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Soliloquy
Songs like
Soliloquy
by
Peter Ciluzzi
Based on a tempo of (+/- 10%) and a similar genre
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Jimmy Wahlsteen
Halifaxation
96 bpm • D# Maj • 03:21 • -9.15db
14% Popularity • 58% Danceability • 66% Energy • 11% Liveness
84% Instrumentalness • 44% Positiveness
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Franco Morone
The Star of County Down/gaelico
96 bpm • C# min • 05:23 • -14db
22% Popularity • 37% Danceability • 25% Energy • 8% Liveness
89% Instrumentalness • 32% Positiveness
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Peter Ciluzzi
Soliloquy
96 bpm • E Maj • 02:41 • -12.42db
28% Popularity • 38% Danceability • 30% Energy • 10% Liveness
89% Instrumentalness • 50% Positiveness
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Thomas Leeb
No Woman, No Cry
96 bpm • D Maj • 02:56 • -7.53db
28% Popularity • 55% Danceability • 61% Energy • 11% Liveness
91% Instrumentalness • 74% Positiveness
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Spencer Elliott
Unspoken
96 bpm • C Maj • 04:34 • -13.92db
10% Popularity • 40% Danceability • 37% Energy • 12% Liveness
94% Instrumentalness • 10% Positiveness
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Michael Hedges
Java Man
97 bpm • C Maj • 03:44 • -16.28db
22% Popularity • 63% Danceability • 14% Energy • 10% Liveness
70% Instrumentalness • 15% Positiveness
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John Danley
Ship's Mast
96 bpm • C# Maj • 03:28 • -16.24db
22% Popularity • 38% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
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Adam Rafferty
Superstition
97 bpm • D Maj • 04:08 • -15.52db
15% Popularity • 72% Danceability • 21% Energy • 8% Liveness
84% Instrumentalness • 83% Positiveness
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Peter Ciluzzi
Aria
96 bpm • C Maj • 01:49 • -17.57db
2% Popularity • 39% Danceability • 18% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Ben Woolman
Sunday Shine
97 bpm • G Maj • 03:57 • -15db
10% Popularity • 47% Danceability • 64% Energy • 13% Liveness
84% Instrumentalness • 45% Positiveness
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Jimmy Wahlsteen
Epic Station
97 bpm • C Maj • 02:03 • -7.63db
23% Popularity • 48% Danceability • 54% Energy • 10% Liveness
88% Instrumentalness • 23% Positiveness
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Calum Graham
It Is What It Is
97 bpm • G# min • 03:16 • -11.04db
11% Popularity • 62% Danceability • 53% Energy • 16% Liveness
87% Instrumentalness • 50% Positiveness
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Freddie Hultana
Le Practicante
95 bpm • E Maj • 02:55 • -18.67db
34% Popularity • 68% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 45% Positiveness
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Erick Turnbull
June Tune
97 bpm • D Maj • 02:13 • -13.15db
20% Popularity • 33% Danceability • 33% Energy • 11% Liveness
93% Instrumentalness • 38% Positiveness
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Pierre Bensusan
The Last Pint
95 bpm • E Maj • 02:35 • -18.74db
19% Popularity • 45% Danceability • 33% Energy • 12% Liveness
71% Instrumentalness • 51% Positiveness
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Julyan Brynn
Floating Hearts
95 bpm • F Maj • 03:21 • -10.88db
32% Popularity • 75% Danceability • 24% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
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Ken Bonfield
Indian Rain
94 bpm • A# min • 02:38 • -17.73db
16% Popularity • 32% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 36% Positiveness
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Will Ackerman
Unconditional
97 bpm • G Maj • 02:22 • -19.45db
34% Popularity • 32% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 12% Positiveness
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Michael Mucklow
Balm
98 bpm • G Maj • 06:43 • -12.94db
26% Popularity • 42% Danceability • 39% Energy • 9% Liveness
93% Instrumentalness • 32% Positiveness
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Erick Turnbull
Egypt
95 bpm • C Maj • 01:58 • -13.69db
28% Popularity • 53% Danceability • 46% Energy • 12% Liveness
87% Instrumentalness • 87% Positiveness
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Chris Proctor
War Games
94 bpm • C Maj • 03:37 • -17.87db
17% Popularity • 39% Danceability • 27% Energy • 10% Liveness
87% Instrumentalness • 50% Positiveness
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Alan Gogoll
Melody One
98 bpm • F# Maj • 03:34 • -19.37db
35% Popularity • 27% Danceability • 26% Energy • 11% Liveness
91% Instrumentalness • 40% Positiveness
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Billy McLaughlin
The Happy Archer
94 bpm • D Maj • 03:13 • -20.41db
29% Popularity • 68% Danceability • 14% Energy • 10% Liveness
55% Instrumentalness • 36% Positiveness
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Franco Morone
Blues When I lost You
98 bpm • F# min • 03:29 • -11.53db
20% Popularity • 50% Danceability • 37% Energy • 13% Liveness
90% Instrumentalness • 49% Positiveness
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Mike Howe
A Long Way to Go
98 bpm • A# min • 03:29 • -21.38db
29% Popularity • 53% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
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Erick Turnbull
Bomba-Checka
98 bpm • F Maj • 02:35 • -12.29db
23% Popularity • 49% Danceability • 50% Energy • 9% Liveness
89% Instrumentalness • 80% Positiveness
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Hunter Van Larkins
Bull on Fire
94 bpm • D Maj • 04:34 • -10.49db
8% Popularity • 64% Danceability • 63% Energy • 8% Liveness
89% Instrumentalness • 63% Positiveness
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Frank Smith (BMI)
Chasing the Shade
98 bpm • B min • 04:03 • -21.41db
28% Popularity • 26% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 19% Positiveness
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Alan Gogoll
The Morning Instruments
98 bpm • E Maj • 03:37 • -21.34db
17% Popularity • 29% Danceability • 29% Energy • 11% Liveness
83% Instrumentalness • 34% Positiveness
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Mikkel Ploug
Night Space
94 bpm • E min • 03:28 • -22.48db
13% Popularity • 47% Danceability • 12% Energy • 10% Liveness
64% Instrumentalness • 9% Positiveness
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Trevor Gordon Hall
Morning Sidewalk 3.0
94 bpm • C Maj • 04:37 • -13.95db
12% Popularity • 37% Danceability • 36% Energy • 8% Liveness
89% Instrumentalness • 48% Positiveness
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Maneli Jamal
Movement I - Awakening
94 bpm • C# Maj • 03:55 • -11.33db
27% Popularity • 21% Danceability • 44% Energy • 12% Liveness
88% Instrumentalness • 40% Positiveness
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California Guitar Trio
The Marsh
94 bpm • E min • 05:00 • -14.23db
17% Popularity • 22% Danceability • 34% Energy • 12% Liveness
82% Instrumentalness • 24% Positiveness
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Tommy Berre
Ambros
98 bpm • E Maj • 01:54 • -11.23db
33% Popularity • 66% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 24% Positiveness
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Jimmy Wahlsteen
Shifts of Attention
94 bpm • F# Maj • 03:13 • -9.57db
16% Popularity • 58% Danceability • 55% Energy • 9% Liveness
79% Instrumentalness • 96% Positiveness
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Andrew White
Dingle Bay Dream
99 bpm • F# Maj • 02:42 • -21.76db
36% Popularity • 39% Danceability • 10% Energy • 12% Liveness
94% Instrumentalness • 24% Positiveness
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Mike Golay
Anam Cara
99 bpm • B Maj • 03:27 • -17.5db
23% Popularity • 48% Danceability • 13% Energy • 11% Liveness
85% Instrumentalness • 29% Positiveness
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Erick Turnbull
Ladders
99 bpm • D min • 01:33 • -14.25db
25% Popularity • 41% Danceability • 34% Energy • 13% Liveness
41% Instrumentalness • 64% Positiveness
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Billy McLaughlin
Coffee Break
99 bpm • E min • 04:58 • -20.42db
26% Popularity • 66% Danceability • 20% Energy • 13% Liveness
88% Instrumentalness • 18% Positiveness
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Roberto Dalla Vecchia
The Water Is Wide
99 bpm • A# Maj • 03:08 • -22.21db
35% Popularity • 48% Danceability • 20% Energy • 13% Liveness
94% Instrumentalness • 58% Positiveness
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Jimmy Wahlsteen
Trickle-Down FX
99 bpm • B min • 03:04 • -8.6db
13% Popularity • 44% Danceability • 61% Energy • 11% Liveness
82% Instrumentalness • 70% Positiveness
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Antoine Dufour
Reality
99 bpm • B min • 05:01 • -12.77db
15% Popularity • 55% Danceability • 49% Energy • 12% Liveness
79% Instrumentalness • 73% Positiveness
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Calum Graham
The Nomad
99 bpm • C Maj • 04:14 • -14.14db
26% Popularity • 53% Danceability • 68% Energy • 13% Liveness
88% Instrumentalness • 45% Positiveness
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Craig D'Andrea
Stages of Obsession
93 bpm • C min • 03:13 • -11.88db
9% Popularity • 51% Danceability • 45% Energy • 9% Liveness
89% Instrumentalness • 62% Positiveness
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Billy McLaughlin
Breaking Of The Shells
99 bpm • F# min • 04:28 • -20.38db
28% Popularity • 44% Danceability • 13% Energy • 11% Liveness
76% Instrumentalness • 12% Positiveness
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Emilio Bonito
Daydreamer
93 bpm • A min • 02:56 • -14.13db
38% Popularity • 36% Danceability • 27% Energy • 10% Liveness
78% Instrumentalness • 24% Positiveness
► Preview
Jimmy Wahlsteen
Urban Transition
93 bpm • E Maj • 02:39 • -10.86db
20% Popularity • 61% Danceability • 66% Energy • 13% Liveness
85% Instrumentalness • 51% Positiveness
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Antoine Dufour
Air Ground
93 bpm • G# Maj • 04:52 • -11.87db
19% Popularity • 60% Danceability • 69% Energy • 14% Liveness
85% Instrumentalness • 34% Positiveness
► Preview
Peter Ciluzzi
The Lucky Ones
100 bpm • G Maj • 03:36 • -13.23db
2% Popularity • 41% Danceability • 41% Energy • 9% Liveness
86% Instrumentalness • 19% Positiveness
► Preview
Calum Graham
The Nomad (Harp Guitar Version)
100 bpm • E min • 04:27 • -13.5db
21% Popularity • 50% Danceability • 56% Energy • 11% Liveness
91% Instrumentalness • 26% Positiveness
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Gareth Pearson
Cold Comfort
100 bpm • B min • 03:38 • -10.63db
16% Popularity • 24% Danceability • 38% Energy • 10% Liveness
40% Instrumentalness • 47% Positiveness
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Emilio Bonito
Endgame
100 bpm • F Maj • 03:23 • -10.65db
21% Popularity • 41% Danceability • 33% Energy • 16% Liveness
86% Instrumentalness • 28% Positiveness
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Michael Fix
Africa
92 bpm • C# min • 04:06 • -16.91db
22% Popularity • 61% Danceability • 21% Energy • 10% Liveness
78% Instrumentalness • 38% Positiveness
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Trevor Gordon Hall
Midnight and Raining
92 bpm • C Maj • 03:55 • -20.11db
13% Popularity • 43% Danceability • 11% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
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Mauricio Galbardi
Cinque Terre
100 bpm • E Maj • 03:52 • -9.95db
30% Popularity • 78% Danceability • 31% Energy • 10% Liveness
88% Instrumentalness • 34% Positiveness
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Ben Woolman
Legends of the Fall
100 bpm • D Maj • 05:09 • -15.37db
10% Popularity • 38% Danceability • 31% Energy • 9% Liveness
91% Instrumentalness • 47% Positiveness
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Gareth Pearson
Chinese Whispers
92 bpm • A Maj • 03:37 • -13.79db
12% Popularity • 53% Danceability • 45% Energy • 14% Liveness
93% Instrumentalness • 70% Positiveness
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Spencer Elliott
Folding Space
100 bpm • C# min • 03:14 • -13.49db
18% Popularity • 53% Danceability • 44% Energy • 10% Liveness
73% Instrumentalness • 54% Positiveness
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Vin Downes
Just Before You Leave
100 bpm • C# Maj • 04:55 • -24.26db
24% Popularity • 37% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
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Calum Graham
Point of Contact
100 bpm • F Maj • 01:01 • -21.69db
21% Popularity • 23% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Thomas Leeb
Desert Pirate
101 bpm • D Maj • 04:08 • -7.24db
8% Popularity • 71% Danceability • 82% Energy • 18% Liveness
86% Instrumentalness • 86% Positiveness
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Julian Lage & Chris Eldridge
Rygar
101 bpm • F Maj • 03:24 • -15.71db
27% Popularity • 49% Danceability • 27% Energy • 11% Liveness
97% Instrumentalness • 43% Positiveness
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Emilio Bonito
Lobster
101 bpm • D Maj • 04:23 • -9.45db
22% Popularity • 53% Danceability • 40% Energy • 11% Liveness
88% Instrumentalness • 27% Positiveness
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Scuff Selam
For You
101 bpm • C# Maj • 03:04 • -17.73db
32% Popularity • 63% Danceability • 21% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
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Peter Finger
Allegro
91 bpm • C Maj • 03:45 • -17.97db
16% Popularity • 48% Danceability • 33% Energy • 11% Liveness
89% Instrumentalness • 78% Positiveness
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Alan Gogoll
Two More Feathers
91 bpm • G Maj • 02:49 • -18.07db
34% Popularity • 48% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 30% Positiveness
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Gareth Pearson
Beauty of Discipline
101 bpm • F# Maj • 04:23 • -16.36db
30% Popularity • 47% Danceability • 29% Energy • 11% Liveness
37% Instrumentalness • 24% Positiveness
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Pierre Bensusan
Kadourimdou (To Karim & Doudou)
91 bpm • E min • 03:59 • -22db
21% Popularity • 48% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 43% Positiveness
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Emilio Bonito
Ataraxy
91 bpm • D Maj • 04:24 • -9.43db
21% Popularity • 40% Danceability • 56% Energy • 20% Liveness
92% Instrumentalness • 40% Positiveness
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Erick Turnbull
Jazz in A Minor
101 bpm • A Maj • 01:55 • -13.41db
28% Popularity • 52% Danceability • 40% Energy • 11% Liveness
86% Instrumentalness • 77% Positiveness
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Billy McLaughlin
Soulmates
102 bpm • C Maj • 04:03 • -16.72db
31% Popularity • 37% Danceability • 17% Energy • 10% Liveness
69% Instrumentalness • 24% Positiveness
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Craig D'Andrea
Canada Sad
102 bpm • B min • 03:47 • -10.75db
10% Popularity • 42% Danceability • 49% Energy • 14% Liveness
88% Instrumentalness • 65% Positiveness
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Erik Mongrain
Raindigger
91 bpm • B min • 04:04 • -16.81db
10% Popularity • 54% Danceability • 24% Energy • 34% Liveness
78% Instrumentalness • 49% Positiveness
► Preview
Thomas Leeb
Riddle
91 bpm • D Maj • 03:30 • -12.21db
8% Popularity • 53% Danceability • 57% Energy • 13% Liveness
88% Instrumentalness • 40% Positiveness
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Peter Finger
101 South
102 bpm • D Maj • 04:05 • -12.46db
27% Popularity • 33% Danceability • 43% Energy • 9% Liveness
84% Instrumentalness • 54% Positiveness
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Peter Ciluzzi
Abyssal Redux - Electronic Version
102 bpm • A min • 04:10 • -12.22db
0% Popularity • 66% Danceability • 49% Energy • 9% Liveness
92% Instrumentalness • 26% Positiveness
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Emilio Bonito
Tiffany Falls
90 bpm • D Maj • 03:32 • -9.44db
34% Popularity • 59% Danceability • 47% Energy • 11% Liveness
85% Instrumentalness • 31% Positiveness
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Adam Rafferty
Shelter Island
90 bpm • F Maj • 03:08 • -17.06db
26% Popularity • 34% Danceability • 32% Energy • 10% Liveness
86% Instrumentalness • 56% Positiveness
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Alan Gogoll
Hummingbirds Hideaway
103 bpm • E Maj • 03:38 • -19.4db
10% Popularity • 39% Danceability • 27% Energy • 14% Liveness
90% Instrumentalness • 33% Positiveness
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Billy McLaughlin
Stormseeker
90 bpm • F# Maj • 03:44 • -15.23db
10% Popularity • 40% Danceability • 28% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
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Maneli Jamal
Southern Magnolia
90 bpm • E Maj • 03:49 • -13.75db
12% Popularity • 34% Danceability • 40% Energy • 24% Liveness
21% Instrumentalness • 23% Positiveness
► Preview
Peter Ciluzzi
Himalaya
90 bpm • B min • 05:41 • -12.74db
1% Popularity • 55% Danceability • 51% Energy • 10% Liveness
75% Instrumentalness • 9% Positiveness
► Preview
Muriel Anderson
Clarsah
103 bpm • D min • 02:58 • -17.55db
17% Popularity • 49% Danceability • 10% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Trevor Gordon Hall
That Old Familiar Pain
103 bpm • G Maj • 04:45 • -20.09db
15% Popularity • 46% Danceability • 22% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
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Dylan Ryche
Platypus In Sheep's Clothing
89 bpm • D min • 04:49 • -11.23db
15% Popularity • 56% Danceability • 39% Energy • 12% Liveness
84% Instrumentalness • 65% Positiveness
► Preview
Antoine Dufour
The Heart of the Matter
89 bpm • A min • 04:30 • -14.32db
12% Popularity • 41% Danceability • 46% Energy • 12% Liveness
89% Instrumentalness • 48% Positiveness
► Preview
Maneli Jamal
Adapt & Accept, Pt. 2
103 bpm • G Maj • 03:21 • -13.57db
24% Popularity • 42% Danceability • 51% Energy • 13% Liveness
88% Instrumentalness • 72% Positiveness
► Preview
Peter Ciluzzi
Gospel
89 bpm • B Maj • 02:51 • -10.11db
5% Popularity • 59% Danceability • 28% Energy • 8% Liveness
88% Instrumentalness • 26% Positiveness
► Preview
Roberto Dalla Vecchia
Alison
89 bpm • G# Maj • 03:57 • -22.55db
27% Popularity • 31% Danceability • 16% Energy • 11% Liveness
84% Instrumentalness • 36% Positiveness
► Preview
Erik Mongrain
Confusion # 8
104 bpm • A# Maj • 03:25 • -13.88db
13% Popularity • 38% Danceability • 45% Energy • 16% Liveness
80% Instrumentalness • 57% Positiveness
► Preview
Billy McLaughlin
Fingerdance
89 bpm • G# Maj • 02:39 • -17.84db
35% Popularity • 54% Danceability • 36% Energy • 8% Liveness
89% Instrumentalness • 69% Positiveness
► Preview
Peter Finger
The Girl at the Harbour
104 bpm • D Maj • 04:11 • -22.14db
30% Popularity • 30% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness
► Preview
Maneli Jamal
Morning in Adanac
90 bpm • G Maj • 03:52 • -12.23db
10% Popularity • 55% Danceability • 34% Energy • 30% Liveness
90% Instrumentalness • 40% Positiveness
► Preview
Peter Ciluzzi
Lament
89 bpm • D min • 03:29 • -16.49db
4% Popularity • 38% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
► Preview
Ian Melrose
Fingerpickers Have More Fun
104 bpm • A# Maj • 03:34 • -14.11db
29% Popularity • 57% Danceability • 34% Energy • 9% Liveness
89% Instrumentalness • 88% Positiveness
► Preview
El McMeen
Will Ye Go, Lassie, Go?
104 bpm • F Maj • 01:42 • -21.91db
38% Popularity • 34% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 33% Positiveness
► Preview
Ken Bonfield
Wiseman's View
104 bpm • D Maj • 02:59 • -19.05db
30% Popularity • 28% Danceability • 22% Energy • 16% Liveness
97% Instrumentalness • 22% Positiveness
► Preview
Calum Graham
Farewell
88 bpm • D Maj • 04:32 • -19db
33% Popularity • 27% Danceability • 23% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
► Preview
Vin Downes
When the Sea Lets Go
104 bpm • A# min • 04:19 • -21.41db
36% Popularity • 35% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
► Preview
Billy McLaughlin
Helms Place
104 bpm • D Maj • 05:11 • -19.09db
17% Popularity • 23% Danceability • 29% Energy • 10% Liveness
93% Instrumentalness • 31% Positiveness
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Soliloquy