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Somebody's Gonna
Songs like
Somebody's Gonna
by
SixForty1
Based on a tempo of (+/- 10%) and a similar genre
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Grace Leer
Nothing With You
176 bpm • B min • 03:36 • -6.83db
39% Popularity • 55% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Chris Moreno
Used to This
176 bpm • G# Maj • 03:11 • -3.92db
40% Popularity • 39% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Dylan Schneider
Right Girl
176 bpm • E Maj • 02:49 • -5.1db
45% Popularity • 47% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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SixForty1
Somebody's Gonna
176 bpm • C# Maj • 02:58 • -5.66db
35% Popularity • 50% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
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Seth Alley
Love or a Lover
176 bpm • A Maj • 02:51 • -5.41db
14% Popularity • 45% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Adam Hambrick
Forever Ain't Long Enough
176 bpm • A Maj • 03:00 • -3.63db
28% Popularity • 50% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Maggie Baugh
Think About Me
176 bpm • B Maj • 03:37 • -10.19db
27% Popularity • 47% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Walker Montgomery
She Don't Know
176 bpm • C# Maj • 03:49 • -4.28db
39% Popularity • 44% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Trevor Martin
Small Town Love
176 bpm • G min • 02:56 • -6.52db
25% Popularity • 52% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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SixForty1
Move Forward
176 bpm • G Maj • 03:45 • -4.02db
5% Popularity • 54% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Chris Ruediger
Good for Leaving
176 bpm • B Maj • 03:03 • -5.8db
24% Popularity • 48% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Leaving Austin
Southern Gold
174 bpm • C min • 02:51 • -3.77db
25% Popularity • 49% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Ashley Cooke
Chasin’ You (Acoustic)
179 bpm • A# Maj • 03:44 • -8.78db
37% Popularity • 39% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Josh Gracin
History Repeats
180 bpm • C# Maj • 03:46 • -7.16db
18% Popularity • 28% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Logan Mize
Better Off Gone (Acoustic Sessions)
180 bpm • D# Maj • 03:24 • -5.91db
37% Popularity • 42% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
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Jeb Gipson
Never Not Be
172 bpm • B Maj • 03:11 • -5.79db
16% Popularity • 51% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Tyler Braden
Better Off
172 bpm • A Maj • 03:09 • -7db
40% Popularity • 42% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Leaving Austin
Only One Her
174 bpm • F Maj • 03:07 • -3.96db
29% Popularity • 54% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Kelsey Lamb
Me & the Bar
172 bpm • G Maj • 03:01 • -5.77db
22% Popularity • 42% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Carter Winter
Love Like I Drink
172 bpm • F Maj • 03:15 • -5.66db
44% Popularity • 36% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Josh Kerr
Still Getting Drunk
170 bpm • C# min • 03:03 • -10.77db
19% Popularity • 58% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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The Tuten Brothers
Make a Little Life
170 bpm • G Maj • 03:09 • -5db
28% Popularity • 49% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Jaden Michaels
Close to You
170 bpm • G Maj • 03:45 • -4.71db
21% Popularity • 41% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Eric Burgett
Angel to Save Me
169 bpm • F Maj • 02:42 • -4db
28% Popularity • 45% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Erin Kinsey
Hate This Hometown
184 bpm • F# Maj • 03:13 • -6.04db
35% Popularity • 40% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Parmalee
Better With You
168 bpm • B Maj • 02:41 • -3.43db
38% Popularity • 57% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Eric Ethridge
Makin' Me Crazy
168 bpm • A Maj • 02:52 • -3.28db
27% Popularity • 47% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Adam Sanders
What If I'm Right (Stripped)
168 bpm • A min • 02:44 • -5db
27% Popularity • 48% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Sam Riggs
The Way I Love You
167 bpm • A Maj • 03:31 • -5db
30% Popularity • 39% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 52% Positiveness
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Joe Noto
In My View
168 bpm • F# Maj • 03:03 • -5.76db
24% Popularity • 42% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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BROWN & GRAY
First Light
186 bpm • F# Maj • 03:00 • -4.02db
34% Popularity • 36% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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The Roads Below
Can't Teach That
166 bpm • F Maj • 03:19 • -4db
22% Popularity • 43% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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SixForty1
Get Your Yeti On
166 bpm • G Maj • 03:11 • -2.9db
8% Popularity • 54% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
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Adam Sanders
What If I'm Right
168 bpm • C Maj • 02:46 • -3.42db
38% Popularity • 43% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Trevor Martin
Dream Girl
166 bpm • A# Maj • 03:28 • -6db
25% Popularity • 48% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Parmalee
I Do
164 bpm • F min • 02:40 • -4.07db
29% Popularity • 60% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Waterloo Revival
Back to You
164 bpm • A# Maj • 03:40 • -6.39db
19% Popularity • 46% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Adam Doleac
Somewhere Cool With You
164 bpm • D# Maj • 02:48 • -5.14db
39% Popularity • 52% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Chris Moreno
Somebody New
164 bpm • A# Maj • 03:33 • -5db
23% Popularity • 45% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Erin Kinsey
I Got You
164 bpm • E Maj • 02:57 • -4db
34% Popularity • 49% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Trevor Martin
Wife You Up
164 bpm • G Maj • 03:29 • -6db
37% Popularity • 51% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Austin Burke
Let It Burn
164 bpm • G Maj • 03:26 • -7.1db
45% Popularity • 51% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Sam Riggs
Wild About You
163 bpm • G# Maj • 02:48 • -6db
29% Popularity • 46% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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SixForty1
Get Back to Me
162 bpm • A Maj • 03:24 • -3.51db
3% Popularity • 49% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Tenille Arts
Over You is You
162 bpm • D Maj • 03:04 • -3.87db
37% Popularity • 45% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Rayne Johnson
Last Name
160 bpm • F# Maj • 03:30 • -4db
24% Popularity • 61% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
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Seth Ennis
So Much
162 bpm • F Maj • 03:24 • -5.18db
11% Popularity • 55% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Tyler Rich
Real Love
160 bpm • A Maj • 03:02 • -5.57db
34% Popularity • 55% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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The Roads Below
I Want Us - Acoustic
160 bpm • A# Maj • 04:01 • -4.8db
18% Popularity • 58% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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SixForty1
Full Boat
162 bpm • G# Maj • 03:06 • -3.58db
2% Popularity • 52% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 87% Positiveness
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Adam Doleac
Everybody Needs Somebody
160 bpm • D Maj • 03:06 • -3.85db
28% Popularity • 54% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Shawn Austin
Somewhere In Austin
160 bpm • E min • 02:53 • -5.75db
17% Popularity • 48% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Josh Ross
Do What You Love
160 bpm • A Maj • 03:30 • -7db
42% Popularity • 51% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Roman Alexander
Bad for Me
160 bpm • D Maj • 03:09 • -5.28db
28% Popularity • 45% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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Ryan Kinder
Hell Is
160 bpm • A# min • 03:16 • -6.22db
18% Popularity • 40% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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The Roads Below
I Want Us
160 bpm • A# Maj • 04:06 • -6db
41% Popularity • 54% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Tyler Rich
Adrenaline
160 bpm • F# Maj • 03:26 • -5.17db
28% Popularity • 56% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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SixForty1
Tequila
160 bpm • A# Maj • 03:22 • -4.77db
4% Popularity • 53% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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CHASE WRIGHT
Lying with You
160 bpm • C# Maj • 02:59 • -3db
48% Popularity • 48% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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John Gurney
Get Around
158 bpm • D min • 03:18 • -5.11db
15% Popularity • 49% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Ryan Kinder
Room to Dream
160 bpm • C# Maj • 03:07 • -4.82db
19% Popularity • 49% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Alee
Boys and Girls
158 bpm • C# Maj • 03:10 • -5db
17% Popularity • 46% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Dustin Bird
Broke and Lonely
158 bpm • F Maj • 02:39 • -3.88db
9% Popularity • 56% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Seaforth
Taken Your Picture
158 bpm • E Maj • 03:32 • -7.5db
29% Popularity • 51% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Canaan Cox
Greener
158 bpm • B Maj • 03:39 • -3.15db
33% Popularity • 44% Danceability • 92% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Garrett Jacobs
Just Like You
158 bpm • A# Maj • 03:02 • -7.05db
23% Popularity • 58% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Brandon Ray
The Bitter And The Sweet
158 bpm • C Maj • 03:17 • -6.26db
15% Popularity • 59% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Josh Kerr
Never Said Sorry
198 bpm • B Maj • 02:41 • -6.57db
17% Popularity • 59% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Tim Cote
Hard To Be Like You
156 bpm • F# Maj • 03:17 • -5.5db
18% Popularity • 56% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Eric Ethridge
Girl on Fire
156 bpm • C# min • 03:16 • -2.26db
21% Popularity • 46% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Brian Fuller
Myself
156 bpm • C Maj • 03:45 • -7.39db
13% Popularity • 48% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Chris Ruediger
When You Don't
156 bpm • B Maj • 03:33 • -5.19db
37% Popularity • 57% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Austin Burke
Town Home
156 bpm • F Maj • 02:50 • -5.7db
41% Popularity • 63% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Eric Burgett
Love It All Goodbye
156 bpm • A# Maj • 03:28 • -6.28db
35% Popularity • 48% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Chris Moreno
I Believe in Us
156 bpm • C Maj • 03:34 • -4.93db
18% Popularity • 47% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Canaan Cox
Break It
156 bpm • D Maj • 03:05 • -4.63db
39% Popularity • 54% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Luke Pell
Remember These Words
154 bpm • D Maj • 03:13 • -6.16db
25% Popularity • 57% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Tyler Rich
Take It Or Leave It
154 bpm • C Maj • 03:00 • -6.1db
26% Popularity • 52% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Austin Burke
Even on a Bad Day
156 bpm • D Maj • 03:28 • -7.55db
18% Popularity • 53% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Chris Bandi
Rain Man
154 bpm • B Maj • 03:17 • -6.08db
24% Popularity • 58% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
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Andrew Jannakos
Like Yesterday
154 bpm • D Maj • 03:26 • -5.17db
17% Popularity • 52% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Jordan Fletcher
Miles to the Moon
154 bpm • F# Maj • 03:01 • -7.15db
27% Popularity • 56% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 73% Positiveness
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Waterloo Revival
Something You Ain't Ever Had - Acoustic
154 bpm • A Maj • 03:18 • -7.71db
12% Popularity • 60% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Leah Mason
Far Boy
154 bpm • A Maj • 03:06 • -7.26db
27% Popularity • 55% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Josh Melton
Letters
154 bpm • F# Maj • 03:20 • -7.19db
30% Popularity • 58% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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SixForty1
Never Have I Ever
202 bpm • A Maj • 03:09 • -3.94db
4% Popularity • 48% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 81% Positiveness
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Christina Taylor
Till the Wheels Fall Off
153 bpm • F# Maj • 03:03 • -4.89db
15% Popularity • 44% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
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Todd Cameron
One of Those Songs
152 bpm • A Maj • 02:50 • -4.88db
41% Popularity • 46% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
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Tyler Rich
Here With You
152 bpm • A# Maj • 02:48 • -4.05db
23% Popularity • 52% Danceability • 81% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
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Rayne Johnson
A Little Goes a Long Way
152 bpm • C Maj • 02:50 • -6.57db
16% Popularity • 75% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Logan Mize
Prettiest Girl in the World
204 bpm • A Maj • 03:09 • -7db
45% Popularity • 43% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Troy Cartwright
Shine On Me
152 bpm • F Maj • 03:13 • -7.36db
24% Popularity • 42% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
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SixForty1
Bad
152 bpm • D Maj • 03:30 • -5.34db
16% Popularity • 54% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Maggie Baugh
Drinking to the Broken Hearts
152 bpm • A# Maj • 03:30 • -6db
28% Popularity • 54% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Eric Burgett
Turnt
151 bpm • C# Maj • 03:39 • -6.2db
19% Popularity • 50% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Restless Road
Headlights
150 bpm • G min • 02:54 • -4.15db
45% Popularity • 45% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Josh Kerr
Arizona
151 bpm • A# Maj • 03:31 • -9.42db
37% Popularity • 53% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Matt Stell
Boyfriend Season
150 bpm • A Maj • 03:09 • -3.35db
33% Popularity • 54% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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SixForty1
Mind on You
151 bpm • A Maj • 03:37 • -3.98db
3% Popularity • 49% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Kyle Clark
Think You Know Someone
150 bpm • B Maj • 03:12 • -4.18db
36% Popularity • 53% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Somebody's Gonna