Songs like Sold for Sale by Didirri
Based on a tempo of (+/- 10%) and a similar genre
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Husky
Light a Cigarette
138 bpm • C Maj • 04:16 • -11.5db
14% Popularity • 50% Danceability • 56% Energy • 9% Liveness
41% Instrumentalness • 43% Positiveness
14% Popularity • 50% Danceability • 56% Energy • 9% Liveness
41% Instrumentalness • 43% Positiveness
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Didirri
Sold for Sale
138 bpm • C Maj • 04:18 • -7.84db
12% Popularity • 43% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
12% Popularity • 43% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Eliza & The Delusionals
Swimming Pool
138 bpm • C# min • 03:38 • -4.16db
25% Popularity • 36% Danceability • 74% Energy • 11% Liveness
79% Instrumentalness • 19% Positiveness
25% Popularity • 36% Danceability • 74% Energy • 11% Liveness
79% Instrumentalness • 19% Positiveness
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Austin Mackay
Stay a Little Longer
137 bpm • D Maj • 04:26 • -9.97db
15% Popularity • 46% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 46% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
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Jacob Fitzgerald
Adore Ya
139 bpm • G Maj • 03:49 • -7.13db
31% Popularity • 70% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
31% Popularity • 70% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Holy Holy
True Lovers
139 bpm • B min • 04:19 • -5.09db
50% Popularity • 43% Danceability • 75% Energy • 9% Liveness
5% Instrumentalness • 38% Positiveness
50% Popularity • 43% Danceability • 75% Energy • 9% Liveness
5% Instrumentalness • 38% Positiveness
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Josh Pyke
The Summer - Acoustic
137 bpm • G# Maj • 03:29 • -5.87db
14% Popularity • 52% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
14% Popularity • 52% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Noah Dillon
Matthew McConaughey
139 bpm • A Maj • 04:11 • -7.7db
22% Popularity • 45% Danceability • 64% Energy • 25% Liveness
0% Instrumentalness • 31% Positiveness
22% Popularity • 45% Danceability • 64% Energy • 25% Liveness
0% Instrumentalness • 31% Positiveness
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Husky
Meteorite
137 bpm • C Maj • 03:18 • -10.84db
19% Popularity • 65% Danceability • 32% Energy • 12% Liveness
38% Instrumentalness • 29% Positiveness
19% Popularity • 65% Danceability • 32% Energy • 12% Liveness
38% Instrumentalness • 29% Positiveness
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Hein Cooper
Invincible
139 bpm • G# Maj • 03:38 • -8.04db
22% Popularity • 40% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
22% Popularity • 40% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Matt Corby
Miracle Love
136 bpm • G Maj • 04:22 • -8.05db
51% Popularity • 45% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
51% Popularity • 45% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Holy Holy
Maybe You Know
139 bpm • G# Maj • 03:57 • -5.04db
44% Popularity • 49% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
44% Popularity • 49% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
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Dulcie
Own Ground
140 bpm • C min • 03:26 • -6.94db
13% Popularity • 48% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 48% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Robbie Miller
Catch Me
140 bpm • D Maj • 02:57 • -10.85db
26% Popularity • 72% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
26% Popularity • 72% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Lime Cordiale
Walk Over Everything I Do
140 bpm • A# Maj • 04:36 • -6.58db
27% Popularity • 52% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 52% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Tyne-James Organ
Stranger
136 bpm • E Maj • 04:19 • -5.18db
18% Popularity • 64% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
18% Popularity • 64% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Alexander Biggs
Laundromat
140 bpm • E Maj • 03:55 • -12.62db
24% Popularity • 56% Danceability • 30% Energy • 39% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 56% Danceability • 30% Energy • 39% Liveness
0% Instrumentalness • 40% Positiveness
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Something For Kate
Supercomputer
136 bpm • F# min • 04:00 • -6.72db
17% Popularity • 49% Danceability • 67% Energy • 9% Liveness
6% Instrumentalness • 40% Positiveness
17% Popularity • 49% Danceability • 67% Energy • 9% Liveness
6% Instrumentalness • 40% Positiveness
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STUMPS
Mt. Pleasant
140 bpm • D Maj • 04:29 • -6db
23% Popularity • 55% Danceability • 75% Energy • 10% Liveness
5% Instrumentalness • 8% Positiveness
23% Popularity • 55% Danceability • 75% Energy • 10% Liveness
5% Instrumentalness • 8% Positiveness
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Jack River
Night Song
140 bpm • A Maj • 02:37 • -6.07db
10% Popularity • 43% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 47% Positiveness
10% Popularity • 43% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 47% Positiveness
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Lime Cordiale
Unnecessary Things
140 bpm • E min • 03:36 • -12db
33% Popularity • 81% Danceability • 49% Energy • 14% Liveness
8% Instrumentalness • 61% Positiveness
33% Popularity • 81% Danceability • 49% Energy • 14% Liveness
8% Instrumentalness • 61% Positiveness
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Polish Club
No Heaven
136 bpm • E Maj • 03:29 • -6.46db
21% Popularity • 33% Danceability • 49% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
21% Popularity • 33% Danceability • 49% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
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Tyne-James Organ
Not Ready For Love
140 bpm • C# min • 03:16 • -3db
31% Popularity • 49% Danceability • 96% Energy • 4% Liveness
0% Instrumentalness • 34% Positiveness
31% Popularity • 49% Danceability • 96% Energy • 4% Liveness
0% Instrumentalness • 34% Positiveness
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Gordi
Volcanic
140 bpm • C Maj • 03:13 • -11.94db
16% Popularity • 58% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 58% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Jack Davies and The Bush Chooks
Broken Thumb
141 bpm • G# Maj • 05:12 • -12.13db
19% Popularity • 54% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
19% Popularity • 54% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Winterbourne
Better
141 bpm • A min • 04:17 • -7.79db
19% Popularity • 58% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
19% Popularity • 58% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Robbie Miller
The Come Down
135 bpm • E min • 03:21 • -10db
35% Popularity • 69% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
35% Popularity • 69% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
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Didirri
Strange
141 bpm • E Maj • 03:52 • -10.46db
9% Popularity • 52% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
9% Popularity • 52% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Ball Park Music
Exactly How You Are
141 bpm • A Maj • 03:36 • -5.66db
44% Popularity • 44% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
44% Popularity • 44% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
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Thelma Plum
Do You Ever Get So Sad You Can't Breathe
142 bpm • F Maj • 02:17 • -14.44db
25% Popularity • 59% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 59% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Gengahr
Everything I Wanted - triple j Like A Ve...
135 bpm • A Maj • 04:09 • -7.61db
27% Popularity • 34% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 34% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Winterbourne
Echo Of Youth
142 bpm • D Maj • 05:54 • -10.06db
12% Popularity • 51% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 51% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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The Vanns
Hey, Ma - triple j Like A Version
142 bpm • C Maj • 04:16 • -9.44db
43% Popularity • 31% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
43% Popularity • 31% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Israel Cannan
Bright Lights
142 bpm • D min • 03:22 • -14.11db
32% Popularity • 53% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 53% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Rowena Wise
F**ked Up Over You
142 bpm • F Maj • 03:22 • -5.68db
15% Popularity • 55% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
15% Popularity • 55% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Josh Pyke
The Lighthouse Song
142 bpm • C Maj • 03:44 • -8.64db
37% Popularity • 58% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
37% Popularity • 58% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Ruby Fields
The Unguarded Moment - triple j Like a V...
134 bpm • C Maj • 04:38 • -9.68db
36% Popularity • 44% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
36% Popularity • 44% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Tyne-James Organ
Graceful
142 bpm • F Maj • 03:46 • -7db
28% Popularity • 56% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
28% Popularity • 56% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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The Howl & The Hum
Sweet Fading Silver
134 bpm • G# Maj • 06:27 • -9.65db
15% Popularity • 28% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
15% Popularity • 28% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Jack Davies and The Bush Chooks
Telemarketer
143 bpm • E Maj • 04:07 • -8.79db
16% Popularity • 44% Danceability • 32% Energy • 21% Liveness
18% Instrumentalness • 19% Positiveness
16% Popularity • 44% Danceability • 32% Energy • 21% Liveness
18% Instrumentalness • 19% Positiveness
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Ok Moon
Just in Time
134 bpm • G Maj • 04:28 • -11.75db
15% Popularity • 66% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
15% Popularity • 66% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Josh Pyke
Clovis' Son - Acoustic
143 bpm • C# Maj • 05:22 • -6.51db
17% Popularity • 46% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
17% Popularity • 46% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Pete Murray
Waiting for This Love
133 bpm • G# Maj • 02:27 • -12.51db
22% Popularity • 57% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
22% Popularity • 57% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Mousey
Extreme Highs
133 bpm • A Maj • 03:13 • -10.45db
10% Popularity • 65% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 65% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Carla Geneve
Greg's Discount Chemist
133 bpm • G Maj • 03:29 • -5.41db
29% Popularity • 70% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 70% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Holy Holy
Sentimental and Monday
133 bpm • F min • 04:15 • -8db
42% Popularity • 36% Danceability • 69% Energy • 18% Liveness
1% Instrumentalness • 21% Positiveness
42% Popularity • 36% Danceability • 69% Energy • 18% Liveness
1% Instrumentalness • 21% Positiveness
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Didirri
Formaldehyde - Live at the Corner Hotel
144 bpm • G# Maj • 04:30 • -8.53db
3% Popularity • 32% Danceability • 39% Energy • 75% Liveness
0% Instrumentalness • 21% Positiveness
3% Popularity • 32% Danceability • 39% Energy • 75% Liveness
0% Instrumentalness • 21% Positiveness
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Rowena Wise
To Pretend
144 bpm • G Maj • 03:30 • -8.17db
11% Popularity • 51% Danceability • 45% Energy • 42% Liveness
0% Instrumentalness • 17% Positiveness
11% Popularity • 51% Danceability • 45% Energy • 42% Liveness
0% Instrumentalness • 17% Positiveness
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Michael Dunstan
The Wind Blows
132 bpm • F# Maj • 03:21 • -10.59db
14% Popularity • 54% Danceability • 46% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
14% Popularity • 54% Danceability • 46% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
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Little Comets
Baywatch
144 bpm • C# min • 02:58 • -9.09db
26% Popularity • 50% Danceability • 72% Energy • 12% Liveness
3% Instrumentalness • 65% Positiveness
26% Popularity • 50% Danceability • 72% Energy • 12% Liveness
3% Instrumentalness • 65% Positiveness
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Josh Pyke
I Thought We Were a River
132 bpm • F Maj • 03:53 • -2.98db
23% Popularity • 55% Danceability • 83% Energy • 12% Liveness
22% Instrumentalness • 74% Positiveness
23% Popularity • 55% Danceability • 83% Energy • 12% Liveness
22% Instrumentalness • 74% Positiveness
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Sam Windley
Neighbours in the Morning
132 bpm • F Maj • 03:45 • -7.43db
11% Popularity • 73% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 73% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
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Ruby Fields
Dingo
132 bpm • D min • 05:27 • -5.79db
31% Popularity • 55% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 55% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
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Daniel Trakell
Wisdom/Boredom
132 bpm • C min • 03:44 • -10.73db
15% Popularity • 58% Danceability • 50% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
15% Popularity • 58% Danceability • 50% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
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Hope D
Life Sentence
132 bpm • G# Maj • 05:18 • -10.64db
13% Popularity • 52% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 52% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Stellie
How Do We Look So Good?
145 bpm • F Maj • 04:05 • -8.34db
17% Popularity • 52% Danceability • 65% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
17% Popularity • 52% Danceability • 65% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
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The Vanns
Deranged
145 bpm • D Maj • 03:13 • -6.06db
27% Popularity • 31% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
27% Popularity • 31% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
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Tyne-James Organ
In My Arms
145 bpm • E Maj • 03:47 • -6.81db
26% Popularity • 57% Danceability • 68% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
26% Popularity • 57% Danceability • 68% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
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Ruby Fields
Redneck Lullaby
145 bpm • G# Maj • 03:23 • -11db
29% Popularity • 30% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 30% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Josh Cashman
Melbourne Weather
145 bpm • D Maj • 03:50 • -8.01db
14% Popularity • 59% Danceability • 73% Energy • 22% Liveness
1% Instrumentalness • 46% Positiveness
14% Popularity • 59% Danceability • 73% Energy • 22% Liveness
1% Instrumentalness • 46% Positiveness
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E^ST
FLIGHT PATH
131 bpm • C Maj • 02:45 • -8.71db
21% Popularity • 61% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 61% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
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Mt Warning
You & Me
131 bpm • E Maj • 02:22 • -11.65db
13% Popularity • 67% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
13% Popularity • 67% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Michael Dunstan
Home
131 bpm • G# Maj • 03:00 • -10.18db
35% Popularity • 64% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
35% Popularity • 64% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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GRAACE
Complicated - triple j Like A Version
131 bpm • C# Maj • 03:16 • -8.15db
31% Popularity • 35% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
31% Popularity • 35% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Art of Sleeping
I Could Make You Happy
146 bpm • G# min • 04:20 • -7.87db
27% Popularity • 53% Danceability • 71% Energy • 12% Liveness
38% Instrumentalness • 38% Positiveness
27% Popularity • 53% Danceability • 71% Energy • 12% Liveness
38% Instrumentalness • 38% Positiveness
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Boo Seeka
Moonlight Run
131 bpm • D Maj • 03:33 • -6.2db
29% Popularity • 67% Danceability • 88% Energy • 50% Liveness
1% Instrumentalness • 74% Positiveness
29% Popularity • 67% Danceability • 88% Energy • 50% Liveness
1% Instrumentalness • 74% Positiveness
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Middle Kids
Don’t Be Hiding
146 bpm • E Maj • 03:04 • -4.17db
32% Popularity • 47% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 47% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Alexander Biggs
Madeleine
130 bpm • G# Maj • 03:00 • -9.89db
26% Popularity • 64% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
26% Popularity • 64% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Robbie Miller
On The Run
130 bpm • E Maj • 02:54 • -12.39db
13% Popularity • 65% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 65% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Matt Corby
Vitamin
130 bpm • F# min • 03:58 • -5.88db
27% Popularity • 73% Danceability • 84% Energy • 46% Liveness
1% Instrumentalness • 63% Positiveness
27% Popularity • 73% Danceability • 84% Energy • 46% Liveness
1% Instrumentalness • 63% Positiveness
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Greta Stanley
Everlong - triple j Like A Version
130 bpm • D Maj • 04:25 • -11.63db
35% Popularity • 63% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 44% Positiveness
35% Popularity • 63% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 44% Positiveness
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Riley Pearce
Statue
130 bpm • D Maj • 04:00 • -9.01db
19% Popularity • 60% Danceability • 52% Energy • 11% Liveness
2% Instrumentalness • 40% Positiveness
19% Popularity • 60% Danceability • 52% Energy • 11% Liveness
2% Instrumentalness • 40% Positiveness
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Hope D
Miscommunicate
130 bpm • C# min • 04:04 • -9.83db
23% Popularity • 63% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
23% Popularity • 63% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Carla Geneve
Things Change
130 bpm • C# Maj • 03:21 • -9.59db
17% Popularity • 67% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
17% Popularity • 67% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
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Jack Davies and The Bush Chooks
Fire Eyes
130 bpm • G Maj • 04:47 • -13.43db
21% Popularity • 62% Danceability • 21% Energy • 11% Liveness
26% Instrumentalness • 13% Positiveness
21% Popularity • 62% Danceability • 21% Energy • 11% Liveness
26% Instrumentalness • 13% Positiveness
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Middle Kids
Lost In Los Angeles
147 bpm • G# Maj • 03:48 • -7.03db
22% Popularity • 56% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
22% Popularity • 56% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Paige Valentine
Pure - Reimagined
147 bpm • F# Maj • 03:39 • -8.36db
12% Popularity • 35% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 35% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Terrible Sons
The World Is Walking over Us
129 bpm • F min • 03:30 • -10db
12% Popularity • 71% Danceability • 55% Energy • 9% Liveness
3% Instrumentalness • 47% Positiveness
12% Popularity • 71% Danceability • 55% Energy • 9% Liveness
3% Instrumentalness • 47% Positiveness
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The Temper Trap
Dancing in the Dark - triple j Like A Ve...
147 bpm • B Maj • 03:14 • -6db
39% Popularity • 56% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
39% Popularity • 56% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Matt Corby
No Ordinary Life
148 bpm • A# Maj • 03:58 • -7.21db
37% Popularity • 42% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
37% Popularity • 42% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
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Methyl Ethel
Cry Me a River - triple j Like A Version
148 bpm • G# min • 05:07 • -7.24db
36% Popularity • 59% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
36% Popularity • 59% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Ainslie Wills
Fear Of Missing Out
148 bpm • D Maj • 03:43 • -9.89db
15% Popularity • 66% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 66% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Thelma Plum
Better in Blak
148 bpm • C# Maj • 03:12 • -5.24db
51% Popularity • 67% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
51% Popularity • 67% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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LANKS
Numb - triple j Like a Version
148 bpm • D min • 04:12 • -13.89db
27% Popularity • 64% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 64% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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George Ogilvie
Die Down
148 bpm • C# Maj • 03:31 • -7.42db
11% Popularity • 52% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
11% Popularity • 52% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Josh Pyke
Endless Summer - Acoustic
148 bpm • A Maj • 03:36 • -8.35db
33% Popularity • 50% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 50% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Somebody's Child
Hold Me Like You Wanna - EP Version
128 bpm • A min • 03:58 • -3.26db
30% Popularity • 56% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 56% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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Michael Dunstan
Lay in the Sun
128 bpm • G Maj • 03:57 • -7.25db
20% Popularity • 61% Danceability • 64% Energy • 10% Liveness
4% Instrumentalness • 69% Positiveness
20% Popularity • 61% Danceability • 64% Energy • 10% Liveness
4% Instrumentalness • 69% Positiveness
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Ball Park Music
Cherub
128 bpm • G# Maj • 05:28 • -8.81db
45% Popularity • 56% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
45% Popularity • 56% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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R.D. Thomas
This Bloom
128 bpm • F# Maj • 04:45 • -12.45db
13% Popularity • 59% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
13% Popularity • 59% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
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Matt Corby
All Fired Up
128 bpm • E Maj • 04:30 • -8db
38% Popularity • 56% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
38% Popularity • 56% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Holy Holy
Frida
128 bpm • A Maj • 05:29 • -6db
27% Popularity • 65% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
27% Popularity • 65% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Eilish Gilligan
I Just Want To Look At You
127 bpm • D min • 03:49 • -11.66db
8% Popularity • 66% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 66% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Adam Newling
Dad and Disorderly
127 bpm • C Maj • 03:18 • -9.22db
18% Popularity • 62% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
18% Popularity • 62% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Maddy Jane
Femme
127 bpm • E min • 04:43 • -5.51db
10% Popularity • 45% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 15% Positiveness
10% Popularity • 45% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 15% Positiveness
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Death by Denim
Homemade
127 bpm • C Maj • 03:24 • -4.24db
19% Popularity • 52% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 52% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
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Middle Kids
Cellophane (Brain)
150 bpm • C Maj • 03:30 • -6.6db
32% Popularity • 54% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
32% Popularity • 54% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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Jon Bryant
I Don't Know How
127 bpm • C Maj • 03:46 • -8db
18% Popularity • 61% Danceability • 71% Energy • 35% Liveness
2% Instrumentalness • 57% Positiveness
18% Popularity • 61% Danceability • 71% Energy • 35% Liveness
2% Instrumentalness • 57% Positiveness
