Songs like Soft Gentle Brilliant (Acoustic Version) [feat. Bailey & Becca VanDerbeck] by Corey Kilgannon
Based on a tempo of (+/- 10%) and a similar genre
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John Lucas
Flesh of My Flesh
150 bpm • C# Maj • 03:30 • -17.17db
43% Popularity • 45% Danceability • 21% Energy • 14% Liveness
1% Instrumentalness • 34% Positiveness
43% Popularity • 45% Danceability • 21% Energy • 14% Liveness
1% Instrumentalness • 34% Positiveness
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Corey Kilgannon
If You Want Me To
150 bpm • A Maj • 02:03 • -15.47db
2% Popularity • 60% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
2% Popularity • 60% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Jake Etheridge
So In Love With You
150 bpm • B Maj • 02:57 • -10.84db
32% Popularity • 44% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
32% Popularity • 44% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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The Gray Havens
Far Kingdom
150 bpm • B Maj • 04:24 • -10.55db
41% Popularity • 47% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
41% Popularity • 47% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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The Paper Kites
Arms
150 bpm • D Maj • 03:23 • -18.56db
48% Popularity • 41% Danceability • 14% Energy • 12% Liveness
9% Instrumentalness • 24% Positiveness
48% Popularity • 41% Danceability • 14% Energy • 12% Liveness
9% Instrumentalness • 24% Positiveness
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Havelin
Alright, Alright
150 bpm • C# Maj • 04:46 • -7.42db
0% Popularity • 56% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
0% Popularity • 56% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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John Lucas
The Entrance
150 bpm • C Maj • 05:21 • -11.61db
13% Popularity • 41% Danceability • 33% Energy • 17% Liveness
1% Instrumentalness • 29% Positiveness
13% Popularity • 41% Danceability • 33% Energy • 17% Liveness
1% Instrumentalness • 29% Positiveness
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Wild Rivers
Paul Simon
150 bpm • B Maj • 03:51 • -14.04db
43% Popularity • 63% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
43% Popularity • 63% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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![Soft Gentle Brilliant (Acoustic Version) [feat. Bailey & Becca VanDerbeck] cover art](https://i.scdn.co/image/ab67616d00001e022d5ef3537fe013267c178665)
Corey Kilgannon
Soft Gentle Brilliant (Acoustic Version)
150 bpm • D Maj • 04:09 • -15db
22% Popularity • 46% Danceability • 14% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
22% Popularity • 46% Danceability • 14% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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Craig Cardiff
Revival Day
150 bpm • D# Maj • 02:41 • -13.42db
23% Popularity • 46% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 46% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Flannel Graph
Don't Wait up (Live)
151 bpm • B Maj • 04:29 • -14.59db
17% Popularity • 42% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
17% Popularity • 42% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Noah Gundersen
Honest Songs
151 bpm • B Maj • 02:58 • -12.01db
29% Popularity • 45% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 45% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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John Lucas
Bruises
150 bpm • D Maj • 05:24 • -10.64db
13% Popularity • 46% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 46% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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James Spaite
Effort
149 bpm • E Maj • 04:33 • -10db
26% Popularity • 33% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
26% Popularity • 33% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Joy Williams
Till Forever (Acoustic)
152 bpm • A Maj • 03:55 • -11db
37% Popularity • 49% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 49% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Tall Heights
Murmuring State
152 bpm • F Maj • 03:28 • -10db
15% Popularity • 51% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 51% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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JOSEPH
Tally Marks
148 bpm • G# min • 03:14 • -11.82db
20% Popularity • 55% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
20% Popularity • 55% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Aaron Espe
Yourself
148 bpm • B Maj • 03:07 • -13.41db
22% Popularity • 56% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 56% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Corey Kilgannon
Postcard from Rome
152 bpm • C# Maj • 03:50 • -17db
27% Popularity • 39% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 39% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Austin Basham
See You Soon
152 bpm • A# Maj • 03:58 • -9.21db
27% Popularity • 29% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
27% Popularity • 29% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
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Austin Plaine
Reckoning Plan
152 bpm • C# Maj • 03:49 • -10.72db
14% Popularity • 46% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 46% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Meadowlark
Fly - Acoustic
152 bpm • D Maj • 03:31 • -13db
43% Popularity • 38% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
43% Popularity • 38% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Jake Etheridge
Through the Fire
148 bpm • D Maj • 03:10 • -17.84db
38% Popularity • 48% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
38% Popularity • 48% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Harbor & Home
Wander
148 bpm • D# Maj • 03:17 • -10db
32% Popularity • 51% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 51% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Joy Williams
All I Need
153 bpm • C# Maj • 03:53 • -11db
31% Popularity • 40% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
31% Popularity • 40% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Brooke Fraser
You Can Close Your Eyes
147 bpm • D# Maj • 02:24 • -13.32db
24% Popularity • 48% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
24% Popularity • 48% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Chapman Whitted
Lookout Mtn. Love
153 bpm • D Maj • 03:29 • -14db
26% Popularity • 41% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 41% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Henry Jamison
The Last Time I Saw Adrianne
153 bpm • G Maj • 03:36 • -9db
26% Popularity • 38% Danceability • 25% Energy • 32% Liveness
4% Instrumentalness • 29% Positiveness
26% Popularity • 38% Danceability • 25% Energy • 32% Liveness
4% Instrumentalness • 29% Positiveness
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Corey Kilgannon
Köln
147 bpm • C Maj • 03:13 • -9.56db
31% Popularity • 36% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
31% Popularity • 36% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Brolly
Hollow Home Rd
147 bpm • C Maj • 04:23 • -5.71db
22% Popularity • 37% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 37% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Jon Foreman
All Of God’s Children
146 bpm • E Maj • 04:26 • -9.44db
26% Popularity • 41% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
26% Popularity • 41% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Green River Ordinance
Better Love
146 bpm • A Maj • 02:57 • -9.39db
38% Popularity • 52% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 52% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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James Spaite
Come and Be
146 bpm • A Maj • 03:45 • -11.34db
14% Popularity • 32% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 32% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Davis John Patton
High Altitude
146 bpm • C Maj • 04:17 • -13.65db
12% Popularity • 43% Danceability • 25% Energy • 12% Liveness
18% Instrumentalness • 30% Positiveness
12% Popularity • 43% Danceability • 25% Energy • 12% Liveness
18% Instrumentalness • 30% Positiveness
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Westward the Tide
Until I'm Home
145 bpm • D# Maj • 04:38 • -8.77db
14% Popularity • 39% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
14% Popularity • 39% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Mike Edel
The Country Where I Came From
145 bpm • B Maj • 04:24 • -11.17db
18% Popularity • 57% Danceability • 44% Energy • 39% Liveness
18% Instrumentalness • 24% Positiveness
18% Popularity • 57% Danceability • 44% Energy • 39% Liveness
18% Instrumentalness • 24% Positiveness
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Nathan Colberg
Silver Light
145 bpm • F Maj • 03:39 • -10.81db
17% Popularity • 28% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 28% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Joe Moralez
Love Will Be Enough For Us
145 bpm • C Maj • 04:02 • -8.67db
14% Popularity • 40% Danceability • 45% Energy • 11% Liveness
2% Instrumentalness • 19% Positiveness
14% Popularity • 40% Danceability • 45% Energy • 11% Liveness
2% Instrumentalness • 19% Positiveness
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Austin Basham
All Is Well
156 bpm • B Maj • 04:16 • -12db
55% Popularity • 32% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
55% Popularity • 32% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Tall Heights
Spirit Cold
156 bpm • B Maj • 03:42 • -6db
51% Popularity • 41% Danceability • 66% Energy • 18% Liveness
1% Instrumentalness • 36% Positiveness
51% Popularity • 41% Danceability • 66% Energy • 18% Liveness
1% Instrumentalness • 36% Positiveness
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SAILR
The Well
156 bpm • D Maj • 02:58 • -14.92db
42% Popularity • 51% Danceability • 30% Energy • 13% Liveness
5% Instrumentalness • 35% Positiveness
42% Popularity • 51% Danceability • 30% Energy • 13% Liveness
5% Instrumentalness • 35% Positiveness
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Jess Ray
Come to My Senses
156 bpm • F# Maj • 02:40 • -11.22db
17% Popularity • 39% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
17% Popularity • 39% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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NEEDTOBREATHE
CLEAR
156 bpm • F Maj • 06:51 • -8.55db
42% Popularity • 42% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
42% Popularity • 42% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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JOSEPH
Lifted Away
144 bpm • A Maj • 03:51 • -8.99db
25% Popularity • 64% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
25% Popularity • 64% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Matt Stinton
I'll Stay (Carla's Song)
144 bpm • G# Maj • 04:03 • -14.28db
28% Popularity • 54% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 54% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Monica Moser
Momentary Troubles
144 bpm • G Maj • 04:36 • -13.25db
0% Popularity • 50% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
0% Popularity • 50% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Judah & the Lion
Twenty-Somethings
144 bpm • A# Maj • 03:26 • -9.5db
38% Popularity • 51% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
38% Popularity • 51% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Spencer Combs
You Are Mine
156 bpm • D Maj • 03:55 • -10db
30% Popularity • 21% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
30% Popularity • 21% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Gabe Dixon
Same Place
144 bpm • G Maj • 02:08 • -17.44db
25% Popularity • 32% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 32% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Flannel Graph
The Life I Was Missing
144 bpm • E Maj • 05:11 • -11.68db
23% Popularity • 39% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
23% Popularity • 39% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Beta Radio
Sitting Room
143 bpm • G# Maj • 04:09 • -14db
43% Popularity • 48% Danceability • 31% Energy • 11% Liveness
20% Instrumentalness • 44% Positiveness
43% Popularity • 48% Danceability • 31% Energy • 11% Liveness
20% Instrumentalness • 44% Positiveness
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Emily Hearn
The Oak Tree
158 bpm • D# Maj • 04:04 • -6.32db
18% Popularity • 58% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 58% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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LEDGES
The Ocean
158 bpm • C Maj • 05:17 • -8.27db
4% Popularity • 51% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
4% Popularity • 51% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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John Lucas
Come and Find Me
142 bpm • E Maj • 03:20 • -11.46db
19% Popularity • 58% Danceability • 32% Energy • 9% Liveness
15% Instrumentalness • 20% Positiveness
19% Popularity • 58% Danceability • 32% Energy • 9% Liveness
15% Instrumentalness • 20% Positiveness
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Tall Heights
Out of the Ground
142 bpm • F# Maj • 02:47 • -10.76db
17% Popularity • 47% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
17% Popularity • 47% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Liz Longley
When You've Got Trouble
142 bpm • D Maj • 03:27 • -9db
21% Popularity • 58% Danceability • 22% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
21% Popularity • 58% Danceability • 22% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
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Corey Kilgannon
California Skin
142 bpm • G Maj • 02:45 • -16db
26% Popularity • 47% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 47% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Andrew Blooms
My Time Will Come
141 bpm • G Maj • 03:24 • -9db
29% Popularity • 61% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 61% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Jon Foreman
Come Home
160 bpm • G Maj • 04:51 • -9db
27% Popularity • 38% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
27% Popularity • 38% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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John Lucas
Stained Glass
141 bpm • B Maj • 05:17 • -10db
35% Popularity • 44% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
35% Popularity • 44% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
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Beta Radio
On the Frame (Acoustic)
141 bpm • D min • 03:04 • -13.3db
43% Popularity • 46% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
43% Popularity • 46% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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The Native Sibling
Place to Rest / Keep on Running
141 bpm • D Maj • 03:36 • -8.81db
19% Popularity • 36% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
19% Popularity • 36% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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Corey Kilgannon
The More We Find (Sister IV)
142 bpm • D Maj • 04:54 • -9.82db
19% Popularity • 50% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
19% Popularity • 50% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Sara Davis Regan
'97
140 bpm • D Maj • 03:38 • -13db
17% Popularity • 54% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
17% Popularity • 54% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Phillip LaRue
You
140 bpm • C# Maj • 03:04 • -11db
21% Popularity • 61% Danceability • 42% Energy • 11% Liveness
14% Instrumentalness • 35% Positiveness
21% Popularity • 61% Danceability • 42% Energy • 11% Liveness
14% Instrumentalness • 35% Positiveness
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Aaron Espe
Everyday
140 bpm • F Maj • 03:02 • -12.12db
14% Popularity • 42% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
14% Popularity • 42% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Flannel Graph
Five Foot Three
140 bpm • G Maj • 03:14 • -13db
33% Popularity • 44% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 44% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Harrison Storm
Sense of Home
140 bpm • D# Maj • 04:25 • -11db
58% Popularity • 56% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
58% Popularity • 56% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Corey Kilgannon
Drifter (In Loving Memory)
160 bpm • C Maj • 03:52 • -17.28db
9% Popularity • 48% Danceability • 14% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 48% Danceability • 14% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
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Neulore
The Gathering Chant
140 bpm • F# min • 04:02 • -9.13db
8% Popularity • 41% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
8% Popularity • 41% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Phillip LaRue
Sweet Love
140 bpm • G# Maj • 04:27 • -11.12db
36% Popularity • 55% Danceability • 33% Energy • 9% Liveness
9% Instrumentalness • 19% Positiveness
36% Popularity • 55% Danceability • 33% Energy • 9% Liveness
9% Instrumentalness • 19% Positiveness
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Sara Davis Regan
Dear Daughter
140 bpm • E Maj • 04:02 • -14.8db
15% Popularity • 52% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 52% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Hunter G K Thompson
To Love You Rightly
140 bpm • C# Maj • 04:38 • -11.51db
31% Popularity • 52% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 52% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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The Native Sibling
Let the Water Rise
140 bpm • C# Maj • 03:35 • -13.18db
13% Popularity • 46% Danceability • 32% Energy • 12% Liveness
7% Instrumentalness • 35% Positiveness
13% Popularity • 46% Danceability • 32% Energy • 12% Liveness
7% Instrumentalness • 35% Positiveness
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Corey Kilgannon
Mama's Tears
140 bpm • C# Maj • 04:15 • -13.71db
10% Popularity • 37% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
10% Popularity • 37% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Andrew Ripp
Just Enough
140 bpm • F Maj • 03:11 • -10.47db
16% Popularity • 48% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 51% Positiveness
16% Popularity • 48% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 51% Positiveness
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Josh White
Enclosed by You
140 bpm • C min • 04:21 • -13.73db
22% Popularity • 45% Danceability • 23% Energy • 9% Liveness
2% Instrumentalness • 10% Positiveness
22% Popularity • 45% Danceability • 23% Energy • 9% Liveness
2% Instrumentalness • 10% Positiveness
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Andrew Osenga
Bookmark
139 bpm • D Maj • 03:59 • -16.63db
16% Popularity • 37% Danceability • 23% Energy • 28% Liveness
2% Instrumentalness • 11% Positiveness
16% Popularity • 37% Danceability • 23% Energy • 28% Liveness
2% Instrumentalness • 11% Positiveness
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Flannel Graph
Apple Pie
139 bpm • A Maj • 04:09 • -10db
22% Popularity • 50% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
22% Popularity • 50% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
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Lowland Hum
In Flight
139 bpm • D# Maj • 03:39 • -14.42db
26% Popularity • 61% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
26% Popularity • 61% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Anthony Alvarado
To Stutter, to Yell
139 bpm • F Maj • 04:07 • -17.25db
0% Popularity • 43% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
0% Popularity • 43% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Ira Wolf
Great Divide
162 bpm • F Maj • 04:01 • -9.03db
44% Popularity • 37% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
44% Popularity • 37% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Joy Williams
The Trouble with Wanting
139 bpm • D Maj • 03:55 • -9db
55% Popularity • 40% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
55% Popularity • 40% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Mat Kearney
Shasta
138 bpm • G# Maj • 04:49 • -14.38db
9% Popularity • 42% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
9% Popularity • 42% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Jake Etheridge
Getting Over You
138 bpm • D# Maj • 02:57 • -13.95db
31% Popularity • 59% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
31% Popularity • 59% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Phillip LaRue
The Meaning
138 bpm • E Maj • 04:20 • -12.14db
12% Popularity • 83% Danceability • 46% Energy • 11% Liveness
6% Instrumentalness • 38% Positiveness
12% Popularity • 83% Danceability • 46% Energy • 11% Liveness
6% Instrumentalness • 38% Positiveness
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Andy Gullahorn
I Will
138 bpm • D# Maj • 04:30 • -8.66db
32% Popularity • 56% Danceability • 46% Energy • 11% Liveness
2% Instrumentalness • 23% Positiveness
32% Popularity • 56% Danceability • 46% Energy • 11% Liveness
2% Instrumentalness • 23% Positiveness
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Benjamin James
Raging Inner Sea
138 bpm • E Maj • 03:52 • -13.41db
15% Popularity • 66% Danceability • 32% Energy • 11% Liveness
4% Instrumentalness • 46% Positiveness
15% Popularity • 66% Danceability • 32% Energy • 11% Liveness
4% Instrumentalness • 46% Positiveness
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The Civil Wars
Dust to Dust - Acoustic
138 bpm • C# Maj • 03:43 • -17.11db
24% Popularity • 68% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
24% Popularity • 68% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Corey Kilgannon
Anger
138 bpm • G# min • 03:58 • -18.3db
3% Popularity • 30% Danceability • 23% Energy • 10% Liveness
69% Instrumentalness • 30% Positiveness
3% Popularity • 30% Danceability • 23% Energy • 10% Liveness
69% Instrumentalness • 30% Positiveness
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Lowland Hum
Vedauwoo
138 bpm • D# Maj • 02:39 • -15.58db
41% Popularity • 64% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 12% Positiveness
41% Popularity • 64% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 12% Positiveness
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James Spaite
Mr. Coyote and the Terrible Things He Ta...
138 bpm • C Maj • 05:38 • -10.81db
13% Popularity • 40% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
13% Popularity • 40% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Jon Foreman
Inner Peace
137 bpm • C Maj • 03:03 • -8.04db
23% Popularity • 26% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
23% Popularity • 26% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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NEEDTOBREATHE
Cages
138 bpm • D# Maj • 04:04 • -9.56db
30% Popularity • 46% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
30% Popularity • 46% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Joshua Moss
House
164 bpm • G# Maj • 04:24 • -10db
21% Popularity • 42% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
21% Popularity • 42% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Corey Kilgannon
Rocking Chair
138 bpm • C# Maj • 02:57 • -12.86db
9% Popularity • 29% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
9% Popularity • 29% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Dan Griffin
Stars and Satellites
137 bpm • B Maj • 02:50 • -20.42db
35% Popularity • 44% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 44% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Derek Webb
Goodbye, for Now
136 bpm • C Maj • 05:10 • -12.61db
11% Popularity • 68% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
11% Popularity • 68% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
