Songs like So Rare - Remastered by Jimmy Dorsey
Based on a tempo of (+/- 10%) and a similar genre
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Members Of The Glenn Miller Orchestra
Moonlight Cocktail
88 bpm • C min • 01:47 • -21.82db
37% Popularity • 45% Danceability • 12% Energy • 25% Liveness
35% Instrumentalness • 58% Positiveness
37% Popularity • 45% Danceability • 12% Energy • 25% Liveness
35% Instrumentalness • 58% Positiveness
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Bix Beiderbecke
I Like That
88 bpm • D# Maj • 03:02 • -15.06db
37% Popularity • 70% Danceability • 26% Energy • 10% Liveness
91% Instrumentalness • 88% Positiveness
37% Popularity • 70% Danceability • 26% Energy • 10% Liveness
91% Instrumentalness • 88% Positiveness
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Frankie Carle
Rumors Are Flying (Alternate Take)
88 bpm • F# Maj • 02:52 • -11.99db
8% Popularity • 30% Danceability • 19% Energy • 25% Liveness
3% Instrumentalness • 19% Positiveness
8% Popularity • 30% Danceability • 19% Energy • 25% Liveness
3% Instrumentalness • 19% Positiveness
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Woody Herman
LAURA
88 bpm • D# Maj • 03:16 • -14.08db
13% Popularity • 32% Danceability • 16% Energy • 32% Liveness
0% Instrumentalness • 10% Positiveness
13% Popularity • 32% Danceability • 16% Energy • 32% Liveness
0% Instrumentalness • 10% Positiveness
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Bea Wain
Deep Purple
88 bpm • A# Maj • 03:41 • -15db
14% Popularity • 28% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 28% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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Martha Tilton
I Like It Better All The Time
88 bpm • A# min • 02:39 • -11.86db
21% Popularity • 30% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
21% Popularity • 30% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Larry Clinton
True Confession
89 bpm • A# min • 02:59 • -20.79db
27% Popularity • 50% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 50% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Carroll Gibbons
The Moon Got in My Eyes
89 bpm • F Maj • 03:10 • -20.26db
20% Popularity • 36% Danceability • 7% Energy • 10% Liveness
32% Instrumentalness • 30% Positiveness
20% Popularity • 36% Danceability • 7% Energy • 10% Liveness
32% Instrumentalness • 30% Positiveness
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Lee Wiley
Looking at You
89 bpm • G# Maj • 03:25 • -18.29db
16% Popularity • 51% Danceability • 5% Energy • 22% Liveness
60% Instrumentalness • 37% Positiveness
16% Popularity • 51% Danceability • 5% Energy • 22% Liveness
60% Instrumentalness • 37% Positiveness
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Rudy Vallee
A Pretty Girl Is Like a Melody
87 bpm • D# Maj • 03:04 • -11.8db
23% Popularity • 57% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 57% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Members Of The Glenn Miller Orchestra
Swingin' At the Ritz
87 bpm • G# Maj • 02:53 • -18.23db
21% Popularity • 58% Danceability • 26% Energy • 8% Liveness
5% Instrumentalness • 59% Positiveness
21% Popularity • 58% Danceability • 26% Energy • 8% Liveness
5% Instrumentalness • 59% Positiveness
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Cootie Williams
Juice Head Baby
87 bpm • C min • 03:09 • -10db
23% Popularity • 52% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
23% Popularity • 52% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
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Woody Herman & His Orchestra
Blues in the Night
89 bpm • C Maj • 03:11 • -11.68db
26% Popularity • 54% Danceability • 17% Energy • 55% Liveness
0% Instrumentalness • 43% Positiveness
26% Popularity • 54% Danceability • 17% Energy • 55% Liveness
0% Instrumentalness • 43% Positiveness
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Charlie Barnet & His Orchestra
Pompton Turnpike
86 bpm • F min • 03:02 • -13.67db
19% Popularity • 43% Danceability • 22% Energy • 9% Liveness
28% Instrumentalness • 27% Positiveness
19% Popularity • 43% Danceability • 22% Energy • 9% Liveness
28% Instrumentalness • 27% Positiveness
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Lee Wiley
Oh Look at Me Now
90 bpm • A# min • 03:12 • -16db
29% Popularity • 50% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 50% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Jimmy Dorsey
Maria Elena
90 bpm • D min • 03:03 • -15.94db
24% Popularity • 29% Danceability • 10% Energy • 25% Liveness
1% Instrumentalness • 15% Positiveness
24% Popularity • 29% Danceability • 10% Energy • 25% Liveness
1% Instrumentalness • 15% Positiveness
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Glen Gray
Save Your Sorrow for Tomorrow
90 bpm • A# Maj • 03:03 • -14.38db
8% Popularity • 75% Danceability • 30% Energy • 13% Liveness
2% Instrumentalness • 71% Positiveness
8% Popularity • 75% Danceability • 30% Energy • 13% Liveness
2% Instrumentalness • 71% Positiveness
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Benny Carter
Nightfall
90 bpm • C Maj • 03:09 • -15db
15% Popularity • 46% Danceability • 19% Energy • 11% Liveness
55% Instrumentalness • 34% Positiveness
15% Popularity • 46% Danceability • 19% Energy • 11% Liveness
55% Instrumentalness • 34% Positiveness
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The Merry Macs
The Way You Look Tonight
90 bpm • G# Maj • 02:58 • -18db
28% Popularity • 23% Danceability • 11% Energy • 13% Liveness
66% Instrumentalness • 13% Positiveness
28% Popularity • 23% Danceability • 11% Energy • 13% Liveness
66% Instrumentalness • 13% Positiveness
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Glenn Miller & The Army Air Force Band
Tail End Charlie - Remastered 2001
91 bpm • G# Maj • 03:24 • -10.87db
8% Popularity • 67% Danceability • 49% Energy • 20% Liveness
23% Instrumentalness • 76% Positiveness
8% Popularity • 67% Danceability • 49% Energy • 20% Liveness
23% Instrumentalness • 76% Positiveness
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Lee Wiley
A Ship Without a Sail
86 bpm • B Maj • 03:27 • -22.94db
23% Popularity • 37% Danceability • 3% Energy • 13% Liveness
2% Instrumentalness • 22% Positiveness
23% Popularity • 37% Danceability • 3% Energy • 13% Liveness
2% Instrumentalness • 22% Positiveness
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Earl Hines
Up jumped the devil
91 bpm • C# Maj • 02:48 • -12.4db
26% Popularity • 62% Danceability • 52% Energy • 37% Liveness
92% Instrumentalness • 81% Positiveness
26% Popularity • 62% Danceability • 52% Energy • 37% Liveness
92% Instrumentalness • 81% Positiveness
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Cab Calloway & His Orchestra
The Jumpin' Jive
91 bpm • G# Maj • 02:47 • -12.21db
14% Popularity • 70% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 70% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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![A Little Bird Told Me (with The Stardusters) [1948 Single Remastered] cover art](https://i.scdn.co/image/ab67616d00001e02e075d261d3faa028fd34d444)
Evelyn Knight
A Little Bird Told Me [1948 Single Rema...
91 bpm • C Maj • 02:37 • -10.53db
33% Popularity • 82% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
33% Popularity • 82% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Helen O'Connell
Star Eyes
91 bpm • C# Maj • 02:59 • -17.07db
17% Popularity • 46% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 46% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Glenn Miller & The Army Air Force Band
Along The Santa Fe Trail - Remastered 20...
85 bpm • A# Maj • 03:18 • -13.76db
15% Popularity • 36% Danceability • 12% Energy • 15% Liveness
2% Instrumentalness • 21% Positiveness
15% Popularity • 36% Danceability • 12% Energy • 15% Liveness
2% Instrumentalness • 21% Positiveness
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Members Of The Glenn Miller Orchestra
Sunrise Serenade
91 bpm • F min • 02:03 • -13.3db
37% Popularity • 48% Danceability • 23% Energy • 7% Liveness
19% Instrumentalness • 46% Positiveness
37% Popularity • 48% Danceability • 23% Energy • 7% Liveness
19% Instrumentalness • 46% Positiveness
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Kay Kyser & His Orchestra
(There'll Be Bluebirds Over) The White C...
85 bpm • C Maj • 02:35 • -17db
17% Popularity • 25% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 25% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
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Ethel Waters
Stormy Weather
85 bpm • C Maj • 03:12 • -14db
31% Popularity • 36% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 36% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Sid Phillips
Rock Cake
92 bpm • A# Maj • 02:42 • -11.05db
31% Popularity • 59% Danceability • 47% Energy • 9% Liveness
81% Instrumentalness • 93% Positiveness
31% Popularity • 59% Danceability • 47% Energy • 9% Liveness
81% Instrumentalness • 93% Positiveness
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Bob Crosby
Sing to Me
92 bpm • A# Maj • 02:24 • -14db
22% Popularity • 40% Danceability • 14% Energy • 15% Liveness
24% Instrumentalness • 24% Positiveness
22% Popularity • 40% Danceability • 14% Energy • 15% Liveness
24% Instrumentalness • 24% Positiveness
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Cab Calloway & His Orchestra
I'll Be Around
92 bpm • C min • 03:05 • -15.23db
5% Popularity • 35% Danceability • 13% Energy • 19% Liveness
2% Instrumentalness • 31% Positiveness
5% Popularity • 35% Danceability • 13% Energy • 19% Liveness
2% Instrumentalness • 31% Positiveness
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Hoagy Carmichael
Ole Buttermilk Sky
84 bpm • D Maj • 02:12 • -12.69db
23% Popularity • 71% Danceability • 20% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness
23% Popularity • 71% Danceability • 20% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness
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Paul Whiteman & His Orchestra
You Were Never Lovelier
92 bpm • D# Maj • 03:17 • -17db
15% Popularity • 27% Danceability • 11% Energy • 28% Liveness
3% Instrumentalness • 22% Positiveness
15% Popularity • 27% Danceability • 11% Energy • 28% Liveness
3% Instrumentalness • 22% Positiveness
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Lew Stone & His Band
Anything Goes
92 bpm • G# Maj • 02:47 • -13db
23% Popularity • 83% Danceability • 26% Energy • 6% Liveness
57% Instrumentalness • 93% Positiveness
23% Popularity • 83% Danceability • 26% Energy • 6% Liveness
57% Instrumentalness • 93% Positiveness
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Erskine Hawkins
Hawk's Boogie
92 bpm • G Maj • 02:58 • -5.07db
22% Popularity • 61% Danceability • 56% Energy • 30% Liveness
84% Instrumentalness • 80% Positiveness
22% Popularity • 61% Danceability • 56% Energy • 30% Liveness
84% Instrumentalness • 80% Positiveness
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Noel Coward
Party's over Now, The (Words and Music)
92 bpm • C Maj • 03:37 • -19db
31% Popularity • 33% Danceability • 13% Energy • 35% Liveness
48% Instrumentalness • 34% Positiveness
31% Popularity • 33% Danceability • 13% Energy • 35% Liveness
48% Instrumentalness • 34% Positiveness
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Freddy Martin & His Orchestra
To Each His Own
92 bpm • A min • 03:11 • -8.17db
9% Popularity • 22% Danceability • 29% Energy • 37% Liveness
4% Instrumentalness • 27% Positiveness
9% Popularity • 22% Danceability • 29% Energy • 37% Liveness
4% Instrumentalness • 27% Positiveness
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Sammy Kaye
The Old Lamp-Lighter
92 bpm • D Maj • 03:00 • -17.87db
9% Popularity • 37% Danceability • 15% Energy • 12% Liveness
32% Instrumentalness • 33% Positiveness
9% Popularity • 37% Danceability • 15% Energy • 12% Liveness
32% Instrumentalness • 33% Positiveness
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The Merry Macs
La Paloma
84 bpm • D Maj • 02:21 • -16db
31% Popularity • 69% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 76% Positiveness
31% Popularity • 69% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 76% Positiveness
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John Vincent's Californians
Loving You the Way I Do
84 bpm • D min • 02:49 • -11.73db
24% Popularity • 69% Danceability • 31% Energy • 7% Liveness
86% Instrumentalness • 96% Positiveness
24% Popularity • 69% Danceability • 31% Energy • 7% Liveness
86% Instrumentalness • 96% Positiveness
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Jimmy Dorsey
So Rare
84 bpm • F# Maj • 02:41 • -11db
18% Popularity • 55% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 55% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Ruth Brown
I'll Get Along Somehow
84 bpm • C Maj • 02:35 • -15.42db
20% Popularity • 31% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 31% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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King Oliver
Mahogany Hall Stomp
93 bpm • C Maj • 02:39 • -10.36db
26% Popularity • 63% Danceability • 37% Energy • 6% Liveness
92% Instrumentalness • 85% Positiveness
26% Popularity • 63% Danceability • 37% Energy • 6% Liveness
92% Instrumentalness • 85% Positiveness
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Paul Whiteman
The Birth Of The Blues
93 bpm • F Maj • 03:18 • -16db
28% Popularity • 65% Danceability • 18% Energy • 31% Liveness
25% Instrumentalness • 78% Positiveness
28% Popularity • 65% Danceability • 18% Energy • 31% Liveness
25% Instrumentalness • 78% Positiveness
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Jack Hylton
One, Two, Button Your Shoe
93 bpm • C min • 02:34 • -17.06db
17% Popularity • 86% Danceability • 22% Energy • 8% Liveness
7% Instrumentalness • 84% Positiveness
17% Popularity • 86% Danceability • 22% Energy • 8% Liveness
7% Instrumentalness • 84% Positiveness
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Glenn Miller & The Army Air Force Band
Along The Sante Fe Trail * - Remastered ...
93 bpm • D# Maj • 03:24 • -16.15db
9% Popularity • 27% Danceability • 11% Energy • 42% Liveness
4% Instrumentalness • 18% Positiveness
9% Popularity • 27% Danceability • 11% Energy • 42% Liveness
4% Instrumentalness • 18% Positiveness
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Harry
Take the A Train
93 bpm • C# Maj • 03:03 • -17.73db
31% Popularity • 56% Danceability • 30% Energy • 32% Liveness
1% Instrumentalness • 72% Positiveness
31% Popularity • 56% Danceability • 30% Energy • 32% Liveness
1% Instrumentalness • 72% Positiveness
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Ben Selvin & His Orchestra
Between the Devil and the Deep Blue Sea
93 bpm • G min • 03:29 • -10.06db
14% Popularity • 75% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 75% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
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Members Of The Glenn Miller Orchestra
Pennsylvania 6-5000
83 bpm • G# Maj • 02:55 • -12.21db
29% Popularity • 46% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
29% Popularity • 46% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
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Rudy Vallee and His Connecticut Yankees
Me Minus You
83 bpm • F Maj • 03:04 • -16.76db
25% Popularity • 60% Danceability • 14% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
25% Popularity • 60% Danceability • 14% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Ella Mae Morse
Milkman Keep Those Bottles Quiet
83 bpm • C# Maj • 02:40 • -3.02db
13% Popularity • 71% Danceability • 62% Energy • 37% Liveness
0% Instrumentalness • 85% Positiveness
13% Popularity • 71% Danceability • 62% Energy • 37% Liveness
0% Instrumentalness • 85% Positiveness
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The Merry Macs
Laughing on the Outside
83 bpm • A# Maj • 02:45 • -15db
16% Popularity • 44% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 44% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Helen O'Connell
Be Anything (But Be Mine)
82 bpm • B min • 02:49 • -12db
24% Popularity • 39% Danceability • 14% Energy • 35% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 39% Danceability • 14% Energy • 35% Liveness
0% Instrumentalness • 26% Positiveness
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Frankie Carle
A Little On The Lonely Side
94 bpm • G min • 03:04 • -13.81db
11% Popularity • 50% Danceability • 12% Energy • 21% Liveness
1% Instrumentalness • 52% Positiveness
11% Popularity • 50% Danceability • 12% Energy • 21% Liveness
1% Instrumentalness • 52% Positiveness
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Members Of The Glenn Miller Orchestra
I Know Why
82 bpm • F# min • 02:47 • -16db
19% Popularity • 38% Danceability • 23% Energy • 10% Liveness
37% Instrumentalness • 27% Positiveness
19% Popularity • 38% Danceability • 23% Energy • 10% Liveness
37% Instrumentalness • 27% Positiveness
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Paul Whiteman
The Darktown Strutters' Ball
94 bpm • B Maj • 02:58 • -4.9db
28% Popularity • 78% Danceability • 59% Energy • 6% Liveness
78% Instrumentalness • 91% Positiveness
28% Popularity • 78% Danceability • 59% Energy • 6% Liveness
78% Instrumentalness • 91% Positiveness
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Major Glenn Miller's AAF Overseas Orchestra conducted by Sgt. Jerry Gray - vocal: Sgt. Johnny Desmond
Homesick - That's All
82 bpm • D# Maj • 02:00 • -13db
10% Popularity • 35% Danceability • 17% Energy • 11% Liveness
46% Instrumentalness • 24% Positiveness
10% Popularity • 35% Danceability • 17% Energy • 11% Liveness
46% Instrumentalness • 24% Positiveness
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Glenn Miller & His Orchestra; Vocal by Smith Ballew
A Blues Serenade - 78rpm Version
82 bpm • G# Maj • 02:49 • -20db
26% Popularity • 45% Danceability • 11% Energy • 36% Liveness
36% Instrumentalness • 56% Positiveness
26% Popularity • 45% Danceability • 11% Energy • 36% Liveness
36% Instrumentalness • 56% Positiveness
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Tex Beneke
Give Me Five Minutes More
82 bpm • F Maj • 02:35 • -4db
27% Popularity • 49% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
27% Popularity • 49% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Louis Jordan
Ration Blues
94 bpm • F min • 03:09 • -10.1db
19% Popularity • 79% Danceability • 26% Energy • 37% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 79% Danceability • 26% Energy • 37% Liveness
0% Instrumentalness • 37% Positiveness
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Nat Gonella And His Georgians
Hesitation Blues
95 bpm • G min • 03:15 • -13.63db
29% Popularity • 81% Danceability • 32% Energy • 6% Liveness
4% Instrumentalness • 73% Positiveness
29% Popularity • 81% Danceability • 32% Energy • 6% Liveness
4% Instrumentalness • 73% Positiveness
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Sonny Dunham & His Orchestra
Goodnight Wherever You Are
95 bpm • D# Maj • 02:23 • -15db
16% Popularity • 34% Danceability • 15% Energy • 15% Liveness
44% Instrumentalness • 15% Positiveness
16% Popularity • 34% Danceability • 15% Energy • 15% Liveness
44% Instrumentalness • 15% Positiveness
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Les Brown
Twilight Time
82 bpm • G Maj • 03:27 • -12db
11% Popularity • 36% Danceability • 22% Energy • 81% Liveness
54% Instrumentalness • 36% Positiveness
11% Popularity • 36% Danceability • 22% Energy • 81% Liveness
54% Instrumentalness • 36% Positiveness
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Martha Tilton
Moon Dreams
95 bpm • A min • 02:54 • -12.45db
31% Popularity • 50% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
31% Popularity • 50% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Jimmy Dorsey
Green Eyes
81 bpm • G# Maj • 03:25 • -21.84db
19% Popularity • 54% Danceability • 3% Energy • 11% Liveness
82% Instrumentalness • 48% Positiveness
19% Popularity • 54% Danceability • 3% Energy • 11% Liveness
82% Instrumentalness • 48% Positiveness
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Charlie Spivak & His Orchestra
At Last
81 bpm • A Maj • 02:48 • -13db
17% Popularity • 39% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 39% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 26% Positiveness
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Glen Gray
If I Had My Way
81 bpm • D# Maj • 02:37 • -17.61db
11% Popularity • 36% Danceability • 6% Energy • 30% Liveness
33% Instrumentalness • 16% Positiveness
11% Popularity • 36% Danceability • 6% Energy • 30% Liveness
33% Instrumentalness • 16% Positiveness
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Bea Wain
Put Your Arms Arround Me
96 bpm • A# Maj • 01:47 • -7.38db
19% Popularity • 68% Danceability • 48% Energy • 13% Liveness
1% Instrumentalness • 86% Positiveness
19% Popularity • 68% Danceability • 48% Energy • 13% Liveness
1% Instrumentalness • 86% Positiveness
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The Merry Macs
You Made Me Love You
81 bpm • G Maj • 03:04 • -15db
29% Popularity • 74% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
29% Popularity • 74% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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The Ames Brothers
Music, Music, Music
96 bpm • C# Maj • 02:38 • -10.24db
17% Popularity • 67% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
17% Popularity • 67% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Jimmy Dorsey
Six Lessons from Madame la Zonga
81 bpm • G min • 03:02 • -11.72db
2% Popularity • 70% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
2% Popularity • 70% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Les Brown & His Orchestra
Leap Frog - Remastered
96 bpm • G# Maj • 02:35 • -11.01db
23% Popularity • 50% Danceability • 50% Energy • 8% Liveness
24% Instrumentalness • 69% Positiveness
23% Popularity • 50% Danceability • 50% Energy • 8% Liveness
24% Instrumentalness • 69% Positiveness
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Paul Whiteman & His Orchestra
Serenade In Blue
81 bpm • E min • 03:22 • -12db
14% Popularity • 28% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 28% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Doris Day
Sentimental Journey
80 bpm • F Maj • 03:12 • -16db
42% Popularity • 48% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 20% Positiveness
42% Popularity • 48% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 20% Positiveness
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Helen O'Connell
Tangerine
80 bpm • A min • 02:29 • -15db
15% Popularity • 47% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 47% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Freddy Martin
Piano Concerto in B Flat Minor
80 bpm • F min • 03:18 • -10db
8% Popularity • 39% Danceability • 29% Energy • 8% Liveness
90% Instrumentalness • 36% Positiveness
8% Popularity • 39% Danceability • 29% Energy • 8% Liveness
90% Instrumentalness • 36% Positiveness
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Jimmy Dorsey
My Sister and I
97 bpm • G# Maj • 03:06 • -7.39db
9% Popularity • 50% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 50% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Glen Gray & The Casa Loma Orchestra
Meet Me Tonight In Dreamland
97 bpm • G min • 02:47 • -11.93db
10% Popularity • 71% Danceability • 35% Energy • 12% Liveness
35% Instrumentalness • 72% Positiveness
10% Popularity • 71% Danceability • 35% Energy • 12% Liveness
35% Instrumentalness • 72% Positiveness
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Paul Whiteman & His Orchestra
Whispering
96 bpm • D Maj • 03:21 • -8db
15% Popularity • 69% Danceability • 41% Energy • 11% Liveness
91% Instrumentalness • 52% Positiveness
15% Popularity • 69% Danceability • 41% Energy • 11% Liveness
91% Instrumentalness • 52% Positiveness
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Martha Tilton
I'll Walk Alone
80 bpm • E min • 03:16 • -11.73db
18% Popularity • 37% Danceability • 13% Energy • 29% Liveness
0% Instrumentalness • 22% Positiveness
18% Popularity • 37% Danceability • 13% Energy • 29% Liveness
0% Instrumentalness • 22% Positiveness
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Frankie Carle
Cruising Down the River
97 bpm • D# Maj • 02:51 • -8.51db
10% Popularity • 62% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 62% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
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Rudy Vallee and His Connecticut Yankees
Dancing in the Moonlight
80 bpm • G# Maj • 02:52 • -16db
37% Popularity • 50% Danceability • 26% Energy • 11% Liveness
8% Instrumentalness • 65% Positiveness
37% Popularity • 50% Danceability • 26% Energy • 11% Liveness
8% Instrumentalness • 65% Positiveness
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Jimmy Dorsey
Stop, Look And Listen
80 bpm • D# Maj • 03:04 • -10db
2% Popularity • 54% Danceability • 37% Energy • 37% Liveness
78% Instrumentalness • 89% Positiveness
2% Popularity • 54% Danceability • 37% Energy • 37% Liveness
78% Instrumentalness • 89% Positiveness
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M. Curtis
My Dreams Are Getting Better
80 bpm • D# Maj • 03:16 • -15db
13% Popularity • 62% Danceability • 15% Energy • 49% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 62% Danceability • 15% Energy • 49% Liveness
0% Instrumentalness • 50% Positiveness
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Larry Clinton
Let'er Go
97 bpm • C Maj • 02:18 • -8.33db
18% Popularity • 83% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 83% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
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Dinah Washington
A Slick Chick On The Mellow Side
80 bpm • A# Maj • 02:44 • -8.37db
30% Popularity • 64% Danceability • 32% Energy • 25% Liveness
22% Instrumentalness • 69% Positiveness
30% Popularity • 64% Danceability • 32% Energy • 25% Liveness
22% Instrumentalness • 69% Positiveness
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Frankie Carle
Rumors Are Flying
80 bpm • B Maj • 03:03 • -11db
16% Popularity • 29% Danceability • 29% Energy • 58% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 29% Danceability • 29% Energy • 58% Liveness
0% Instrumentalness • 32% Positiveness
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Gene Krupa & His Orchestra
My Ideal
79 bpm • F min • 02:36 • -17db
13% Popularity • 33% Danceability • 12% Energy • 20% Liveness
47% Instrumentalness • 36% Positiveness
13% Popularity • 33% Danceability • 12% Energy • 20% Liveness
47% Instrumentalness • 36% Positiveness
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Jimmy Dorsey
LET'S FALL IN LOVE
80 bpm • D# Maj • 02:59 • -12.06db
2% Popularity • 52% Danceability • 42% Energy • 74% Liveness
0% Instrumentalness • 76% Positiveness
2% Popularity • 52% Danceability • 42% Energy • 74% Liveness
0% Instrumentalness • 76% Positiveness
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Doris Day
My Dreams Are Getting Better All the Tim...
79 bpm • G# Maj • 03:19 • -13.22db
30% Popularity • 63% Danceability • 18% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 63% Danceability • 18% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
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Members Of The Glenn Miller Orchestra
Song of the Volga Boatman
79 bpm • A# min • 02:40 • -18.13db
35% Popularity • 48% Danceability • 41% Energy • 8% Liveness
8% Instrumentalness • 60% Positiveness
35% Popularity • 48% Danceability • 41% Energy • 8% Liveness
8% Instrumentalness • 60% Positiveness
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Glenn Miller & The Army Air Force Band
Juke Box Saturday Night - Remastered 200...
79 bpm • C min • 03:03 • -9db
40% Popularity • 59% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
40% Popularity • 59% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Charlie Spivak & His Orchestra
Serenade in Blue
78 bpm • G Maj • 02:11 • -9db
19% Popularity • 45% Danceability • 28% Energy • 53% Liveness
90% Instrumentalness • 27% Positiveness
19% Popularity • 45% Danceability • 28% Energy • 53% Liveness
90% Instrumentalness • 27% Positiveness
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Ben Selvin & His Orchestra
Let Me Sing and I'm Happy
99 bpm • D min • 03:04 • -14.82db
15% Popularity • 81% Danceability • 24% Energy • 10% Liveness
60% Instrumentalness • 87% Positiveness
15% Popularity • 81% Danceability • 24% Energy • 10% Liveness
60% Instrumentalness • 87% Positiveness
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Jimmy Dorsey
Tangarine
79 bpm • C Maj • 03:13 • -11.62db
5% Popularity • 49% Danceability • 30% Energy • 7% Liveness
9% Instrumentalness • 52% Positiveness
5% Popularity • 49% Danceability • 30% Energy • 7% Liveness
9% Instrumentalness • 52% Positiveness
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Lionel Hampton
When Lights Are Low
99 bpm • C# Maj • 02:14 • -9.3db
27% Popularity • 87% Danceability • 46% Energy • 9% Liveness
1% Instrumentalness • 95% Positiveness
27% Popularity • 87% Danceability • 46% Energy • 9% Liveness
1% Instrumentalness • 95% Positiveness
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Ella Fitzgerald and Her Savoy Eight
It's Wonderful
99 bpm • A# Maj • 02:55 • -11.44db
39% Popularity • 65% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
39% Popularity • 65% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
