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Soft Soul Boogie Woogie
Songs like
Soft Soul Boogie Woogie
by
Wilson Pickett
Based on a tempo of (+/- 10%) and a similar genre
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Black Nasty
Getting' Funky 'Round Here
91 bpm • E Maj • 02:43 • -11.52db
17% Popularity • 70% Danceability • 92% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
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Wilson Pickett
Soft Soul Boogie Woogie
91 bpm • F Maj • 02:38 • -12.2db
18% Popularity • 78% Danceability • 67% Energy • 67% Liveness
0% Instrumentalness • 96% Positiveness
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Hot Chocolate
Blue Night
91 bpm • E Maj • 04:01 • -7.81db
15% Popularity • 71% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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Tony Clarke
Ain't Love Good, Ain't Love Proud
91 bpm • D# Maj • 03:15 • -4.45db
10% Popularity • 57% Danceability • 90% Energy • 88% Liveness
0% Instrumentalness • 77% Positiveness
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Curtis Mayfield
We Got To Have Peace - Single Version
92 bpm • B Maj • 03:39 • -7.95db
14% Popularity • 60% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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L.c. Cooke
Gonna Have A Good Time
90 bpm • C Maj • 02:14 • -5.29db
14% Popularity • 65% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
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The Impressions
Mighty Mighty (Spade & Whitey)
90 bpm • E min • 02:21 • -8.7db
12% Popularity • 51% Danceability • 74% Energy • 39% Liveness
0% Instrumentalness • 69% Positiveness
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Wilson Pickett
Sin Was the Blame
92 bpm • C Maj • 03:58 • -12.11db
7% Popularity • 70% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Betty Wright
Clean up Woman
90 bpm • F Maj • 02:49 • -9.05db
56% Popularity • 86% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Ann Peebles
I Pity the Fool
90 bpm • F Maj • 02:59 • -7.07db
30% Popularity • 80% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Frankie Valli & The Four Seasons
Sun Country
92 bpm • A# Maj • 04:05 • -6.77db
11% Popularity • 64% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Sharon Jones & The Dap-Kings
Be Easy
90 bpm • G Maj • 03:03 • -9db
54% Popularity • 77% Danceability • 58% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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Percy Sledge
You Fooled Me
92 bpm • B min • 02:29 • -21.09db
25% Popularity • 66% Danceability • 19% Energy • 21% Liveness
3% Instrumentalness • 41% Positiveness
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Irma Thomas
In Between Tears
92 bpm • F Maj • 02:36 • -5.95db
35% Popularity • 62% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Bobby Patterson
How Do You Spell Love
90 bpm • A# min • 02:20 • -10.61db
29% Popularity • 75% Danceability • 66% Energy • 11% Liveness
5% Instrumentalness • 96% Positiveness
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Ann Peebles
Somebody's on Your Case
92 bpm • G Maj • 02:24 • -7.61db
39% Popularity • 87% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Arthur Conley
I Can't Stop (No, No, No)
90 bpm • G Maj • 02:29 • -8.23db
13% Popularity • 52% Danceability • 57% Energy • 39% Liveness
0% Instrumentalness • 63% Positiveness
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David Ruffin
When My Love Hand Comes Down
92 bpm • A# min • 02:51 • -6.75db
13% Popularity • 56% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Rare Earth
Big John Is My Name
89 bpm • A# Maj • 03:22 • -6.76db
10% Popularity • 68% Danceability • 94% Energy • 10% Liveness
14% Instrumentalness • 96% Positiveness
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Alvin Robinson
Tuned in, Turned On
89 bpm • F min • 02:52 • -9db
10% Popularity • 69% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Freddie Scott
Are You Lonely For Me?
93 bpm • F# Maj • 03:20 • -10.88db
25% Popularity • 67% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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Dyke & The Blazers
It's Your Thing
89 bpm • F# Maj • 02:30 • -11db
20% Popularity • 72% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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James Carr
Gonna Send You Back to Georgia
89 bpm • G# Maj • 02:17 • -5.89db
18% Popularity • 69% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Jimmy Ruffin
Let's Say Goodbye Tomorrow
93 bpm • A# Maj • 03:11 • -9.71db
19% Popularity • 57% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Rare Earth
Big John Is My Name
89 bpm • F Maj • 04:16 • -12db
24% Popularity • 68% Danceability • 78% Energy • 10% Liveness
7% Instrumentalness • 89% Positiveness
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The Capitols
I Got My Mojo Working
93 bpm • G Maj • 02:33 • -16.59db
14% Popularity • 62% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Bobby Rush
Down In Louisiana
93 bpm • B min • 04:00 • -8.58db
3% Popularity • 78% Danceability • 83% Energy • 6% Liveness
2% Instrumentalness • 89% Positiveness
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Howard Tate
Where Did My Baby Go
89 bpm • G# Maj • 02:31 • -6.08db
21% Popularity • 66% Danceability • 74% Energy • 18% Liveness
13% Instrumentalness • 86% Positiveness
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Cameo
I'll Be With You
93 bpm • D min • 04:23 • -8.56db
36% Popularity • 78% Danceability • 72% Energy • 22% Liveness
1% Instrumentalness • 91% Positiveness
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Ann Peebles
Bip Bam Thank You Mam
89 bpm • A# min • 03:13 • -11.42db
19% Popularity • 69% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
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Jean Knight
Mr. Big Stuff
93 bpm • G# Maj • 02:44 • -12.59db
67% Popularity • 89% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
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King Floyd
So True
93 bpm • G Maj • 03:58 • -13.77db
9% Popularity • 79% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Eric Burdon
Tobacco Road
89 bpm • A min • 03:57 • -10.23db
39% Popularity • 76% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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The Wild Tchoupitoulas
Hey Mama (Wild Tchoupitoulas)
93 bpm • A# min • 04:43 • -10.87db
13% Popularity • 74% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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The 5th Dimension
Feelin' Alright? - Traffic Cover
93 bpm • D Maj • 04:26 • -4db
27% Popularity • 42% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
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Ann Peebles
I'll Get Along
93 bpm • F Maj • 02:13 • -11.97db
22% Popularity • 65% Danceability • 51% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
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Jean Knight
You Think You're Hot Stuff
89 bpm • G# Maj • 02:29 • -13.2db
28% Popularity • 81% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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King Floyd
I Feel Like Dynamite
93 bpm • F# Maj • 03:18 • -14db
42% Popularity • 73% Danceability • 43% Energy • 13% Liveness
56% Instrumentalness • 87% Positiveness
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Ray Charles
What'd I Say, Pt. 1 & 2
88 bpm • E Maj • 05:07 • -5.44db
60% Popularity • 54% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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James Carr
Let It Happen
94 bpm • A# Maj • 02:38 • -6.12db
13% Popularity • 59% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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The Impressions
Seven Years
95 bpm • B Maj • 02:24 • -9.97db
23% Popularity • 57% Danceability • 64% Energy • 48% Liveness
0% Instrumentalness • 94% Positiveness
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Buddy Miles
Don't Keep Me Wondering
95 bpm • G Maj • 02:01 • -9.46db
28% Popularity • 46% Danceability • 59% Energy • 86% Liveness
0% Instrumentalness • 77% Positiveness
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Jean Knight
You City Slicker
88 bpm • G# Maj • 02:52 • -12.31db
20% Popularity • 77% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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The Spencer Davis Group
I Can't Stand It
95 bpm • G# Maj • 02:09 • -4.84db
14% Popularity • 55% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Johnny Adams
I Don't Worry Myself
95 bpm • A Maj • 02:30 • -10db
23% Popularity • 69% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
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Clarence Reid
Nobody but You Babe
95 bpm • A# Maj • 02:49 • -8.57db
29% Popularity • 67% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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The James Hunter Six
Don't Let Pride Take You for a Ride
87 bpm • G min • 02:32 • -7.54db
18% Popularity • 58% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
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Johnny Nash
Let's Be Friends
96 bpm • G Maj • 02:52 • -6.35db
13% Popularity • 85% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Rose Royce
Bad Mother Funker
96 bpm • C# Maj • 04:43 • -15.85db
14% Popularity • 92% Danceability • 38% Energy • 4% Liveness
0% Instrumentalness • 80% Positiveness
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Johnny Rawls
Red Cadillac
96 bpm • B min • 03:55 • -5.22db
9% Popularity • 67% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Johnny Adams
Georgia Morning Dew
87 bpm • D Maj • 03:17 • -11.17db
32% Popularity • 53% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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Wilson Pickett
I'm Not Tired
96 bpm • A# Maj • 02:47 • -11db
20% Popularity • 77% Danceability • 31% Energy • 4% Liveness
0% Instrumentalness • 66% Positiveness
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Percy Sledge
You Really Got a Hold on Me
86 bpm • C Maj • 02:53 • -14db
52% Popularity • 68% Danceability • 24% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
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Redbone
Prehistoric Rhythm
96 bpm • A min • 03:56 • -9.23db
17% Popularity • 65% Danceability • 72% Energy • 9% Liveness
1% Instrumentalness • 60% Positiveness
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Charlie Whitehead
Between the Lines
97 bpm • C# Maj • 02:11 • -8.22db
25% Popularity • 68% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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James Carr
You've Got My Mind Messed Up
96 bpm • F min • 02:25 • -7.93db
35% Popularity • 58% Danceability • 63% Energy • 53% Liveness
0% Instrumentalness • 78% Positiveness
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Willie Hutch
I Can't Get Enough
97 bpm • A Maj • 02:52 • -5db
14% Popularity • 56% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Wilson Pickett
New Orleans
86 bpm • D Maj • 02:31 • -16.13db
20% Popularity • 61% Danceability • 46% Energy • 9% Liveness
27% Instrumentalness • 80% Positiveness
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Percy Sledge
True Love Travels on a Gravel Road - 200...
97 bpm • E Maj • 02:51 • -6.08db
4% Popularity • 54% Danceability • 66% Energy • 46% Liveness
13% Instrumentalness • 70% Positiveness
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Candi Staton
Never In Public
97 bpm • C Maj • 02:25 • -15.28db
9% Popularity • 62% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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The Chi-Lites
(For God's Sake) Give More Power To The ...
97 bpm • F# Maj • 03:00 • -10db
25% Popularity • 66% Danceability • 55% Energy • 42% Liveness
3% Instrumentalness • 90% Positiveness
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Jeanne & The Darlings
Soul Girl
97 bpm • C# Maj • 02:28 • -11.21db
26% Popularity • 74% Danceability • 49% Energy • 63% Liveness
0% Instrumentalness • 94% Positiveness
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James Carr
She's Better Than You
97 bpm • A# Maj • 02:22 • -6.84db
25% Popularity • 62% Danceability • 53% Energy • 11% Liveness
7% Instrumentalness • 64% Positiveness
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The Marvelettes
Here I Am Baby
97 bpm • C Maj • 02:49 • -8.32db
29% Popularity • 66% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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Percy Sledge
When a Man Loves a Woman
97 bpm • C# Maj • 02:53 • -20.41db
68% Popularity • 52% Danceability • 15% Energy • 12% Liveness
8% Instrumentalness • 20% Positiveness
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Wilson Pickett
Mini-Skirt Minnie - 2006 Remaster; Singl...
98 bpm • A Maj • 02:59 • -9.48db
5% Popularity • 68% Danceability • 65% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
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King Floyd
Hard to Handle
98 bpm • D# Maj • 02:25 • -8db
27% Popularity • 73% Danceability • 69% Energy • 47% Liveness
0% Instrumentalness • 96% Positiveness
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Ollie & The Nightengales
I Got A Sure Thing
98 bpm • B min • 02:36 • -11db
15% Popularity • 58% Danceability • 43% Energy • 57% Liveness
0% Instrumentalness • 71% Positiveness
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The Spinners
The Rubberband Man
98 bpm • A# Maj • 03:33 • -14.61db
65% Popularity • 80% Danceability • 45% Energy • 8% Liveness
4% Instrumentalness • 92% Positiveness
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Wrecking Crew
Bump And Boogie - Pt. 1
98 bpm • B min • 02:55 • -7.36db
15% Popularity • 68% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
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James Hunter
Talkin' 'Bout My Love
98 bpm • F# min • 02:20 • -6db
9% Popularity • 60% Danceability • 85% Energy • 34% Liveness
3% Instrumentalness • 88% Positiveness
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Wilson Pickett
Sugar Sugar
98 bpm • G Maj • 02:58 • -16db
25% Popularity • 66% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 98% Positiveness
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The Ides Of March
Vehicle
98 bpm • A# min • 03:19 • -2db
23% Popularity • 49% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Jimmy Ruffin
Don't You Miss Me A Little Bit Baby
98 bpm • F Maj • 02:55 • -7.14db
14% Popularity • 68% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Bo Diddley
He's Got All The Whiskey
98 bpm • A# min • 04:42 • -9.24db
9% Popularity • 57% Danceability • 56% Energy • 13% Liveness
4% Instrumentalness • 76% Positiveness
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Four Tops
Loving You Is Sweeter Than Ever
99 bpm • F Maj • 02:50 • -8db
39% Popularity • 53% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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slowed nation
Precious Precious - Slowed + Reverb
84 bpm • D Maj • 03:59 • -21.87db
11% Popularity • 54% Danceability • 38% Energy • 21% Liveness
93% Instrumentalness • 72% Positiveness
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Freddie Scott
Am I Grooving You
98 bpm • A Maj • 03:11 • -11.1db
10% Popularity • 61% Danceability • 54% Energy • 40% Liveness
0% Instrumentalness • 62% Positiveness
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Lee Rogers
You're The Cream Of The Crop
99 bpm • A Maj • 03:02 • -5.09db
8% Popularity • 60% Danceability • 73% Energy • 16% Liveness
2% Instrumentalness • 83% Positiveness
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War
This Funky Music Makes You Feel Good
84 bpm • D Maj • 03:59 • -10.15db
16% Popularity • 84% Danceability • 57% Energy • 2% Liveness
0% Instrumentalness • 96% Positiveness
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James Carr
Lovable Girl
99 bpm • G min • 02:29 • -8.48db
15% Popularity • 65% Danceability • 44% Energy • 52% Liveness
0% Instrumentalness • 46% Positiveness
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Tommy Tucker
Long Tall Shorty
83 bpm • C Maj • 02:26 • -7db
13% Popularity • 64% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Johnny "Guitar" Watson
Cuttin' In
83 bpm • A# Maj • 03:15 • -7.91db
28% Popularity • 53% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Amazing Rhythm Aces
If You Gotta Make a Fool of Somebody
100 bpm • E Maj • 02:47 • -10.99db
11% Popularity • 66% Danceability • 47% Energy • 8% Liveness
1% Instrumentalness • 93% Positiveness
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The Capitols
Cool Jerk
83 bpm • A# min • 02:36 • -13.08db
18% Popularity • 72% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Ann Peebles
Part Time Love
100 bpm • C Maj • 02:54 • -11.89db
32% Popularity • 78% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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Arthur Conley
Stuff You Gotta Watch
100 bpm • G Maj • 02:14 • -11.62db
11% Popularity • 50% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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King Floyd
Movin' On Strong
100 bpm • D Maj • 03:10 • -13.16db
7% Popularity • 64% Danceability • 51% Energy • 3% Liveness
2% Instrumentalness • 82% Positiveness
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Maxine Brown
Hold on I'm Coming
100 bpm • F Maj • 02:49 • -11.49db
28% Popularity • 58% Danceability • 49% Energy • 48% Liveness
0% Instrumentalness • 70% Positiveness
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The Dramatics
Get Up And Get Down - 45 Version
100 bpm • C# min • 03:11 • -16db
38% Popularity • 59% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Eddie Bo
Check Your Bucket
100 bpm • A min • 04:52 • -10.38db
28% Popularity • 71% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Ann Peebles
I Take What I Want
100 bpm • A Maj • 02:30 • -7.85db
30% Popularity • 73% Danceability • 46% Energy • 19% Liveness
1% Instrumentalness • 96% Positiveness
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Bo Diddley
Hit Or Miss
100 bpm • G Maj • 03:43 • -7db
34% Popularity • 70% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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L.c. Cooke
Take Me For What I Am
82 bpm • C Maj • 02:34 • -6db
26% Popularity • 65% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
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Dyke & The Blazers
Stuff
101 bpm • D Maj • 03:27 • -9.69db
10% Popularity • 83% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Tommy Tucker
Hi-Heel Sneakers
82 bpm • F Maj • 02:51 • -7.31db
9% Popularity • 61% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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The Capitols
We Got a Thing That's in the Groove
82 bpm • A Maj • 02:27 • -12.42db
20% Popularity • 66% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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The Impressions
It's All Right - Single Version
82 bpm • C# Maj • 02:47 • -15db
48% Popularity • 56% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Bobby Rush
Nickname
102 bpm • D Maj • 04:48 • -7.52db
11% Popularity • 89% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Percy Sledge
You've Got That Something Wonderful
81 bpm • D Maj • 02:23 • -7.45db
15% Popularity • 63% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 78% Positiveness
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Soft Soul Boogie Woogie