Songs like Soft Spoken Man by The Weather Station
Based on a tempo of (+/- 10%) and a similar genre
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Kathleen Edwards
Birds On A Feeder
84 bpm • E Maj • 03:13 • -11.16db
21% Popularity • 46% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
21% Popularity • 46% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Laura Marling
Song For Our Daughter
84 bpm • C# Maj • 04:06 • -14db
36% Popularity • 29% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
36% Popularity • 29% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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The Weather Station
Soft Spoken Man
84 bpm • F# min • 03:10 • -16.76db
8% Popularity • 33% Danceability • 11% Energy • 11% Liveness
9% Instrumentalness • 19% Positiveness
8% Popularity • 33% Danceability • 11% Energy • 11% Liveness
9% Instrumentalness • 19% Positiveness
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Waxahatchee
Fire
85 bpm • G Maj • 03:37 • -11.81db
53% Popularity • 50% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
53% Popularity • 50% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Marina Allen
Ophelia
84 bpm • F Maj • 03:05 • -12.77db
14% Popularity • 62% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 62% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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The Low Anthem
Give My Body Back
83 bpm • C Maj • 02:01 • -18.94db
34% Popularity • 69% Danceability • 16% Energy • 10% Liveness
8% Instrumentalness • 73% Positiveness
34% Popularity • 69% Danceability • 16% Energy • 10% Liveness
8% Instrumentalness • 73% Positiveness
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Jenny O.
God Knows Why
83 bpm • E Maj • 03:01 • -7.34db
21% Popularity • 46% Danceability • 66% Energy • 23% Liveness
19% Instrumentalness • 72% Positiveness
21% Popularity • 46% Danceability • 66% Energy • 23% Liveness
19% Instrumentalness • 72% Positiveness
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Laura Marling
The End Of The Affair
85 bpm • A Maj • 03:24 • -16.91db
32% Popularity • 38% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
32% Popularity • 38% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Brigid Mae Power
I Had to Keep My Circle Small
83 bpm • G Maj • 05:18 • -11db
10% Popularity • 42% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 42% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Sufjan Stevens
Reach Out
83 bpm • C Maj • 03:43 • -14db
43% Popularity • 57% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
43% Popularity • 57% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Marina Allen
Sleeper Train
83 bpm • E min • 02:36 • -11.87db
33% Popularity • 52% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
33% Popularity • 52% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Jennifer Castle
Justice
83 bpm • C Maj • 01:40 • -17.51db
21% Popularity • 28% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
21% Popularity • 28% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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The Weather Station
Endless Time
83 bpm • B min • 04:20 • -19.79db
15% Popularity • 39% Danceability • 7% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
15% Popularity • 39% Danceability • 7% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Hurray For The Riff Raff
ROSEMARY TEARS
83 bpm • G min • 03:16 • -10.12db
22% Popularity • 24% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
22% Popularity • 24% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Bonnie Prince Billy
Rubin and Cherise
86 bpm • F Maj • 05:46 • -5.39db
37% Popularity • 31% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
37% Popularity • 31% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
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Marlon Williams
Dark Child
82 bpm • G# min • 03:57 • -8.16db
34% Popularity • 46% Danceability • 42% Energy • 22% Liveness
7% Instrumentalness • 24% Positiveness
34% Popularity • 46% Danceability • 42% Energy • 22% Liveness
7% Instrumentalness • 24% Positiveness
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Kurt Vile
Baby's Arms
82 bpm • B min • 04:44 • -6db
42% Popularity • 49% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
42% Popularity • 49% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
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Bedouine
One of These Days
82 bpm • G Maj • 02:58 • -12.57db
52% Popularity • 72% Danceability • 42% Energy • 11% Liveness
9% Instrumentalness • 74% Positiveness
52% Popularity • 72% Danceability • 42% Energy • 11% Liveness
9% Instrumentalness • 74% Positiveness
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The Weather Station
To Talk About
85 bpm • D Maj • 03:47 • -21.11db
12% Popularity • 41% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 41% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Hurray For The Riff Raff
nightqueen
82 bpm • B min • 03:38 • -13.25db
23% Popularity • 33% Danceability • 28% Energy • 11% Liveness
5% Instrumentalness • 13% Positiveness
23% Popularity • 33% Danceability • 28% Energy • 11% Liveness
5% Instrumentalness • 13% Positiveness
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Julie Byrne
Sleepwalker
87 bpm • F# Maj • 04:19 • -14db
39% Popularity • 48% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
39% Popularity • 48% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Antony
I Was Young When I Left Home
86 bpm • G Maj • 04:55 • -15.48db
25% Popularity • 49% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 49% Positiveness
25% Popularity • 49% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 49% Positiveness
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Luluc
Out Beyond
87 bpm • D# Maj • 03:30 • -14.76db
17% Popularity • 24% Danceability • 15% Energy • 7% Liveness
28% Instrumentalness • 12% Positiveness
17% Popularity • 24% Danceability • 15% Energy • 7% Liveness
28% Instrumentalness • 12% Positiveness
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Bedouine
Back To You
86 bpm • A min • 04:27 • -12.78db
28% Popularity • 47% Danceability • 53% Energy • 33% Liveness
32% Instrumentalness • 39% Positiveness
28% Popularity • 47% Danceability • 53% Energy • 33% Liveness
32% Instrumentalness • 39% Positiveness
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Bonnie Prince Billy
Beast For Thee
81 bpm • B Maj • 03:41 • -22.64db
23% Popularity • 42% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
23% Popularity • 42% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
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The Weather Station
Trying
82 bpm • C Maj • 02:46 • -18.56db
19% Popularity • 50% Danceability • 10% Energy • 11% Liveness
5% Instrumentalness • 5% Positiveness
19% Popularity • 50% Danceability • 10% Energy • 11% Liveness
5% Instrumentalness • 5% Positiveness
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The Barr Brothers
Hideous Glorious Part 2
87 bpm • G Maj • 01:47 • -14db
47% Popularity • 47% Danceability • 41% Energy • 14% Liveness
92% Instrumentalness • 40% Positiveness
47% Popularity • 47% Danceability • 41% Energy • 14% Liveness
92% Instrumentalness • 40% Positiveness
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Nadia Reid
Seasons Change
81 bpm • A# min • 04:15 • -10.08db
24% Popularity • 42% Danceability • 63% Energy • 12% Liveness
30% Instrumentalness • 56% Positiveness
24% Popularity • 42% Danceability • 63% Energy • 12% Liveness
30% Instrumentalness • 56% Positiveness
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Blitzen Trapper
Magical Thinking
87 bpm • G min • 02:53 • -11db
34% Popularity • 64% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 64% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Bedouine
The Wave
81 bpm • C Maj • 03:45 • -12.82db
36% Popularity • 55% Danceability • 39% Energy • 14% Liveness
1% Instrumentalness • 34% Positiveness
36% Popularity • 55% Danceability • 39% Energy • 14% Liveness
1% Instrumentalness • 34% Positiveness
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Rachel Sermanni
Put Me in the River
88 bpm • A min • 06:03 • -12.54db
18% Popularity • 32% Danceability • 30% Energy • 15% Liveness
2% Instrumentalness • 17% Positiveness
18% Popularity • 32% Danceability • 30% Energy • 15% Liveness
2% Instrumentalness • 17% Positiveness
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The Weather Station
Complicit
81 bpm • B min • 03:33 • -7.32db
11% Popularity • 55% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
11% Popularity • 55% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Big Thief
Cattails
81 bpm • C# Maj • 04:05 • -6.93db
48% Popularity • 56% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
48% Popularity • 56% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
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Courtney Marie Andrews
If I Told
80 bpm • A# Maj • 04:58 • -15.34db
42% Popularity • 28% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
42% Popularity • 28% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Buck Meek
Candle
80 bpm • E Maj • 03:43 • -8.68db
36% Popularity • 62% Danceability • 35% Energy • 9% Liveness
2% Instrumentalness • 40% Positiveness
36% Popularity • 62% Danceability • 35% Energy • 9% Liveness
2% Instrumentalness • 40% Positiveness
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Bedouine
Solitary Daughter
87 bpm • A Maj • 04:20 • -17db
36% Popularity • 36% Danceability • 17% Energy • 12% Liveness
3% Instrumentalness • 30% Positiveness
36% Popularity • 36% Danceability • 17% Energy • 12% Liveness
3% Instrumentalness • 30% Positiveness
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M. Ward
Birthday
88 bpm • B Maj • 03:52 • -17.54db
12% Popularity • 40% Danceability • 25% Energy • 11% Liveness
61% Instrumentalness • 19% Positiveness
12% Popularity • 40% Danceability • 25% Energy • 11% Liveness
61% Instrumentalness • 19% Positiveness
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Sam Amidon
Time Has Made A Change
80 bpm • F Maj • 04:57 • -18.18db
16% Popularity • 58% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
16% Popularity • 58% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
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Waxahatchee
Streets of Philadelphia
80 bpm • F Maj • 04:09 • -9.49db
33% Popularity • 60% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
33% Popularity • 60% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Kacy & Clayton
A Lifeboat
80 bpm • A Maj • 04:29 • -12.07db
20% Popularity • 52% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 48% Positiveness
20% Popularity • 52% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 48% Positiveness
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Kurt Vile
Dandelions
80 bpm • A Maj • 06:34 • -8db
33% Popularity • 45% Danceability • 55% Energy • 18% Liveness
64% Instrumentalness • 52% Positiveness
33% Popularity • 45% Danceability • 55% Energy • 18% Liveness
64% Instrumentalness • 52% Positiveness
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Bedouine
Echo Park
88 bpm • E min • 02:58 • -18.86db
27% Popularity • 47% Danceability • 21% Energy • 32% Liveness
22% Instrumentalness • 24% Positiveness
27% Popularity • 47% Danceability • 21% Energy • 32% Liveness
22% Instrumentalness • 24% Positiveness
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M. Ward
Migration of Souls
80 bpm • B Maj • 03:28 • -16.73db
31% Popularity • 50% Danceability • 34% Energy • 10% Liveness
11% Instrumentalness • 12% Positiveness
31% Popularity • 50% Danceability • 34% Energy • 10% Liveness
11% Instrumentalness • 12% Positiveness
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Laura Marling
Held Down
80 bpm • G Maj • 04:07 • -7.87db
45% Popularity • 48% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 41% Positiveness
45% Popularity • 48% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 41% Positiveness
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Courtney Marie Andrews
Burlap String
89 bpm • D Maj • 03:57 • -10.28db
24% Popularity • 58% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
24% Popularity • 58% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Buck Meek
Halo Light
89 bpm • C# Maj • 03:54 • -11.04db
18% Popularity • 56% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
18% Popularity • 56% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
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The Weather Station
Marsh
89 bpm • D Maj • 04:30 • -22.81db
14% Popularity • 45% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 45% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Joan Shelley
The Fading
89 bpm • A Maj • 03:09 • -10db
40% Popularity • 37% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
40% Popularity • 37% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Nadia Reid
Richard
89 bpm • A# min • 03:39 • -8.22db
31% Popularity • 52% Danceability • 49% Energy • 10% Liveness
4% Instrumentalness • 47% Positiveness
31% Popularity • 52% Danceability • 49% Energy • 10% Liveness
4% Instrumentalness • 47% Positiveness
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Anna Mieke
Idle Mind
79 bpm • C Maj • 05:56 • -13.6db
17% Popularity • 56% Danceability • 36% Energy • 11% Liveness
12% Instrumentalness • 29% Positiveness
17% Popularity • 56% Danceability • 36% Energy • 11% Liveness
12% Instrumentalness • 29% Positiveness
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Big Thief
No Reason
79 bpm • A Maj • 03:47 • -7db
44% Popularity • 46% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 51% Positiveness
44% Popularity • 46% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 51% Positiveness
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Bonny Light Horseman
Bonny Light Horseman
79 bpm • B min • 04:30 • -6db
41% Popularity • 36% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
41% Popularity • 36% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Jesca Hoop
Pegasi
89 bpm • D Maj • 03:33 • -8.9db
33% Popularity • 58% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
33% Popularity • 58% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Indigo Sparke
Pressure In My Chest
90 bpm • B Maj • 04:49 • -7.15db
21% Popularity • 57% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
21% Popularity • 57% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Perfume Genius, Sharon Van Etten & Friends
To Lay Me Down
90 bpm • G Maj • 06:20 • -10.17db
24% Popularity • 21% Danceability • 47% Energy • 10% Liveness
69% Instrumentalness • 9% Positiveness
24% Popularity • 21% Danceability • 47% Energy • 10% Liveness
69% Instrumentalness • 9% Positiveness
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Bedouine
The Solitude
90 bpm • D Maj • 03:46 • -10db
39% Popularity • 54% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
39% Popularity • 54% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Big Thief
Two Hands
90 bpm • F Maj • 03:52 • -8.83db
40% Popularity • 52% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 52% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Conor Oberst
Lua
90 bpm • D Maj • 05:53 • -9.89db
30% Popularity • 56% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 56% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Bonny Light Horseman
Mountain Rain
79 bpm • D Maj • 02:39 • -9db
35% Popularity • 57% Danceability • 34% Energy • 5% Liveness
3% Instrumentalness • 55% Positiveness
35% Popularity • 57% Danceability • 34% Energy • 5% Liveness
3% Instrumentalness • 55% Positiveness
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The Antlers
Green to Gold
78 bpm • C Maj • 07:16 • -9.54db
24% Popularity • 57% Danceability • 51% Energy • 9% Liveness
76% Instrumentalness • 61% Positiveness
24% Popularity • 57% Danceability • 51% Energy • 9% Liveness
76% Instrumentalness • 61% Positiveness
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Charlotte Cornfield
Storm Clouds
78 bpm • C Maj • 04:46 • -11db
15% Popularity • 72% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
15% Popularity • 72% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Lula Wiles
Television
78 bpm • D# Maj • 04:29 • -7db
9% Popularity • 51% Danceability • 58% Energy • 13% Liveness
62% Instrumentalness • 30% Positiveness
9% Popularity • 51% Danceability • 58% Energy • 13% Liveness
62% Instrumentalness • 30% Positiveness
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Guy Garvey
Broken Bottles And Chandeliers
78 bpm • F Maj • 04:33 • -11.82db
30% Popularity • 57% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 57% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Wye Oak
AEIOU
91 bpm • A Maj • 04:57 • -11.54db
19% Popularity • 61% Danceability • 48% Energy • 11% Liveness
42% Instrumentalness • 28% Positiveness
19% Popularity • 61% Danceability • 48% Energy • 11% Liveness
42% Instrumentalness • 28% Positiveness
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Big Thief
Century
91 bpm • E Maj • 03:07 • -14.52db
38% Popularity • 67% Danceability • 40% Energy • 9% Liveness
2% Instrumentalness • 47% Positiveness
38% Popularity • 67% Danceability • 40% Energy • 9% Liveness
2% Instrumentalness • 47% Positiveness
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Joan Shelley
Cost of the Cold
78 bpm • A Maj • 03:50 • -9.06db
23% Popularity • 61% Danceability • 29% Energy • 10% Liveness
2% Instrumentalness • 15% Positiveness
23% Popularity • 61% Danceability • 29% Energy • 10% Liveness
2% Instrumentalness • 15% Positiveness
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Bonnie Prince Billy
One With The Birds
77 bpm • F Maj • 06:07 • -16.53db
19% Popularity • 42% Danceability • 13% Energy • 9% Liveness
43% Instrumentalness • 20% Positiveness
19% Popularity • 42% Danceability • 13% Energy • 9% Liveness
43% Instrumentalness • 20% Positiveness
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Matt Berninger
My Eyes Are T-Shirts
91 bpm • C Maj • 02:40 • -11db
31% Popularity • 64% Danceability • 33% Energy • 11% Liveness
32% Instrumentalness • 23% Positiveness
31% Popularity • 64% Danceability • 33% Energy • 11% Liveness
32% Instrumentalness • 23% Positiveness
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Allie Crow Buckley
Cusco
77 bpm • C Maj • 04:17 • -9.53db
34% Popularity • 26% Danceability • 48% Energy • 11% Liveness
2% Instrumentalness • 15% Positiveness
34% Popularity • 26% Danceability • 48% Energy • 11% Liveness
2% Instrumentalness • 15% Positiveness
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The Weather Station
Know It to See It
77 bpm • F Maj • 02:04 • -15.49db
18% Popularity • 50% Danceability • 25% Energy • 10% Liveness
11% Instrumentalness • 18% Positiveness
18% Popularity • 50% Danceability • 25% Energy • 10% Liveness
11% Instrumentalness • 18% Positiveness
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Bonny Light Horseman
California
91 bpm • D Maj • 03:16 • -6.25db
51% Popularity • 60% Danceability • 57% Energy • 16% Liveness
3% Instrumentalness • 40% Positiveness
51% Popularity • 60% Danceability • 57% Energy • 16% Liveness
3% Instrumentalness • 40% Positiveness
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Joan Shelley
Bed In The River
77 bpm • F Maj • 03:19 • -19.18db
30% Popularity • 45% Danceability • 6% Energy • 32% Liveness
2% Instrumentalness • 38% Positiveness
30% Popularity • 45% Danceability • 6% Energy • 32% Liveness
2% Instrumentalness • 38% Positiveness
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Courtney Marie Andrews
Satellite
77 bpm • E Maj • 02:54 • -8.32db
31% Popularity • 51% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 51% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
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Julie Byrne
Holiday
77 bpm • E Maj • 02:39 • -17.75db
39% Popularity • 44% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
39% Popularity • 44% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Matt Berninger
Loved So Little
92 bpm • E Maj • 04:55 • -7.44db
32% Popularity • 54% Danceability • 56% Energy • 11% Liveness
12% Instrumentalness • 33% Positiveness
32% Popularity • 54% Danceability • 56% Energy • 11% Liveness
12% Instrumentalness • 33% Positiveness
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The Weather Station
I Don't Know What to Say
77 bpm • E min • 02:49 • -12.98db
9% Popularity • 41% Danceability • 25% Energy • 9% Liveness
7% Instrumentalness • 38% Positiveness
9% Popularity • 41% Danceability • 25% Energy • 9% Liveness
7% Instrumentalness • 38% Positiveness
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Ada Lea
oranges
77 bpm • C Maj • 04:54 • -8.18db
20% Popularity • 62% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
20% Popularity • 62% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Wye Oak
Its Way With Me
92 bpm • F min • 04:36 • -9.69db
20% Popularity • 31% Danceability • 56% Energy • 10% Liveness
2% Instrumentalness • 36% Positiveness
20% Popularity • 31% Danceability • 56% Energy • 10% Liveness
2% Instrumentalness • 36% Positiveness
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Neko Case
Calling Cards
92 bpm • F# Maj • 02:36 • -12.1db
39% Popularity • 38% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
39% Popularity • 38% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Fleet Foxes
I'm Not My Season
92 bpm • E Maj • 03:11 • -15db
34% Popularity • 50% Danceability • 14% Energy • 65% Liveness
0% Instrumentalness • 11% Positiveness
34% Popularity • 50% Danceability • 14% Energy • 65% Liveness
0% Instrumentalness • 11% Positiveness
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Squirrel Flower
Headlights
77 bpm • D Maj • 02:34 • -11.67db
30% Popularity • 47% Danceability • 34% Energy • 11% Liveness
4% Instrumentalness • 13% Positiveness
30% Popularity • 47% Danceability • 34% Energy • 11% Liveness
4% Instrumentalness • 13% Positiveness
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The Weather Station
Chip on My Shoulder
77 bpm • G# Maj • 02:57 • -15.41db
16% Popularity • 38% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
16% Popularity • 38% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
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Mountain Man
Through My Sails
92 bpm • G Maj • 02:29 • -19.44db
16% Popularity • 63% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
16% Popularity • 63% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Big Thief
Certainty
77 bpm • A Maj • 03:07 • -9db
59% Popularity • 61% Danceability • 51% Energy • 22% Liveness
1% Instrumentalness • 40% Positiveness
59% Popularity • 61% Danceability • 51% Energy • 22% Liveness
1% Instrumentalness • 40% Positiveness
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Joan Shelley
Coming Down For You
92 bpm • F min • 03:12 • -11db
25% Popularity • 53% Danceability • 34% Energy • 16% Liveness
8% Instrumentalness • 55% Positiveness
25% Popularity • 53% Danceability • 34% Energy • 16% Liveness
8% Instrumentalness • 55% Positiveness
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CARM
Song of Trouble
92 bpm • D Maj • 02:59 • -13db
22% Popularity • 21% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
22% Popularity • 21% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Jennifer Castle
Sailing Away
93 bpm • D# Maj • 02:43 • -10.13db
17% Popularity • 42% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
17% Popularity • 42% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
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The Weather Station
If I've Been Fooled
77 bpm • G Maj • 03:24 • -21.97db
16% Popularity • 40% Danceability • 6% Energy • 11% Liveness
4% Instrumentalness • 7% Positiveness
16% Popularity • 40% Danceability • 6% Energy • 11% Liveness
4% Instrumentalness • 7% Positiveness
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Sam Amidon
Relief
93 bpm • D Maj • 05:21 • -12db
31% Popularity • 56% Danceability • 28% Energy • 13% Liveness
65% Instrumentalness • 46% Positiveness
31% Popularity • 56% Danceability • 28% Energy • 13% Liveness
65% Instrumentalness • 46% Positiveness
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Nadia Reid
Holy Low
93 bpm • A min • 03:39 • -12.49db
31% Popularity • 38% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
31% Popularity • 38% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Big Thief
Love In Mine
76 bpm • D# Maj • 03:18 • -11.03db
37% Popularity • 45% Danceability • 56% Energy • 12% Liveness
7% Instrumentalness • 36% Positiveness
37% Popularity • 45% Danceability • 56% Energy • 12% Liveness
7% Instrumentalness • 36% Positiveness
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Anna St. Louis
The Bells
93 bpm • E min • 03:54 • -11.49db
11% Popularity • 63% Danceability • 23% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
11% Popularity • 63% Danceability • 23% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
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Tomberlin
Wasted
93 bpm • E Maj • 02:29 • -10db
55% Popularity • 77% Danceability • 57% Energy • 14% Liveness
14% Instrumentalness • 72% Positiveness
55% Popularity • 77% Danceability • 57% Energy • 14% Liveness
14% Instrumentalness • 72% Positiveness
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The Weather Station
Don't Understand
77 bpm • E Maj • 03:04 • -21.02db
16% Popularity • 35% Danceability • 5% Energy • 11% Liveness
80% Instrumentalness • 28% Positiveness
16% Popularity • 35% Danceability • 5% Energy • 11% Liveness
80% Instrumentalness • 28% Positiveness
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Bonny Light Horseman
Magpie's Nest
93 bpm • A Maj • 04:58 • -8.25db
30% Popularity • 48% Danceability • 34% Energy • 12% Liveness
12% Instrumentalness • 34% Positiveness
30% Popularity • 48% Danceability • 34% Energy • 12% Liveness
12% Instrumentalness • 34% Positiveness
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Mountain Man
Rang Tang Ring Toon
76 bpm • D Maj • 03:29 • -18.3db
32% Popularity • 44% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 44% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Laura Marling
Only The Strong
93 bpm • G min • 03:20 • -17db
40% Popularity • 66% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
40% Popularity • 66% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
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Nadia Reid
Call the Days
75 bpm • D Maj • 03:32 • -11.84db
41% Popularity • 45% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
41% Popularity • 45% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness