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S.O.B.
Songs like
S.O.B.
by
Nathaniel Rateliff & The Night Sweats
Based on a tempo of (+/- 10%) and a similar genre
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The Heavy
How You Like Me Now
110 bpm • C Maj • 03:37 • -4.69db
61% Popularity • 65% Danceability • 71% Energy • 8% Liveness
70% Instrumentalness • 27% Positiveness
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Nathaniel Rateliff & The Night Sweats
S.O.B.
110 bpm • C# Maj • 04:07 • -6.5db
65% Popularity • 70% Danceability • 58% Energy • 45% Liveness
1% Instrumentalness • 13% Positiveness
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The Record Company
Rita Mae Young
110 bpm • D Maj • 04:21 • -5.21db
47% Popularity • 63% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Billy Bragg
California Stars
110 bpm • A Maj • 04:58 • -9db
61% Popularity • 62% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Ron Gallo
Young Lady, You're Scaring Me
110 bpm • A Maj • 03:40 • -5.53db
59% Popularity • 37% Danceability • 92% Energy • 43% Liveness
0% Instrumentalness • 51% Positiveness
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St. Paul & The Broken Bones
Call Me
110 bpm • G Maj • 02:51 • -4db
62% Popularity • 57% Danceability • 79% Energy • 12% Liveness
21% Instrumentalness • 61% Positiveness
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Talking Heads
Road to Nowhere - 2005 Remaster
110 bpm • D Maj • 04:20 • -4.9db
60% Popularity • 65% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Nathaniel Rateliff & The Night Sweats
How To Make Friends
110 bpm • F# Maj • 03:11 • -7.3db
38% Popularity • 65% Danceability • 59% Energy • 11% Liveness
66% Instrumentalness • 65% Positiveness
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Bob Seger
Against The Wind
110 bpm • G Maj • 05:33 • -5.61db
65% Popularity • 67% Danceability • 77% Energy • 13% Liveness
3% Instrumentalness • 72% Positiveness
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Eagles
Life in the Fast Lane - 2013 Remaster
110 bpm • A Maj • 04:46 • -7.25db
71% Popularity • 67% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Wild Cherry
Play That Funky Music
109 bpm • A Maj • 05:00 • -12.07db
71% Popularity • 81% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Shovels & Rope
Unknown Legend
111 bpm • G Maj • 04:28 • -6db
49% Popularity • 59% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Dolly Parton
Jolene
111 bpm • C# min • 02:41 • -10.97db
76% Popularity • 67% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Ryan Bingham
Southside Of Heaven
111 bpm • G Maj • 06:19 • -10.21db
62% Popularity • 39% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Muddy Waters
Mannish Boy
111 bpm • D Maj • 05:21 • -10.88db
62% Popularity • 60% Danceability • 74% Energy • 68% Liveness
0% Instrumentalness • 62% Positiveness
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Stevie Wonder
Signed, Sealed, Delivered (I'm Yours)
109 bpm • F Maj • 02:41 • -11.33db
77% Popularity • 68% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Nathaniel Rateliff & The Night Sweats
I've Been Failing - Live
109 bpm • A# Maj • 04:41 • -3.61db
26% Popularity • 54% Danceability • 88% Energy • 30% Liveness
11% Instrumentalness • 47% Positiveness
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Boston
More Than a Feeling
109 bpm • G Maj • 04:45 • -8.04db
81% Popularity • 38% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 28% Positiveness
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The Wood Brothers
I Got Loaded
109 bpm • A Maj • 04:03 • -9db
49% Popularity • 76% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Khruangbin
Texas Sun
112 bpm • G Maj • 04:12 • -10.01db
75% Popularity • 64% Danceability • 63% Energy • 10% Liveness
15% Instrumentalness • 60% Positiveness
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KALEO
No Good
109 bpm • A Maj • 03:54 • -3.78db
66% Popularity • 38% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Steppenwolf
Magic Carpet Ride
112 bpm • E min • 04:31 • -14.98db
68% Popularity • 64% Danceability • 65% Energy • 3% Liveness
28% Instrumentalness • 80% Positiveness
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Barns Courtney
Fire
108 bpm • A# min • 03:17 • -6.29db
67% Popularity • 55% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Jamestown Revival
Midnight Hour
112 bpm • A Maj • 03:30 • -4.67db
50% Popularity • 62% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Creedence Clearwater Revival
Down On The Corner
108 bpm • C Maj • 02:46 • -9.29db
75% Popularity • 86% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Nathaniel Rateliff & The Night Sweats
Shake
112 bpm • E Maj • 03:38 • -6db
39% Popularity • 64% Danceability • 82% Energy • 44% Liveness
2% Instrumentalness • 77% Positiveness
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Brother Dege
Too Old to Die Young
112 bpm • D min • 03:44 • -5.93db
55% Popularity • 74% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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Leon Bridges
Coming Home
112 bpm • F# Maj • 03:26 • -6.6db
71% Popularity • 42% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Royal Blood
Figure It Out
108 bpm • C Maj • 03:03 • -4.63db
67% Popularity • 66% Danceability • 81% Energy • 22% Liveness
1% Instrumentalness • 69% Positiveness
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The Wallflowers
One Headlight
108 bpm • D Maj • 05:12 • -8.97db
71% Popularity • 70% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Barenaked Ladies
One Week
113 bpm • A Maj • 02:49 • -6db
68% Popularity • 70% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Nathaniel Rateliff & The Night Sweats
Still Out There Running
108 bpm • E Maj • 04:53 • -11.57db
49% Popularity • 73% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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The Rolling Stones
Sweet Virginia
107 bpm • A Maj • 04:26 • -5.4db
56% Popularity • 48% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
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Chris Stapleton
Parachute
113 bpm • F# Maj • 04:13 • -7.41db
75% Popularity • 64% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Eric Church
Drink In My Hand
113 bpm • C Maj • 03:11 • -4.45db
72% Popularity • 63% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
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Sam & Dave
Hold On, I'm Comin'
107 bpm • F# Maj • 02:35 • -14.03db
72% Popularity • 80% Danceability • 34% Energy • 10% Liveness
4% Instrumentalness • 91% Positiveness
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Jimi Hendrix
All Along the Watchtower
113 bpm • G# Maj • 04:00 • -6.24db
75% Popularity • 44% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Nathaniel Rateliff & The Night Sweats
Babe I Know
113 bpm • A Maj • 03:04 • -8.81db
53% Popularity • 46% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Josh Ritter
Getting Ready to Get Down
107 bpm • F Maj • 03:16 • -4.92db
27% Popularity • 84% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Dexys Midnight Runners
Come On Eileen
107 bpm • D Maj • 04:47 • -7.05db
77% Popularity • 45% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
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The Steeldrivers
Where Rainbows Never Die
113 bpm • E Maj • 03:49 • -8.89db
64% Popularity • 60% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Tom Petty and the Heartbreakers
Breakdown
114 bpm • A min • 02:43 • -8.4db
65% Popularity • 62% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Tom Petty
I Won't Back Down
114 bpm • G Maj • 02:58 • -13.49db
75% Popularity • 76% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Cold War Kids
Love Is Mystical
106 bpm • G min • 03:34 • -5.16db
59% Popularity • 57% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
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Nathaniel Rateliff & The Night Sweats
Coolin' Out
106 bpm • F# min • 04:01 • -8.21db
38% Popularity • 59% Danceability • 80% Energy • 67% Liveness
0% Instrumentalness • 81% Positiveness
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The Doobie Brothers
Listen to the Music
106 bpm • C# min • 03:47 • -13.18db
77% Popularity • 64% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Hot Chocolate
You Sexy Thing
106 bpm • F Maj • 04:04 • -5.47db
74% Popularity • 79% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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The Head And The Heart
Down in the Valley
106 bpm • C Maj • 05:03 • -11db
54% Popularity • 41% Danceability • 39% Energy • 11% Liveness
2% Instrumentalness • 18% Positiveness
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The J. Geils Band
Centerfold
114 bpm • C Maj • 03:36 • -12.24db
72% Popularity • 65% Danceability • 68% Energy • 40% Liveness
0% Instrumentalness • 89% Positiveness
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Tom Petty and the Heartbreakers
American Girl
115 bpm • D Maj • 03:34 • -5.99db
70% Popularity • 55% Danceability • 82% Energy • 37% Liveness
0% Instrumentalness • 78% Positiveness
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Nathaniel Rateliff & The Night Sweats
Trying So Hard Not To Know
106 bpm • A# min • 02:50 • -4.15db
40% Popularity • 72% Danceability • 95% Energy • 40% Liveness
1% Instrumentalness • 60% Positiveness
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The Record Company
Life To Fix
115 bpm • A Maj • 03:59 • -5.48db
42% Popularity • 62% Danceability • 85% Energy • 57% Liveness
0% Instrumentalness • 40% Positiveness
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Dolly Parton
9 to 5
105 bpm • F# Maj • 02:42 • -6db
80% Popularity • 55% Danceability • 78% Energy • 63% Liveness
0% Instrumentalness • 81% Positiveness
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John Denver
Thank God I'm a Country Boy
106 bpm • A Maj • 03:13 • -9.58db
66% Popularity • 76% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Creedence Clearwater Revival
Lookin' Out My Back Door
105 bpm • A# Maj • 02:32 • -5.15db
73% Popularity • 77% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Mumford & Sons
Believe
115 bpm • D Maj • 03:40 • -5.99db
48% Popularity • 33% Danceability • 67% Energy • 22% Liveness
4% Instrumentalness • 38% Positiveness
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Paul Simon
Me and Julio Down by the Schoolyard
105 bpm • A Maj • 02:44 • -10.59db
70% Popularity • 63% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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The Record Company
Life To Fix - Radio Edit
115 bpm • A Maj • 03:17 • -4.67db
44% Popularity • 60% Danceability • 84% Energy • 61% Liveness
0% Instrumentalness • 40% Positiveness
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The Georgia Satellites
Keep Your Hands to Yourself
115 bpm • D Maj • 03:25 • -9.28db
62% Popularity • 58% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Aretha Franklin
Respect
115 bpm • C Maj • 02:27 • -5.23db
76% Popularity • 80% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Deer Tick
Baltimore Blues No. 1
115 bpm • F Maj • 03:01 • -4.5db
51% Popularity • 75% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
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Eric Clapton
Cocaine
105 bpm • A Maj • 03:41 • -12.53db
69% Popularity • 70% Danceability • 50% Energy • 32% Liveness
3% Instrumentalness • 68% Positiveness
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John Mellencamp
Pink Houses
115 bpm • G Maj • 04:43 • -5.31db
60% Popularity • 64% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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The Lumineers
Stubborn Love
115 bpm • C Maj • 04:39 • -11.68db
72% Popularity • 60% Danceability • 56% Energy • 20% Liveness
4% Instrumentalness • 22% Positiveness
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Nathaniel Rateliff & The Night Sweats
Be There
105 bpm • C# min • 03:39 • -5.95db
34% Popularity • 67% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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KT Tunstall
Black Horse And The Cherry Tree
105 bpm • E min • 02:52 • -7.79db
64% Popularity • 75% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
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Bob Seger
Still The Same
116 bpm • C Maj • 03:23 • -6.73db
67% Popularity • 71% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Dr. John
Right Place Wrong Time
105 bpm • C# Maj • 02:55 • -13.7db
58% Popularity • 79% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Electric Light Orchestra
Don't Bring Me Down
116 bpm • D Maj • 04:03 • -6.47db
75% Popularity • 64% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Lou Reed
Walk On the Wild Side
105 bpm • C Maj • 04:14 • -16.73db
72% Popularity • 57% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Nathaniel Rateliff & The Night Sweats
I’m On Your Side
105 bpm • F# Maj • 03:18 • -5db
48% Popularity • 58% Danceability • 74% Energy • 11% Liveness
8% Instrumentalness • 43% Positiveness
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Sturgill Simpson
Life Ain't Fair and the World Is Mean
104 bpm • B min • 02:06 • -5db
64% Popularity • 64% Danceability • 82% Energy • 26% Liveness
3% Instrumentalness • 73% Positiveness
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James
Laid
116 bpm • C Maj • 02:36 • -9.45db
68% Popularity • 46% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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The Rolling Stones
Sympathy For The Devil - 50th Anniversar...
116 bpm • A Maj • 06:18 • -9.24db
74% Popularity • 70% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Jake Bugg
Lightning Bolt
116 bpm • A Maj • 02:24 • -4.56db
63% Popularity • 55% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Creedence Clearwater Revival
Have You Ever Seen The Rain
116 bpm • C Maj • 02:40 • -7.03db
88% Popularity • 74% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Nathaniel Rateliff & The Night Sweats
Boiled Over
115 bpm • B Maj • 02:30 • -8.51db
34% Popularity • 33% Danceability • 36% Energy • 9% Liveness
5% Instrumentalness • 19% Positiveness
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Tom Petty and the Heartbreakers
Refugee
116 bpm • F# min • 03:21 • -4.91db
66% Popularity • 58% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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KONGOS
Come with Me Now
104 bpm • A# min • 03:31 • -3.8db
67% Popularity • 65% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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John Mellencamp
Jack & Diane
104 bpm • A Maj • 04:14 • -8.21db
74% Popularity • 81% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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George Ezra
Blame It on Me
104 bpm • D# Maj • 03:16 • -3.37db
69% Popularity • 54% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
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The Black Crowes
Hard To Handle
104 bpm • E Maj • 03:08 • -3.58db
71% Popularity • 60% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Nathaniel Rateliff & The Night Sweats
S.O.B. - Live
115 bpm • F# Maj • 06:43 • -4.97db
25% Popularity • 49% Danceability • 78% Energy • 97% Liveness
0% Instrumentalness • 34% Positiveness
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Tom Petty and the Heartbreakers
Learning To Fly
117 bpm • C Maj • 04:02 • -9.94db
70% Popularity • 65% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 95% Positiveness
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Otis Redding
(Sittin' On) the Dock of the Bay
104 bpm • D Maj • 02:43 • -11.23db
81% Popularity • 77% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Warren Zevon
Werewolves of London
104 bpm • G Maj • 03:29 • -8.72db
64% Popularity • 75% Danceability • 62% Energy • 6% Liveness
1% Instrumentalness • 93% Positiveness
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Chris Stapleton
Outlaw State Of Mind
117 bpm • C Maj • 05:35 • -9.49db
56% Popularity • 45% Danceability • 71% Energy • 12% Liveness
54% Instrumentalness • 40% Positiveness
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Hootie & The Blowfish
Only Wanna Be With You
103 bpm • F# Maj • 03:49 • -5.86db
69% Popularity • 49% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Nathaniel Rateliff & The Night Sweats
I’ve Been Failing
116 bpm • D# Maj • 03:00 • -8.47db
47% Popularity • 71% Danceability • 61% Energy • 7% Liveness
1% Instrumentalness • 57% Positiveness
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The Who
Baba O'Riley
117 bpm • F Maj • 05:00 • -8.37db
76% Popularity • 49% Danceability • 72% Energy • 29% Liveness
18% Instrumentalness • 15% Positiveness
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Ram Jam
Black Betty
117 bpm • B min • 03:58 • -6.4db
72% Popularity • 46% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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The Doobie Brothers
Long Train Runnin'
117 bpm • G min • 03:27 • -7.28db
71% Popularity • 57% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Creedence Clearwater Revival
Born On The Bayou
117 bpm • A Maj • 05:15 • -7.73db
66% Popularity • 66% Danceability • 60% Energy • 10% Liveness
7% Instrumentalness • 58% Positiveness
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Tom Cochrane
Life Is A Highway
103 bpm • F Maj • 04:26 • -3.46db
63% Popularity • 68% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 75% Positiveness
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Nathaniel Rateliff & The Night Sweats
Late Night Party - Out On The Weekend Ve...
117 bpm • D Maj • 03:23 • -6.87db
34% Popularity • 73% Danceability • 98% Energy • 28% Liveness
11% Instrumentalness • 55% Positiveness
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Kid Rock
All Summer Long
103 bpm • G Maj • 04:57 • -3.63db
73% Popularity • 70% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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The Wood Brothers
Postcards From Hell
103 bpm • A Maj • 04:44 • -10.46db
50% Popularity • 46% Danceability • 24% Energy • 13% Liveness
2% Instrumentalness • 32% Positiveness
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Bruce Springsteen
Glory Days
117 bpm • A Maj • 04:14 • -4.91db
70% Popularity • 57% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 98% Positiveness
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Simon & Garfunkel
Cecilia
103 bpm • C Maj • 02:54 • -8.87db
73% Popularity • 76% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
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Paul Simon
Graceland
118 bpm • A Maj • 04:51 • -9db
61% Popularity • 73% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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S.O.B.