Songs like So This Is Hell by Monk
Based on a tempo of (+/- 10%) and a similar genre
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Monk
So This Is Hell
145 bpm • B Maj • 06:13 • -4.52db
0% Popularity • 17% Danceability • 83% Energy • 11% Liveness
5% Instrumentalness • 60% Positiveness
0% Popularity • 17% Danceability • 83% Energy • 11% Liveness
5% Instrumentalness • 60% Positiveness
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Damon Aaron
Today
144 bpm • G# Maj • 03:44 • -8.51db
14% Popularity • 84% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
14% Popularity • 84% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Axle Whitehead
One Gun
145 bpm • D# Maj • 03:46 • -12.61db
9% Popularity • 78% Danceability • 28% Energy • 10% Liveness
13% Instrumentalness • 25% Positiveness
9% Popularity • 78% Danceability • 28% Energy • 10% Liveness
13% Instrumentalness • 25% Positiveness
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Adrian Sutherland
Magic Hits
146 bpm • A Maj • 04:10 • -5.26db
13% Popularity • 56% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
13% Popularity • 56% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
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Heart of the City
Don't Go
146 bpm • F Maj • 03:48 • -6.2db
16% Popularity • 57% Danceability • 63% Energy • 49% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 57% Danceability • 63% Energy • 49% Liveness
0% Instrumentalness • 52% Positiveness
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Forest Sun
This Little Light of Mine
146 bpm • A# Maj • 03:45 • -8.61db
9% Popularity • 67% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 67% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
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Sunny and The Black Pack
Wow No Cow
146 bpm • C# Maj • 01:48 • -8.89db
9% Popularity • 74% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
9% Popularity • 74% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Tom Freund
Let My Love Open the Door
143 bpm • C Maj • 03:52 • -8.6db
36% Popularity • 70% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
36% Popularity • 70% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Joe Robinson
Layla (Unplugged)
147 bpm • D min • 04:35 • -8.66db
14% Popularity • 55% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 55% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Rockers On Broadway
No Rain - Live
148 bpm • A Maj • 03:38 • -9.19db
31% Popularity • 39% Danceability • 62% Energy • 95% Liveness
0% Instrumentalness • 50% Positiveness
31% Popularity • 39% Danceability • 62% Energy • 95% Liveness
0% Instrumentalness • 50% Positiveness
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Heigh Chief.
November
148 bpm • G Maj • 03:21 • -9.7db
19% Popularity • 62% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 62% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Pat Ryan Key
Pick Her Up
142 bpm • G min • 03:40 • -15db
9% Popularity • 51% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
9% Popularity • 51% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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LadyCouch
Foolish and Blue
148 bpm • G Maj • 04:44 • -8.47db
16% Popularity • 52% Danceability • 47% Energy • 38% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 52% Danceability • 47% Energy • 38% Liveness
0% Instrumentalness • 46% Positiveness
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Forest Sun
Keep on Rollin’
142 bpm • G Maj • 03:04 • -9.51db
43% Popularity • 84% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
43% Popularity • 84% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Rodello's Machine
Lila
142 bpm • F# Maj • 03:08 • -11.22db
12% Popularity • 72% Danceability • 46% Energy • 10% Liveness
4% Instrumentalness • 66% Positiveness
12% Popularity • 72% Danceability • 46% Energy • 10% Liveness
4% Instrumentalness • 66% Positiveness
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Daniel Wesley
January Rain
148 bpm • B min • 03:25 • -11.92db
11% Popularity • 73% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
11% Popularity • 73% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
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Tim Lang
River to the Sea
142 bpm • G Maj • 03:25 • -12.2db
20% Popularity • 67% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 67% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
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Mike Stocksdale
The Rest of Our Lives
142 bpm • D Maj • 03:49 • -6.63db
14% Popularity • 47% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 47% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Claudio Citarella
Baby I Love You
149 bpm • G Maj • 02:28 • -6.08db
8% Popularity • 36% Danceability • 70% Energy • 11% Liveness
39% Instrumentalness • 38% Positiveness
8% Popularity • 36% Danceability • 70% Energy • 11% Liveness
39% Instrumentalness • 38% Positiveness
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Miles Sarma
Sugarcane
141 bpm • B min • 05:48 • -10.1db
11% Popularity • 66% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
11% Popularity • 66% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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The Whiskey Treaty Roadshow
Pass the Peace
150 bpm • A Maj • 03:54 • -5.05db
8% Popularity • 49% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 49% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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The Bins
Tess' Fault
150 bpm • C Maj • 03:50 • -9.65db
12% Popularity • 59% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 59% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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Jon Danforth
Good Morning, Rose
150 bpm • C Maj • 03:07 • -7.05db
8% Popularity • 47% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 47% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
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Local Motion
Lazy Susan
140 bpm • D Maj • 03:04 • -8.2db
12% Popularity • 60% Danceability • 52% Energy • 7% Liveness
1% Instrumentalness • 38% Positiveness
12% Popularity • 60% Danceability • 52% Energy • 7% Liveness
1% Instrumentalness • 38% Positiveness
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Nino Pinelli
Four to 14
150 bpm • C# Maj • 04:20 • -7.75db
9% Popularity • 58% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 58% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 58% Positiveness
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Miles Sarma
The Lost World
140 bpm • G Maj • 04:48 • -13.26db
11% Popularity • 54% Danceability • 57% Energy • 18% Liveness
13% Instrumentalness • 69% Positiveness
11% Popularity • 54% Danceability • 57% Energy • 18% Liveness
13% Instrumentalness • 69% Positiveness
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Nick Cunningham
Fly To You
140 bpm • D Maj • 03:41 • -13.65db
25% Popularity • 63% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
25% Popularity • 63% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Monk
Letting Go
150 bpm • C Maj • 05:49 • -11.98db
0% Popularity • 64% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
0% Popularity • 64% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Free Range Marmot
Throne
140 bpm • G min • 03:41 • -8.44db
9% Popularity • 56% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 47% Positiveness
9% Popularity • 56% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 47% Positiveness
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The Currys
Gulf Coast Home
151 bpm • F Maj • 03:12 • -6.6db
9% Popularity • 60% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
9% Popularity • 60% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Rudy Slizewski
Ridin’ on a High
151 bpm • G Maj • 03:43 • -6.58db
14% Popularity • 56% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
14% Popularity • 56% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Miles Sarma
The Falling
140 bpm • G Maj • 04:39 • -6.91db
12% Popularity • 49% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 49% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Bob Schneider
Big Blue Sea (Redux)
152 bpm • G Maj • 05:04 • -18.4db
8% Popularity • 70% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 70% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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J.Kelley
Ransom
151 bpm • G Maj • 04:22 • -3.54db
22% Popularity • 43% Danceability • 80% Energy • 39% Liveness
0% Instrumentalness • 68% Positiveness
22% Popularity • 43% Danceability • 80% Energy • 39% Liveness
0% Instrumentalness • 68% Positiveness
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Gary DeMichele
Go Together
152 bpm • F Maj • 03:29 • -11.47db
10% Popularity • 59% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 59% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Mitch Bradford
Love Is Kind
152 bpm • C Maj • 03:18 • -11db
9% Popularity • 57% Danceability • 44% Energy • 14% Liveness
1% Instrumentalness • 54% Positiveness
9% Popularity • 57% Danceability • 44% Energy • 14% Liveness
1% Instrumentalness • 54% Positiveness
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Willy Caid
GOT ME HOME
152 bpm • G# Maj • 02:50 • -8.77db
9% Popularity • 52% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 52% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
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JC and the Tree
Coin Flip
152 bpm • C min • 03:55 • -9.65db
7% Popularity • 57% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
7% Popularity • 57% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Ben Camden
Walking To The Moon
138 bpm • B Maj • 02:30 • -11db
19% Popularity • 77% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 77% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Bo the Drifter
Helluva Time - Instrumental Version
138 bpm • C Maj • 03:18 • -11.46db
11% Popularity • 67% Danceability • 76% Energy • 22% Liveness
88% Instrumentalness • 83% Positiveness
11% Popularity • 67% Danceability • 76% Energy • 22% Liveness
88% Instrumentalness • 83% Positiveness
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The California Honeydrops
Fire and Rain
138 bpm • C# Maj • 03:48 • -15.11db
25% Popularity • 52% Danceability • 25% Energy • 12% Liveness
1% Instrumentalness • 43% Positiveness
25% Popularity • 52% Danceability • 25% Energy • 12% Liveness
1% Instrumentalness • 43% Positiveness
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Whiskey Jack
Golden State
138 bpm • C Maj • 02:56 • -9.02db
10% Popularity • 58% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
10% Popularity • 58% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Dempsey Eipstein
The Highway Home
138 bpm • A# Maj • 04:01 • -14.46db
29% Popularity • 40% Danceability • 23% Energy • 30% Liveness
1% Instrumentalness • 36% Positiveness
29% Popularity • 40% Danceability • 23% Energy • 30% Liveness
1% Instrumentalness • 36% Positiveness
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Michael Kaeshammer
Talk To Me, Baby
153 bpm • A# Maj • 03:24 • -10.09db
8% Popularity • 73% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 73% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Ruud Schouten
Not Fair
153 bpm • F# min • 03:20 • -9.17db
15% Popularity • 72% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 72% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
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Sons Of The East
You Ain't Going Nowhere
154 bpm • C Maj • 02:25 • -5db
41% Popularity • 50% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
41% Popularity • 50% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Clarence Bekker Band
Changes
137 bpm • G min • 03:15 • -12.95db
8% Popularity • 72% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 72% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Lee Coulter
Corny Little Love Song
137 bpm • A# Maj • 03:26 • -8.78db
8% Popularity • 67% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
8% Popularity • 67% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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The Chaos Orchestra
The Woodman Song
137 bpm • F Maj • 03:03 • -8.35db
16% Popularity • 76% Danceability • 57% Energy • 43% Liveness
0% Instrumentalness • 59% Positiveness
16% Popularity • 76% Danceability • 57% Energy • 43% Liveness
0% Instrumentalness • 59% Positiveness
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Neto Penitente
Breathe
137 bpm • A# Maj • 04:10 • -16.17db
13% Popularity • 57% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
13% Popularity • 57% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Eric Hutchinson
Hey Look I Found It! (My Inner Peace)
136 bpm • C Maj • 02:35 • -9.91db
23% Popularity • 60% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
23% Popularity • 60% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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River Sam
At the End of the Road
154 bpm • E Maj • 02:04 • -9.01db
13% Popularity • 81% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
13% Popularity • 81% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Michael James Greco
Don't Be Shy
136 bpm • C Maj • 03:48 • -12.9db
9% Popularity • 63% Danceability • 46% Energy • 17% Liveness
1% Instrumentalness • 50% Positiveness
9% Popularity • 63% Danceability • 46% Energy • 17% Liveness
1% Instrumentalness • 50% Positiveness
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Lennart Salomon
Let You Love Me
136 bpm • C Maj • 03:23 • -9.21db
8% Popularity • 65% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 65% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Thomas Gardner
Benny
136 bpm • G# min • 04:48 • -13.77db
16% Popularity • 73% Danceability • 14% Energy • 11% Liveness
2% Instrumentalness • 25% Positiveness
16% Popularity • 73% Danceability • 14% Energy • 11% Liveness
2% Instrumentalness • 25% Positiveness
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Cereus Bright
All Night
136 bpm • D Maj • 03:18 • -5.42db
8% Popularity • 59% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 59% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Edson Warner
Lovers Come And Go
135 bpm • F# Maj • 02:26 • -5.49db
8% Popularity • 53% Danceability • 91% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
8% Popularity • 53% Danceability • 91% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Nick Gallant
Take on Me
155 bpm • F Maj • 03:18 • -7.59db
11% Popularity • 73% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
11% Popularity • 73% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Quinn Devlin
Answer Me
135 bpm • D# Maj • 03:35 • -2.12db
13% Popularity • 74% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
13% Popularity • 74% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Jampoke
Picking Flowers on the Moon
135 bpm • F# min • 03:47 • -16.6db
8% Popularity • 79% Danceability • 18% Energy • 8% Liveness
56% Instrumentalness • 74% Positiveness
8% Popularity • 79% Danceability • 18% Energy • 8% Liveness
56% Instrumentalness • 74% Positiveness
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Free Range Marmot
Complicated
135 bpm • E min • 04:43 • -9.35db
9% Popularity • 54% Danceability • 50% Energy • 8% Liveness
4% Instrumentalness • 69% Positiveness
9% Popularity • 54% Danceability • 50% Energy • 8% Liveness
4% Instrumentalness • 69% Positiveness
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Jon Troast
The Most
135 bpm • G Maj • 03:34 • -9.34db
7% Popularity • 68% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
7% Popularity • 68% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Heigh Chief.
Old Man
135 bpm • E Maj • 03:18 • -15.24db
9% Popularity • 62% Danceability • 26% Energy • 12% Liveness
1% Instrumentalness • 28% Positiveness
9% Popularity • 62% Danceability • 26% Energy • 12% Liveness
1% Instrumentalness • 28% Positiveness
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Peaky Blinders
You Don't Mess Around With Jim - You Don...
135 bpm • B min • 03:32 • -9.18db
10% Popularity • 62% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 62% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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Gonvatto
You
156 bpm • E Maj • 04:39 • -12.68db
17% Popularity • 49% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
17% Popularity • 49% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Joshua Lee Turner
Yoshimi Battles the Pink Robots
157 bpm • C Maj • 05:38 • -11.34db
10% Popularity • 48% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
10% Popularity • 48% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
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Chad Gould
Whiskey
158 bpm • G Maj • 02:55 • -17.72db
24% Popularity • 63% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
24% Popularity • 63% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Tyler Levs
Fell Asleep
158 bpm • D min • 03:33 • -8.23db
12% Popularity • 62% Danceability • 65% Energy • 44% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 62% Danceability • 65% Energy • 44% Liveness
0% Instrumentalness • 38% Positiveness
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Little Georgia
Gabrielle
132 bpm • D Maj • 03:14 • -4db
8% Popularity • 72% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
8% Popularity • 72% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Bahamas
Not Cool Anymore
133 bpm • F Maj • 02:05 • -6.31db
24% Popularity • 77% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 90% Positiveness
24% Popularity • 77% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 90% Positiveness
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New Ellum
Millecoquin River
160 bpm • D Maj • 03:40 • -11.32db
11% Popularity • 42% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
11% Popularity • 42% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Renee Geyer
Sweet Guy
160 bpm • B min • 04:35 • -16.54db
8% Popularity • 42% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 42% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Fistful Of Leaves
Look At Me Now
130 bpm • G Maj • 03:02 • -5.75db
23% Popularity • 75% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
23% Popularity • 75% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Monk
Idiot Heart
160 bpm • G Maj • 03:47 • -5.24db
0% Popularity • 44% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
0% Popularity • 44% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
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Ron Artis II
Songs of Love
130 bpm • C# Maj • 02:40 • -21.71db
12% Popularity • 56% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
12% Popularity • 56% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Bahamas
Hockey Teeth
132 bpm • A# Maj • 02:34 • -6.36db
9% Popularity • 61% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
9% Popularity • 61% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Ben Phantom
No Pain
130 bpm • D min • 03:43 • -3.66db
14% Popularity • 48% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
14% Popularity • 48% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Seth Freeman
Sister Golden Hair
130 bpm • E Maj • 03:43 • -8.82db
9% Popularity • 70% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 70% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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J.Kelley
This Is Home / You Are Not Alone
130 bpm • D Maj • 08:10 • -8.59db
21% Popularity • 40% Danceability • 51% Energy • 26% Liveness
1% Instrumentalness • 9% Positiveness
21% Popularity • 40% Danceability • 51% Energy • 26% Liveness
1% Instrumentalness • 9% Positiveness
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Monk
Cold Winter's Night
130 bpm • A min • 06:13 • -11.04db
0% Popularity • 63% Danceability • 46% Energy • 39% Liveness
6% Instrumentalness • 24% Positiveness
0% Popularity • 63% Danceability • 46% Energy • 39% Liveness
6% Instrumentalness • 24% Positiveness
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Matthew Schwanke
Burning Daylight
130 bpm • G# Maj • 03:51 • -8.77db
10% Popularity • 70% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 70% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Gates & Goodell
On the Road
130 bpm • D Maj • 04:19 • -12.18db
14% Popularity • 80% Danceability • 34% Energy • 14% Liveness
3% Instrumentalness • 78% Positiveness
14% Popularity • 80% Danceability • 34% Energy • 14% Liveness
3% Instrumentalness • 78% Positiveness
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Kevin Kennedy III
Harvest Moon
130 bpm • A# Maj • 03:35 • -5.68db
20% Popularity • 68% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 68% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Secret Agent 23 Skidoo
Love Is Coming Back
162 bpm • F# Maj • 02:37 • -9.43db
8% Popularity • 56% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
8% Popularity • 56% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Forest Sun
No Regrets
162 bpm • F# Maj • 02:55 • -9.55db
47% Popularity • 65% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
47% Popularity • 65% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Joshua Lee Turner
Swingtown
130 bpm • A# Maj • 03:16 • -8.11db
8% Popularity • 67% Danceability • 90% Energy • 4% Liveness
1% Instrumentalness • 82% Positiveness
8% Popularity • 67% Danceability • 90% Energy • 4% Liveness
1% Instrumentalness • 82% Positiveness
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Eric Hutchinson
Right Side of History
162 bpm • A Maj • 04:09 • -10.43db
9% Popularity • 46% Danceability • 46% Energy • 65% Liveness
0% Instrumentalness • 81% Positiveness
9% Popularity • 46% Danceability • 46% Energy • 65% Liveness
0% Instrumentalness • 81% Positiveness
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JPson
Point Of Life
129 bpm • B min • 05:43 • -13.97db
8% Popularity • 74% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
8% Popularity • 74% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Chris Cavill
Lionheart
129 bpm • G Maj • 04:19 • -11.7db
9% Popularity • 69% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 69% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Josua Romano
Stay Down
164 bpm • C# Maj • 02:49 • -9.7db
11% Popularity • 61% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 61% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Striking Matches
While My Guitar Gently Weeps - Acoustic
129 bpm • G Maj • 04:48 • -7.5db
9% Popularity • 57% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
9% Popularity • 57% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Cam Melton
Nirvana Pie
164 bpm • D Maj • 03:25 • -8.28db
9% Popularity • 55% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
9% Popularity • 55% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Doug Fargiano
Landslide
164 bpm • D Maj • 04:16 • -7.47db
13% Popularity • 50% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 50% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
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Audra Mae
Here I Go Again
164 bpm • A Maj • 03:55 • -6.86db
31% Popularity • 51% Danceability • 69% Energy • 67% Liveness
0% Instrumentalness • 93% Positiveness
31% Popularity • 51% Danceability • 69% Energy • 67% Liveness
0% Instrumentalness • 93% Positiveness
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David Harper
Who You Are
128 bpm • A Maj • 03:15 • -9.35db
9% Popularity • 64% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
9% Popularity • 64% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Forest Sun
Baby Don’t Worry (We’ll Be All Right...
128 bpm • B Maj • 02:49 • -8.67db
19% Popularity • 75% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
19% Popularity • 75% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Monk
She Can
128 bpm • D min • 03:31 • -7.06db
0% Popularity • 70% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
0% Popularity • 70% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
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Oshima Brothers
Dancing on the Weekend
128 bpm • A Maj • 03:07 • -7.59db
5% Popularity • 74% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
5% Popularity • 74% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
