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Solace
Songs like
Solace
by
Aaron Parks
Based on a tempo of (+/- 10%) and a similar genre
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Tingvall Trio
Spöksteg
158 bpm • E min • 04:46 • -13.56db
34% Popularity • 28% Danceability • 64% Energy • 26% Liveness
95% Instrumentalness • 48% Positiveness
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Nate Smith
Retold
158 bpm • D Maj • 04:54 • -10db
37% Popularity • 40% Danceability • 60% Energy • 11% Liveness
89% Instrumentalness • 18% Positiveness
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Espen Berg Trio
Hounds of Winter
158 bpm • B Maj • 04:07 • -16.58db
15% Popularity • 50% Danceability • 26% Energy • 12% Liveness
89% Instrumentalness • 19% Positiveness
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Brian Blade & The Fellowship Band
Broken Leg Days
157 bpm • C Maj • 05:20 • -12.08db
26% Popularity • 34% Danceability • 32% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
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S. Carey
Calling
155 bpm • F min • 05:10 • -13.91db
29% Popularity • 31% Danceability • 37% Energy • 34% Liveness
93% Instrumentalness • 28% Positiveness
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Aaron Parks
My Mistake
161 bpm • D# Maj • 04:54 • -11.04db
19% Popularity • 61% Danceability • 35% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
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Tingvall Trio
Tokyo Dance
160 bpm • G# Maj • 04:33 • -12.31db
32% Popularity • 41% Danceability • 72% Energy • 10% Liveness
91% Instrumentalness • 80% Positiveness
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Michel Bisceglia
Dry Water
153 bpm • A# Maj • 05:43 • -21.37db
30% Popularity • 46% Danceability • 11% Energy • 10% Liveness
84% Instrumentalness • 30% Positiveness
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Omer Klein
Don't be a Zombie
152 bpm • C min • 01:57 • -19.41db
26% Popularity • 56% Danceability • 32% Energy • 14% Liveness
86% Instrumentalness • 48% Positiveness
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Anat Fort Trio
Clouds Moving
152 bpm • C Maj • 05:35 • -16.38db
27% Popularity • 22% Danceability • 43% Energy • 10% Liveness
88% Instrumentalness • 34% Positiveness
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Eric Legnini Trio
Don't Let Me Be Lonely Tonight
152 bpm • G Maj • 03:10 • -17db
47% Popularity • 56% Danceability • 31% Energy • 10% Liveness
81% Instrumentalness • 58% Positiveness
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Aaron Parks
Mandala
154 bpm • D Maj • 04:51 • -16.44db
26% Popularity • 42% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Espen Eriksen Trio
Suburban Folk Song
152 bpm • G# Maj • 05:09 • -14.2db
14% Popularity • 52% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 35% Positiveness
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Luigi Masciari
Seven Dollars
165 bpm • G Maj • 05:53 • -10.06db
3% Popularity • 35% Danceability • 61% Energy • 10% Liveness
88% Instrumentalness • 21% Positiveness
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Vijay Iyer
Human Nature
166 bpm • A# min • 06:09 • -21.99db
22% Popularity • 28% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 18% Positiveness
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Oded Tzur
Tzurkauns
150 bpm • F# Maj • 09:30 • -19.15db
14% Popularity • 39% Danceability • 17% Energy • 12% Liveness
82% Instrumentalness • 36% Positiveness
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Thomas Fonnesbæk
I'm on Fire
168 bpm • C# min • 05:05 • -17.76db
8% Popularity • 39% Danceability • 34% Energy • 12% Liveness
92% Instrumentalness • 83% Positiveness
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Peter Erskine
Esperança
148 bpm • C Maj • 03:56 • -20.31db
25% Popularity • 37% Danceability • 28% Energy • 11% Liveness
92% Instrumentalness • 60% Positiveness
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John W. Duarte
The Birds
168 bpm • D min • 03:14 • -18.39db
2% Popularity • 28% Danceability • 5% Energy • 13% Liveness
1% Instrumentalness • 20% Positiveness
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Markus Stockhausen
Mona
148 bpm • G min • 05:00 • -13.4db
25% Popularity • 48% Danceability • 27% Energy • 10% Liveness
87% Instrumentalness • 32% Positiveness
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Lage Lund
All or Nothing at All
148 bpm • F Maj • 07:11 • -16.12db
2% Popularity • 32% Danceability • 40% Energy • 9% Liveness
9% Instrumentalness • 46% Positiveness
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Emil Brandqvist Trio
Still Awake
148 bpm • A# min • 04:41 • -19.67db
20% Popularity • 39% Danceability • 32% Energy • 11% Liveness
90% Instrumentalness • 56% Positiveness
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Tord Gustavsen
Song Of Yearning - Solo
169 bpm • F min • 01:59 • -22.09db
40% Popularity • 31% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
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Anat Fort Trio
Some
170 bpm • C Maj • 05:40 • -20.38db
13% Popularity • 18% Danceability • 24% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
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Joel Lyssarides
Gowns of Dark
170 bpm • E min • 03:12 • -19.22db
40% Popularity • 29% Danceability • 46% Energy • 12% Liveness
87% Instrumentalness • 52% Positiveness
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Marc Copland
Flip Side
170 bpm • G# Maj • 03:45 • -22.96db
39% Popularity • 33% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
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S. Carey
Hollow
147 bpm • C Maj • 03:23 • -18.61db
22% Popularity • 34% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
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Dominic Miller
Verveine
147 bpm • E Maj • 01:45 • -23.95db
43% Popularity • 42% Danceability • 15% Energy • 11% Liveness
59% Instrumentalness • 30% Positiveness
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Abdullah Ibrahim
Mindiff
170 bpm • D min • 03:10 • -24.49db
36% Popularity • 37% Danceability • 0% Energy • 10% Liveness
88% Instrumentalness • 16% Positiveness
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Tingvall Trio
Tidlös
171 bpm • C# Maj • 03:22 • -12.39db
27% Popularity • 30% Danceability • 61% Energy • 12% Liveness
91% Instrumentalness • 71% Positiveness
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Esbjörn Svensson Trio
The Chapel
171 bpm • A# min • 04:15 • -26.09db
27% Popularity • 28% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 10% Positiveness
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Aaron Parks
Harvesting Dance
146 bpm • G Maj • 09:35 • -13.22db
20% Popularity • 38% Danceability • 47% Energy • 9% Liveness
77% Instrumentalness • 30% Positiveness
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Brian Blade & The Fellowship Band
Within Everything
145 bpm • A min • 03:03 • -15.53db
33% Popularity • 50% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
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Julia Kadel Trio
Held
171 bpm • F min • 03:29 • -17db
13% Popularity • 29% Danceability • 32% Energy • 11% Liveness
89% Instrumentalness • 46% Positiveness
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Michael Wollny
Hello Dave
172 bpm • C# Maj • 04:06 • -12.79db
33% Popularity • 54% Danceability • 47% Energy • 9% Liveness
91% Instrumentalness • 49% Positiveness
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minco eggersman
Move
145 bpm • D# Maj • 04:12 • -23.64db
6% Popularity • 35% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Esbjörn Svensson Trio
The Return of Mohammed
144 bpm • C Maj • 06:30 • -23.26db
25% Popularity • 52% Danceability • 19% Energy • 9% Liveness
88% Instrumentalness • 48% Positiveness
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Yeahwon Shin
Sunrise
144 bpm • E Maj • 02:28 • -29.5db
4% Popularity • 30% Danceability • 1% Energy • 7% Liveness
74% Instrumentalness • 6% Positiveness
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Brian Blade & The Fellowship Band
Embers
172 bpm • G Maj • 02:21 • -17.52db
44% Popularity • 44% Danceability • 23% Energy • 14% Liveness
95% Instrumentalness • 33% Positiveness
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Ned Rorem
Ferry Me Across the Water
144 bpm • D Maj • 03:12 • -15.67db
2% Popularity • 36% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Aaron Parks
Siren
144 bpm • E min • 08:02 • -13db
20% Popularity • 32% Danceability • 33% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Tingvall Trio
Woodpecker
144 bpm • D min • 04:28 • -16.51db
34% Popularity • 63% Danceability • 43% Energy • 7% Liveness
89% Instrumentalness • 80% Positiveness
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Tord Gustavsen Trio
Blessed Feet
144 bpm • G# Maj • 06:04 • -17db
39% Popularity • 42% Danceability • 34% Energy • 11% Liveness
89% Instrumentalness • 42% Positiveness
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Colin Vallon
Reste
143 bpm • D# Maj • 01:36 • -23.39db
39% Popularity • 30% Danceability • 5% Energy • 14% Liveness
93% Instrumentalness • 13% Positiveness
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Brian Blade & The Fellowship Band
Body and Shadow - Night
173 bpm • F min • 02:57 • -24.73db
38% Popularity • 28% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
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Oded Tzur
To Hold Your Hand
143 bpm • D# min • 06:20 • -22.79db
13% Popularity • 42% Danceability • 14% Energy • 10% Liveness
65% Instrumentalness • 35% Positiveness
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minco eggersman
Updown
142 bpm • D Maj • 03:38 • -25.21db
4% Popularity • 22% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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Furio Di Castri
Caribbian Love
142 bpm • F min • 01:43 • -24db
33% Popularity • 36% Danceability • 2% Energy • 9% Liveness
11% Instrumentalness • 32% Positiveness
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Lage Lund
Holiday for Strings
142 bpm • G# Maj • 05:33 • -17.4db
2% Popularity • 40% Danceability • 32% Energy • 10% Liveness
67% Instrumentalness • 53% Positiveness
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Immanuel Wilkins
Fugitive Ritual, Selah
142 bpm • C# Maj • 05:47 • -16.42db
51% Popularity • 53% Danceability • 10% Energy • 10% Liveness
39% Instrumentalness • 34% Positiveness
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Brian Blade & The Fellowship Band
He Died Fighting
144 bpm • A min • 05:36 • -13db
25% Popularity • 38% Danceability • 34% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
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Alexis Valet
Myrtle
142 bpm • F min • 05:27 • -9.84db
27% Popularity • 37% Danceability • 62% Energy • 13% Liveness
53% Instrumentalness • 57% Positiveness
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Aaron Parks
Is Anything Okay?
141 bpm • C# Maj • 03:24 • -13.62db
32% Popularity • 53% Danceability • 34% Energy • 7% Liveness
87% Instrumentalness • 6% Positiveness
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Gerald Clayton
Dusk Baby
141 bpm • A# min • 05:39 • -17.48db
22% Popularity • 47% Danceability • 20% Energy • 16% Liveness
48% Instrumentalness • 16% Positiveness
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Eric Legnini Trio
Prelude to a Kiss
141 bpm • A min • 04:26 • -18.99db
31% Popularity • 45% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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S. Carey
Transient
141 bpm • E min • 03:45 • -18.62db
27% Popularity • 45% Danceability • 24% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
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Brian Blade & The Fellowship Band
Bonnie Be Good
141 bpm • D Maj • 03:58 • -15db
30% Popularity • 39% Danceability • 13% Energy • 12% Liveness
64% Instrumentalness • 7% Positiveness
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Remy Le Boeuf
Qoo
140 bpm • G# Maj • 06:01 • -16.89db
2% Popularity • 39% Danceability • 19% Energy • 11% Liveness
82% Instrumentalness • 12% Positiveness
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Matthieu Saglio
Amanecer
140 bpm • G min • 06:32 • -14.86db
40% Popularity • 57% Danceability • 26% Energy • 11% Liveness
85% Instrumentalness • 33% Positiveness
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Marshall Gilkes
Part VII: Genre Battles
179 bpm • G# Maj • 03:52 • -11.5db
6% Popularity • 52% Danceability • 42% Energy • 10% Liveness
93% Instrumentalness • 44% Positiveness
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Cornelia Nilsson
Ninni / Motions
139 bpm • G# Maj • 05:05 • -13.39db
22% Popularity • 44% Danceability • 43% Energy • 12% Liveness
26% Instrumentalness • 12% Positiveness
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Espen Eriksen Trio
Naked Trees
139 bpm • C min • 05:36 • -11.9db
20% Popularity • 55% Danceability • 35% Energy • 12% Liveness
83% Instrumentalness • 24% Positiveness
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Esbjörn Svensson Trio
The Well-Wisher
139 bpm • G Maj • 03:43 • -19db
16% Popularity • 67% Danceability • 31% Energy • 11% Liveness
94% Instrumentalness • 64% Positiveness
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Dave Holland
Another Land
139 bpm • A min • 09:18 • -28.68db
37% Popularity • 51% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 49% Positiveness
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Aaron Parks
Where Now?
180 bpm • D Maj • 03:22 • -11.75db
22% Popularity • 37% Danceability • 46% Energy • 13% Liveness
83% Instrumentalness • 32% Positiveness
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Luigi Masciari
Boogie Blue
138 bpm • C# Maj • 05:26 • -12.31db
3% Popularity • 58% Danceability • 44% Energy • 8% Liveness
77% Instrumentalness • 59% Positiveness
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Walter Smith III
Shine
138 bpm • C min • 06:06 • -11db
19% Popularity • 38% Danceability • 54% Energy • 11% Liveness
88% Instrumentalness • 40% Positiveness
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Tingvall Trio
Cirklar
182 bpm • F min • 04:17 • -16.67db
25% Popularity • 32% Danceability • 30% Energy • 9% Liveness
86% Instrumentalness • 32% Positiveness
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Ambrose Akinmusire
Vartha
137 bpm • B min • 07:46 • -9db
21% Popularity • 34% Danceability • 50% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
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Anat Fort Trio
If
137 bpm • A Maj • 01:18 • -20.75db
47% Popularity • 29% Danceability • 15% Energy • 14% Liveness
67% Instrumentalness • 10% Positiveness
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Espen Eriksen Trio
Above the Horizon
137 bpm • D min • 05:42 • -11.56db
18% Popularity • 58% Danceability • 33% Energy • 9% Liveness
89% Instrumentalness • 28% Positiveness
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Eric Legnini Trio
Folk Song #1
137 bpm • A# Maj • 02:29 • -21.5db
30% Popularity • 41% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 21% Positiveness
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Marshall Gilkes
Part VIII: Musings
136 bpm • A# min • 04:03 • -17.89db
5% Popularity • 42% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 14% Positiveness
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Aaron Parks
Past Presence
136 bpm • D# min • 04:28 • -25.09db
13% Popularity • 47% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 16% Positiveness
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Luigi Masciari
Music Man
135 bpm • A Maj • 05:37 • -12.55db
3% Popularity • 33% Danceability • 44% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
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Anat Fort Trio
Milarepa, Pt. 1
182 bpm • E min • 01:39 • -25.62db
43% Popularity • 22% Danceability • 3% Energy • 6% Liveness
74% Instrumentalness • 12% Positiveness
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Lyle Mays
Bill Evans
135 bpm • A min • 04:49 • -23.56db
29% Popularity • 46% Danceability • 8% Energy • 12% Liveness
48% Instrumentalness • 13% Positiveness
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Eric Legnini Trio
Jade
135 bpm • C min • 01:56 • -15.92db
33% Popularity • 45% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 28% Positiveness
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Tingvall Trio
Cowboy
135 bpm • B min • 03:39 • -17.76db
26% Popularity • 49% Danceability • 32% Energy • 9% Liveness
82% Instrumentalness • 39% Positiveness
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Aaron Parks
The Fool
184 bpm • F Maj • 05:10 • -15.91db
22% Popularity • 36% Danceability • 21% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Thomas Fonnesbæk
Forever This Moment
135 bpm • E Maj • 05:37 • -20.12db
5% Popularity • 48% Danceability • 24% Energy • 8% Liveness
90% Instrumentalness • 47% Positiveness
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Anat Fort Trio
En If
135 bpm • A Maj • 05:54 • -21.11db
25% Popularity • 41% Danceability • 13% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
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Neil Cowley Trio
Meyer
135 bpm • G# Maj • 03:32 • -8db
27% Popularity • 55% Danceability • 44% Energy • 11% Liveness
88% Instrumentalness • 35% Positiveness
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Ron Miles
The Rumor
134 bpm • E min • 04:30 • -14db
23% Popularity • 56% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
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Ned Rorem
Love
134 bpm • F Maj • 03:31 • -15.86db
4% Popularity • 42% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Aaron Parks
Good Morning
135 bpm • E Maj • 05:23 • -13.32db
25% Popularity • 53% Danceability • 45% Energy • 11% Liveness
92% Instrumentalness • 15% Positiveness
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Rob Luft
All Ways Moving
200 bpm • F# min • 02:31 • -16.79db
27% Popularity • 32% Danceability • 19% Energy • 6% Liveness
74% Instrumentalness • 26% Positiveness
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Anat Fort Trio
Minnesota
135 bpm • D Maj • 07:34 • -21db
26% Popularity • 45% Danceability • 16% Energy • 13% Liveness
83% Instrumentalness • 14% Positiveness
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Oregon
From A Dream
201 bpm • C min • 01:02 • -15.64db
46% Popularity • 46% Danceability • 14% Energy • 11% Liveness
99% Instrumentalness • 72% Positiveness
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Aaron Parks
Song For Sashou
135 bpm • B min • 06:22 • -22.77db
25% Popularity • 51% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 32% Positiveness
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Aaron Parks
Roadside Distraction
135 bpm • F min • 02:44 • -15db
44% Popularity • 67% Danceability • 45% Energy • 9% Liveness
96% Instrumentalness • 71% Positiveness
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Anat Fort Trio
Paul Motian (2)
134 bpm • D Maj • 04:00 • -26.55db
27% Popularity • 30% Danceability • 9% Energy • 6% Liveness
63% Instrumentalness • 4% Positiveness
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Aaron Parks
A Curious Bloom
199 bpm • C# Maj • 03:24 • -28.63db
11% Popularity • 38% Danceability • 0% Energy • 8% Liveness
57% Instrumentalness • 13% Positiveness
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Solace