Songs like Somebody Like You by Keith Urban
Based on a tempo of (+/- 10%) and a similar genre
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Thomas Rhett
Beer Can’t Fix
111 bpm • G Maj • 03:29 • -4.07db
69% Popularity • 71% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
69% Popularity • 71% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Keith Urban
Somebody Like You
111 bpm • E Maj • 05:23 • -5.77db
68% Popularity • 62% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
68% Popularity • 62% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Toby Keith
Courtesy Of The Red, White And Blue (The...
112 bpm • D Maj • 03:15 • -5.55db
71% Popularity • 42% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
71% Popularity • 42% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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George Strait
Check Yes Or No
111 bpm • F Maj • 03:20 • -12.64db
74% Popularity • 71% Danceability • 52% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
74% Popularity • 71% Danceability • 52% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
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Tim McGraw
Indian Outlaw
110 bpm • A Maj • 03:02 • -7.23db
64% Popularity • 66% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
64% Popularity • 66% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Luke Bryan
I Don't Want This Night To End
112 bpm • A min • 03:39 • -4.02db
72% Popularity • 62% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
72% Popularity • 62% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Chris Young
Think of You
112 bpm • B Maj • 03:38 • -3.59db
61% Popularity • 62% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
61% Popularity • 62% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Kenny Chesney
Somewhere With You
112 bpm • C# min • 04:03 • -6.48db
60% Popularity • 68% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
60% Popularity • 68% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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LOCASH
I Love This Life
112 bpm • D Maj • 03:28 • -3db
37% Popularity • 59% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 59% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Nate Smith
Whiskey On You
110 bpm • G# Maj • 03:03 • -5.2db
71% Popularity • 47% Danceability • 75% Energy • 12% Liveness
2% Instrumentalness • 57% Positiveness
71% Popularity • 47% Danceability • 75% Energy • 12% Liveness
2% Instrumentalness • 57% Positiveness
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Miranda Lambert
Mama's Broken Heart
112 bpm • E min • 02:57 • -4.2db
68% Popularity • 77% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
68% Popularity • 77% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Brett Eldredge
Beat of the Music
110 bpm • A Maj • 02:59 • -4.13db
60% Popularity • 63% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
60% Popularity • 63% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Luke Bryan
That's My Kind Of Night
110 bpm • G Maj • 03:10 • -2.91db
73% Popularity • 66% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
73% Popularity • 66% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Chris Young
Aw Naw
110 bpm • D Maj • 03:08 • -3.75db
62% Popularity • 65% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
62% Popularity • 65% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Toby Keith
How Do You Like Me Now?!
110 bpm • C Maj • 03:29 • -8.99db
71% Popularity • 65% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
71% Popularity • 65% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Jerrod Niemann
Lover, Lover
112 bpm • G Maj • 03:13 • -6.51db
58% Popularity • 88% Danceability • 57% Energy • 62% Liveness
0% Instrumentalness • 95% Positiveness
58% Popularity • 88% Danceability • 57% Energy • 62% Liveness
0% Instrumentalness • 95% Positiveness
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Thomas Rhett
Look What God Gave Her
113 bpm • D Maj • 02:48 • -3.97db
67% Popularity • 74% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
67% Popularity • 74% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Gary Allan
Nothing On But The Radio
109 bpm • A Maj • 03:32 • -5.95db
61% Popularity • 68% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
61% Popularity • 68% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Clay Walker
She Won't Be Lonely Long
113 bpm • G Maj • 03:29 • -6db
68% Popularity • 64% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
68% Popularity • 64% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Lee Brice
Drinking Class
109 bpm • C# Maj • 03:27 • -10db
59% Popularity • 66% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
59% Popularity • 66% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Chris Stapleton
Parachute
113 bpm • F# Maj • 04:13 • -7.41db
75% Popularity • 64% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
75% Popularity • 64% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Eric Church
Drink In My Hand
113 bpm • C Maj • 03:11 • -4.45db
72% Popularity • 63% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
72% Popularity • 63% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
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Keith Urban
Raise 'Em Up
108 bpm • E Maj • 03:04 • -7.86db
51% Popularity • 61% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
51% Popularity • 61% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Luke Combs
Does To Me
113 bpm • C Maj • 03:43 • -4.9db
67% Popularity • 62% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
67% Popularity • 62% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
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Luke Bryan
Rain Is A Good Thing
108 bpm • B min • 02:56 • -4.66db
69% Popularity • 62% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
69% Popularity • 62% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Jon Pardi
Head Over Boots
108 bpm • G Maj • 03:22 • -4.47db
74% Popularity • 56% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
74% Popularity • 56% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Brooks Jefferson
Friends in Low Places
108 bpm • A Maj • 04:18 • -5.84db
62% Popularity • 55% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
62% Popularity • 55% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Brooks & Dunn
Cowgirls Don't Cry
115 bpm • A Maj • 03:39 • -5.25db
58% Popularity • 66% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
58% Popularity • 66% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Tyler Hubbard
Dancin’ In The Country
115 bpm • G Maj • 02:59 • -5db
72% Popularity • 66% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
72% Popularity • 66% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Cole Swindell
Flatliner
115 bpm • C Maj • 02:57 • -3.3db
61% Popularity • 56% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
61% Popularity • 56% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Luke Bryan
Kiss Tomorrow Goodbye
115 bpm • F min • 03:23 • -3db
70% Popularity • 57% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
70% Popularity • 57% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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Little Big Town
Little White Church
107 bpm • A# Maj • 03:06 • -4.8db
52% Popularity • 67% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
52% Popularity • 67% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Toby Keith
I Love This Bar
115 bpm • D Maj • 05:35 • -6.3db
68% Popularity • 61% Danceability • 82% Energy • 35% Liveness
1% Instrumentalness • 45% Positiveness
68% Popularity • 61% Danceability • 82% Energy • 35% Liveness
1% Instrumentalness • 45% Positiveness
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Thomas Rhett
Sixteen
107 bpm • C# Maj • 02:58 • -7.03db
60% Popularity • 70% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
60% Popularity • 70% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Gary Allan
Every Storm (Runs Out Of Rain)
107 bpm • C Maj • 03:45 • -6.97db
59% Popularity • 52% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
59% Popularity • 52% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
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Brooks & Dunn
Play Something Country
115 bpm • G Maj • 03:14 • -3db
60% Popularity • 69% Danceability • 94% Energy • 57% Liveness
0% Instrumentalness • 77% Positiveness
60% Popularity • 69% Danceability • 94% Energy • 57% Liveness
0% Instrumentalness • 77% Positiveness
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Chris Young
Gettin' You Home
107 bpm • G Maj • 03:32 • -5.02db
66% Popularity • 64% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
66% Popularity • 64% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
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John Michael Montgomery
Sold (The Grundy County Auction Incident...
116 bpm • D Maj • 02:32 • -7.37db
70% Popularity • 77% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
70% Popularity • 77% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Billy Currington
Pretty Good At Drinkin' Beer
107 bpm • F Maj • 02:59 • -4db
63% Popularity • 77% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
63% Popularity • 77% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Rodney Atkins
If You're Going Through Hell (Before The...
116 bpm • A Maj • 03:36 • -3.66db
62% Popularity • 57% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
62% Popularity • 57% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Jon Pardi
Heartache On The Dance Floor
116 bpm • A Maj • 03:25 • -4.31db
74% Popularity • 60% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
74% Popularity • 60% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Jerrod Niemann
Drink to That All Night
116 bpm • A min • 03:44 • -6.18db
57% Popularity • 64% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
57% Popularity • 64% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Sammy Kershaw
She Don't Know She's Beautiful
116 bpm • A Maj • 02:54 • -9.42db
64% Popularity • 76% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
64% Popularity • 76% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Toby Keith
I Wanna Talk About Me
106 bpm • F Maj • 03:03 • -5db
65% Popularity • 76% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
65% Popularity • 76% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Little Big Town
Wine, Beer, Whiskey
106 bpm • G Maj • 03:16 • -5.85db
64% Popularity • 73% Danceability • 91% Energy • 60% Liveness
0% Instrumentalness • 78% Positiveness
64% Popularity • 73% Danceability • 91% Energy • 60% Liveness
0% Instrumentalness • 78% Positiveness
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Keith Urban
I Told You So
106 bpm • C# min • 04:02 • -5.85db
19% Popularity • 64% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
19% Popularity • 64% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Luke Bryan
Country Girl (Shake It For Me)
106 bpm • D Maj • 03:45 • -4.53db
75% Popularity • 64% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
75% Popularity • 64% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Tyler Hubbard
5 Foot 9
106 bpm • F Maj • 03:09 • -6db
70% Popularity • 60% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
70% Popularity • 60% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Luke Combs
Where the Wild Things Are
117 bpm • D# Maj • 03:59 • -4.87db
84% Popularity • 71% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
84% Popularity • 71% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Dierks Bentley
5-1-5-0
117 bpm • C# min • 03:02 • -5.18db
63% Popularity • 55% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
63% Popularity • 55% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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Zac Brown Band
Homegrown
105 bpm • F# Maj • 03:25 • -4db
69% Popularity • 71% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
69% Popularity • 71% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Keith Urban
Jeans On
106 bpm • E Maj • 03:33 • -7.21db
36% Popularity • 82% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
36% Popularity • 82% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Tenille Arts
Somebody Like That
105 bpm • F# Maj • 03:18 • -5.38db
63% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
63% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Uncle Kracker
Follow Me
105 bpm • F Maj • 03:38 • -4.69db
71% Popularity • 82% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
71% Popularity • 82% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Randy Houser
How Country Feels
105 bpm • G Maj • 03:05 • -3.62db
68% Popularity • 68% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
68% Popularity • 68% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Thomas Rhett
Craving You
105 bpm • A min • 03:43 • -3.8db
62% Popularity • 61% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
62% Popularity • 61% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
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Kenny Chesney
When the Sun Goes Down
105 bpm • A Maj • 04:50 • -6.8db
66% Popularity • 80% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
66% Popularity • 80% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
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Keith Urban
You Look Good In My Shirt
117 bpm • G Maj • 03:47 • -6db
51% Popularity • 65% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
51% Popularity • 65% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Dierks Bentley
I Hold On
118 bpm • C Maj • 04:39 • -6.45db
59% Popularity • 61% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
59% Popularity • 61% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Carly Pearce
I Hope You’re Happy Now
118 bpm • A# Maj • 03:18 • -4.73db
68% Popularity • 59% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
68% Popularity • 59% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Martina McBride
Independence Day
118 bpm • A Maj • 03:24 • -6.2db
60% Popularity • 71% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
60% Popularity • 71% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Jake Owen
American Country Love Song
104 bpm • G# Maj • 03:19 • -4db
58% Popularity • 53% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
58% Popularity • 53% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Kenny Chesney
No Shoes, No Shirt, No Problems
118 bpm • G Maj • 03:29 • -10.24db
60% Popularity • 72% Danceability • 55% Energy • 18% Liveness
1% Instrumentalness • 67% Positiveness
60% Popularity • 72% Danceability • 55% Energy • 18% Liveness
1% Instrumentalness • 67% Positiveness
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Keith Urban
You're My Better Half
118 bpm • E Maj • 04:12 • -4.6db
38% Popularity • 66% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
38% Popularity • 66% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Eric Church
Springsteen
104 bpm • D Maj • 04:23 • -5.94db
76% Popularity • 69% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
76% Popularity • 69% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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Sam Hunt
House Party
104 bpm • G# Maj • 03:10 • -5.25db
69% Popularity • 75% Danceability • 86% Energy • 3% Liveness
0% Instrumentalness • 86% Positiveness
69% Popularity • 75% Danceability • 86% Energy • 3% Liveness
0% Instrumentalness • 86% Positiveness
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Joe Nichols
Brokenheartsville
104 bpm • A# Maj • 03:50 • -5.18db
61% Popularity • 69% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
61% Popularity • 69% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Alan Jackson
Livin' On Love
119 bpm • A Maj • 03:48 • -9.71db
57% Popularity • 72% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
57% Popularity • 72% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Old Dominion
Memory Lane
119 bpm • F# Maj • 02:52 • -5.14db
71% Popularity • 65% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
71% Popularity • 65% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Keith Urban
Wild Hearts
117 bpm • E Maj • 03:02 • -4.14db
55% Popularity • 60% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
55% Popularity • 60% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
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Luke Combs
Lovin' On You
119 bpm • E Maj • 03:14 • -4.87db
70% Popularity • 57% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
70% Popularity • 57% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Toby Keith
Beer For My Horses
119 bpm • A# Maj • 03:24 • -5.33db
72% Popularity • 72% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
72% Popularity • 72% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Dierks Bentley
Burning Man
119 bpm • F Maj • 03:58 • -7.22db
64% Popularity • 61% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
64% Popularity • 61% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Lee Brice
Hard To Love
103 bpm • A Maj • 03:44 • -6.18db
68% Popularity • 64% Danceability • 72% Energy • 19% Liveness
1% Instrumentalness • 47% Positiveness
68% Popularity • 64% Danceability • 72% Energy • 19% Liveness
1% Instrumentalness • 47% Positiveness
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Kid Rock
All Summer Long
103 bpm • G Maj • 04:57 • -3.63db
73% Popularity • 70% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
73% Popularity • 70% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Keith Urban
Better Life
105 bpm • D Maj • 04:43 • -3.54db
48% Popularity • 62% Danceability • 83% Energy • 3% Liveness
0% Instrumentalness • 80% Positiveness
48% Popularity • 62% Danceability • 83% Energy • 3% Liveness
0% Instrumentalness • 80% Positiveness
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Luke Combs
Beautiful Crazy
103 bpm • B Maj • 03:13 • -7.43db
81% Popularity • 55% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
81% Popularity • 55% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Toby Keith
As Good As I Once Was
119 bpm • F Maj • 03:47 • -4db
74% Popularity • 68% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
74% Popularity • 68% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Brad Paisley
She's Everything
103 bpm • C Maj • 04:26 • -8.32db
64% Popularity • 36% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
64% Popularity • 36% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
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Dierks Bentley
Woman, Amen
120 bpm • F Maj • 02:59 • -6db
53% Popularity • 48% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
53% Popularity • 48% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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Florida Georgia Line
Talk You Out Of It
120 bpm • E Maj • 03:22 • -4.79db
59% Popularity • 65% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
59% Popularity • 65% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Keith Urban
Somewhere In My Car
118 bpm • A# Maj • 03:56 • -5.39db
54% Popularity • 60% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
54% Popularity • 60% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Elle King
Drunk (And I Don't Wanna Go Home)
120 bpm • F Maj • 04:04 • -5db
62% Popularity • 61% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
62% Popularity • 61% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Eric Paslay
Friday Night
120 bpm • A Maj • 02:47 • -4.19db
60% Popularity • 66% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
60% Popularity • 66% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Joe Nichols
Sunny and 75
120 bpm • C Maj • 03:26 • -4.42db
57% Popularity • 53% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
57% Popularity • 53% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Dierks Bentley
Black
120 bpm • C# Maj • 03:31 • -6.69db
60% Popularity • 65% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
60% Popularity • 65% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Big & Rich
Save a Horse (Ride a Cowboy)
102 bpm • D Maj • 03:20 • -2.28db
70% Popularity • 70% Danceability • 90% Energy • 45% Liveness
0% Instrumentalness • 82% Positiveness
70% Popularity • 70% Danceability • 90% Energy • 45% Liveness
0% Instrumentalness • 82% Positiveness
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Keith Urban
You're My Better Half
118 bpm • E Maj • 03:59 • -4.41db
42% Popularity • 66% Danceability • 75% Energy • 4% Liveness
0% Instrumentalness • 61% Positiveness
42% Popularity • 66% Danceability • 75% Energy • 4% Liveness
0% Instrumentalness • 61% Positiveness
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Brooks & Dunn
Neon Moon
102 bpm • A Maj • 04:23 • -6.51db
71% Popularity • 70% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
71% Popularity • 70% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Luke Combs
The Kind of Love We Make
102 bpm • C# Maj • 03:44 • -4.13db
78% Popularity • 61% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
78% Popularity • 61% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Old Dominion
Hotel Key
102 bpm • B Maj • 02:46 • -5.09db
65% Popularity • 76% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
65% Popularity • 76% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Dierks Bentley
Free And Easy (Down The Road I Go)
120 bpm • F# Maj • 03:19 • -5db
59% Popularity • 58% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
59% Popularity • 58% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Chris Young
Famous Friends
102 bpm • F# Maj • 02:46 • -2.92db
67% Popularity • 54% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
67% Popularity • 54% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Keith Urban
But For The Grace Of God
104 bpm • C Maj • 03:42 • -6db
27% Popularity • 67% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 67% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Midland
Drinkin' Problem
102 bpm • A Maj • 03:40 • -6.4db
70% Popularity • 62% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
70% Popularity • 62% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
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Kenny Chesney
All the Pretty Girls
121 bpm • F# Maj • 03:32 • -3.74db
63% Popularity • 61% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
63% Popularity • 61% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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Lee Brice
Soul
121 bpm • B Maj • 02:47 • -8.3db
66% Popularity • 79% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
66% Popularity • 79% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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George Strait
Amarillo By Morning
121 bpm • A Maj • 02:53 • -16.03db
71% Popularity • 61% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
71% Popularity • 61% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
