Songs like Sole Illa Ninna Haadu (Sad) [From "Yudha Kaanda"] by S. P. Balasubrahmanyam
Based on a tempo of (+/- 10%) and a similar genre
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M. M. Keeravani
Konchem Konchem
112 bpm • C Maj • 04:04 • -12.2db
52% Popularity • 54% Danceability • 55% Energy • 12% Liveness
4% Instrumentalness • 67% Positiveness
52% Popularity • 54% Danceability • 55% Energy • 12% Liveness
4% Instrumentalness • 67% Positiveness
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Venu Srirangam
Priya Priya
112 bpm • D min • 02:37 • -7.52db
49% Popularity • 65% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
49% Popularity • 65% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Devi Sri Prasad
Jalsa Jalsa
112 bpm • G Maj • 04:20 • -4.42db
45% Popularity • 93% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
45% Popularity • 93% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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R. P. Patnaik
Gaajuvaka Pilla
112 bpm • A min • 03:46 • -4db
56% Popularity • 87% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
56% Popularity • 87% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
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Ilaiyaraaja
Kaathalin Deepam Ondru - Male
111 bpm • E Maj • 04:36 • -10.61db
34% Popularity • 52% Danceability • 35% Energy • 38% Liveness
1% Instrumentalness • 44% Positiveness
34% Popularity • 52% Danceability • 35% Energy • 38% Liveness
1% Instrumentalness • 44% Positiveness
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Kamal Haasan
Sundhari Neeyum Sundharan Njanum
113 bpm • E Maj • 05:15 • -10db
49% Popularity • 83% Danceability • 37% Energy • 16% Liveness
22% Instrumentalness • 70% Positiveness
49% Popularity • 83% Danceability • 37% Energy • 16% Liveness
22% Instrumentalness • 70% Positiveness
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Jeans Srinivas
Bommanu Geesthey
113 bpm • D Maj • 03:54 • -8.22db
60% Popularity • 78% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
60% Popularity • 78% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Vidyasagar
Vaa Vaa En Devadhai
113 bpm • B min • 04:49 • -6.58db
50% Popularity • 72% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
50% Popularity • 72% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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D. Imman
Soppanasundari
111 bpm • F Maj • 04:22 • -4.12db
53% Popularity • 74% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
53% Popularity • 74% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
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Jassie Gift
Mallieswarivey
111 bpm • A# Maj • 04:29 • -7.34db
55% Popularity • 90% Danceability • 85% Energy • 3% Liveness
0% Instrumentalness • 87% Positiveness
55% Popularity • 90% Danceability • 85% Energy • 3% Liveness
0% Instrumentalness • 87% Positiveness
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Deva
April Maathathil
114 bpm • A# min • 05:12 • -15.51db
56% Popularity • 77% Danceability • 77% Energy • 11% Liveness
1% Instrumentalness • 79% Positiveness
56% Popularity • 77% Danceability • 77% Energy • 11% Liveness
1% Instrumentalness • 79% Positiveness
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S. P. Balasubrahmanyam
Sande Poddula
114 bpm • B min • 04:25 • -5.25db
47% Popularity • 54% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
47% Popularity • 54% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
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M. M. Keeravani
A Vachi B Pai
114 bpm • B Maj • 04:43 • -7.21db
53% Popularity • 81% Danceability • 86% Energy • 6% Liveness
1% Instrumentalness • 83% Positiveness
53% Popularity • 81% Danceability • 86% Energy • 6% Liveness
1% Instrumentalness • 83% Positiveness
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Vidyasagar
Malare
111 bpm • C Maj • 05:05 • -11.33db
58% Popularity • 65% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
58% Popularity • 65% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Jaspreet Jasz
Kanyakumari
110 bpm • F min • 04:33 • -3.06db
44% Popularity • 84% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
44% Popularity • 84% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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D. Imman
Odi Odi Vilayada
114 bpm • C# Maj • 04:02 • -3.62db
53% Popularity • 62% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 82% Positiveness
53% Popularity • 62% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 82% Positiveness
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Thaman S
Yaarukkum Sollaama
114 bpm • G min • 04:33 • -6.91db
36% Popularity • 87% Danceability • 57% Energy • 9% Liveness
1% Instrumentalness • 85% Positiveness
36% Popularity • 87% Danceability • 57% Energy • 9% Liveness
1% Instrumentalness • 85% Positiveness
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Ramana Gogula
Yey Chikittha
110 bpm • D min • 04:27 • -9db
56% Popularity • 79% Danceability • 94% Energy • 6% Liveness
2% Instrumentalness • 73% Positiveness
56% Popularity • 79% Danceability • 94% Energy • 6% Liveness
2% Instrumentalness • 73% Positiveness
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Srinivas
Ye Chilipi
110 bpm • A min • 05:15 • -7.34db
57% Popularity • 64% Danceability • 66% Energy • 42% Liveness
0% Instrumentalness • 50% Positiveness
57% Popularity • 64% Danceability • 66% Energy • 42% Liveness
0% Instrumentalness • 50% Positiveness
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KK
Devude Digi Vachina
110 bpm • G Maj • 03:58 • -6db
42% Popularity • 79% Danceability • 92% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
42% Popularity • 79% Danceability • 92% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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Mysskin
Kudi Vaazhthu
110 bpm • A min • 05:11 • -5.28db
50% Popularity • 76% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
50% Popularity • 76% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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D. Imman
Aanaalum Indha Mayakkam
110 bpm • G Maj • 05:00 • -5.31db
53% Popularity • 56% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
53% Popularity • 56% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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S. P. Balasubrahmanyam
Om Namaha
110 bpm • A# Maj • 04:03 • -2.79db
45% Popularity • 80% Danceability • 76% Energy • 7% Liveness
23% Instrumentalness • 77% Positiveness
45% Popularity • 80% Danceability • 76% Energy • 7% Liveness
23% Instrumentalness • 77% Positiveness
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Malaysia Vasudevan
Poongatru Thirumbuma
115 bpm • C min • 04:21 • -10.03db
56% Popularity • 96% Danceability • 35% Energy • 10% Liveness
55% Instrumentalness • 86% Positiveness
56% Popularity • 96% Danceability • 35% Energy • 10% Liveness
55% Instrumentalness • 86% Positiveness
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Ramana Gogula
Bangala Kathamulo
115 bpm • G Maj • 04:37 • -8.42db
57% Popularity • 85% Danceability • 83% Energy • 13% Liveness
66% Instrumentalness • 45% Positiveness
57% Popularity • 85% Danceability • 83% Energy • 13% Liveness
66% Instrumentalness • 45% Positiveness
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Rajesh Krishnan
Prema Chandrama
115 bpm • A min • 04:32 • -5.12db
20% Popularity • 78% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 78% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Anirudh Ravichander
Kadhalaada
115 bpm • E Maj • 04:16 • -8db
47% Popularity • 49% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
47% Popularity • 49% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Devi Sri Prasad
Kozhi Veda Kozhi
115 bpm • C Maj • 04:55 • -12.89db
19% Popularity • 83% Danceability • 72% Energy • 5% Liveness
10% Instrumentalness • 77% Positiveness
19% Popularity • 83% Danceability • 72% Energy • 5% Liveness
10% Instrumentalness • 77% Positiveness
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S. P. Balasubrahmanyam
Allantha Doorala
115 bpm • G# Maj • 04:33 • -8.87db
46% Popularity • 77% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
46% Popularity • 77% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Vijay Yesudas
Kannukkul Yedho
115 bpm • G min • 04:14 • -11.05db
34% Popularity • 84% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
34% Popularity • 84% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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KK
Avunu Nijam
115 bpm • D Maj • 05:03 • -6.82db
53% Popularity • 84% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
53% Popularity • 84% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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Sathyaprakash
Saayaali
115 bpm • D Maj • 05:08 • -6db
49% Popularity • 67% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
49% Popularity • 67% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Silambarasan TR
Bujji Pilla
109 bpm • C Maj • 04:20 • -5.34db
53% Popularity • 87% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
53% Popularity • 87% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Ilaiyaraaja
Maanguyile Poonguyile - Solo
115 bpm • A Maj • 04:38 • -14.66db
31% Popularity • 59% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
31% Popularity • 59% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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S. P. Balasubrahmanyam
Botany
109 bpm • D Maj • 04:26 • -7.44db
47% Popularity • 69% Danceability • 83% Energy • 23% Liveness
4% Instrumentalness • 90% Positiveness
47% Popularity • 69% Danceability • 83% Energy • 23% Liveness
4% Instrumentalness • 90% Positiveness
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Ilayaraja
Naanaga Naanillai Thaye (Version 2)
116 bpm • F# min • 04:34 • -8.42db
46% Popularity • 72% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
46% Popularity • 72% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Johnson
Manassin Madiyile - Version, 1
116 bpm • E Maj • 04:12 • -7.86db
44% Popularity • 73% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
44% Popularity • 73% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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Santhosh Narayanan
Aasai Oru Pulveli
116 bpm • A Maj • 03:50 • -8.84db
53% Popularity • 60% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
53% Popularity • 60% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Karthik
Badhulu Thochani
116 bpm • C Maj • 04:11 • -5db
57% Popularity • 75% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
57% Popularity • 75% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
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Ilaiyaraaja
Mandram Vandha
116 bpm • D Maj • 04:47 • -11.81db
44% Popularity • 65% Danceability • 29% Energy • 14% Liveness
5% Instrumentalness • 28% Positiveness
44% Popularity • 65% Danceability • 29% Energy • 14% Liveness
5% Instrumentalness • 28% Positiveness
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Shankar Mahadevan
Akasam Ammayaithe
116 bpm • F min • 04:51 • -3db
55% Popularity • 80% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 96% Positiveness
55% Popularity • 80% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 96% Positiveness
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S. P. Balasubrahmanyam
Ithu Oru Ponmalai
115 bpm • G# min • 04:18 • -9.31db
38% Popularity • 71% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
38% Popularity • 71% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Sreerama Chandra
Gelupu Thalupule
116 bpm • A min • 05:17 • -5.79db
56% Popularity • 62% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
56% Popularity • 62% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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S. Janaki
JOTHEYALI
116 bpm • C min • 04:28 • -3.33db
40% Popularity • 70% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
40% Popularity • 70% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Srikanth Deva
Chennai Sentamizh
108 bpm • C Maj • 04:17 • -5.4db
50% Popularity • 80% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
50% Popularity • 80% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
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D. Imman
Nanbiye
108 bpm • A min • 04:26 • -4.9db
56% Popularity • 40% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
56% Popularity • 40% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Sreeram
Pottukuthedi
108 bpm • C# Maj • 04:29 • -8.81db
51% Popularity • 81% Danceability • 71% Energy • 8% Liveness
1% Instrumentalness • 79% Positiveness
51% Popularity • 81% Danceability • 71% Energy • 8% Liveness
1% Instrumentalness • 79% Positiveness
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Harish Raghavendra
Minsaaram En Meedhu
108 bpm • A# min • 04:55 • -8.36db
49% Popularity • 68% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
49% Popularity • 68% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Adnan Sami
Nachave Nizam Pori
108 bpm • C# Maj • 04:11 • -4db
54% Popularity • 81% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
54% Popularity • 81% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Ilayaraja
Varudhu Varudhu Ada Vilagu
108 bpm • F# min • 04:13 • -10.89db
47% Popularity • 57% Danceability • 81% Energy • 23% Liveness
18% Instrumentalness • 79% Positiveness
47% Popularity • 57% Danceability • 81% Energy • 23% Liveness
18% Instrumentalness • 79% Positiveness
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S. P. Balasubrahmanyam
Poththi Vachcha
117 bpm • F# Maj • 04:18 • -14.09db
52% Popularity • 55% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
52% Popularity • 55% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Bhavatharini
Idhu Sangeetha Thirunalo
117 bpm • G min • 04:34 • -13.32db
40% Popularity • 89% Danceability • 43% Energy • 8% Liveness
2% Instrumentalness • 72% Positiveness
40% Popularity • 89% Danceability • 43% Energy • 8% Liveness
2% Instrumentalness • 72% Positiveness
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Deva
Raa Raa Raamaiya
107 bpm • G# Maj • 06:31 • -12.91db
1% Popularity • 73% Danceability • 67% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
1% Popularity • 73% Danceability • 67% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
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A.R. Rahman
Oruvan Oruvan Mudhalali
117 bpm • B min • 06:22 • -13.36db
33% Popularity • 80% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 80% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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G. V. Prakash
Yedhedho Pennae
107 bpm • A min • 04:39 • -8.37db
53% Popularity • 47% Danceability • 37% Energy • 50% Liveness
0% Instrumentalness • 55% Positiveness
53% Popularity • 47% Danceability • 37% Energy • 50% Liveness
0% Instrumentalness • 55% Positiveness
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Manjula Gururaj
NAANU NAANU NEENU
117 bpm • C min • 04:57 • -5.92db
18% Popularity • 72% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
18% Popularity • 72% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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S. P. Balasubrahmanyam
Prema Entha
117 bpm • F Maj • 04:08 • -3.42db
44% Popularity • 75% Danceability • 48% Energy • 16% Liveness
3% Instrumentalness • 59% Positiveness
44% Popularity • 75% Danceability • 48% Energy • 16% Liveness
3% Instrumentalness • 59% Positiveness
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D. Imman
Oruthi Maelae
118 bpm • G min • 04:23 • -5.14db
44% Popularity • 68% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
44% Popularity • 68% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Hemachandra Vedala
Heartiley Battery
118 bpm • G Maj • 05:35 • -7.25db
45% Popularity • 84% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
45% Popularity • 84% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Muralidar
Ippatikinka
106 bpm • A Maj • 04:36 • -5db
56% Popularity • 82% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
56% Popularity • 82% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Deva
Karupputhan Yenakku
105 bpm • E Maj • 05:51 • -7.54db
56% Popularity • 57% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
56% Popularity • 57% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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Vijay Yesudas
Thoomanju
106 bpm • A min • 04:21 • -10db
53% Popularity • 57% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
53% Popularity • 57% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Devi Sri Prasad
Allegro
105 bpm • D min • 05:23 • -3.3db
49% Popularity • 78% Danceability • 82% Energy • 7% Liveness
2% Instrumentalness • 74% Positiveness
49% Popularity • 78% Danceability • 82% Energy • 7% Liveness
2% Instrumentalness • 74% Positiveness
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Vidyasagar
Putham Puthu
105 bpm • C Maj • 05:30 • -7.79db
15% Popularity • 72% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 67% Positiveness
15% Popularity • 72% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 67% Positiveness
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Sagar
Neeti Mullai (Bit)
105 bpm • G min • 01:21 • -13db
63% Popularity • 68% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
63% Popularity • 68% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Karthik
Naa Pere Kanchanamaala
105 bpm • G Maj • 05:19 • -8.97db
52% Popularity • 87% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
52% Popularity • 87% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Mickey J. Meyer
Aaraduguluntada
105 bpm • E min • 04:04 • -8.85db
49% Popularity • 88% Danceability • 67% Energy • 42% Liveness
57% Instrumentalness • 95% Positiveness
49% Popularity • 88% Danceability • 67% Energy • 42% Liveness
57% Instrumentalness • 95% Positiveness
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Swarnalatha
Vennilave Vennilave
105 bpm • C Maj • 05:26 • -5db
42% Popularity • 61% Danceability • 94% Energy • 19% Liveness
3% Instrumentalness • 83% Positiveness
42% Popularity • 61% Danceability • 94% Energy • 19% Liveness
3% Instrumentalness • 83% Positiveness
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Devi Sri Prasad
Muthu Mazhaiye
105 bpm • A# Maj • 01:23 • -10.78db
41% Popularity • 61% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
41% Popularity • 61% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Sunitha
Ee Velalo Neevu
120 bpm • G min • 04:20 • -8db
50% Popularity • 38% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
50% Popularity • 38% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Sirpy
Enge Andha Vennila (Male Version)
120 bpm • G Maj • 05:00 • -9.84db
28% Popularity • 83% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
28% Popularity • 83% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
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Bharadwaj
Unai Nenaikave
120 bpm • F min • 04:40 • -12.53db
51% Popularity • 74% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
51% Popularity • 74% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
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Karunya
Vayyarala
120 bpm • G# min • 05:20 • -6db
54% Popularity • 80% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
54% Popularity • 80% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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Swarnalatha
Aattama Therottama
120 bpm • A# Maj • 05:14 • -12.22db
58% Popularity • 82% Danceability • 47% Energy • 15% Liveness
20% Instrumentalness • 60% Positiveness
58% Popularity • 82% Danceability • 47% Energy • 15% Liveness
20% Instrumentalness • 60% Positiveness
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N.R. Raghunanthan
Para Para
120 bpm • D min • 05:19 • -5db
56% Popularity • 79% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
56% Popularity • 79% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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A.R. Rahman
En Veetu Thotathil
120 bpm • D# Maj • 04:05 • -7.84db
40% Popularity • 84% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
40% Popularity • 84% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Harish Raghavendra
Evare Nuvvu
120 bpm • A# Maj • 04:10 • -6.24db
59% Popularity • 81% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
59% Popularity • 81% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Mickey J. Meyer
Rang de
120 bpm • D# min • 04:01 • -8.57db
57% Popularity • 90% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
57% Popularity • 90% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Devi Sri Prasad
Yenna Solla Pore
120 bpm • A min • 04:24 • -4.91db
45% Popularity • 81% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
45% Popularity • 81% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Anuradha Sriram
Enna Nenatche ("From Chokkathangam" )
120 bpm • A# min • 04:51 • -6.13db
49% Popularity • 74% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
49% Popularity • 74% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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N.R. Raghunanthan
Kona Kondakari
120 bpm • G Maj • 04:34 • -6.7db
55% Popularity • 86% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
55% Popularity • 86% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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C. Sathya
Chotta Chotta
120 bpm • C min • 04:26 • -6db
51% Popularity • 84% Danceability • 66% Energy • 10% Liveness
58% Instrumentalness • 72% Positiveness
51% Popularity • 84% Danceability • 66% Energy • 10% Liveness
58% Instrumentalness • 72% Positiveness
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Vijay Antony
Kadhalikka
120 bpm • G min • 04:36 • -6.15db
50% Popularity • 95% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
50% Popularity • 95% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Karthik
Choododhu
120 bpm • A Maj • 05:02 • -6db
53% Popularity • 81% Danceability • 86% Energy • 9% Liveness
2% Instrumentalness • 66% Positiveness
53% Popularity • 81% Danceability • 86% Energy • 9% Liveness
2% Instrumentalness • 66% Positiveness
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Clinton
Smiyai
120 bpm • F# Maj • 05:09 • -13.79db
35% Popularity • 87% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
35% Popularity • 87% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Madhu Balakrishnan
Perunthil Nee Enakku
120 bpm • E min • 04:45 • -11.67db
33% Popularity • 79% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 79% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Vidyasagar
Neeya Pesiyathu
120 bpm • G Maj • 04:37 • -8.61db
48% Popularity • 73% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
48% Popularity • 73% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Mallikarjun
Nee Navvula
121 bpm • A min • 04:42 • -8.2db
51% Popularity • 87% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
51% Popularity • 87% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Unni Menon
Kaadhal kaditham
104 bpm • F# min • 04:57 • -1db
63% Popularity • 76% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
63% Popularity • 76% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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S. P. Balasubrahmanyam
Guvva Gorinka Tho
103 bpm • A Maj • 04:30 • -2db
41% Popularity • 74% Danceability • 74% Energy • 34% Liveness
1% Instrumentalness • 85% Positiveness
41% Popularity • 74% Danceability • 74% Energy • 34% Liveness
1% Instrumentalness • 85% Positiveness
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Sreeram
Silakemo
103 bpm • G# Maj • 04:43 • -5.75db
56% Popularity • 68% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
56% Popularity • 68% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Jassie Gift
Kodi Koora
103 bpm • E min • 04:54 • -7.1db
44% Popularity • 78% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
44% Popularity • 78% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Srinivas
Priya
122 bpm • F min • 05:32 • -6db
54% Popularity • 68% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
54% Popularity • 68% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Ilaiyaraaja
Unna Nenachen
122 bpm • E min • 04:37 • -14db
43% Popularity • 63% Danceability • 32% Energy • 10% Liveness
61% Instrumentalness • 60% Positiveness
43% Popularity • 63% Danceability • 32% Energy • 10% Liveness
61% Instrumentalness • 60% Positiveness
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D. Imman
Un Mele Oru Kannu
122 bpm • D min • 04:31 • -4.36db
55% Popularity • 79% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
55% Popularity • 79% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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S. P. Balasubrahmanyam
Manasu Palike
121 bpm • F# min • 05:33 • -4.38db
43% Popularity • 71% Danceability • 60% Energy • 42% Liveness
2% Instrumentalness • 59% Positiveness
43% Popularity • 71% Danceability • 60% Energy • 42% Liveness
2% Instrumentalness • 59% Positiveness
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S. Janaki
JOTHEYAGE HITHAVAGI
103 bpm • A# min • 05:16 • -4.55db
38% Popularity • 46% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
38% Popularity • 46% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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S.P. Charan
Kaadhana Preme (Version 1)
123 bpm • F min • 06:54 • -7db
53% Popularity • 66% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
53% Popularity • 66% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
