Songs like Someday Baby - Take 5 by Otis Spann
Based on a tempo of (+/- 10%) and a similar genre
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Otis Spann
Beat-Up Team - Remastered
114 bpm • A Maj • 06:01 • -7.85db
9% Popularity • 53% Danceability • 50% Energy • 25% Liveness
2% Instrumentalness • 48% Positiveness
9% Popularity • 53% Danceability • 50% Energy • 25% Liveness
2% Instrumentalness • 48% Positiveness
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Champion Jack Dupree
Evil Woman
114 bpm • C Maj • 04:21 • -17.69db
35% Popularity • 54% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
35% Popularity • 54% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Lazy Lester
The Sun Is Shinning
114 bpm • C Maj • 05:19 • -7.8db
12% Popularity • 58% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
12% Popularity • 58% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Jimmie Vaughan
Just Like Putty
114 bpm • C Maj • 04:07 • -8.05db
28% Popularity • 69% Danceability • 60% Energy • 32% Liveness
2% Instrumentalness • 83% Positiveness
28% Popularity • 69% Danceability • 60% Energy • 32% Liveness
2% Instrumentalness • 83% Positiveness
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James Booker
One For The Highway
115 bpm • A# Maj • 02:34 • -8.94db
28% Popularity • 72% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
28% Popularity • 72% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
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Magic Sam
Easy, Baby
113 bpm • F# min • 04:24 • -11.76db
9% Popularity • 65% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
9% Popularity • 65% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Linsey Alexander
Call My Wife
115 bpm • F Maj • 04:47 • -6db
32% Popularity • 67% Danceability • 76% Energy • 8% Liveness
4% Instrumentalness • 53% Positiveness
32% Popularity • 67% Danceability • 76% Energy • 8% Liveness
4% Instrumentalness • 53% Positiveness
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Otis Spann
Worried Life Blues - Remastered
113 bpm • G min • 04:21 • -10.6db
10% Popularity • 48% Danceability • 43% Energy • 18% Liveness
46% Instrumentalness • 57% Positiveness
10% Popularity • 48% Danceability • 43% Energy • 18% Liveness
46% Instrumentalness • 57% Positiveness
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J.D. Short
By The Spoonful
115 bpm • G Maj • 03:49 • -10.86db
21% Popularity • 66% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 66% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Detroit Junior
If I Hadn't Been High
113 bpm • G Maj • 04:06 • -17.31db
28% Popularity • 72% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 72% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Muddy Waters
I Got My Brand On You
113 bpm • D Maj • 02:22 • -5.33db
16% Popularity • 65% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 65% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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J.B. Lenoir
Korea Blues
115 bpm • F Maj • 02:50 • -13.87db
11% Popularity • 50% Danceability • 46% Energy • 16% Liveness
14% Instrumentalness • 67% Positiveness
11% Popularity • 50% Danceability • 46% Energy • 16% Liveness
14% Instrumentalness • 67% Positiveness
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Junior Wells' Chicago Blues Band
Help Me
115 bpm • G Maj • 04:06 • -11db
16% Popularity • 58% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 58% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Otis Spann
Can't Do Me No Good
115 bpm • G Maj • 02:21 • -10.36db
8% Popularity • 57% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
8% Popularity • 57% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Sunnyland Slim
It Keeps Rainin'
115 bpm • G# Maj • 02:49 • -18.42db
8% Popularity • 60% Danceability • 11% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
8% Popularity • 60% Danceability • 11% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
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Slim Harpo
Rainin' In My Heart - Overdubbed Version
115 bpm • G Maj • 02:34 • -14.84db
12% Popularity • 58% Danceability • 31% Energy • 14% Liveness
1% Instrumentalness • 90% Positiveness
12% Popularity • 58% Danceability • 31% Energy • 14% Liveness
1% Instrumentalness • 90% Positiveness
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J. B. Hutto
Speak My Mind
113 bpm • D Maj • 02:17 • -10.29db
21% Popularity • 60% Danceability • 66% Energy • 27% Liveness
12% Instrumentalness • 85% Positiveness
21% Popularity • 60% Danceability • 66% Energy • 27% Liveness
12% Instrumentalness • 85% Positiveness
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J.B. Lenoir
Feelin' Good
115 bpm • A Maj • 03:01 • -11.65db
29% Popularity • 84% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 84% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Buster Benton
Love Like I Wanna
115 bpm • F Maj • 04:58 • -10.47db
24% Popularity • 76% Danceability • 67% Energy • 31% Liveness
56% Instrumentalness • 79% Positiveness
24% Popularity • 76% Danceability • 67% Energy • 31% Liveness
56% Instrumentalness • 79% Positiveness
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Otis Spann
Don't Give up the Ship
115 bpm • F Maj • 04:56 • -22.02db
7% Popularity • 38% Danceability • 24% Energy • 10% Liveness
93% Instrumentalness • 55% Positiveness
7% Popularity • 38% Danceability • 24% Energy • 10% Liveness
93% Instrumentalness • 55% Positiveness
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Lazy Lester
You're Gonna Ruin Me Baby
116 bpm • A Maj • 03:36 • -6.35db
20% Popularity • 63% Danceability • 73% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 63% Danceability • 73% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
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Fenton Robinson
Checking On My Woman - Remastered
116 bpm • E Maj • 03:24 • -4.96db
42% Popularity • 80% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 91% Positiveness
42% Popularity • 80% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 91% Positiveness
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Luther "Guitar Junior" Johnson
Somebody Have Mercy
112 bpm • G Maj • 03:05 • -13db
35% Popularity • 65% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 65% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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William Clarke
Greasy Gravy
112 bpm • D Maj • 03:34 • -14db
28% Popularity • 72% Danceability • 30% Energy • 9% Liveness
2% Instrumentalness • 81% Positiveness
28% Popularity • 72% Danceability • 30% Energy • 9% Liveness
2% Instrumentalness • 81% Positiveness
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Buster Benton
Can't Wait to See My Baby's Face
112 bpm • C min • 04:58 • -8.63db
34% Popularity • 95% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
34% Popularity • 95% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Otis Spann
Evil Ways
115 bpm • F Maj • 03:53 • -11.57db
3% Popularity • 52% Danceability • 44% Energy • 28% Liveness
37% Instrumentalness • 57% Positiveness
3% Popularity • 52% Danceability • 44% Energy • 28% Liveness
37% Instrumentalness • 57% Positiveness
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Slim Harpo
What's Goin' on Baby
112 bpm • D Maj • 02:46 • -11.88db
24% Popularity • 74% Danceability • 13% Energy • 20% Liveness
15% Instrumentalness • 72% Positiveness
24% Popularity • 74% Danceability • 13% Energy • 20% Liveness
15% Instrumentalness • 72% Positiveness
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Muddy Waters
Worried Life Blues - Paris, 4 Novembre 1...
112 bpm • A# min • 04:44 • -14.23db
15% Popularity • 50% Danceability • 36% Energy • 97% Liveness
51% Instrumentalness • 36% Positiveness
15% Popularity • 50% Danceability • 36% Energy • 97% Liveness
51% Instrumentalness • 36% Positiveness
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David "Honeyboy" Edwards
Further Up on the Road
112 bpm • A Maj • 04:20 • -15db
29% Popularity • 73% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
29% Popularity • 73% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
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William Clarke
Cash Money
112 bpm • G Maj • 03:39 • -11.63db
27% Popularity • 66% Danceability • 67% Energy • 7% Liveness
92% Instrumentalness • 89% Positiveness
27% Popularity • 66% Danceability • 67% Energy • 7% Liveness
92% Instrumentalness • 89% Positiveness
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Snooky Pryor
Coal Black Mare
116 bpm • C# Maj • 03:27 • -10.53db
16% Popularity • 64% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
16% Popularity • 64% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Otis Spann
I'm Ready
116 bpm • D Maj • 03:04 • -18.75db
8% Popularity • 66% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
8% Popularity • 66% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Slim Harpo
Snoopin' Around
112 bpm • A min • 02:15 • -3.46db
14% Popularity • 50% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
14% Popularity • 50% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
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Son Seals
I Believe To My Soul
112 bpm • G Maj • 04:13 • -7.54db
36% Popularity • 61% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
36% Popularity • 61% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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Professor Longhair
Hey Now Baby
116 bpm • C Maj • 05:44 • -8.35db
21% Popularity • 59% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 59% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Bobby "Blue" Bland
Don't Want No Woman
112 bpm • F Maj • 02:37 • -11.34db
29% Popularity • 59% Danceability • 45% Energy • 62% Liveness
0% Instrumentalness • 77% Positiveness
29% Popularity • 59% Danceability • 45% Energy • 62% Liveness
0% Instrumentalness • 77% Positiveness
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Bobby Rush
Dust My Broom
112 bpm • A min • 03:35 • -7.84db
20% Popularity • 72% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
20% Popularity • 72% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Otis Spann
This Is The Blues
116 bpm • G Maj • 03:13 • -13.02db
19% Popularity • 44% Danceability • 55% Energy • 12% Liveness
92% Instrumentalness • 94% Positiveness
19% Popularity • 44% Danceability • 55% Energy • 12% Liveness
92% Instrumentalness • 94% Positiveness
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Hubert Sumlin
Happy With My French Friends
111 bpm • C Maj • 04:00 • -12.65db
41% Popularity • 65% Danceability • 49% Energy • 13% Liveness
80% Instrumentalness • 82% Positiveness
41% Popularity • 65% Danceability • 49% Energy • 13% Liveness
80% Instrumentalness • 82% Positiveness
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Johnnie Johnson
Key to the Highway
111 bpm • G Maj • 03:22 • -16.69db
25% Popularity • 73% Danceability • 39% Energy • 12% Liveness
2% Instrumentalness • 68% Positiveness
25% Popularity • 73% Danceability • 39% Energy • 12% Liveness
2% Instrumentalness • 68% Positiveness
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J.B. Lenoir
When I Am Drinking
111 bpm • F Maj • 02:39 • -12db
41% Popularity • 71% Danceability • 34% Energy • 28% Liveness
44% Instrumentalness • 85% Positiveness
41% Popularity • 71% Danceability • 34% Energy • 28% Liveness
44% Instrumentalness • 85% Positiveness
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Fenton Robinson
I Hear Some Blues Downstairs
117 bpm • C# Maj • 04:14 • -11.32db
43% Popularity • 78% Danceability • 58% Energy • 8% Liveness
53% Instrumentalness • 94% Positiveness
43% Popularity • 78% Danceability • 58% Energy • 8% Liveness
53% Instrumentalness • 94% Positiveness
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Jimmy Witherspoon
Sweet Slumber
117 bpm • F Maj • 03:49 • -17.73db
27% Popularity • 50% Danceability • 14% Energy • 8% Liveness
4% Instrumentalness • 20% Positiveness
27% Popularity • 50% Danceability • 14% Energy • 8% Liveness
4% Instrumentalness • 20% Positiveness
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Otis Spann
My Daily Wish - Remastered
117 bpm • F min • 04:27 • -9.77db
8% Popularity • 55% Danceability • 36% Energy • 13% Liveness
2% Instrumentalness • 36% Positiveness
8% Popularity • 55% Danceability • 36% Energy • 13% Liveness
2% Instrumentalness • 36% Positiveness
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Jimmy Rogers
Walking By Myself
117 bpm • B min • 02:47 • -13.33db
48% Popularity • 62% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
48% Popularity • 62% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Detroit Junior
I Got Money
117 bpm • F Maj • 02:41 • -15.71db
31% Popularity • 63% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 63% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Tuts Washington
Honky Tonk
117 bpm • F Maj • 03:22 • -15.75db
22% Popularity • 52% Danceability • 22% Energy • 14% Liveness
81% Instrumentalness • 67% Positiveness
22% Popularity • 52% Danceability • 22% Energy • 14% Liveness
81% Instrumentalness • 67% Positiveness
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Lafayette Leake
Short Dressed Woman
111 bpm • A# Maj • 04:12 • -11.4db
45% Popularity • 77% Danceability • 50% Energy • 9% Liveness
7% Instrumentalness • 75% Positiveness
45% Popularity • 77% Danceability • 50% Energy • 9% Liveness
7% Instrumentalness • 75% Positiveness
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Sugar Blue
Pontiac Blues
117 bpm • C Maj • 03:24 • -7.93db
32% Popularity • 72% Danceability • 58% Energy • 9% Liveness
78% Instrumentalness • 86% Positiveness
32% Popularity • 72% Danceability • 58% Energy • 9% Liveness
78% Instrumentalness • 86% Positiveness
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Otis Spann
One More Encore
117 bpm • E Maj • 04:36 • -21.14db
7% Popularity • 40% Danceability • 29% Energy • 20% Liveness
94% Instrumentalness • 61% Positiveness
7% Popularity • 40% Danceability • 29% Energy • 20% Liveness
94% Instrumentalness • 61% Positiveness
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Johnny Shines
Nobody's Fault But Mine
117 bpm • A Maj • 04:45 • -17db
22% Popularity • 65% Danceability • 6% Energy • 19% Liveness
6% Instrumentalness • 17% Positiveness
22% Popularity • 65% Danceability • 6% Energy • 19% Liveness
6% Instrumentalness • 17% Positiveness
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Snooky Pryor
Crazy 'Bout My Baby
111 bpm • D Maj • 03:34 • -12db
26% Popularity • 66% Danceability • 50% Energy • 17% Liveness
1% Instrumentalness • 82% Positiveness
26% Popularity • 66% Danceability • 50% Energy • 17% Liveness
1% Instrumentalness • 82% Positiveness
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Albert Collins
But I Was Cool!
111 bpm • G min • 03:11 • -20.49db
20% Popularity • 75% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
20% Popularity • 75% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Magic Sam
I Have The Same Old Blues
111 bpm • F min • 03:35 • -9.98db
21% Popularity • 74% Danceability • 57% Energy • 8% Liveness
2% Instrumentalness • 79% Positiveness
21% Popularity • 74% Danceability • 57% Energy • 8% Liveness
2% Instrumentalness • 79% Positiveness
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Eddie Taylor
Blues In The Rain
111 bpm • E min • 03:41 • -14db
13% Popularity • 50% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 50% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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The Johnny Shines Blues Band
Dynaflow Blues
110 bpm • C Maj • 02:40 • -16.76db
24% Popularity • 61% Danceability • 37% Energy • 30% Liveness
3% Instrumentalness • 96% Positiveness
24% Popularity • 61% Danceability • 37% Energy • 30% Liveness
3% Instrumentalness • 96% Positiveness
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Lonnie Brooks
Two Guitars Shuffle - Take 2
118 bpm • A Maj • 06:16 • -10db
30% Popularity • 53% Danceability • 57% Energy • 9% Liveness
82% Instrumentalness • 80% Positiveness
30% Popularity • 53% Danceability • 57% Energy • 9% Liveness
82% Instrumentalness • 80% Positiveness
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Fenton Robinson
Somebody Loan Me A Dime - Remastered
118 bpm • D# Maj • 02:56 • -3.44db
57% Popularity • 56% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
57% Popularity • 56% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Byther Smith
I Tried
118 bpm • F min • 03:07 • -12.12db
37% Popularity • 73% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
37% Popularity • 73% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Magic Sam
Sweet Home Chicago
117 bpm • A Maj • 04:16 • -10.81db
23% Popularity • 59% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
23% Popularity • 59% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Otis Spann
Otis In The Dark - Remastered
118 bpm • E Maj • 04:35 • -10.93db
25% Popularity • 40% Danceability • 56% Energy • 26% Liveness
90% Instrumentalness • 58% Positiveness
25% Popularity • 40% Danceability • 56% Energy • 26% Liveness
90% Instrumentalness • 58% Positiveness
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Snooky Pryor
Work With Me Annie
110 bpm • A Maj • 04:18 • -7.1db
33% Popularity • 66% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
33% Popularity • 66% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Jimmy Johnson
Serves Me Right To Suffer aka Memory Pai...
110 bpm • B min • 03:59 • -9.96db
30% Popularity • 62% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 62% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Willie Dixon
Back Door Man
110 bpm • C Maj • 06:06 • -16.46db
32% Popularity • 80% Danceability • 43% Energy • 14% Liveness
4% Instrumentalness • 81% Positiveness
32% Popularity • 80% Danceability • 43% Energy • 14% Liveness
4% Instrumentalness • 81% Positiveness
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Sugar Blue
Another Man Done Gone
119 bpm • D min • 02:18 • -10db
39% Popularity • 84% Danceability • 94% Energy • 17% Liveness
4% Instrumentalness • 84% Positiveness
39% Popularity • 84% Danceability • 94% Energy • 17% Liveness
4% Instrumentalness • 84% Positiveness
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Magic Sam
All of Your Love
118 bpm • F# min • 03:52 • -11.5db
13% Popularity • 56% Danceability • 46% Energy • 16% Liveness
2% Instrumentalness • 73% Positiveness
13% Popularity • 56% Danceability • 46% Energy • 16% Liveness
2% Instrumentalness • 73% Positiveness
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Otis Spann
It Must Have Been The Devil
118 bpm • D Maj • 03:46 • -9.03db
20% Popularity • 56% Danceability • 50% Energy • 18% Liveness
44% Instrumentalness • 73% Positiveness
20% Popularity • 56% Danceability • 50% Energy • 18% Liveness
44% Instrumentalness • 73% Positiveness
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Robert Pete Williams
Angola Penitentiary Blues
109 bpm • G# Maj • 07:07 • -12.3db
12% Popularity • 61% Danceability • 37% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 61% Danceability • 37% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
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Snooky Pryor
Come on Down to My House
119 bpm • E min • 05:49 • -6.58db
9% Popularity • 59% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 59% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Ronnie Earl
How Long
109 bpm • C Maj • 07:12 • -16.92db
13% Popularity • 73% Danceability • 33% Energy • 13% Liveness
12% Instrumentalness • 60% Positiveness
13% Popularity • 73% Danceability • 33% Energy • 13% Liveness
12% Instrumentalness • 60% Positiveness
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Fenton Robinson
Texas Flood - Remastered
109 bpm • A Maj • 04:21 • -4.81db
38% Popularity • 65% Danceability • 74% Energy • 12% Liveness
1% Instrumentalness • 55% Positiveness
38% Popularity • 65% Danceability • 74% Energy • 12% Liveness
1% Instrumentalness • 55% Positiveness
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Professor Longhair
Tipitina
119 bpm • C min • 03:51 • -13.2db
23% Popularity • 60% Danceability • 52% Energy • 18% Liveness
88% Instrumentalness • 76% Positiveness
23% Popularity • 60% Danceability • 52% Energy • 18% Liveness
88% Instrumentalness • 76% Positiveness
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T-Bone Walker
Papa Ain't Salty
109 bpm • C Maj • 02:47 • -12db
38% Popularity • 57% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
38% Popularity • 57% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Eddie Taylor
Bad boy
109 bpm • D Maj • 04:19 • -5.26db
13% Popularity • 67% Danceability • 81% Energy • 15% Liveness
35% Instrumentalness • 84% Positiveness
13% Popularity • 67% Danceability • 81% Energy • 15% Liveness
35% Instrumentalness • 84% Positiveness
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Byther Smith
All For Business
109 bpm • C Maj • 03:19 • -8.12db
25% Popularity • 72% Danceability • 65% Energy • 38% Liveness
30% Instrumentalness • 89% Positiveness
25% Popularity • 72% Danceability • 65% Energy • 38% Liveness
30% Instrumentalness • 89% Positiveness
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Otis Spann
I'm a Dues Payin' Man
119 bpm • C Maj • 03:10 • -9.93db
9% Popularity • 74% Danceability • 73% Energy • 8% Liveness
1% Instrumentalness • 83% Positiveness
9% Popularity • 74% Danceability • 73% Energy • 8% Liveness
1% Instrumentalness • 83% Positiveness
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Jerry "Boogie" McCain
Steady (Fifties Classic)
109 bpm • A# Maj • 02:07 • -9.89db
11% Popularity • 66% Danceability • 54% Energy • 17% Liveness
14% Instrumentalness • 49% Positiveness
11% Popularity • 66% Danceability • 54% Energy • 17% Liveness
14% Instrumentalness • 49% Positiveness
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J.B. Lenoir
Good Looking Woman
119 bpm • F Maj • 02:06 • -11db
35% Popularity • 61% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
35% Popularity • 61% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
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Bonnie Lee
That's All Right
109 bpm • C Maj • 05:39 • -9.51db
29% Popularity • 56% Danceability • 53% Energy • 22% Liveness
4% Instrumentalness • 76% Positiveness
29% Popularity • 56% Danceability • 53% Energy • 22% Liveness
4% Instrumentalness • 76% Positiveness
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Eddie "Cleanhead" Vinson
I'm the Midnight Creeper
120 bpm • F min • 03:29 • -12db
25% Popularity • 69% Danceability • 34% Energy • 15% Liveness
58% Instrumentalness • 60% Positiveness
25% Popularity • 69% Danceability • 34% Energy • 15% Liveness
58% Instrumentalness • 60% Positiveness
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Muddy Waters
You Can't Lose What You Ain't Never Had
109 bpm • F Maj • 02:59 • -10db
36% Popularity • 54% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
36% Popularity • 54% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Otis Spann
I Got A Feeling
109 bpm • C min • 02:51 • -15.73db
15% Popularity • 83% Danceability • 37% Energy • 49% Liveness
1% Instrumentalness • 91% Positiveness
15% Popularity • 83% Danceability • 37% Energy • 49% Liveness
1% Instrumentalness • 91% Positiveness
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Buddy Guy
A Man And The Blues
109 bpm • C Maj • 06:23 • -17db
40% Popularity • 50% Danceability • 21% Energy • 8% Liveness
22% Instrumentalness • 23% Positiveness
40% Popularity • 50% Danceability • 21% Energy • 8% Liveness
22% Instrumentalness • 23% Positiveness
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Willie Mabon
I Don't Know
109 bpm • G# Maj • 03:10 • -11.59db
29% Popularity • 77% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 77% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Billy Boy Arnold
Worried Life Blues
108 bpm • C Maj • 03:25 • -15.63db
27% Popularity • 70% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
27% Popularity • 70% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Fenton Robinson
Directly From My Heart To You - Remaster...
108 bpm • G Maj • 04:19 • -3.62db
37% Popularity • 51% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
37% Popularity • 51% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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Hound Dog Taylor & The HouseRockers
Give Me Back My Wig
108 bpm • A Maj • 03:35 • -13.4db
44% Popularity • 64% Danceability • 71% Energy • 8% Liveness
1% Instrumentalness • 78% Positiveness
44% Popularity • 64% Danceability • 71% Energy • 8% Liveness
1% Instrumentalness • 78% Positiveness
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Otis Spann
Country Boy - Remastered
109 bpm • C Maj • 04:25 • -8.03db
11% Popularity • 53% Danceability • 47% Energy • 16% Liveness
37% Instrumentalness • 53% Positiveness
11% Popularity • 53% Danceability • 47% Energy • 16% Liveness
37% Instrumentalness • 53% Positiveness
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John Brim
You Put the Heart on Me
120 bpm • F Maj • 02:40 • -14db
22% Popularity • 59% Danceability • 48% Energy • 35% Liveness
0% Instrumentalness • 91% Positiveness
22% Popularity • 59% Danceability • 48% Energy • 35% Liveness
0% Instrumentalness • 91% Positiveness
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Willie Mabon
The Seventh Son
108 bpm • A# min • 02:53 • -8.64db
16% Popularity • 78% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
16% Popularity • 78% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Arthur "Big Boy" Crudup
My Baby Left Me - Remastered 2003
108 bpm • D Maj • 02:21 • -11.89db
29% Popularity • 79% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 79% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Magic Sam
All Your Love
121 bpm • B Maj • 02:56 • -7.76db
32% Popularity • 69% Danceability • 72% Energy • 10% Liveness
36% Instrumentalness • 83% Positiveness
32% Popularity • 69% Danceability • 72% Energy • 10% Liveness
36% Instrumentalness • 83% Positiveness
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Johnnie Johnson
Blues #572
107 bpm • G Maj • 03:31 • -14.24db
17% Popularity • 61% Danceability • 34% Energy • 10% Liveness
86% Instrumentalness • 48% Positiveness
17% Popularity • 61% Danceability • 34% Energy • 10% Liveness
86% Instrumentalness • 48% Positiveness
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Otis Spann
Cow Cow Blues
108 bpm • G min • 04:19 • -14.62db
1% Popularity • 39% Danceability • 52% Energy • 15% Liveness
86% Instrumentalness • 93% Positiveness
1% Popularity • 39% Danceability • 52% Energy • 15% Liveness
86% Instrumentalness • 93% Positiveness
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Muddy Waters
Blow Wind Blow
107 bpm • C Maj • 03:38 • -8.3db
14% Popularity • 68% Danceability • 61% Energy • 28% Liveness
1% Instrumentalness • 93% Positiveness
14% Popularity • 68% Danceability • 61% Energy • 28% Liveness
1% Instrumentalness • 93% Positiveness
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Fenton Robinson
I've Changed - Remastered
107 bpm • C# Maj • 04:22 • -4.31db
37% Popularity • 78% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
37% Popularity • 78% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Slim Harpo
One of These Days
122 bpm • A# Maj • 02:49 • -4.7db
32% Popularity • 43% Danceability • 92% Energy • 64% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 43% Danceability • 92% Energy • 64% Liveness
0% Instrumentalness • 48% Positiveness
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Magic Sam
I Found a New Love
108 bpm • G Maj • 04:08 • -12.73db
5% Popularity • 47% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
5% Popularity • 47% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
