popularity • 84% Danceability • 33% Energy • 10% Liveness
84% Instrumentalness • 67% Positiveness
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Stars Magical Orchestra
My All
106 bpm • G min • 04:20 • -16.39db
26% Popularity • 61% Danceability • 33% Energy • 12% Liveness
90% Instrumentalness • 11% Positiveness
26% Popularity • 61% Danceability • 33% Energy • 12% Liveness
90% Instrumentalness • 11% Positiveness
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Alfred Hause
Romantic Dreams
110 bpm • E min • 02:52 • -14.69db
36% Popularity • 41% Danceability • 31% Energy • 39% Liveness
44% Instrumentalness • 50% Positiveness
36% Popularity • 41% Danceability • 31% Energy • 39% Liveness
44% Instrumentalness • 50% Positiveness
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Piano Marico
Parece Que Fue Ayer
106 bpm • G Maj • 03:32 • -12db
48% Popularity • 49% Danceability • 43% Energy • 9% Liveness
34% Instrumentalness • 62% Positiveness
48% Popularity • 49% Danceability • 43% Energy • 9% Liveness
34% Instrumentalness • 62% Positiveness
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Pop Strings Orchestra
Et Maintenant
110 bpm • F min • 03:20 • -8db
33% Popularity • 57% Danceability • 49% Energy • 14% Liveness
66% Instrumentalness • 63% Positiveness
33% Popularity • 57% Danceability • 49% Energy • 14% Liveness
66% Instrumentalness • 63% Positiveness
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Ronald Valentino
Blue Moon
110 bpm • D# Maj • 02:50 • -8.99db
40% Popularity • 74% Danceability • 47% Energy • 10% Liveness
65% Instrumentalness • 42% Positiveness
40% Popularity • 74% Danceability • 47% Energy • 10% Liveness
65% Instrumentalness • 42% Positiveness
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Jorge Espinoza Y Su Violin
Eres Todo Para Mi
106 bpm • G min • 02:37 • -5.05db
44% Popularity • 26% Danceability • 67% Energy • 26% Liveness
42% Instrumentalness • 28% Positiveness
44% Popularity • 26% Danceability • 67% Energy • 26% Liveness
42% Instrumentalness • 28% Positiveness
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Ricci Ferra
La Guitarra Romantica
110 bpm • E min • 02:52 • -12.77db
37% Popularity • 65% Danceability • 38% Energy • 22% Liveness
96% Instrumentalness • 52% Positiveness
37% Popularity • 65% Danceability • 38% Energy • 22% Liveness
96% Instrumentalness • 52% Positiveness
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Helmut Zacharias
Ave Maria No Morro
110 bpm • D Maj • 02:46 • -12db
30% Popularity • 41% Danceability • 30% Energy • 8% Liveness
51% Instrumentalness • 26% Positiveness
30% Popularity • 41% Danceability • 30% Energy • 8% Liveness
51% Instrumentalness • 26% Positiveness
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MelodÃas Mágicas
La Playa
110 bpm • D min • 02:21 • -15.93db
54% Popularity • 63% Danceability • 20% Energy • 27% Liveness
82% Instrumentalness • 34% Positiveness
54% Popularity • 63% Danceability • 20% Energy • 27% Liveness
82% Instrumentalness • 34% Positiveness
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Bert Kaempfert
Unchained Melody
105 bpm • D# Maj • 02:43 • -13.09db
43% Popularity • 48% Danceability • 22% Energy • 21% Liveness
81% Instrumentalness • 30% Positiveness
43% Popularity • 48% Danceability • 22% Energy • 21% Liveness
81% Instrumentalness • 30% Positiveness
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Ray Conniff
Beyond the Sea (La Mer)
111 bpm • D min • 03:33 • -17db
50% Popularity • 49% Danceability • 22% Energy • 34% Liveness
18% Instrumentalness • 39% Positiveness
50% Popularity • 49% Danceability • 22% Energy • 34% Liveness
18% Instrumentalness • 39% Positiveness
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Francis Pourcel Orchestra
El DÃa Anterior a Tu Llegada
105 bpm • C min • 03:09 • -13.88db
31% Popularity • 59% Danceability • 29% Energy • 58% Liveness
0% Instrumentalness • 72% Positiveness
31% Popularity • 59% Danceability • 29% Energy • 58% Liveness
0% Instrumentalness • 72% Positiveness
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Adrian Perticone
Mañana De Carnaval
105 bpm • D min • 03:20 • -15.62db
39% Popularity • 70% Danceability • 28% Energy • 15% Liveness
55% Instrumentalness • 56% Positiveness
39% Popularity • 70% Danceability • 28% Energy • 15% Liveness
55% Instrumentalness • 56% Positiveness
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Zantalino and his Orchestra
Quizas Quizas Quizas
105 bpm • F min • 02:36 • -8db
34% Popularity • 74% Danceability • 64% Energy • 30% Liveness
81% Instrumentalness • 84% Positiveness
34% Popularity • 74% Danceability • 64% Energy • 30% Liveness
81% Instrumentalness • 84% Positiveness
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Billy Vaughn
Tracy's Theme
111 bpm • C Maj • 02:53 • -11db
39% Popularity • 58% Danceability • 30% Energy • 8% Liveness
2% Instrumentalness • 53% Positiveness
39% Popularity • 58% Danceability • 30% Energy • 8% Liveness
2% Instrumentalness • 53% Positiveness
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Piano Marico
Cuando Vuelva a Tu Lado AsÃ
105 bpm • C Maj • 05:00 • -12.12db
39% Popularity • 41% Danceability • 40% Energy • 15% Liveness
82% Instrumentalness • 74% Positiveness
39% Popularity • 41% Danceability • 40% Energy • 15% Liveness
82% Instrumentalness • 74% Positiveness
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Ray Conniff
Chanson D'Amour (Song of Love)
105 bpm • D min • 02:44 • -10.57db
41% Popularity • 53% Danceability • 33% Energy • 30% Liveness
50% Instrumentalness • 39% Positiveness
41% Popularity • 53% Danceability • 33% Energy • 30% Liveness
50% Instrumentalness • 39% Positiveness
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Ronald Valentino
New York New York
112 bpm • F Maj • 02:53 • -7db
48% Popularity • 76% Danceability • 44% Energy • 6% Liveness
95% Instrumentalness • 58% Positiveness
48% Popularity • 76% Danceability • 44% Energy • 6% Liveness
95% Instrumentalness • 58% Positiveness
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Richard Clayderman
Souvenirs d'enfance
112 bpm • G Maj • 02:52 • -12.46db
54% Popularity • 49% Danceability • 31% Energy • 17% Liveness
92% Instrumentalness • 53% Positiveness
54% Popularity • 49% Danceability • 31% Energy • 17% Liveness
92% Instrumentalness • 53% Positiveness
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Luis Siu Riveron
La Gloria Eres Tu - Instrumental
112 bpm • C Maj • 01:59 • -15db
45% Popularity • 64% Danceability • 31% Energy • 10% Liveness
88% Instrumentalness • 77% Positiveness
45% Popularity • 64% Danceability • 31% Energy • 10% Liveness
88% Instrumentalness • 77% Positiveness
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Los Violines Románticos De Cuba
El Mar
112 bpm • D min • 03:03 • -7.92db
34% Popularity • 58% Danceability • 39% Energy • 7% Liveness
89% Instrumentalness • 37% Positiveness
34% Popularity • 58% Danceability • 39% Energy • 7% Liveness
89% Instrumentalness • 37% Positiveness
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Glen Lucas
Blue Bayou
112 bpm • A# Maj • 03:26 • -13db
37% Popularity • 63% Danceability • 33% Energy • 10% Liveness
83% Instrumentalness • 40% Positiveness
37% Popularity • 63% Danceability • 33% Energy • 10% Liveness
83% Instrumentalness • 40% Positiveness
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Sergio Ortiz
Extraños en el ParaÃso
104 bpm • C Maj • 02:34 • -19db
26% Popularity • 42% Danceability • 12% Energy • 24% Liveness
94% Instrumentalness • 17% Positiveness
26% Popularity • 42% Danceability • 12% Energy • 24% Liveness
94% Instrumentalness • 17% Positiveness
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Henry Dubois
Amor Eterno
104 bpm • A# Maj • 04:04 • -12.08db
35% Popularity • 60% Danceability • 24% Energy • 11% Liveness
9% Instrumentalness • 17% Positiveness
35% Popularity • 60% Danceability • 24% Energy • 11% Liveness
9% Instrumentalness • 17% Positiveness
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Richard Clayderman
How Deep Is Your Love
104 bpm • F min • 03:47 • -15.09db
27% Popularity • 65% Danceability • 38% Energy • 12% Liveness
88% Instrumentalness • 34% Positiveness
27% Popularity • 65% Danceability • 38% Energy • 12% Liveness
88% Instrumentalness • 34% Positiveness
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Metal Saxo Band
I Just Called to Say I Love You
113 bpm • A# Maj • 03:09 • -9db
40% Popularity • 74% Danceability • 53% Energy • 16% Liveness
19% Instrumentalness • 39% Positiveness
40% Popularity • 74% Danceability • 53% Energy • 16% Liveness
19% Instrumentalness • 39% Positiveness
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Luis Siu Riveron
Amor, Amor, Amor - Instrumental
112 bpm • C Maj • 03:28 • -15.04db
32% Popularity • 68% Danceability • 37% Energy • 7% Liveness
92% Instrumentalness • 93% Positiveness
32% Popularity • 68% Danceability • 37% Energy • 7% Liveness
92% Instrumentalness • 93% Positiveness
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Glen Lucas
Another Day In Paradise
104 bpm • F min • 05:02 • -13db
35% Popularity • 74% Danceability • 57% Energy • 6% Liveness
93% Instrumentalness • 51% Positiveness
35% Popularity • 74% Danceability • 57% Energy • 6% Liveness
93% Instrumentalness • 51% Positiveness
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Frank Mills
Plaisir D'Amour
103 bpm • G Maj • 03:30 • -29.23db
25% Popularity • 28% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 22% Positiveness
25% Popularity • 28% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 22% Positiveness
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Diego De Cossio
Cuando Calienta el Sol
113 bpm • C Maj • 03:17 • -10db
48% Popularity • 69% Danceability • 56% Energy • 10% Liveness
92% Instrumentalness • 49% Positiveness
48% Popularity • 69% Danceability • 56% Energy • 10% Liveness
92% Instrumentalness • 49% Positiveness
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Jean Paul Ventura Orchestra
Llame Para Decirte Que Te Amo (I Just Ca...
113 bpm • C# Maj • 04:24 • -18db
22% Popularity • 70% Danceability • 24% Energy • 10% Liveness
95% Instrumentalness • 39% Positiveness
22% Popularity • 70% Danceability • 24% Energy • 10% Liveness
95% Instrumentalness • 39% Positiveness
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Manuel Angel
Emmanuelle
113 bpm • B min • 02:41 • -8.95db
35% Popularity • 75% Danceability • 44% Energy • 7% Liveness
71% Instrumentalness • 62% Positiveness
35% Popularity • 75% Danceability • 44% Energy • 7% Liveness
71% Instrumentalness • 62% Positiveness
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Luis Siu Riveron
El Reloj - Instrumental
112 bpm • C Maj • 01:56 • -15db
43% Popularity • 62% Danceability • 38% Energy • 14% Liveness
92% Instrumentalness • 92% Positiveness
43% Popularity • 62% Danceability • 38% Energy • 14% Liveness
92% Instrumentalness • 92% Positiveness
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Caravelli
I Just Called To Say I Love You
113 bpm • C# Maj • 03:49 • -5.75db
35% Popularity • 67% Danceability • 66% Energy • 12% Liveness
86% Instrumentalness • 56% Positiveness
35% Popularity • 67% Danceability • 66% Energy • 12% Liveness
86% Instrumentalness • 56% Positiveness
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Alfred Hause
On Wings Of Song - Auf Den Flügeln Des ...
103 bpm • G Maj • 02:39 • -9.51db
24% Popularity • 22% Danceability • 42% Energy • 10% Liveness
80% Instrumentalness • 14% Positiveness
24% Popularity • 22% Danceability • 42% Energy • 10% Liveness
80% Instrumentalness • 14% Positiveness
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Franco Legrand & His Magic Piano
Sólo Llamé para Decirte Que Te Amo
114 bpm • C# Maj • 04:19 • -10.87db
19% Popularity • 72% Danceability • 41% Energy • 10% Liveness
92% Instrumentalness • 39% Positiveness
19% Popularity • 72% Danceability • 41% Energy • 10% Liveness
92% Instrumentalness • 39% Positiveness
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Mantovani y Su Gran Orquesta
Amapola
114 bpm • A min • 02:52 • -10.11db
39% Popularity • 42% Danceability • 31% Energy • 10% Liveness
8% Instrumentalness • 18% Positiveness
39% Popularity • 42% Danceability • 31% Energy • 10% Liveness
8% Instrumentalness • 18% Positiveness
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Ronnie Aldrich and his 2 pianos
My Cup Runneth Over
102 bpm • G Maj • 02:38 • -13db
41% Popularity • 56% Danceability • 31% Energy • 10% Liveness
73% Instrumentalness • 40% Positiveness
41% Popularity • 56% Danceability • 31% Energy • 10% Liveness
73% Instrumentalness • 40% Positiveness
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Sergio Mella
Hopelessly Devoted To You
102 bpm • D Maj • 03:39 • -9.46db
37% Popularity • 64% Danceability • 46% Energy • 11% Liveness
76% Instrumentalness • 17% Positiveness
37% Popularity • 64% Danceability • 46% Energy • 11% Liveness
76% Instrumentalness • 17% Positiveness
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Billy Vaughn
Look for a Star
102 bpm • G Maj • 02:16 • -14db
42% Popularity • 37% Danceability • 38% Energy • 28% Liveness
90% Instrumentalness • 52% Positiveness
42% Popularity • 37% Danceability • 38% Energy • 28% Liveness
90% Instrumentalness • 52% Positiveness
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Caravelli
Love Is Blue
102 bpm • G Maj • 02:33 • -10.05db
29% Popularity • 25% Danceability • 50% Energy • 11% Liveness
24% Instrumentalness • 48% Positiveness
29% Popularity • 25% Danceability • 50% Energy • 11% Liveness
24% Instrumentalness • 48% Positiveness
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Alfred Hause
A Little Night Music (Serenade No. 13 Fo...
102 bpm • D Maj • 02:48 • -15db
31% Popularity • 64% Danceability • 34% Energy • 44% Liveness
6% Instrumentalness • 81% Positiveness
31% Popularity • 64% Danceability • 34% Energy • 44% Liveness
6% Instrumentalness • 81% Positiveness
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Richard Clayderman
I Just Called To Say I Love You
115 bpm • C# Maj • 03:43 • -16.81db
25% Popularity • 42% Danceability • 18% Energy • 12% Liveness
64% Instrumentalness • 12% Positiveness
25% Popularity • 42% Danceability • 18% Energy • 12% Liveness
64% Instrumentalness • 12% Positiveness
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Glen Lucas
Sacrifice
115 bpm • C# Maj • 04:52 • -16db
35% Popularity • 72% Danceability • 37% Energy • 4% Liveness
71% Instrumentalness • 38% Positiveness
35% Popularity • 72% Danceability • 37% Energy • 4% Liveness
71% Instrumentalness • 38% Positiveness
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Jorge Espinoza Y Su Violin
Al Ritmo De La Lluvia
115 bpm • E Maj • 02:16 • -6.06db
48% Popularity • 75% Danceability • 69% Energy • 8% Liveness
2% Instrumentalness • 74% Positiveness
48% Popularity • 75% Danceability • 69% Energy • 8% Liveness
2% Instrumentalness • 74% Positiveness
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Ronald Valentino
Chica de Ipanema
115 bpm • C Maj • 03:03 • -11.81db
41% Popularity • 80% Danceability • 45% Energy • 8% Liveness
61% Instrumentalness • 71% Positiveness
41% Popularity • 80% Danceability • 45% Energy • 8% Liveness
61% Instrumentalness • 71% Positiveness
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Aldo Livorno Y Su Acordeón Napolitano
Y la Amo
115 bpm • C# min • 02:44 • -8.77db
45% Popularity • 63% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
45% Popularity • 63% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Mayra All-Starz
Fernando
101 bpm • F# Maj • 03:43 • -6.47db
26% Popularity • 69% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
26% Popularity • 69% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Sergio Ortiz
Algo para Recordar
101 bpm • F Maj • 03:05 • -19db
46% Popularity • 30% Danceability • 14% Energy • 9% Liveness
88% Instrumentalness • 17% Positiveness
46% Popularity • 30% Danceability • 14% Energy • 9% Liveness
88% Instrumentalness • 17% Positiveness
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Andre Kostelanetz
The Sounds of Silence
116 bpm • F Maj • 03:14 • -13db
38% Popularity • 38% Danceability • 37% Energy • 16% Liveness
14% Instrumentalness • 50% Positiveness
38% Popularity • 38% Danceability • 37% Energy • 16% Liveness
14% Instrumentalness • 50% Positiveness
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Adriano
Romance de Amor (Remastered)
116 bpm • E min • 02:47 • -7db
31% Popularity • 49% Danceability • 62% Energy • 26% Liveness
84% Instrumentalness • 18% Positiveness
31% Popularity • 49% Danceability • 62% Energy • 26% Liveness
84% Instrumentalness • 18% Positiveness
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Richard Clayderman
Just The Way You Are
116 bpm • D Maj • 03:34 • -15.76db
12% Popularity • 45% Danceability • 27% Energy • 19% Liveness
84% Instrumentalness • 12% Positiveness
12% Popularity • 45% Danceability • 27% Energy • 19% Liveness
84% Instrumentalness • 12% Positiveness
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Frank Mills
The Poet And I
116 bpm • F Maj • 03:40 • -15db
30% Popularity • 47% Danceability • 21% Energy • 12% Liveness
13% Instrumentalness • 38% Positiveness
30% Popularity • 47% Danceability • 21% Energy • 12% Liveness
13% Instrumentalness • 38% Positiveness
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Jean Claude Borelly
Amarcord
116 bpm • B Maj • 02:29 • -8db
35% Popularity • 46% Danceability • 43% Energy • 17% Liveness
55% Instrumentalness • 53% Positiveness
35% Popularity • 46% Danceability • 43% Energy • 17% Liveness
55% Instrumentalness • 53% Positiveness
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Mantovani y Su Gran Orquesta
Moon River
116 bpm • C Maj • 02:40 • -15.93db
39% Popularity • 23% Danceability • 22% Energy • 12% Liveness
95% Instrumentalness • 9% Positiveness
39% Popularity • 23% Danceability • 22% Energy • 12% Liveness
95% Instrumentalness • 9% Positiveness
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Percy Faith & His Orchestra
Elvira Madigan Theme
101 bpm • G Maj • 02:39 • -14.8db
33% Popularity • 34% Danceability • 16% Energy • 21% Liveness
92% Instrumentalness • 14% Positiveness
33% Popularity • 34% Danceability • 16% Energy • 21% Liveness
92% Instrumentalness • 14% Positiveness
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Luis Siu Riveron
Smile - Instrumental
116 bpm • C Maj • 02:31 • -13.26db
40% Popularity • 62% Danceability • 39% Energy • 16% Liveness
87% Instrumentalness • 81% Positiveness
40% Popularity • 62% Danceability • 39% Energy • 16% Liveness
87% Instrumentalness • 81% Positiveness
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Richard Clayderman
All By Myself
116 bpm • G min • 03:11 • -14.64db
16% Popularity • 35% Danceability • 23% Energy • 14% Liveness
34% Instrumentalness • 5% Positiveness
16% Popularity • 35% Danceability • 23% Energy • 14% Liveness
34% Instrumentalness • 5% Positiveness
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The Gino Marinello Orchestra
Song of Silence
116 bpm • D min • 01:48 • -15.22db
44% Popularity • 65% Danceability • 22% Energy • 21% Liveness
76% Instrumentalness • 62% Positiveness
44% Popularity • 65% Danceability • 22% Energy • 21% Liveness
76% Instrumentalness • 62% Positiveness
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Zariz
Los Sonidos del Silencio
100 bpm • F Maj • 02:39 • -14db
47% Popularity • 79% Danceability • 28% Energy • 9% Liveness
78% Instrumentalness • 71% Positiveness
47% Popularity • 79% Danceability • 28% Energy • 9% Liveness
78% Instrumentalness • 71% Positiveness
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Frank Mills
Interlude
100 bpm • C Maj • 01:29 • -13.04db
44% Popularity • 40% Danceability • 33% Energy • 14% Liveness
69% Instrumentalness • 21% Positiveness
44% Popularity • 40% Danceability • 33% Energy • 14% Liveness
69% Instrumentalness • 21% Positiveness
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Alan Alonmoore
Historia De Un Amor
100 bpm • G min • 02:17 • -12db
38% Popularity • 75% Danceability • 37% Energy • 18% Liveness
90% Instrumentalness • 86% Positiveness
38% Popularity • 75% Danceability • 37% Energy • 18% Liveness
90% Instrumentalness • 86% Positiveness
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Luis Siu Riveron
Solamente Una Vez / Sabor a Mi - Instrum...
116 bpm • C Maj • 03:44 • -14.22db
34% Popularity • 64% Danceability • 30% Energy • 16% Liveness
90% Instrumentalness • 77% Positiveness
34% Popularity • 64% Danceability • 30% Energy • 16% Liveness
90% Instrumentalness • 77% Positiveness
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Saxo
Candilejas
117 bpm • A Maj • 03:20 • -13.57db
40% Popularity • 26% Danceability • 47% Energy • 15% Liveness
98% Instrumentalness • 50% Positiveness
40% Popularity • 26% Danceability • 47% Energy • 15% Liveness
98% Instrumentalness • 50% Positiveness
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Richard Clayderman
Sometimes When We Touch
117 bpm • E Maj • 04:00 • -15.65db
33% Popularity • 61% Danceability • 23% Energy • 12% Liveness
62% Instrumentalness • 20% Positiveness
33% Popularity • 61% Danceability • 23% Energy • 12% Liveness
62% Instrumentalness • 20% Positiveness
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The Gino Marinello Orchestra
Theme from ''A Summerplace''
100 bpm • A# Maj • 02:44 • -14.59db
44% Popularity • 58% Danceability • 26% Energy • 10% Liveness
17% Instrumentalness • 50% Positiveness
44% Popularity • 58% Danceability • 26% Energy • 10% Liveness
17% Instrumentalness • 50% Positiveness
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Zantalino and his Orchestra
La Riviera
100 bpm • G# min • 03:28 • -6db
22% Popularity • 45% Danceability • 47% Energy • 75% Liveness
37% Instrumentalness • 21% Positiveness
22% Popularity • 45% Danceability • 47% Energy • 75% Liveness
37% Instrumentalness • 21% Positiveness
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Discovey Light Orchestra
Angelica
100 bpm • C Maj • 03:02 • -13db
52% Popularity • 58% Danceability • 35% Energy • 10% Liveness
92% Instrumentalness • 63% Positiveness
52% Popularity • 58% Danceability • 35% Energy • 10% Liveness
92% Instrumentalness • 63% Positiveness
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Ernesto Cortazar III
Nostalgia
100 bpm • C Maj • 03:52 • -11.62db
32% Popularity • 40% Danceability • 20% Energy • 14% Liveness
91% Instrumentalness • 15% Positiveness
32% Popularity • 40% Danceability • 20% Energy • 14% Liveness
91% Instrumentalness • 15% Positiveness
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MelodÃas Mágicas
Maria Elena
100 bpm • G min • 02:38 • -14db
50% Popularity • 48% Danceability • 24% Energy • 26% Liveness
87% Instrumentalness • 41% Positiveness
50% Popularity • 48% Danceability • 24% Energy • 26% Liveness
87% Instrumentalness • 41% Positiveness
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Caravelli
Moulin Rouge
100 bpm • G Maj • 02:48 • -15.46db
20% Popularity • 22% Danceability • 24% Energy • 35% Liveness
15% Instrumentalness • 18% Positiveness
20% Popularity • 22% Danceability • 24% Energy • 35% Liveness
15% Instrumentalness • 18% Positiveness
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Sergio Ortiz
Vamos a Darnos Tiempo
118 bpm • A min • 03:22 • -10.46db
36% Popularity • 32% Danceability • 43% Energy • 10% Liveness
93% Instrumentalness • 26% Positiveness
36% Popularity • 32% Danceability • 43% Energy • 10% Liveness
93% Instrumentalness • 26% Positiveness
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Saint-Preux
Prélude Pour Piano
118 bpm • F min • 02:57 • -12db
56% Popularity • 23% Danceability • 36% Energy • 9% Liveness
74% Instrumentalness • 24% Positiveness
56% Popularity • 23% Danceability • 36% Energy • 9% Liveness
74% Instrumentalness • 24% Positiveness
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Pop Strings Orchestra
Tema de un Lugar de Verano
99 bpm • D min • 02:34 • -8.98db
30% Popularity • 50% Danceability • 38% Energy • 6% Liveness
21% Instrumentalness • 57% Positiveness
30% Popularity • 50% Danceability • 38% Energy • 6% Liveness
21% Instrumentalness • 57% Positiveness
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Domi de Angeles
Titanic (Guitar)
99 bpm • E Maj • 03:44 • -10.3db
30% Popularity • 58% Danceability • 21% Energy • 11% Liveness
96% Instrumentalness • 11% Positiveness
30% Popularity • 58% Danceability • 21% Energy • 11% Liveness
96% Instrumentalness • 11% Positiveness
