Songs like Some Things Are Meant to Be by Mindi Dickstein
Based on a tempo of (+/- 10%) and a similar genre
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Ramin Karimloo
Still
84 bpm • F min • 02:36 • -10.59db
41% Popularity • 29% Danceability • 41% Energy • 50% Liveness
0% Instrumentalness • 7% Positiveness
41% Popularity • 29% Danceability • 41% Energy • 50% Liveness
0% Instrumentalness • 7% Positiveness
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Terrence Mann
If I Can't Love Her (Reprise)
84 bpm • D Maj • 01:34 • -26.39db
32% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
32% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Hailey Kilgore
Waiting for Life
84 bpm • A Maj • 03:25 • -10db
38% Popularity • 54% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
38% Popularity • 54% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Cast of Ghost - The Musical
Nothing Stops Another Day
84 bpm • D# Maj • 04:01 • -7.79db
25% Popularity • 21% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
25% Popularity • 21% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Hunter Parrish
Save the People
84 bpm • G Maj • 03:36 • -8.65db
32% Popularity • 30% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
32% Popularity • 30% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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J. Robert Spencer
He's Not Here
84 bpm • D# Maj • 01:15 • -23.69db
31% Popularity • 32% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 32% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Enjoy The Trip
84 bpm • G# Maj • 03:09 • -7.46db
34% Popularity • 57% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
34% Popularity • 57% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Terrence Mann
If I Can't Love Her
84 bpm • C Maj • 04:06 • -21db
42% Popularity • 30% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
42% Popularity • 30% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
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Kenita R. Miller
A Part of Us
84 bpm • E Maj • 02:56 • -13.65db
21% Popularity • 41% Danceability • 15% Energy • 61% Liveness
0% Instrumentalness • 29% Positiveness
21% Popularity • 41% Danceability • 15% Energy • 61% Liveness
0% Instrumentalness • 29% Positiveness
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Mindi Dickstein
Some Things Are Meant to Be
84 bpm • G Maj • 04:25 • -10.6db
35% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Sherie Rene Scott
Every Story Is A Love Story
84 bpm • G# Maj • 03:19 • -11.17db
33% Popularity • 43% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
33% Popularity • 43% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
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Alice Ripley
Maybe (Next to Normal)
84 bpm • G# Maj • 04:00 • -17.43db
29% Popularity • 33% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 33% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Caitlin Kinnunen
Dance with You
84 bpm • C# Maj • 03:07 • -7.27db
36% Popularity • 36% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 36% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Miss Saigon Original Cast
You Will Not Touch Him - Live
83 bpm • F# Maj • 03:34 • -7.87db
36% Popularity • 26% Danceability • 56% Energy • 52% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 26% Danceability • 56% Energy • 52% Liveness
0% Instrumentalness • 27% Positiveness
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Andrea Burns
I'm Not Afraid of Anything
84 bpm • A Maj • 04:37 • -12.52db
27% Popularity • 46% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 46% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Anna Kendrick
See I'm Smiling
83 bpm • A Maj • 05:35 • -10.19db
44% Popularity • 53% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
44% Popularity • 53% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Alison Fraser
Hold On
85 bpm • G# min • 03:03 • -12db
23% Popularity • 39% Danceability • 30% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
23% Popularity • 39% Danceability • 30% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
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Henry Krieger
Side Show: I Will Never Leave You - Voic...
85 bpm • F Maj • 03:02 • -13db
21% Popularity • 41% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 41% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
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Corey Cott
Donny Novitski
85 bpm • B Maj • 03:44 • -8db
28% Popularity • 56% Danceability • 52% Energy • 46% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 56% Danceability • 52% Energy • 46% Liveness
0% Instrumentalness • 50% Positiveness
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Miss Saigon Original Cast
The Movie In My Mind - Live
85 bpm • A min • 05:06 • -14.68db
39% Popularity • 24% Danceability • 13% Energy • 71% Liveness
0% Instrumentalness • 6% Positiveness
39% Popularity • 24% Danceability • 13% Energy • 71% Liveness
0% Instrumentalness • 6% Positiveness
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Tom Bosley
No Matter What
83 bpm • D# Maj • 03:06 • -22.26db
33% Popularity • 41% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
33% Popularity • 41% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Natalie Cortez
What I Did for Love
83 bpm • G# Maj • 03:36 • -10.81db
41% Popularity • 25% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
41% Popularity • 25% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
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Brian D'Arcy James
Travel Song
83 bpm • E Maj • 01:56 • -8db
43% Popularity • 68% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
43% Popularity • 68% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
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Rosalie Craig
Being Alive
83 bpm • A# Maj • 05:01 • -12.55db
30% Popularity • 37% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 37% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Lewis Flinn
Where Am I Now?
83 bpm • A# Maj • 04:09 • -8.85db
19% Popularity • 32% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 32% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Nicholas Barasch
Try Me
83 bpm • D Maj • 03:41 • -10.41db
23% Popularity • 49% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
23% Popularity • 49% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Damian Perkins
How I Know You
85 bpm • F Maj • 02:35 • -11.81db
30% Popularity • 36% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
30% Popularity • 36% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Beth Fowler
Beauty and the Beast
85 bpm • A Maj • 03:34 • -22db
34% Popularity • 32% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
34% Popularity • 32% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Lindsay Mendez
Mister Snow
85 bpm • G Maj • 05:02 • -10.69db
28% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Kathy Fitzgerald and Ensemble
Heart To Hart
83 bpm • E Maj • 04:17 • -9.02db
28% Popularity • 43% Danceability • 26% Energy • 38% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 43% Danceability • 26% Energy • 38% Liveness
0% Instrumentalness • 32% Positiveness
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Sean Palmer as Prince Eric
One Step Closer
83 bpm • D Maj • 04:22 • -20.5db
31% Popularity • 28% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 28% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Diana Original Broadway Cast
Underestimated
86 bpm • E Maj • 03:08 • -8.08db
27% Popularity • 47% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 47% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Soundtrack/Cast Album
Somewhere That's Green
86 bpm • G Maj • 04:10 • -13.63db
40% Popularity • 44% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
40% Popularity • 44% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Burke Moses
Me
82 bpm • F# min • 02:48 • -17.3db
37% Popularity • 66% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
37% Popularity • 66% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
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Lindsay Mendez
Before It's Over
86 bpm • C Maj • 03:44 • -7.4db
33% Popularity • 36% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 36% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Allison Janney and Ensemble
Around Here
82 bpm • C Maj • 03:00 • -9db
35% Popularity • 66% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
35% Popularity • 66% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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Rodgers + Hammerstein's Cinderella Original Broadway Ensemble
"Ten Minutes Ago" (Reprise)
86 bpm • F Maj • 01:40 • -7.34db
30% Popularity • 38% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 38% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Nick Cordero
You Will Still Be Mine
86 bpm • D# Maj • 02:18 • -9.05db
45% Popularity • 62% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
45% Popularity • 62% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
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Original Broadway Company of Natasha, Pierre and the Great Comet of 1812
Letters
86 bpm • A Maj • 06:27 • -7.36db
38% Popularity • 73% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
38% Popularity • 73% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Alice Ripley
So Anyway
86 bpm • A Maj • 03:08 • -17.07db
29% Popularity • 43% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 43% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Eddie Redmayne
Little Fall Of Rain
86 bpm • F# Maj • 02:32 • -28.05db
39% Popularity • 41% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
39% Popularity • 41% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Carolyn Maitland
Children of the Wind
86 bpm • G Maj • 02:55 • -9.9db
18% Popularity • 33% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 33% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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The Original Broadway Cast Of 'Curtains'
Thinking Of Him
86 bpm • C# Maj • 01:49 • -20db
25% Popularity • 39% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
25% Popularity • 39% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Megan McGinnis
All This Time
82 bpm • F Maj • 03:07 • -11.04db
19% Popularity • 41% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
19% Popularity • 41% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Sherie Rene Scott as Ursula
I Want the Good Times Back
82 bpm • G Maj • 04:57 • -14.85db
34% Popularity • 49% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
34% Popularity • 49% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
My Friend, the Dictionary
87 bpm • F Maj • 02:45 • -10.23db
31% Popularity • 47% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 47% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Lea Michele
Whispering - Original Broadway Cast Reco...
81 bpm • E min • 03:35 • -16.06db
33% Popularity • 36% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
33% Popularity • 36% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Mindi Dickstein
Sometimes When You Dream - Reprise
81 bpm • D Maj • 00:57 • -10db
23% Popularity • 36% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 36% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Brooks Ashmanskas
I'd Give It All for You
87 bpm • G Maj • 04:56 • -11.75db
21% Popularity • 34% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
21% Popularity • 34% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Megan McGinnis
I Have Torn You from My Heart
87 bpm • A Maj • 01:56 • -13db
20% Popularity • 40% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
20% Popularity • 40% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Caitlin Kinnunen
Just Breathe
87 bpm • F# Maj • 02:47 • -8db
40% Popularity • 74% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
40% Popularity • 74% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Dakin Matthews
Take It from an Old Man
87 bpm • C# min • 02:37 • -10.89db
41% Popularity • 59% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
41% Popularity • 59% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Christy Altomare
Journey to the Past
81 bpm • D# Maj • 03:16 • -10db
54% Popularity • 23% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
54% Popularity • 23% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Mindi Dickstein
The Weekly Volcano Press
87 bpm • D Maj • 07:47 • -9.2db
26% Popularity • 46% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 46% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Solea Pfeiffer
I'm Not Afraid of Anything
81 bpm • D Maj • 04:49 • -9.13db
31% Popularity • 40% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
31% Popularity • 40% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Laura Benanti
Will He Like Me?
87 bpm • C# Maj • 03:36 • -10db
24% Popularity • 37% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
24% Popularity • 37% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Rosario Dawson
Goodbye Love
87 bpm • C min • 06:24 • -7db
41% Popularity • 36% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
41% Popularity • 36% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Sherie Rene Scott
See I'm Smiling
81 bpm • A Maj • 05:11 • -13db
30% Popularity • 44% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 44% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Katie Rowley Jones
The Life I Never Led - Reprise
81 bpm • D Maj • 01:09 • -6.87db
28% Popularity • 42% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
28% Popularity • 42% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Megan McGinnis
Like Other Girls
87 bpm • D Maj • 03:28 • -7db
23% Popularity • 46% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
23% Popularity • 46% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Christine Andreas
Only Love
81 bpm • G# Maj • 04:08 • -11.22db
21% Popularity • 23% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
21% Popularity • 23% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Julie Atherton
Wait A Bit
81 bpm • A Maj • 04:06 • -14.62db
20% Popularity • 40% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 40% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Sierra Boggess as Ariel
If Only (Quartet)
81 bpm • A Maj • 04:55 • -19db
37% Popularity • 35% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
37% Popularity • 35% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Matthew James Thomas
Morning Glow
81 bpm • C# Maj • 04:16 • -7.86db
36% Popularity • 19% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
36% Popularity • 19% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
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Christy Altomare
Once You See
80 bpm • E Maj • 01:32 • -12db
28% Popularity • 40% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
28% Popularity • 40% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Megan McGinnis
My Manhattan
81 bpm • D# Maj • 02:51 • -6.95db
22% Popularity • 38% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 38% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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'Come From Away' Company
Something's Missing
80 bpm • G Maj • 05:36 • -9.6db
38% Popularity • 40% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 40% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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Allie Trimm
What It Means to Be a Friend
88 bpm • A Maj • 03:17 • -6.59db
29% Popularity • 57% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 57% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Rosalie Craig
Someone Is Waiting
88 bpm • B min • 02:47 • -16.12db
24% Popularity • 29% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
24% Popularity • 29% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Laura Dreyfuss
Requiem
80 bpm • E Maj • 04:19 • -6.52db
50% Popularity • 41% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
50% Popularity • 41% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Brian Stokes Mitchell
Make Them Hear You
88 bpm • E Maj • 02:11 • -7.93db
29% Popularity • 36% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
29% Popularity • 36% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Sharon Wilkins
Can't Help Falling in Love
88 bpm • A# Maj • 02:55 • -9db
30% Popularity • 20% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
30% Popularity • 20% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Lindsay Mendez
Nothing Short of Wonderful
88 bpm • B Maj • 02:40 • -7.58db
32% Popularity • 45% Danceability • 54% Energy • 66% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 45% Danceability • 54% Energy • 66% Liveness
0% Instrumentalness • 62% Positiveness
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Jeanna de Waal
The World According to Chris
80 bpm • G# Maj • 04:40 • -6.02db
38% Popularity • 64% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 64% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Neil Bartram
Promise Me This
80 bpm • C Maj • 04:53 • -14.86db
25% Popularity • 46% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 46% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Rachel Bay Jones
So Big / So Small
88 bpm • G Maj • 04:12 • -9.54db
48% Popularity • 45% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
48% Popularity • 45% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Marin Mazzie
Back to Before
88 bpm • B min • 03:49 • -9db
30% Popularity • 30% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
30% Popularity • 30% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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Bernadette Peters
We Do Not Belong Together
88 bpm • C Maj • 03:55 • -14.02db
28% Popularity • 32% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
28% Popularity • 32% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Mary Beth Peil
Close the Door
88 bpm • G min • 03:11 • -11.19db
36% Popularity • 23% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
36% Popularity • 23% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Laura Bell Bundy
Find My Way / Finale
89 bpm • G# Maj • 05:03 • -10db
42% Popularity • 45% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
42% Popularity • 45% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Laura Benanti
Vanilla Ice Cream
89 bpm • D Maj • 02:57 • -8.7db
30% Popularity • 44% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 44% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Megan McGinnis
Graduation Day
89 bpm • C# Maj • 02:37 • -12.14db
19% Popularity • 42% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
19% Popularity • 42% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Christine Andreas
You Are My Home
89 bpm • B Maj • 03:33 • -11.76db
21% Popularity • 22% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
21% Popularity • 22% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
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Sara Bareilles
Maybe They're Magic
79 bpm • B Maj • 00:59 • -8.17db
42% Popularity • 63% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
42% Popularity • 63% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Derek Klena
Everything to Win
80 bpm • F Maj • 02:47 • -12db
39% Popularity • 33% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
39% Popularity • 33% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Eva Noblezada
Any Way the Wind Blows
89 bpm • F Maj • 03:45 • -9.04db
53% Popularity • 44% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
53% Popularity • 44% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
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Marvin Hamlisch
Nothing
89 bpm • B Maj • 04:19 • -10.02db
30% Popularity • 62% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
30% Popularity • 62% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
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Megan McGinnis
I Couldn't Know Someone Less
79 bpm • E Maj • 03:08 • -8db
25% Popularity • 48% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 48% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Mindi Dickstein
An Operatic Tragedy
79 bpm • G Maj • 01:57 • -8.06db
26% Popularity • 52% Danceability • 42% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
26% Popularity • 52% Danceability • 42% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
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Barbra Streisand
Don't Rain On My Parade
79 bpm • A# Maj • 02:44 • -7.71db
36% Popularity • 50% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
36% Popularity • 50% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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John Bolton
Paris Holds the Key (To Your Heart)
80 bpm • D Maj • 03:07 • -9.63db
43% Popularity • 46% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
43% Popularity • 46% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Laura Bell Bundy
So Much Better
79 bpm • D Maj • 03:29 • -10.22db
53% Popularity • 59% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
53% Popularity • 59% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Original Broadway Cast Of Matilda The Musical
When I Grow Up
78 bpm • F Maj • 03:38 • -11.23db
40% Popularity • 48% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 48% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Kelli O'Hara
So in Love
78 bpm • A Maj • 04:21 • -9.39db
24% Popularity • 14% Danceability • 27% Energy • 5% Liveness
0% Instrumentalness • 7% Positiveness
24% Popularity • 14% Danceability • 27% Energy • 5% Liveness
0% Instrumentalness • 7% Positiveness
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Robert Lenzi
Time
90 bpm • G# Maj • 03:15 • -11db
30% Popularity • 53% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 53% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 41% Positiveness
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Mindi Dickstein
Astonishing
90 bpm • C# Maj • 04:35 • -7.96db
39% Popularity • 34% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 34% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Rachel Bay Jones
Kind of Woman
90 bpm • D Maj • 02:55 • -9db
31% Popularity • 36% Danceability • 36% Energy • 31% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 36% Danceability • 36% Energy • 31% Liveness
0% Instrumentalness • 28% Positiveness
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Robert Westenberg
Lily's Eyes
90 bpm • E min • 03:09 • -13.56db
31% Popularity • 23% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 23% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness