Songs like Sogno di Volare (“The Dream of Flight”) by Christopher Tin
Based on a tempo of (+/- 10%) and a similar genre
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Jeremy Soule
Far Horizons
65 bpm • A# Maj • 05:31 • -20.77db
57% Popularity • 6% Danceability • 17% Energy • 17% Liveness
95% Instrumentalness • 4% Positiveness
57% Popularity • 6% Danceability • 17% Energy • 17% Liveness
95% Instrumentalness • 4% Positiveness
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Christopher Tin
Sogno di Volare (“The Dream of Flight�...
65 bpm • G# Maj • 03:53 • -9.59db
49% Popularity • 35% Danceability • 64% Energy • 10% Liveness
94% Instrumentalness • 17% Positiveness
49% Popularity • 35% Danceability • 64% Energy • 10% Liveness
94% Instrumentalness • 17% Positiveness
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Eurielle
The Bridge Of Khazad-Dum
64 bpm • F min • 03:29 • -12.86db
47% Popularity • 12% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
47% Popularity • 12% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Hans Zimmer
Themes
66 bpm • D min • 06:18 • -14db
42% Popularity • 27% Danceability • 42% Energy • 11% Liveness
94% Instrumentalness • 58% Positiveness
42% Popularity • 27% Danceability • 42% Energy • 11% Liveness
94% Instrumentalness • 58% Positiveness
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Nicholas Hooper
In Noctem
64 bpm • C min • 02:00 • -29.88db
51% Popularity • 28% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
51% Popularity • 28% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Sea of Thieves
Becalmed - Original Game Soundtrack
64 bpm • E Maj • 02:44 • -11.1db
44% Popularity • 21% Danceability • 30% Energy • 36% Liveness
92% Instrumentalness • 7% Positiveness
44% Popularity • 21% Danceability • 30% Energy • 36% Liveness
92% Instrumentalness • 7% Positiveness
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Harry Gregson-Williams
To Aslan's Camp
64 bpm • D Maj • 03:12 • -15.59db
46% Popularity • 7% Danceability • 21% Energy • 14% Liveness
64% Instrumentalness • 4% Positiveness
46% Popularity • 7% Danceability • 21% Energy • 14% Liveness
64% Instrumentalness • 4% Positiveness
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Tartalo Music
Battle for Camelot
67 bpm • E min • 04:55 • -8.5db
41% Popularity • 46% Danceability • 91% Energy • 16% Liveness
83% Instrumentalness • 47% Positiveness
41% Popularity • 46% Danceability • 91% Energy • 16% Liveness
83% Instrumentalness • 47% Positiveness
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Geoff Zanelli
Beyond My Beloved Horizon
67 bpm • D min • 02:40 • -10.42db
41% Popularity • 31% Danceability • 65% Energy • 18% Liveness
94% Instrumentalness • 51% Positiveness
41% Popularity • 31% Danceability • 65% Energy • 18% Liveness
94% Instrumentalness • 51% Positiveness
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Jeremy Soule
Dragonborn
67 bpm • B min • 03:55 • -13.31db
59% Popularity • 41% Danceability • 48% Energy • 11% Liveness
68% Instrumentalness • 13% Positiveness
59% Popularity • 41% Danceability • 48% Energy • 11% Liveness
68% Instrumentalness • 13% Positiveness
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Peter Crowley
Spirit of Freedom
67 bpm • B Maj • 04:12 • -5.91db
33% Popularity • 15% Danceability • 75% Energy • 33% Liveness
0% Instrumentalness • 19% Positiveness
33% Popularity • 15% Danceability • 75% Energy • 33% Liveness
0% Instrumentalness • 19% Positiveness
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The Marcus Hedges Trend Orchestra
Halo Theme Orchestrated
63 bpm • E min • 02:24 • -11.96db
33% Popularity • 34% Danceability • 48% Energy • 11% Liveness
77% Instrumentalness • 20% Positiveness
33% Popularity • 34% Danceability • 48% Energy • 11% Liveness
77% Instrumentalness • 20% Positiveness
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Christopher Tin
Welcome To Mars
68 bpm • D Maj • 02:02 • -23.59db
22% Popularity • 47% Danceability • 5% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
22% Popularity • 47% Danceability • 5% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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Sarah Schachner
Legion of Dawn
63 bpm • D min • 03:46 • -17.19db
35% Popularity • 16% Danceability • 22% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
35% Popularity • 16% Danceability • 22% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
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Brian Tyler
Thor: The Dark World
68 bpm • A# Maj • 02:10 • -9.67db
47% Popularity • 32% Danceability • 71% Energy • 19% Liveness
96% Instrumentalness • 24% Positiveness
47% Popularity • 32% Danceability • 71% Energy • 19% Liveness
96% Instrumentalness • 24% Positiveness
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Joris de Man
Prologue - Part 1 - Motherland
68 bpm • F min • 05:29 • -21db
42% Popularity • 6% Danceability • 12% Energy • 10% Liveness
25% Instrumentalness • 3% Positiveness
42% Popularity • 6% Danceability • 12% Energy • 10% Liveness
25% Instrumentalness • 3% Positiveness
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Hans Zimmer
Honor (Main Title Theme from "The Pacifi...
69 bpm • C# Maj • 02:56 • -14.83db
53% Popularity • 19% Danceability • 28% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
53% Popularity • 19% Danceability • 28% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
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ViolinGamer
Valse di Fantasticá
69 bpm • G min • 04:32 • -9.8db
23% Popularity • 28% Danceability • 41% Energy • 14% Liveness
26% Instrumentalness • 43% Positiveness
23% Popularity • 28% Danceability • 41% Energy • 14% Liveness
26% Instrumentalness • 43% Positiveness
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Michael Salvatori
The Traveler
69 bpm • C Maj • 02:30 • -18db
40% Popularity • 16% Danceability • 13% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
40% Popularity • 16% Danceability • 13% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Glenn Stafford
The Battle Begins
69 bpm • D# min • 03:02 • -11db
25% Popularity • 10% Danceability • 63% Energy • 11% Liveness
87% Instrumentalness • 26% Positiveness
25% Popularity • 10% Danceability • 63% Energy • 11% Liveness
87% Instrumentalness • 26% Positiveness
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Jeremy Soule
From Past to Present
69 bpm • C Maj • 05:04 • -21.53db
60% Popularity • 7% Danceability • 9% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
60% Popularity • 7% Danceability • 9% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
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Video Games Live
Skyrim - "Dragonborn Theme”
69 bpm • B min • 03:54 • -10.42db
45% Popularity • 23% Danceability • 51% Energy • 12% Liveness
91% Instrumentalness • 24% Positiveness
45% Popularity • 23% Danceability • 51% Energy • 12% Liveness
91% Instrumentalness • 24% Positiveness
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Lucas King
Imperial March Heroic
60 bpm • E min • 03:00 • -23db
19% Popularity • 9% Danceability • 13% Energy • 25% Liveness
55% Instrumentalness • 6% Positiveness
19% Popularity • 9% Danceability • 13% Energy • 25% Liveness
55% Instrumentalness • 6% Positiveness
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James Hannigan
Runescape Theme
60 bpm • C Maj • 03:17 • -16.01db
27% Popularity • 10% Danceability • 25% Energy • 13% Liveness
91% Instrumentalness • 16% Positiveness
27% Popularity • 10% Danceability • 25% Energy • 13% Liveness
91% Instrumentalness • 16% Positiveness
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Carl Orff
Fortuna imperatrix mundi: Fortuna (Choru...
71 bpm • A# Maj • 02:35 • -16db
21% Popularity • 22% Danceability • 38% Energy • 10% Liveness
79% Instrumentalness • 47% Positiveness
21% Popularity • 22% Danceability • 38% Energy • 10% Liveness
79% Instrumentalness • 47% Positiveness
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James Horner
Becoming one of "The People" Becoming on...
71 bpm • C# Maj • 07:43 • -26.31db
55% Popularity • 10% Danceability • 9% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
55% Popularity • 10% Danceability • 9% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
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Globus
Crusaders of the Light
72 bpm • F min • 05:42 • -16db
30% Popularity • 35% Danceability • 31% Energy • 10% Liveness
97% Instrumentalness • 15% Positiveness
30% Popularity • 35% Danceability • 31% Energy • 10% Liveness
97% Instrumentalness • 15% Positiveness
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Danny Elfman
The Batman Theme
74 bpm • B min • 02:38 • -10.1db
55% Popularity • 20% Danceability • 48% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
55% Popularity • 20% Danceability • 48% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Ramin Djawadi
Paint It, Black
74 bpm • A min • 05:44 • -11.33db
47% Popularity • 33% Danceability • 33% Energy • 9% Liveness
89% Instrumentalness • 10% Positiveness
47% Popularity • 33% Danceability • 33% Energy • 9% Liveness
89% Instrumentalness • 10% Positiveness
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Alan Silvestri
A Promise
75 bpm • E min • 03:34 • -13.83db
40% Popularity • 10% Danceability • 27% Energy • 21% Liveness
90% Instrumentalness • 4% Positiveness
40% Popularity • 10% Danceability • 27% Energy • 21% Liveness
90% Instrumentalness • 4% Positiveness
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Robert L. Euvino
Castle Jam
75 bpm • C min • 04:19 • -16.18db
38% Popularity • 75% Danceability • 14% Energy • 9% Liveness
11% Instrumentalness • 37% Positiveness
38% Popularity • 75% Danceability • 14% Energy • 9% Liveness
11% Instrumentalness • 37% Positiveness
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Karl Jenkins
Adiemus
75 bpm • G Maj • 04:03 • -10.91db
41% Popularity • 22% Danceability • 61% Energy • 31% Liveness
94% Instrumentalness • 15% Positiveness
41% Popularity • 22% Danceability • 61% Energy • 31% Liveness
94% Instrumentalness • 15% Positiveness
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Piotr Musiał
Frostpunk Theme
75 bpm • C min • 03:06 • -13.49db
45% Popularity • 26% Danceability • 50% Energy • 7% Liveness
88% Instrumentalness • 18% Positiveness
45% Popularity • 26% Danceability • 50% Energy • 7% Liveness
88% Instrumentalness • 18% Positiveness
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Danny Elfman
New Avengers - Avengers: Age of Ultron
73 bpm • B min • 03:09 • -11.71db
38% Popularity • 29% Danceability • 51% Energy • 3% Liveness
96% Instrumentalness • 6% Positiveness
38% Popularity • 29% Danceability • 51% Energy • 3% Liveness
96% Instrumentalness • 6% Positiveness
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Jeremy Soule
The Streets of Whiterun
75 bpm • C# min • 04:04 • -17.68db
61% Popularity • 7% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
61% Popularity • 7% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Thomas Newman
The Night Window
77 bpm • A# Maj • 03:41 • -20.65db
44% Popularity • 18% Danceability • 10% Energy • 10% Liveness
2% Instrumentalness • 3% Positiveness
44% Popularity • 18% Danceability • 10% Energy • 10% Liveness
2% Instrumentalness • 3% Positiveness
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Halo
Halo Canticles
75 bpm • C Maj • 04:13 • -20.47db
33% Popularity • 7% Danceability • 12% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
33% Popularity • 7% Danceability • 12% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Christopher Lennertz
Dogs of War: Main Title
77 bpm • D# Maj • 02:58 • -14.77db
38% Popularity • 10% Danceability • 20% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
38% Popularity • 10% Danceability • 20% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Keko
Dueling Destinies - A Star Wars: Knights...
77 bpm • E min • 04:59 • -13db
28% Popularity • 10% Danceability • 31% Energy • 10% Liveness
83% Instrumentalness • 8% Positiveness
28% Popularity • 10% Danceability • 31% Energy • 10% Liveness
83% Instrumentalness • 8% Positiveness
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Mikolai Stroinski
After The Storm
78 bpm • D min • 01:30 • -15.64db
51% Popularity • 16% Danceability • 13% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
51% Popularity • 16% Danceability • 13% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Epic Score
Ride to Glory
78 bpm • G# Maj • 02:13 • -7.93db
51% Popularity • 48% Danceability • 71% Energy • 6% Liveness
98% Instrumentalness • 41% Positiveness
51% Popularity • 48% Danceability • 71% Energy • 6% Liveness
98% Instrumentalness • 41% Positiveness
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Harry Gregson-Williams
Into The Sunset
78 bpm • C Maj • 02:21 • -9db
23% Popularity • 11% Danceability • 45% Energy • 20% Liveness
96% Instrumentalness • 9% Positiveness
23% Popularity • 11% Danceability • 45% Energy • 20% Liveness
96% Instrumentalness • 9% Positiveness
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Jonas B. Ingebretsen
Metal Gear Solid - Big Boss Returns
78 bpm • D Maj • 05:00 • -12db
33% Popularity • 15% Danceability • 34% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
33% Popularity • 15% Danceability • 34% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Nobuo Uematsu
Aerith's Theme (Final Fantasy VII)
79 bpm • G Maj • 05:48 • -13.77db
44% Popularity • 9% Danceability • 13% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
44% Popularity • 9% Danceability • 13% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Arrival to Earth
79 bpm • C min • 05:26 • -16.4db
61% Popularity • 10% Danceability • 38% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
61% Popularity • 10% Danceability • 38% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
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Christopher Tin
Caoineadh
79 bpm • G min • 05:44 • -22.34db
22% Popularity • 8% Danceability • 6% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
22% Popularity • 8% Danceability • 6% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Gareth Coker
Light of Nibel
80 bpm • A Maj • 04:19 • -11.68db
46% Popularity • 25% Danceability • 51% Energy • 17% Liveness
89% Instrumentalness • 5% Positiveness
46% Popularity • 25% Danceability • 51% Energy • 17% Liveness
89% Instrumentalness • 5% Positiveness
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Justin Hurwitz
The Landing
80 bpm • G min • 05:31 • -15.24db
44% Popularity • 17% Danceability • 32% Energy • 10% Liveness
93% Instrumentalness • 28% Positiveness
44% Popularity • 17% Danceability • 32% Energy • 10% Liveness
93% Instrumentalness • 28% Positiveness
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Russell Brower
Wrath of the Lich King (Main Title)
80 bpm • D Maj • 08:56 • -11db
36% Popularity • 13% Danceability • 45% Energy • 23% Liveness
51% Instrumentalness • 5% Positiveness
36% Popularity • 13% Danceability • 45% Energy • 23% Liveness
51% Instrumentalness • 5% Positiveness
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Nobuo Uematsu
Main Theme of Final Fantasy VII (Final F...
79 bpm • D Maj • 06:43 • -16db
41% Popularity • 11% Danceability • 13% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
41% Popularity • 11% Danceability • 13% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Steve Jablonsky
No Sacrifice, No Victory
80 bpm • G min • 02:57 • -15.78db
51% Popularity • 15% Danceability • 46% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
51% Popularity • 15% Danceability • 46% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
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Marcin Przybyłowicz
The Trail
80 bpm • G min • 02:49 • -8db
50% Popularity • 36% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
50% Popularity • 36% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
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James Paget
Throw Off the Bowlines
80 bpm • C min • 04:10 • -9db
36% Popularity • 34% Danceability • 43% Energy • 13% Liveness
96% Instrumentalness • 7% Positiveness
36% Popularity • 34% Danceability • 43% Energy • 13% Liveness
96% Instrumentalness • 7% Positiveness
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Junkie XL
Brothers In Arms
80 bpm • G# Maj • 04:22 • -8.9db
42% Popularity • 46% Danceability • 94% Energy • 19% Liveness
97% Instrumentalness • 56% Positiveness
42% Popularity • 46% Danceability • 94% Energy • 19% Liveness
97% Instrumentalness • 56% Positiveness
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Efisio Cross
A Sacrifice to Save You
80 bpm • G min • 05:05 • -12db
36% Popularity • 30% Danceability • 53% Energy • 15% Liveness
43% Instrumentalness • 9% Positiveness
36% Popularity • 30% Danceability • 53% Energy • 15% Liveness
43% Instrumentalness • 9% Positiveness
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Michael Richard Plowman
Advent Rising Bounty Hunter
80 bpm • D min • 03:05 • -13.26db
8% Popularity • 42% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 42% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Steve Jablonsky
Autobots
80 bpm • G min • 02:33 • -14.76db
55% Popularity • 39% Danceability • 49% Energy • 11% Liveness
96% Instrumentalness • 18% Positiveness
55% Popularity • 39% Danceability • 49% Energy • 11% Liveness
96% Instrumentalness • 18% Positiveness
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Piotr Musiał
The Slopes Of The Blessure
80 bpm • D min • 04:02 • -14.5db
48% Popularity • 25% Danceability • 26% Energy • 11% Liveness
44% Instrumentalness • 7% Positiveness
48% Popularity • 25% Danceability • 26% Energy • 11% Liveness
44% Instrumentalness • 7% Positiveness
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James Newton Howard
Main Titles (Fantastic Beasts and Where ...
80 bpm • C Maj • 02:54 • -16.47db
44% Popularity • 33% Danceability • 30% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
44% Popularity • 33% Danceability • 30% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
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Nicholas Hooper
Dumbledore's Army
80 bpm • G Maj • 02:40 • -21db
53% Popularity • 34% Danceability • 12% Energy • 16% Liveness
79% Instrumentalness • 21% Positiveness
53% Popularity • 34% Danceability • 12% Energy • 16% Liveness
79% Instrumentalness • 21% Positiveness
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Ralph Vaughan Williams
Fantasia on a Theme by Thomas Tallis (ex...
80 bpm • C min • 06:24 • -26.06db
29% Popularity • 8% Danceability • 5% Energy • 34% Liveness
53% Instrumentalness • 4% Positiveness
29% Popularity • 8% Danceability • 5% Energy • 34% Liveness
53% Instrumentalness • 4% Positiveness
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Emilíana Torrini
Gollum's Song
80 bpm • G Maj • 05:51 • -14.24db
46% Popularity • 12% Danceability • 16% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
46% Popularity • 12% Danceability • 16% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Prime
80 bpm • G# Maj • 02:14 • -17db
48% Popularity • 20% Danceability • 49% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
48% Popularity • 20% Danceability • 49% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
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Jeremy Soule
Sovngarde
81 bpm • G# Maj • 03:36 • -13.17db
46% Popularity • 24% Danceability • 49% Energy • 7% Liveness
87% Instrumentalness • 17% Positiveness
46% Popularity • 24% Danceability • 49% Energy • 7% Liveness
87% Instrumentalness • 17% Positiveness
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Christopher Tin
Dao Zai Fan Ye
80 bpm • D min • 03:15 • -21.76db
25% Popularity • 21% Danceability • 10% Energy • 8% Liveness
2% Instrumentalness • 11% Positiveness
25% Popularity • 21% Danceability • 10% Energy • 8% Liveness
2% Instrumentalness • 11% Positiveness
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Sonya Belousova
Geralt of Rivia
81 bpm • G Maj • 01:52 • -7.09db
47% Popularity • 23% Danceability • 87% Energy • 11% Liveness
17% Instrumentalness • 18% Positiveness
47% Popularity • 23% Danceability • 87% Energy • 11% Liveness
17% Instrumentalness • 18% Positiveness
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Nobuo Uematsu
Zanarkand (Final Fantasy X)
81 bpm • B min • 04:34 • -14.48db
44% Popularity • 9% Danceability • 19% Energy • 9% Liveness
87% Instrumentalness • 9% Positiveness
44% Popularity • 9% Danceability • 19% Energy • 9% Liveness
87% Instrumentalness • 9% Positiveness
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Todd Masten
Main Theme
81 bpm • A min • 02:11 • -11db
31% Popularity • 18% Danceability • 42% Energy • 13% Liveness
83% Instrumentalness • 18% Positiveness
31% Popularity • 18% Danceability • 42% Energy • 13% Liveness
83% Instrumentalness • 18% Positiveness
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Nathan Whitehead
Days Gone
81 bpm • D min • 03:41 • -16.68db
41% Popularity • 9% Danceability • 26% Energy • 8% Liveness
84% Instrumentalness • 6% Positiveness
41% Popularity • 9% Danceability • 26% Energy • 8% Liveness
84% Instrumentalness • 6% Positiveness
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Jeremy Soule
Morrowind Recomposed: The Elder Scrolls ...
81 bpm • F min • 01:57 • -10.86db
46% Popularity • 22% Danceability • 41% Energy • 11% Liveness
99% Instrumentalness • 13% Positiveness
46% Popularity • 22% Danceability • 41% Energy • 11% Liveness
99% Instrumentalness • 13% Positiveness
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Adriel Fair
Knight's Templar
81 bpm • D# min • 01:34 • -8db
49% Popularity • 62% Danceability • 74% Energy • 13% Liveness
98% Instrumentalness • 38% Positiveness
49% Popularity • 62% Danceability • 74% Energy • 13% Liveness
98% Instrumentalness • 38% Positiveness
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Basil Poledouris
Hymn To Red October (Main Title)
81 bpm • G min • 05:06 • -19.86db
41% Popularity • 42% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
41% Popularity • 42% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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League of Legends
Demacia Rising
81 bpm • A min • 04:07 • -11.84db
36% Popularity • 11% Danceability • 50% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
36% Popularity • 11% Danceability • 50% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Brian Tyler
Asgard
82 bpm • C Maj • 01:56 • -9.92db
35% Popularity • 28% Danceability • 52% Energy • 6% Liveness
98% Instrumentalness • 28% Positiveness
35% Popularity • 28% Danceability • 52% Energy • 6% Liveness
98% Instrumentalness • 28% Positiveness
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Glenn Stafford
Wings of Liberty
82 bpm • A min • 07:15 • -11.12db
30% Popularity • 15% Danceability • 41% Energy • 17% Liveness
84% Instrumentalness • 8% Positiveness
30% Popularity • 15% Danceability • 41% Energy • 17% Liveness
84% Instrumentalness • 8% Positiveness
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The Central Band of The Royal British Legion
I Vow To Thee - Instrumental
82 bpm • D min • 03:05 • -11.88db
20% Popularity • 38% Danceability • 38% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
20% Popularity • 38% Danceability • 38% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
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Chance Thomas
Theme for Rohan
82 bpm • C min • 03:27 • -18.79db
37% Popularity • 13% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
37% Popularity • 13% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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Halo
Never Forget
82 bpm • D# Maj • 03:07 • -22db
51% Popularity • 16% Danceability • 7% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
51% Popularity • 16% Danceability • 7% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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John Bacchus Dykes
Roll Tide
82 bpm • D min • 07:33 • -16db
44% Popularity • 8% Danceability • 18% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
44% Popularity • 8% Danceability • 18% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Richard Beddow
Napoleon Boneparte
83 bpm • D min • 02:12 • -12db
31% Popularity • 9% Danceability • 15% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
31% Popularity • 9% Danceability • 15% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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The Chamber Orchestra Of London
Downton Abbey - The Suite
82 bpm • A min • 07:08 • -14db
43% Popularity • 14% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
43% Popularity • 14% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
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Jamie Salisbury aka Jonas West
Epic China (War Thunder Trailer)
83 bpm • E min • 02:48 • -12.28db
30% Popularity • 40% Danceability • 69% Energy • 11% Liveness
94% Instrumentalness • 51% Positiveness
30% Popularity • 40% Danceability • 69% Energy • 11% Liveness
94% Instrumentalness • 51% Positiveness
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Christopher Tin
The Fall
83 bpm • D Maj • 04:53 • -17.42db
23% Popularity • 12% Danceability • 20% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
23% Popularity • 12% Danceability • 20% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
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Murray Gold
The Shepherd's Boy
83 bpm • C Maj • 04:47 • -11.41db
42% Popularity • 36% Danceability • 42% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
42% Popularity • 36% Danceability • 42% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
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Harry Gregson-Williams
Only The Beginning of The Adventure
83 bpm • G# Maj • 05:32 • -18.08db
53% Popularity • 19% Danceability • 17% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
53% Popularity • 19% Danceability • 17% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
Praying
83 bpm • A min • 05:49 • -13.18db
43% Popularity • 8% Danceability • 37% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
43% Popularity • 8% Danceability • 37% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Richard Armitage
Misty Mountains
84 bpm • G min • 01:43 • -32db
70% Popularity • 20% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
70% Popularity • 20% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Jeremy Soule
Skyrim - Age of Oppression
83 bpm • D min • 03:55 • -16db
29% Popularity • 18% Danceability • 13% Energy • 10% Liveness
1% Instrumentalness • 7% Positiveness
29% Popularity • 18% Danceability • 13% Energy • 10% Liveness
1% Instrumentalness • 7% Positiveness
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Jason Hayes
Legends of Azeroth (Main Title)
84 bpm • G# Maj • 02:41 • -10.49db
41% Popularity • 18% Danceability • 45% Energy • 30% Liveness
82% Instrumentalness • 8% Positiveness
41% Popularity • 18% Danceability • 45% Energy • 30% Liveness
82% Instrumentalness • 8% Positiveness
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Sea of Thieves
Shroudbroken - Original Game Soundtrack
84 bpm • C Maj • 02:48 • -15db
27% Popularity • 18% Danceability • 23% Energy • 9% Liveness
82% Instrumentalness • 13% Positiveness
27% Popularity • 18% Danceability • 23% Energy • 9% Liveness
82% Instrumentalness • 13% Positiveness
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Christopher Tin
Rassemblons-Nous
84 bpm • F Maj • 04:27 • -13.85db
23% Popularity • 20% Danceability • 47% Energy • 10% Liveness
1% Instrumentalness • 21% Positiveness
23% Popularity • 20% Danceability • 47% Energy • 10% Liveness
1% Instrumentalness • 21% Positiveness
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Neal Acree
Warbringers: Jaina
84 bpm • C# Maj • 04:08 • -13.97db
46% Popularity • 28% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
46% Popularity • 28% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Ilan Eshkeri
Jin Sakai
84 bpm • G min • 02:51 • -14.26db
44% Popularity • 43% Danceability • 44% Energy • 11% Liveness
86% Instrumentalness • 14% Positiveness
44% Popularity • 43% Danceability • 44% Energy • 11% Liveness
86% Instrumentalness • 14% Positiveness
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Jeremy Soule
Harvest Dawn
84 bpm • D min • 02:51 • -21.62db
55% Popularity • 13% Danceability • 6% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
55% Popularity • 13% Danceability • 6% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
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Michael Kamen
Main Titles from the HBO Miniseries Band...
84 bpm • F Maj • 02:24 • -17.62db
45% Popularity • 8% Danceability • 18% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
45% Popularity • 8% Danceability • 18% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Hans Zimmer
The Battle
84 bpm • C Maj • 10:02 • -14db
48% Popularity • 40% Danceability • 38% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
48% Popularity • 40% Danceability • 38% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
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Steven Price
A Game of Strategy
85 bpm • B min • 03:17 • -18db
32% Popularity • 27% Danceability • 37% Energy • 14% Liveness
96% Instrumentalness • 20% Positiveness
32% Popularity • 27% Danceability • 37% Energy • 14% Liveness
96% Instrumentalness • 20% Positiveness
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Austin Wintory
I Was Born for This
84 bpm • B min • 04:46 • -14db
38% Popularity • 11% Danceability • 28% Energy • 15% Liveness
1% Instrumentalness • 4% Positiveness
38% Popularity • 11% Danceability • 28% Energy • 15% Liveness
1% Instrumentalness • 4% Positiveness
