Songs like Soliloquy by Haydn Wood
Based on a tempo of (+/- 10%) and a similar genre
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Antonín Dvořák
Dvořák: 8 Slavonic Dances, Op. 72, B. ...
81 bpm • C Maj • 02:36 • -19.56db
25% Popularity • 16% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
25% Popularity • 16% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Eric Coates
Springtime Suite: I
81 bpm • A# Maj • 03:54 • -23db
18% Popularity • 15% Danceability • 8% Energy • 18% Liveness
92% Instrumentalness • 14% Positiveness
18% Popularity • 15% Danceability • 8% Energy • 18% Liveness
92% Instrumentalness • 14% Positiveness
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Edward Elgar
Elgar: Minuet, Op. 21
81 bpm • F Maj • 04:37 • -25.28db
13% Popularity • 14% Danceability • 4% Energy • 9% Liveness
84% Instrumentalness • 6% Positiveness
13% Popularity • 14% Danceability • 4% Energy • 9% Liveness
84% Instrumentalness • 6% Positiveness
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Haydn Wood
Bird Of Love Divine
81 bpm • G# Maj • 02:27 • -14.51db
1% Popularity • 33% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
1% Popularity • 33% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Johann Strauss II
Perpetuum mobile, Op. 257
81 bpm • D# Maj • 02:51 • -25.52db
33% Popularity • 48% Danceability • 23% Energy • 74% Liveness
60% Instrumentalness • 69% Positiveness
33% Popularity • 48% Danceability • 23% Energy • 74% Liveness
60% Instrumentalness • 69% Positiveness
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Mikhail Ippolitov-Ivanov
Caucasian Sketches: Suite No. 1, Op. 10:...
81 bpm • A Maj • 04:50 • -22db
10% Popularity • 19% Danceability • 15% Energy • 6% Liveness
59% Instrumentalness • 22% Positiveness
10% Popularity • 19% Danceability • 15% Energy • 6% Liveness
59% Instrumentalness • 22% Positiveness
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Slovak Radio Symphony Orchestra
Gold Und Silber (Gold And Silver), Op. 7...
81 bpm • C Maj • 08:42 • -22.44db
31% Popularity • 18% Danceability • 6% Energy • 22% Liveness
94% Instrumentalness • 22% Positiveness
31% Popularity • 18% Danceability • 6% Energy • 22% Liveness
94% Instrumentalness • 22% Positiveness
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Robert Schumann
Symphony No. 4 in D Minor, Op. 120: II. ...
81 bpm • A min • 04:06 • -28.43db
16% Popularity • 15% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
16% Popularity • 15% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
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Ferde Grofé
Grand Canyon Suite: 3. On the Trail
80 bpm • A Maj • 08:00 • -22db
18% Popularity • 22% Danceability • 10% Energy • 24% Liveness
43% Instrumentalness • 6% Positiveness
18% Popularity • 22% Danceability • 10% Energy • 24% Liveness
43% Instrumentalness • 6% Positiveness
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Richard Addinsell
Goodbye Mr. Chips: Theme
80 bpm • E min • 03:19 • -17.43db
9% Popularity • 9% Danceability • 18% Energy • 12% Liveness
89% Instrumentalness • 13% Positiveness
9% Popularity • 9% Danceability • 18% Energy • 12% Liveness
89% Instrumentalness • 13% Positiveness
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Dmitri Shostakovich
Festive Overture Op.96
80 bpm • A Maj • 05:48 • -14.49db
14% Popularity • 33% Danceability • 39% Energy • 14% Liveness
90% Instrumentalness • 33% Positiveness
14% Popularity • 33% Danceability • 39% Energy • 14% Liveness
90% Instrumentalness • 33% Positiveness
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Theobald Boehm
Fantasia dall'Italia: "Nel cor più non ...
80 bpm • G Maj • 01:06 • -9.45db
15% Popularity • 57% Danceability • 52% Energy • 11% Liveness
87% Instrumentalness • 28% Positiveness
15% Popularity • 57% Danceability • 52% Energy • 11% Liveness
87% Instrumentalness • 28% Positiveness
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Edvard Grieg
Peer Gynt, Op. 23: No. 16, Anitra's Danc...
82 bpm • A min • 03:26 • -33.31db
30% Popularity • 39% Danceability • 4% Energy • 8% Liveness
66% Instrumentalness • 12% Positiveness
30% Popularity • 39% Danceability • 4% Energy • 8% Liveness
66% Instrumentalness • 12% Positiveness
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Benjamin Britten
Soirees musicales, Op. 9: V. Tarantella
80 bpm • A# Maj • 02:16 • -22db
13% Popularity • 42% Danceability • 21% Energy • 11% Liveness
87% Instrumentalness • 32% Positiveness
13% Popularity • 42% Danceability • 21% Energy • 11% Liveness
87% Instrumentalness • 32% Positiveness
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Leslie Osborne
Lullaby for Penelope
82 bpm • D Maj • 03:46 • -27.16db
3% Popularity • 10% Danceability • 5% Energy • 29% Liveness
45% Instrumentalness • 12% Positiveness
3% Popularity • 10% Danceability • 5% Energy • 29% Liveness
45% Instrumentalness • 12% Positiveness
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Gabriel Fauré
Fauré: Dolly, Op. 56 - 1. Berceuse
82 bpm • B Maj • 01:02 • -22.48db
10% Popularity • 25% Danceability • 17% Energy • 8% Liveness
86% Instrumentalness • 18% Positiveness
10% Popularity • 25% Danceability • 17% Energy • 8% Liveness
86% Instrumentalness • 18% Positiveness
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Joaquín Turina
Danzas fantasticas, Op. 22: Ensueno
82 bpm • G Maj • 05:40 • -21db
9% Popularity • 11% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
9% Popularity • 11% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
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![Spartacus, Act II: Parting of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] cover art](https://i.scdn.co/image/ab67616d00001e02c21d253eed4ccdd547b4b94d)
Aram Khachaturian
Spartacus, Act II: Parting of Spartacus ...
80 bpm • D Maj • 02:07 • -25.92db
13% Popularity • 18% Danceability • 5% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
13% Popularity • 18% Danceability • 5% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
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Jacques Offenbach
Orpheus In The Underworld (Orphée aux e...
82 bpm • G Maj • 09:40 • -23.55db
13% Popularity • 19% Danceability • 6% Energy • 12% Liveness
40% Instrumentalness • 17% Positiveness
13% Popularity • 19% Danceability • 6% Energy • 12% Liveness
40% Instrumentalness • 17% Positiveness
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Franz von Suppé
Morning, Noon and Night in Vienna
80 bpm • F Maj • 08:08 • -14.05db
23% Popularity • 18% Danceability • 19% Energy • 27% Liveness
88% Instrumentalness • 10% Positiveness
23% Popularity • 18% Danceability • 19% Energy • 27% Liveness
88% Instrumentalness • 10% Positiveness
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Ronald Binge
The Watermill
80 bpm • F Maj • 03:46 • -31.05db
29% Popularity • 8% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 14% Positiveness
29% Popularity • 8% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 14% Positiveness
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Leonard Bernstein
Candide: Overture
82 bpm • D# Maj • 04:10 • -16.3db
31% Popularity • 24% Danceability • 41% Energy • 33% Liveness
66% Instrumentalness • 42% Positiveness
31% Popularity • 24% Danceability • 41% Energy • 33% Liveness
66% Instrumentalness • 42% Positiveness
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Giacomo Puccini
La bohème: Quando me'n vo'
82 bpm • A Maj • 03:15 • -15db
14% Popularity • 16% Danceability • 27% Energy • 17% Liveness
92% Instrumentalness • 23% Positiveness
14% Popularity • 16% Danceability • 27% Energy • 17% Liveness
92% Instrumentalness • 23% Positiveness
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Aram Khachaturian
Spartacus, Act III: Adagio of Spartacus ...
82 bpm • F# min • 09:23 • -21.48db
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Jacques Offenbach
Gaîté parisienne: Barcarolle
82 bpm • D Maj • 03:37 • -30.68db
40% Popularity • 15% Danceability • 2% Energy • 17% Liveness
51% Instrumentalness • 4% Positiveness
40% Popularity • 15% Danceability • 2% Energy • 17% Liveness
51% Instrumentalness • 4% Positiveness
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Haydn Wood
A Love Song
82 bpm • F Maj • 03:16 • -11.96db
0% Popularity • 16% Danceability • 31% Energy • 11% Liveness
82% Instrumentalness • 8% Positiveness
0% Popularity • 16% Danceability • 31% Energy • 11% Liveness
82% Instrumentalness • 8% Positiveness
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Franz von Suppé
Poet and Peasant: Overture
82 bpm • D Maj • 09:24 • -13.07db
22% Popularity • 22% Danceability • 19% Energy • 7% Liveness
73% Instrumentalness • 21% Positiveness
22% Popularity • 22% Danceability • 19% Energy • 7% Liveness
73% Instrumentalness • 21% Positiveness
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Engelbert Humperdinck
Hänsel und Gretel: Children's Prayer - ...
82 bpm • D Maj • 03:07 • -24.21db
11% Popularity • 12% Danceability • 8% Energy • 14% Liveness
97% Instrumentalness • 4% Positiveness
11% Popularity • 12% Danceability • 8% Energy • 14% Liveness
97% Instrumentalness • 4% Positiveness
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Edward Elgar
Elgar: Chanson de matin, Op. 15 No. 2
80 bpm • G Maj • 03:43 • -26db
20% Popularity • 10% Danceability • 6% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
20% Popularity • 10% Danceability • 6% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Samuel Coleridge-Taylor
Othello, Op. 79: I. Dance
82 bpm • D min • 02:18 • -18.52db
10% Popularity • 25% Danceability • 25% Energy • 25% Liveness
92% Instrumentalness • 48% Positiveness
10% Popularity • 25% Danceability • 25% Energy • 25% Liveness
92% Instrumentalness • 48% Positiveness
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Helsingborg Symphony Orchestra
En vintersaga (The Winter's Tale), Op. 1...
80 bpm • F Maj • 03:24 • -27db
20% Popularity • 9% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
20% Popularity • 9% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 2: "Belle nu...
82 bpm • D Maj • 04:09 • -27.01db
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
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Jean Sibelius
Sibelius: Karelia Suite, Op. 11: III. Al...
83 bpm • A Maj • 04:41 • -14db
17% Popularity • 44% Danceability • 28% Energy • 8% Liveness
67% Instrumentalness • 21% Positiveness
17% Popularity • 44% Danceability • 28% Energy • 8% Liveness
67% Instrumentalness • 21% Positiveness
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Dmitri Shostakovich
Suite for Variety Orchestra: II. Dance N...
80 bpm • A Maj • 02:56 • -17.33db
10% Popularity • 38% Danceability • 32% Energy • 11% Liveness
13% Instrumentalness • 71% Positiveness
10% Popularity • 38% Danceability • 32% Energy • 11% Liveness
13% Instrumentalness • 71% Positiveness
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Liberace with Paul Weston and His Orchestra
Rachmaninoff Fantasia
83 bpm • D Maj • 06:33 • -24.36db
11% Popularity • 27% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
11% Popularity • 27% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
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Ria Mbanefo
My Own Lover
83 bpm • A# Maj • 02:54 • -20.19db
15% Popularity • 14% Danceability • 26% Energy • 14% Liveness
87% Instrumentalness • 62% Positiveness
15% Popularity • 14% Danceability • 26% Energy • 14% Liveness
87% Instrumentalness • 62% Positiveness
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Haydn Wood
Village Wedding
79 bpm • G Maj • 01:08 • -7.54db
0% Popularity • 42% Danceability • 30% Energy • 30% Liveness
73% Instrumentalness • 53% Positiveness
0% Popularity • 42% Danceability • 30% Energy • 30% Liveness
73% Instrumentalness • 53% Positiveness
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Rodion Shchedrin
Carmen Suite: VIII. Bolero (after G. Biz...
79 bpm • D Maj • 05:28 • -19.67db
12% Popularity • 13% Danceability • 23% Energy • 22% Liveness
89% Instrumentalness • 7% Positiveness
12% Popularity • 13% Danceability • 23% Energy • 22% Liveness
89% Instrumentalness • 7% Positiveness
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Benjamin Britten
The Young Person's Guide to the Orchestr...
83 bpm • A# Maj • 02:07 • -20db
32% Popularity • 30% Danceability • 14% Energy • 9% Liveness
69% Instrumentalness • 37% Positiveness
32% Popularity • 30% Danceability • 14% Energy • 9% Liveness
69% Instrumentalness • 37% Positiveness
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Dmitri Shostakovich
Shostakovich: Concerto for Piano, Trumpe...
79 bpm • C min • 06:49 • -17.07db
1% Popularity • 39% Danceability • 30% Energy • 9% Liveness
84% Instrumentalness • 34% Positiveness
1% Popularity • 39% Danceability • 30% Energy • 9% Liveness
84% Instrumentalness • 34% Positiveness
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Wilhelm Stenhammar
2 Sentimental Romances, Op. 28: No. 1 in...
83 bpm • A Maj • 05:33 • -16.08db
12% Popularity • 12% Danceability • 16% Energy • 9% Liveness
46% Instrumentalness • 4% Positiveness
12% Popularity • 12% Danceability • 16% Energy • 9% Liveness
46% Instrumentalness • 4% Positiveness
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Benjamin Frankel
The Night Of The Iguana: Maxine And Shan...
83 bpm • A Maj • 01:24 • -24.06db
12% Popularity • 19% Danceability • 4% Energy • 7% Liveness
73% Instrumentalness • 3% Positiveness
12% Popularity • 19% Danceability • 4% Energy • 7% Liveness
73% Instrumentalness • 3% Positiveness
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Peter Deunov
How pleased we are
79 bpm • G Maj • 01:22 • -14.58db
12% Popularity • 14% Danceability • 23% Energy • 13% Liveness
82% Instrumentalness • 61% Positiveness
12% Popularity • 14% Danceability • 23% Energy • 13% Liveness
82% Instrumentalness • 61% Positiveness
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Elena Vesova
Rhapsody Of Love
79 bpm • D min • 01:52 • -33.48db
11% Popularity • 18% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 10% Positiveness
11% Popularity • 18% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 10% Positiveness
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Benjamin Britten
Soirees musicales, Op. 9: IV. Bolero
79 bpm • D# Maj • 01:58 • -19.99db
19% Popularity • 33% Danceability • 10% Energy • 13% Liveness
84% Instrumentalness • 15% Positiveness
19% Popularity • 33% Danceability • 10% Energy • 13% Liveness
84% Instrumentalness • 15% Positiveness
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Dmitri Shostakovich
Festive Overture, Op.96
83 bpm • A Maj • 05:50 • -18.74db
26% Popularity • 26% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 30% Positiveness
26% Popularity • 26% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 30% Positiveness
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Georges Garvarentz
Le canon, les animas (frontière Bolivie...
79 bpm • F# Maj • 01:25 • -23.15db
15% Popularity • 20% Danceability • 5% Energy • 9% Liveness
79% Instrumentalness • 12% Positiveness
15% Popularity • 20% Danceability • 5% Energy • 9% Liveness
79% Instrumentalness • 12% Positiveness
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Giacomo Puccini
La bohème: O soave fanciulla
83 bpm • A Maj • 03:31 • -18db
12% Popularity • 9% Danceability • 11% Energy • 24% Liveness
50% Instrumentalness • 4% Positiveness
12% Popularity • 9% Danceability • 11% Energy • 24% Liveness
50% Instrumentalness • 4% Positiveness
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The Gerst Ensemble
Piano Music for Big and Small, Op. 53: N...
79 bpm • G Maj • 01:43 • -29.78db
17% Popularity • 21% Danceability • 4% Energy • 5% Liveness
90% Instrumentalness • 15% Positiveness
17% Popularity • 21% Danceability • 4% Energy • 5% Liveness
90% Instrumentalness • 15% Positiveness
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Pyotr Ilyich Tchaikovsky
None But The Lonely Heart
83 bpm • C# Maj • 02:59 • -22.96db
13% Popularity • 13% Danceability • 7% Energy • 13% Liveness
60% Instrumentalness • 4% Positiveness
13% Popularity • 13% Danceability • 7% Energy • 13% Liveness
60% Instrumentalness • 4% Positiveness
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Rodion Shchedrin
Shchedrin: Carmen Suite: XI. Adagio (aft...
84 bpm • A Maj • 05:42 • -19.43db
9% Popularity • 8% Danceability • 25% Energy • 17% Liveness
58% Instrumentalness • 6% Positiveness
9% Popularity • 8% Danceability • 25% Energy • 17% Liveness
58% Instrumentalness • 6% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 2: V. Little Polka
79 bpm • D Maj • 01:51 • -20.91db
27% Popularity • 34% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 74% Positiveness
27% Popularity • 34% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 74% Positiveness
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Leonard Bernstein
Divertimento: II. Waltz: Allegretto, con...
84 bpm • G Maj • 01:58 • -36db
46% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
46% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
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Sergei Rachmaninoff
Rhapsody on a Theme of Paganini, Op. 43:...
84 bpm • C# Maj • 03:07 • -17.6db
12% Popularity • 14% Danceability • 21% Energy • 10% Liveness
19% Instrumentalness • 8% Positiveness
12% Popularity • 14% Danceability • 21% Energy • 10% Liveness
19% Instrumentalness • 8% Positiveness
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London Symphony Orchestra
"Dance Of The Hours" from La Gioconda
84 bpm • C# min • 03:30 • -22.54db
36% Popularity • 31% Danceability • 11% Energy • 10% Liveness
29% Instrumentalness • 13% Positiveness
36% Popularity • 31% Danceability • 11% Energy • 10% Liveness
29% Instrumentalness • 13% Positiveness
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Julius Fučík
Terpsichore, Op. 37 (Version for Orchest...
84 bpm • D Maj • 04:22 • -21.43db
13% Popularity • 50% Danceability • 16% Energy • 9% Liveness
1% Instrumentalness • 35% Positiveness
13% Popularity • 50% Danceability • 16% Energy • 9% Liveness
1% Instrumentalness • 35% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 1, Op. 46: III. Anit...
84 bpm • D min • 03:18 • -34.16db
37% Popularity • 44% Danceability • 2% Energy • 11% Liveness
2% Instrumentalness • 10% Positiveness
37% Popularity • 44% Danceability • 2% Energy • 11% Liveness
2% Instrumentalness • 10% Positiveness
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Vivian Ellis
Coronation Scot
78 bpm • A min • 02:46 • -29.1db
10% Popularity • 33% Danceability • 10% Energy • 23% Liveness
87% Instrumentalness • 11% Positiveness
10% Popularity • 33% Danceability • 10% Energy • 23% Liveness
87% Instrumentalness • 11% Positiveness
► Preview
Gerald Finzi
5 Bagatelles, Op. 23a (Arr. L. Ashmore f...
78 bpm • A# Maj • 01:56 • -25.9db
30% Popularity • 14% Danceability • 4% Energy • 33% Liveness
78% Instrumentalness • 26% Positiveness
30% Popularity • 14% Danceability • 4% Energy • 33% Liveness
78% Instrumentalness • 26% Positiveness
► Preview
Johann Strauss II
Graduation Ball - Arranged by A. Dorati ...
78 bpm • G# Maj • 03:46 • -26.39db
14% Popularity • 15% Danceability • 4% Energy • 36% Liveness
92% Instrumentalness • 6% Positiveness
14% Popularity • 15% Danceability • 4% Energy • 36% Liveness
92% Instrumentalness • 6% Positiveness
► Preview
Haydn Wood
Tower Hill
78 bpm • D# Maj • 03:18 • -13.47db
1% Popularity • 10% Danceability • 24% Energy • 13% Liveness
92% Instrumentalness • 3% Positiveness
1% Popularity • 10% Danceability • 24% Energy • 13% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Edward Elgar
5 Military Marches, Op. 39, "Pomp and Ci...
77 bpm • C Maj • 05:13 • -18db
25% Popularity • 29% Danceability • 25% Energy • 10% Liveness
91% Instrumentalness • 32% Positiveness
25% Popularity • 29% Danceability • 25% Energy • 10% Liveness
91% Instrumentalness • 32% Positiveness
► Preview
Alexander Borodin
Polovtsian Dances from Prince Igor: II. ...
77 bpm • A Maj • 02:20 • -27.01db
13% Popularity • 9% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
13% Popularity • 9% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Franz von Suppé
Light Cavalry Overture
85 bpm • A Maj • 06:45 • -16.9db
32% Popularity • 24% Danceability • 30% Energy • 20% Liveness
92% Instrumentalness • 12% Positiveness
32% Popularity • 24% Danceability • 30% Energy • 20% Liveness
92% Instrumentalness • 12% Positiveness
► Preview
蔡榮吉
世界名曲:秋夜吟
85 bpm • E Maj • 02:12 • -18.95db
9% Popularity • 16% Danceability • 12% Energy • 14% Liveness
91% Instrumentalness • 8% Positiveness
9% Popularity • 16% Danceability • 12% Energy • 14% Liveness
91% Instrumentalness • 8% Positiveness
► Preview
Ralph Vaughan Williams
Prelude: 49th Parallel
85 bpm • G Maj • 02:39 • -17db
26% Popularity • 8% Danceability • 12% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
26% Popularity • 8% Danceability • 12% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Haydn Wood
A Brown Bird Singing
85 bpm • G Maj • 05:20 • -23.84db
0% Popularity • 9% Danceability • 5% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
0% Popularity • 9% Danceability • 5% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Max Bruch
Scottish Fantasy for Violin and Orchestr...
77 bpm • D# Maj • 08:02 • -14db
9% Popularity • 10% Danceability • 28% Energy • 11% Liveness
82% Instrumentalness • 6% Positiveness
9% Popularity • 10% Danceability • 28% Energy • 11% Liveness
82% Instrumentalness • 6% Positiveness
► Preview
Richard Wagner
Lohengrin, WWV 75: Prelude to Act III
85 bpm • G Maj • 02:56 • -16.4db
9% Popularity • 19% Danceability • 24% Energy • 41% Liveness
65% Instrumentalness • 28% Positiveness
9% Popularity • 19% Danceability • 24% Energy • 41% Liveness
65% Instrumentalness • 28% Positiveness
► Preview
Franz von Suppé
Dichter und Bauer: Overture
85 bpm • D Maj • 09:56 • -19.92db
8% Popularity • 20% Danceability • 9% Energy • 9% Liveness
83% Instrumentalness • 10% Positiveness
8% Popularity • 20% Danceability • 9% Energy • 9% Liveness
83% Instrumentalness • 10% Positiveness
► Preview
Frederic Curzon
In Sherwood
85 bpm • G Maj • 01:39 • -11.52db
10% Popularity • 46% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 48% Positiveness
10% Popularity • 46% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 48% Positiveness
► Preview
Edward Elgar
Salut d'amour, Op. 12 (version for orche...
85 bpm • E Maj • 03:35 • -31.88db
47% Popularity • 11% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
47% Popularity • 11% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
► Preview
Haydn Wood
Roving Fancies
85 bpm • D Maj • 03:04 • -12.43db
4% Popularity • 16% Danceability • 30% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
4% Popularity • 16% Danceability • 30% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Gottfried Huppertz
Metropolis: II. Zwischenspiel: Freder im...
85 bpm • F# min • 01:15 • -19.5db
15% Popularity • 14% Danceability • 9% Energy • 33% Liveness
91% Instrumentalness • 4% Positiveness
15% Popularity • 14% Danceability • 9% Energy • 33% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Anton Rubinstein
Melody in F, Op. 3, No. 1 - Arr. G. Sabo...
85 bpm • F Maj • 02:08 • -18.86db
19% Popularity • 18% Danceability • 17% Energy • 39% Liveness
86% Instrumentalness • 7% Positiveness
19% Popularity • 18% Danceability • 17% Energy • 39% Liveness
86% Instrumentalness • 7% Positiveness
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Johann Strauss II
Thunder And Lightning Polka
86 bpm • G Maj • 03:06 • -11.63db
8% Popularity • 60% Danceability • 64% Energy • 8% Liveness
93% Instrumentalness • 61% Positiveness
8% Popularity • 60% Danceability • 64% Energy • 8% Liveness
93% Instrumentalness • 61% Positiveness
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Hector Berlioz
Berlioz: La Damnation de Faust, Op. 24, ...
86 bpm • A Maj • 05:43 • -25.83db
1% Popularity • 46% Danceability • 7% Energy • 37% Liveness
13% Instrumentalness • 17% Positiveness
1% Popularity • 46% Danceability • 7% Energy • 37% Liveness
13% Instrumentalness • 17% Positiveness
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Slovak Philharmonic
Symphony No. 9 In E Minor, Op. 95, B. 17...
77 bpm • C# Maj • 04:58 • -35.18db
21% Popularity • 7% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
21% Popularity • 7% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
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Haydn Wood
Roses of Picardy: Roses Of Picardy
77 bpm • D Maj • 03:50 • -23.6db
0% Popularity • 22% Danceability • 11% Energy • 29% Liveness
17% Instrumentalness • 34% Positiveness
0% Popularity • 22% Danceability • 11% Energy • 29% Liveness
17% Instrumentalness • 34% Positiveness
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Geoff Love & His Orchestra
Musetta's Waltz Song (La Boheme)
86 bpm • E Maj • 03:47 • -17.68db
8% Popularity • 13% Danceability • 10% Energy • 23% Liveness
87% Instrumentalness • 7% Positiveness
8% Popularity • 13% Danceability • 10% Energy • 23% Liveness
87% Instrumentalness • 7% Positiveness
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Henri Seroka
Olympic Winner
77 bpm • D Maj • 01:01 • -14.56db
25% Popularity • 12% Danceability • 35% Energy • 26% Liveness
92% Instrumentalness • 9% Positiveness
25% Popularity • 12% Danceability • 35% Energy • 26% Liveness
92% Instrumentalness • 9% Positiveness
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Cecil Armstrong Gibbs
Fancy Dress, Op. 82: Dusk: Dusk
86 bpm • G Maj • 04:14 • -29db
16% Popularity • 16% Danceability • 3% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 3% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
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The Gerst Ensemble
41 Klavierstücke, Op. 93: No. 22 Andant...
86 bpm • D min • 01:37 • -25.76db
18% Popularity • 19% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 7% Positiveness
18% Popularity • 19% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 7% Positiveness
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Jean Sibelius
Valse triste from Kuolema, Op.44
86 bpm • G Maj • 05:04 • -26db
9% Popularity • 12% Danceability • 2% Energy • 59% Liveness
96% Instrumentalness • 8% Positiveness
9% Popularity • 12% Danceability • 2% Energy • 59% Liveness
96% Instrumentalness • 8% Positiveness
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Haydn Wood
Roses of Picardy (Arr. John Rotar)
86 bpm • G Maj • 03:40 • -14.41db
0% Popularity • 25% Danceability • 18% Energy • 11% Liveness
40% Instrumentalness • 14% Positiveness
0% Popularity • 25% Danceability • 18% Energy • 11% Liveness
40% Instrumentalness • 14% Positiveness
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William Walton
Henry V - Suite (arr. Mathieson) (1994 D...
86 bpm • E min • 02:58 • -34.79db
7% Popularity • 15% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
7% Popularity • 15% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Bedřich Smetana
Dance Of The Comedians
76 bpm • C Maj • 05:27 • -14.49db
20% Popularity • 38% Danceability • 28% Energy • 77% Liveness
80% Instrumentalness • 30% Positiveness
20% Popularity • 38% Danceability • 28% Energy • 77% Liveness
80% Instrumentalness • 30% Positiveness
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Ronald Binge
Sailing By
76 bpm • D Maj • 02:37 • -26db
38% Popularity • 16% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 18% Positiveness
38% Popularity • 16% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 18% Positiveness
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Pietro Mascagni
Intermezzo From Cavalleria Rusticana
86 bpm • F Maj • 03:19 • -21.17db
39% Popularity • 9% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
39% Popularity • 9% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Nimrod (Arr. ...
86 bpm • D# Maj • 03:35 • -22.14db
10% Popularity • 15% Danceability • 11% Energy • 23% Liveness
78% Instrumentalness • 4% Positiveness
10% Popularity • 15% Danceability • 11% Energy • 23% Liveness
78% Instrumentalness • 4% Positiveness
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Haydn Wood
Roses of Picardy
86 bpm • A min • 04:44 • -20.6db
0% Popularity • 30% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 30% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Giacomo Puccini
Madama Butterfly: Humming Chorus
76 bpm • A# Maj • 02:47 • -25.43db
11% Popularity • 8% Danceability • 4% Energy • 9% Liveness
98% Instrumentalness • 5% Positiveness
11% Popularity • 8% Danceability • 4% Energy • 9% Liveness
98% Instrumentalness • 5% Positiveness
► Preview
Mikhail Glinka
Glinka: Overture from Ruslan and Ludmill...
76 bpm • D Maj • 05:50 • -18.41db
27% Popularity • 32% Danceability • 28% Energy • 70% Liveness
92% Instrumentalness • 38% Positiveness
27% Popularity • 32% Danceability • 28% Energy • 70% Liveness
92% Instrumentalness • 38% Positiveness
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Francis Poulenc
Les animaux modèles Suite, FP 111: II. ...
86 bpm • E min • 01:29 • -15.62db
17% Popularity • 26% Danceability • 29% Energy • 14% Liveness
90% Instrumentalness • 27% Positiveness
17% Popularity • 26% Danceability • 29% Energy • 14% Liveness
90% Instrumentalness • 27% Positiveness
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Ronald Binge
Binge: The Watermill
76 bpm • F Maj • 04:01 • -19.71db
9% Popularity • 8% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
9% Popularity • 8% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Geoff Love & His Orchestra
One Furtive Tear (L'Elisir D'Amore)
76 bpm • B Maj • 03:51 • -19.2db
13% Popularity • 8% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
13% Popularity • 8% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Haydn Wood
Roses Of Picardy
86 bpm • B min • 03:51 • -17db
0% Popularity • 33% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
0% Popularity • 33% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
► Preview
Alexander Glazunov
The Seasons, Op. 67, Pt. 1 "L'hiver": No...
87 bpm • G# Maj • 01:17 • -29.98db
54% Popularity • 28% Danceability • 1% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
54% Popularity • 28% Danceability • 1% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
