Songs like Some Enchanted Evening by Brian Stokes Mitchell
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Liz Callaway
Journey to the Past
83 bpm • D# Maj • 03:02 • -6db
30% Popularity • 38% Danceability • 33% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
30% Popularity • 38% Danceability • 33% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Brandi Burkhardt
When the World Was Mine
83 bpm • A# Maj • 02:53 • -10.71db
27% Popularity • 28% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
27% Popularity • 28% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Roger Bart
Suppertime
83 bpm • G Maj • 04:38 • -12.58db
27% Popularity • 50% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
27% Popularity • 50% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
Brian D'Arcy James
Travel Song
83 bpm • E Maj • 01:56 • -8db
43% Popularity • 68% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
43% Popularity • 68% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
► Preview
Brian Stokes Mitchell
Make Them Hear You
83 bpm • E Maj • 02:47 • -12.83db
14% Popularity • 36% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
14% Popularity • 36% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Robert Preston
Marian The Librarian
83 bpm • C# Maj • 02:40 • -13.34db
31% Popularity • 52% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 52% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
► Preview
Dr. Henry Jekyll
Lost in the Darkness
83 bpm • C# min • 01:56 • -18db
29% Popularity • 35% Danceability • 11% Energy • 23% Liveness
0% Instrumentalness • 10% Positiveness
29% Popularity • 35% Danceability • 11% Energy • 23% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Marin Mazzie
And Eve Was Weak
83 bpm • F min • 03:16 • -5db
35% Popularity • 51% Danceability • 68% Energy • 58% Liveness
0% Instrumentalness • 44% Positiveness
35% Popularity • 51% Danceability • 68% Energy • 58% Liveness
0% Instrumentalness • 44% Positiveness
► Preview
Ty Taylor
King of the World
84 bpm • C Maj • 04:16 • -11.37db
20% Popularity • 46% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
20% Popularity • 46% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
► Preview
Tsidii Le Loka
Circle of Life with Nants' Ingonyama
82 bpm • D Maj • 04:29 • -11db
49% Popularity • 30% Danceability • 39% Energy • 50% Liveness
0% Instrumentalness • 30% Positiveness
49% Popularity • 30% Danceability • 39% Energy • 50% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
Brian Stokes Mitchell
Some Enchanted Evening
83 bpm • F Maj • 03:19 • -13.64db
6% Popularity • 41% Danceability • 14% Energy • 10% Liveness
9% Instrumentalness • 22% Positiveness
6% Popularity • 41% Danceability • 14% Energy • 10% Liveness
9% Instrumentalness • 22% Positiveness
► Preview
Terrence Mann
If I Can't Love Her
84 bpm • C Maj • 04:06 • -21db
42% Popularity • 30% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
42% Popularity • 30% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Danny Burstein
I Am Aldolpho
84 bpm • E min • 02:34 • -9.04db
30% Popularity • 54% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 54% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
► Preview
Marin Mazzie
Our Children
82 bpm • B min • 03:29 • -14.45db
20% Popularity • 31% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 31% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Hunter Parrish
Save the People
84 bpm • G Maj • 03:36 • -8.65db
32% Popularity • 30% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
32% Popularity • 30% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
► Preview
Hailey Kilgore
Waiting for Life
84 bpm • A Maj • 03:25 • -10db
38% Popularity • 54% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
38% Popularity • 54% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
► Preview
Jekyll Hyde
Confrontation
84 bpm • E min • 03:42 • -9.4db
35% Popularity • 29% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
35% Popularity • 29% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Kelsey Grammer
Something About This Night - Original Br...
82 bpm • G Maj • 02:13 • -6.57db
30% Popularity • 66% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 66% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
► Preview
Brian Stokes Mitchell
The Impossible Dream (The Quest)
82 bpm • A Maj • 03:53 • -9.28db
37% Popularity • 39% Danceability • 32% Energy • 8% Liveness
1% Instrumentalness • 28% Positiveness
37% Popularity • 39% Danceability • 32% Energy • 8% Liveness
1% Instrumentalness • 28% Positiveness
► Preview
Sherie Rene Scott
Every Story Is A Love Story
84 bpm • G# Maj • 03:19 • -11.17db
33% Popularity • 43% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
33% Popularity • 43% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Hunter Parrish
Beautiful City
81 bpm • C# Maj • 03:48 • -15.14db
36% Popularity • 44% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
36% Popularity • 44% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
► Preview
Alison Fraser
Hold On
85 bpm • G# min • 03:03 • -12db
24% Popularity • 39% Danceability • 30% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 39% Danceability • 30% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
► Preview
You're a Good Man, Charlie Brown Ensemble (1999)
The Book Report
81 bpm • D# Maj • 05:10 • -13db
28% Popularity • 50% Danceability • 32% Energy • 51% Liveness
0% Instrumentalness • 54% Positiveness
28% Popularity • 50% Danceability • 32% Energy • 51% Liveness
0% Instrumentalness • 54% Positiveness
► Preview
Christy Altomare
Journey to the Past
81 bpm • D# Maj • 03:16 • -10db
55% Popularity • 23% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
55% Popularity • 23% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Brian D'Arcy James
Big Bright Beautiful World (Reprise)
85 bpm • C# Maj • 01:56 • -20.09db
37% Popularity • 40% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 40% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Mimi Turque
Dear One
85 bpm • G# Maj • 03:28 • -17.07db
5% Popularity • 31% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
5% Popularity • 31% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Marin Mazzie
Till We Reach That Day
81 bpm • G# Maj • 04:11 • -10.95db
23% Popularity • 23% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 23% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
John Cameron Mitchell
Winter's on the Wing
81 bpm • G Maj • 02:33 • -12.48db
25% Popularity • 46% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
25% Popularity • 46% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
► Preview
Christine Andreas
Only Love
81 bpm • G# Maj • 04:08 • -11.22db
21% Popularity • 23% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
21% Popularity • 23% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
Samantha Barks
On My Own
85 bpm • C Maj • 03:11 • -15.72db
50% Popularity • 30% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
50% Popularity • 30% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Matthew James Thomas
Morning Glow
81 bpm • C# Maj • 04:16 • -7.86db
37% Popularity • 19% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 19% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Laura Dreyfuss
Requiem
80 bpm • E Maj • 04:19 • -6.52db
50% Popularity • 41% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
50% Popularity • 41% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
Ragtime Orchestra
Epilogue: Ragtime (Reprise) / Wheels of ...
81 bpm • F# Maj • 03:52 • -10.37db
20% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
► Preview
Jerry Orbach
Are You In Or Out?
86 bpm • F Maj • 02:35 • -16.78db
32% Popularity • 58% Danceability • 42% Energy • 37% Liveness
0% Instrumentalness • 69% Positiveness
32% Popularity • 58% Danceability • 42% Energy • 37% Liveness
0% Instrumentalness • 69% Positiveness
► Preview
Santino Fontana
"Do I Love You Because You're Beautiful?...
80 bpm • G Maj • 02:37 • -8.77db
33% Popularity • 31% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 11% Positiveness
33% Popularity • 31% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Patrick Page
Why We Build the Wall
80 bpm • F Maj • 04:00 • -7.19db
33% Popularity • 56% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 56% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Brian Stokes Mitchell
Stars
86 bpm • E Maj • 03:29 • -11.98db
10% Popularity • 40% Danceability • 21% Energy • 8% Liveness
4% Instrumentalness • 24% Positiveness
10% Popularity • 40% Danceability • 21% Energy • 8% Liveness
4% Instrumentalness • 24% Positiveness
► Preview
Liz Callaway, Howard McGillin, David Zippel, Lex de Azevedo, Larry Bastian, Larry Schwartz
Far Longer Than Forever
86 bpm • C Maj • 02:24 • -18.73db
45% Popularity • 31% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
45% Popularity • 31% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Nicholas Rose
Wheels of a Dream (Reprise)
80 bpm • G# Maj • 02:43 • -12.68db
7% Popularity • 18% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
7% Popularity • 18% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Steven Sutcliffe
He Wanted to Say
80 bpm • F# Maj • 02:34 • -10.05db
19% Popularity • 51% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
19% Popularity • 51% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Terrence Mann
War Is a Science
80 bpm • G Maj • 03:14 • -8.99db
33% Popularity • 50% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 50% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
► Preview
Jason Robert Brown
Stars and the Moon
86 bpm • A Maj • 04:24 • -16.3db
22% Popularity • 37% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
22% Popularity • 37% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
Les Misérables Cast
One Day More
86 bpm • A Maj • 03:41 • -11.95db
52% Popularity • 38% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
52% Popularity • 38% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
John Williams
Sunrise, Sunset
80 bpm • F Maj • 03:51 • -16db
42% Popularity • 19% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
42% Popularity • 19% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Derek Klena
Everything to Win
80 bpm • F Maj • 02:47 • -12db
39% Popularity • 33% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
39% Popularity • 33% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
The Cast of Mary Poppins
Feed The Birds (Tuppence A Bag)
86 bpm • F# Maj • 03:51 • -23.51db
21% Popularity • 30% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
21% Popularity • 30% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Leslie Odom Jr.
Wait for It
87 bpm • F# Maj • 03:13 • -9.64db
69% Popularity • 54% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
69% Popularity • 54% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
► Preview
Matthew Morrison
When Your Feet Don’t Touch The Ground
87 bpm • D min • 04:00 • -10.76db
29% Popularity • 32% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 32% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Company
When You're An Addams
87 bpm • G min • 04:25 • -9.34db
47% Popularity • 63% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
47% Popularity • 63% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
► Preview
Original Cast of Billy Elliot
Electricity
80 bpm • D min • 05:53 • -10.9db
41% Popularity • 40% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
41% Popularity • 40% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
John Bolton
Paris Holds the Key (To Your Heart)
80 bpm • D Maj • 03:07 • -9.63db
44% Popularity • 46% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
44% Popularity • 46% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
► Preview
Dan Stevens
Evermore
79 bpm • C# Maj • 03:14 • -8.74db
62% Popularity • 28% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
62% Popularity • 28% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Brian Stokes Mitchell
Sorry Grateful
87 bpm • A# Maj • 04:21 • -20.22db
3% Popularity • 43% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
3% Popularity • 43% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Brian D'Arcy James
Build A Wall
87 bpm • F Maj • 02:40 • -6.16db
39% Popularity • 63% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
39% Popularity • 63% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
► Preview
Phillipa Soo
Helpless
79 bpm • F Maj • 04:09 • -7.49db
69% Popularity • 69% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
69% Popularity • 69% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
► Preview
Sherman Edwards
1776: Molasses to Rum
87 bpm • A Maj • 04:40 • -9.67db
19% Popularity • 41% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
19% Popularity • 41% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
► Preview
Laura Bell Bundy
So Much Better
79 bpm • D Maj • 03:29 • -10.22db
53% Popularity • 59% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
53% Popularity • 59% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
► Preview
Les Misérables Cast
Epilogue
79 bpm • E Maj • 08:24 • -20.45db
38% Popularity • 27% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
38% Popularity • 27% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Brian Stokes Mitchell
Coalhouse's Soliloquy
87 bpm • G min • 01:36 • -7.31db
20% Popularity • 31% Danceability • 41% Energy • 45% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 31% Danceability • 41% Energy • 45% Liveness
0% Instrumentalness • 37% Positiveness
► Preview
Gregory Bradley
Who Will Buy?
79 bpm • C min • 04:30 • -19.47db
30% Popularity • 27% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
30% Popularity • 27% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Joe Dixon, The Prince of Egypt Original Cast Ensemble
One Weak Link
78 bpm • A# Maj • 01:31 • -12.48db
29% Popularity • 47% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 47% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Sherman Edwards
1776: Yours, Yours, Yours
88 bpm • F# Maj • 02:12 • -16db
21% Popularity • 23% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 23% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Rachel Bay Jones
So Big / So Small
88 bpm • G Maj • 04:12 • -9.54db
48% Popularity • 45% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
48% Popularity • 45% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
Charmian Carr
The Sound Of Music
88 bpm • F Maj • 02:13 • -22db
51% Popularity • 27% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
51% Popularity • 27% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Brian Stokes Mitchell
Make Them Hear You
88 bpm • E Maj • 02:11 • -7.93db
29% Popularity • 36% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
29% Popularity • 36% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
► Preview
Original Cast of Amélie
Times Are Hard for Dreamers
78 bpm • D# Maj • 03:17 • -6.98db
41% Popularity • 44% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 44% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Amick Byram
All I Ever Wanted (With Queen's Reprise)
78 bpm • F# Maj • 02:51 • -16.2db
48% Popularity • 26% Danceability • 23% Energy • 40% Liveness
0% Instrumentalness • 15% Positiveness
48% Popularity • 26% Danceability • 23% Energy • 40% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Jerry Bock
Tradition
78 bpm • C Maj • 07:33 • -9.27db
25% Popularity • 66% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
25% Popularity • 66% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
► Preview
Heather Headley
Shadowland
78 bpm • A min • 04:28 • -11.36db
43% Popularity • 25% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
43% Popularity • 25% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
Anne Hathaway
The Docks (Lovely Ladies)
78 bpm • D min • 04:03 • -16.35db
40% Popularity • 68% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
40% Popularity • 68% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Marin Mazzie
Back to Before
88 bpm • B min • 03:49 • -9db
30% Popularity • 30% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
30% Popularity • 30% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Christine Andreas
You Are My Home
89 bpm • B Maj • 03:33 • -11.76db
21% Popularity • 22% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
21% Popularity • 22% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Jeremy Jordan
I Never Planned On You / Don't Come A-Kn...
77 bpm • G# Maj • 01:40 • -13.64db
44% Popularity • 34% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
44% Popularity • 34% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
► Preview
Jerry Bock
Wedding Dance
78 bpm • G Maj • 04:13 • -7.82db
15% Popularity • 42% Danceability • 51% Energy • 25% Liveness
11% Instrumentalness • 41% Positiveness
15% Popularity • 42% Danceability • 51% Energy • 25% Liveness
11% Instrumentalness • 41% Positiveness
► Preview
André De Shields
Wait for Me
89 bpm • D Maj • 03:34 • -6.72db
57% Popularity • 57% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
57% Popularity • 57% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Women of the Palace
My Strongest Suit
77 bpm • C# Maj • 05:16 • -6.44db
38% Popularity • 47% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
38% Popularity • 47% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
► Preview
Christy Altomare
In My Dreams
77 bpm • E min • 03:28 • -12db
49% Popularity • 27% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
49% Popularity • 27% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
John Williams
Prologue / "Tradition" / Main Title
77 bpm • C Maj • 11:20 • -15.09db
38% Popularity • 48% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
38% Popularity • 48% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
Brian Stokes Mitchell
Feeling Good
77 bpm • A Maj • 04:51 • -11.78db
7% Popularity • 34% Danceability • 15% Energy • 8% Liveness
1% Instrumentalness • 19% Positiveness
7% Popularity • 34% Danceability • 15% Energy • 8% Liveness
1% Instrumentalness • 19% Positiveness
► Preview
Jerry Bock
Sabbath Prayer
77 bpm • F Maj • 02:47 • -15.3db
18% Popularity • 30% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
18% Popularity • 30% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Audra McDonald
Your Daddy's Son
77 bpm • G# min • 03:42 • -12.81db
29% Popularity • 32% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
29% Popularity • 32% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Eva Noblezada
Any Way the Wind Blows
89 bpm • F Maj • 03:45 • -9.04db
53% Popularity • 44% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
53% Popularity • 44% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Liz Callaway
Journey to the Past
90 bpm • G# Maj • 02:55 • -10.56db
49% Popularity • 36% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
49% Popularity • 36% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
Hadley Fraser
Beyond the Door
77 bpm • G# min • 03:00 • -8db
23% Popularity • 27% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
23% Popularity • 27% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
Jennifer Damiano
If The World Should End
90 bpm • A# Maj • 03:43 • -8.93db
23% Popularity • 41% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
23% Popularity • 41% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Anthony Rapp
Z's Lament
90 bpm • G# Maj • 01:13 • -9.31db
21% Popularity • 47% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
21% Popularity • 47% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Santino Fontana
"Ten Minutes Ago"
76 bpm • G Maj • 02:52 • -11.5db
39% Popularity • 43% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
39% Popularity • 43% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Jayne Wisener
Green Finch and Linnett Bird
77 bpm • A# Maj • 02:16 • -12.23db
22% Popularity • 32% Danceability • 30% Energy • 35% Liveness
1% Instrumentalness • 12% Positiveness
22% Popularity • 32% Danceability • 30% Energy • 35% Liveness
1% Instrumentalness • 12% Positiveness
► Preview
Audra McDonald
Sarah Brown Eyes
90 bpm • C Maj • 03:27 • -19db
24% Popularity • 32% Danceability • 11% Energy • 42% Liveness
0% Instrumentalness • 14% Positiveness
24% Popularity • 32% Danceability • 11% Energy • 42% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
John Williams
Miracle Of Miracles
76 bpm • B Maj • 02:04 • -13db
36% Popularity • 51% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
36% Popularity • 51% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
► Preview
Brian Stokes Mitchell
Some Other Time
76 bpm • G# Maj • 04:01 • -22.62db
3% Popularity • 32% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
3% Popularity • 32% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
The Pirates Of Penzance
Oh, False One, You Have Deceived
76 bpm • G Maj • 03:40 • -12db
20% Popularity • 30% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
20% Popularity • 30% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Pia Douwes
Pretty Lies
76 bpm • B min • 02:47 • -11.09db
26% Popularity • 37% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
26% Popularity • 37% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
► Preview
Original Broadway Cast of Hamilton
Who Lives, Who Dies, Who Tells Your Stor...
76 bpm • D Maj • 03:37 • -9.69db
63% Popularity • 35% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
63% Popularity • 35% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Audra McDonald
Beauty and the Beast (Finale)
90 bpm • A# Maj • 02:14 • -8.63db
44% Popularity • 18% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
44% Popularity • 18% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
John Williams
Chava Ballet Sequence
91 bpm • D# Maj • 02:37 • -17.38db
34% Popularity • 31% Danceability • 12% Energy • 12% Liveness
2% Instrumentalness • 9% Positiveness
34% Popularity • 31% Danceability • 12% Energy • 12% Liveness
2% Instrumentalness • 9% Positiveness
► Preview
Josh Gad
You and Me (But Mostly Me)
75 bpm • C Maj • 02:43 • -7.95db
51% Popularity • 48% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
51% Popularity • 48% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
Judy Kuhn
Colors of the Wind
92 bpm • C# Maj • 03:32 • -11.81db
59% Popularity • 28% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
59% Popularity • 28% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
