Songs like Somehow by Billy Eckstine
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Jo Stafford
Autumn Leaves - 1996 Digital Remaster
169 bpm • B min • 02:34 • -18.05db
36% Popularity • 16% Danceability • 10% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
36% Popularity • 16% Danceability • 10% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
► Preview
Jane Morgan
Fascination
169 bpm • F Maj • 02:24 • -16.62db
28% Popularity • 12% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 12% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Buddy Greco
Wild Is Love
169 bpm • D min • 01:59 • -13.58db
14% Popularity • 35% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 35% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
► Preview
Sarah Vaughan
Passing Strangers
170 bpm • C# Maj • 02:41 • -11.94db
36% Popularity • 21% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
36% Popularity • 21% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Billy Eckstine
A Man Who Sings
168 bpm • C# min • 03:16 • -9.56db
0% Popularity • 31% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
0% Popularity • 31% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
► Preview
Jimmy Dorsey & His Orchestra
Don't Be That Way
170 bpm • C min • 03:00 • -10.24db
25% Popularity • 62% Danceability • 48% Energy • 53% Liveness
73% Instrumentalness • 57% Positiveness
25% Popularity • 62% Danceability • 48% Energy • 53% Liveness
73% Instrumentalness • 57% Positiveness
► Preview
Morgana King
If You Could See Me Now
170 bpm • G# Maj • 03:24 • -17.71db
35% Popularity • 25% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
35% Popularity • 25% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Vaughn Monroe
Rum & Coca-Cola
170 bpm • C Maj • 03:14 • -9.16db
17% Popularity • 49% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 49% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
► Preview
Lee Wiley
Down with Love
168 bpm • G min • 02:46 • -16.31db
23% Popularity • 53% Danceability • 16% Energy • 11% Liveness
61% Instrumentalness • 71% Positiveness
23% Popularity • 53% Danceability • 16% Energy • 11% Liveness
61% Instrumentalness • 71% Positiveness
► Preview
Eddie Fisher
Till There Was Yo
167 bpm • D Maj • 02:35 • -8.49db
19% Popularity • 20% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 19% Positiveness
19% Popularity • 20% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Billy Eckstine
I Apologize
170 bpm • C# Maj • 02:51 • -10.07db
26% Popularity • 18% Danceability • 37% Energy • 6% Liveness
5% Instrumentalness • 20% Positiveness
26% Popularity • 18% Danceability • 37% Energy • 6% Liveness
5% Instrumentalness • 20% Positiveness
► Preview
Jimmy Dorsey & His Orchestra
Parade Of The Milk Bottle Caps
167 bpm • C Maj • 03:07 • -11.78db
16% Popularity • 61% Danceability • 39% Energy • 19% Liveness
93% Instrumentalness • 65% Positiveness
16% Popularity • 61% Danceability • 39% Energy • 19% Liveness
93% Instrumentalness • 65% Positiveness
► Preview
Morgana King
Something To Remember You By
171 bpm • C Maj • 03:42 • -16.64db
11% Popularity • 32% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 32% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Johnny Hodges & His Orchestra
Castle Rock
171 bpm • G# Maj • 02:49 • -12.39db
42% Popularity • 72% Danceability • 32% Energy • 10% Liveness
86% Instrumentalness • 63% Positiveness
42% Popularity • 72% Danceability • 32% Energy • 10% Liveness
86% Instrumentalness • 63% Positiveness
► Preview
Lee Wiley
Here's Love In Your Eyes
167 bpm • A min • 01:41 • -17.75db
46% Popularity • 50% Danceability • 14% Energy • 51% Liveness
1% Instrumentalness • 59% Positiveness
46% Popularity • 50% Danceability • 14% Energy • 51% Liveness
1% Instrumentalness • 59% Positiveness
► Preview
Benny Goodman Quartet
Sweet Sue - Just You
167 bpm • G Maj • 03:18 • -14.56db
25% Popularity • 74% Danceability • 24% Energy • 6% Liveness
76% Instrumentalness • 82% Positiveness
25% Popularity • 74% Danceability • 24% Energy • 6% Liveness
76% Instrumentalness • 82% Positiveness
► Preview
Billy Eckstine
Fools Rush In - Live
170 bpm • G min • 02:12 • -18.68db
2% Popularity • 28% Danceability • 16% Energy • 73% Liveness
0% Instrumentalness • 30% Positiveness
2% Popularity • 28% Danceability • 16% Energy • 73% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
Frankie Laine
We'll Be Together
166 bpm • C# Maj • 03:17 • -29.08db
14% Popularity • 41% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
14% Popularity • 41% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
► Preview
Charlie Barnet & His Orchestra
Cherokee
172 bpm • A# Maj • 03:21 • -14.14db
30% Popularity • 56% Danceability • 28% Energy • 22% Liveness
46% Instrumentalness • 78% Positiveness
30% Popularity • 56% Danceability • 28% Energy • 22% Liveness
46% Instrumentalness • 78% Positiveness
► Preview
Irene Kral
I Like You, You're Nice
172 bpm • G# min • 03:09 • -20.15db
42% Popularity • 44% Danceability • 2% Energy • 22% Liveness
2% Instrumentalness • 16% Positiveness
42% Popularity • 44% Danceability • 2% Energy • 22% Liveness
2% Instrumentalness • 16% Positiveness
► Preview
Margaret Whiting
I'll Be Seeing You
172 bpm • A Maj • 03:05 • -15.38db
30% Popularity • 24% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
30% Popularity • 24% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Lorez Alexandria
I'm Through With Love
165 bpm • A# Maj • 05:25 • -17.64db
36% Popularity • 38% Danceability • 13% Energy • 14% Liveness
2% Instrumentalness • 23% Positiveness
36% Popularity • 38% Danceability • 13% Energy • 14% Liveness
2% Instrumentalness • 23% Positiveness
► Preview
Billy Eckstine
My Foolish Heart
171 bpm • A Maj • 03:03 • -13.34db
31% Popularity • 22% Danceability • 19% Energy • 38% Liveness
14% Instrumentalness • 11% Positiveness
31% Popularity • 22% Danceability • 19% Energy • 38% Liveness
14% Instrumentalness • 11% Positiveness
► Preview
Benny Goodman Quartet
Sweet Georgia Brown - 1996 Remastered
173 bpm • F min • 03:04 • -11.87db
27% Popularity • 76% Danceability • 27% Energy • 7% Liveness
20% Instrumentalness • 82% Positiveness
27% Popularity • 76% Danceability • 27% Energy • 7% Liveness
20% Instrumentalness • 82% Positiveness
► Preview
Guy Lombardo
It's Love-Love-Love
173 bpm • A# Maj • 02:28 • -11.96db
24% Popularity • 72% Danceability • 43% Energy • 10% Liveness
64% Instrumentalness • 97% Positiveness
24% Popularity • 72% Danceability • 43% Energy • 10% Liveness
64% Instrumentalness • 97% Positiveness
► Preview
Larry Clinton
Remember
174 bpm • C min • 02:46 • -9.78db
31% Popularity • 55% Danceability • 36% Energy • 12% Liveness
2% Instrumentalness • 77% Positiveness
31% Popularity • 55% Danceability • 36% Energy • 12% Liveness
2% Instrumentalness • 77% Positiveness
► Preview
Jeri Southern
After You
173 bpm • F min • 02:50 • -12.02db
30% Popularity • 13% Danceability • 25% Energy • 34% Liveness
0% Instrumentalness • 11% Positiveness
30% Popularity • 13% Danceability • 25% Energy • 34% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Joni James
Why Don't You Believe Me
163 bpm • D# Maj • 02:56 • -7.22db
15% Popularity • 17% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
15% Popularity • 17% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Billy Eckstine
Mr. B's Blues
164 bpm • A# Maj • 02:31 • -10.51db
2% Popularity • 38% Danceability • 44% Energy • 26% Liveness
16% Instrumentalness • 82% Positiveness
2% Popularity • 38% Danceability • 44% Energy • 26% Liveness
16% Instrumentalness • 82% Positiveness
► Preview
Members Of The Glenn Miller Orchestra
Habanera
175 bpm • C Maj • 01:58 • -13.7db
42% Popularity • 36% Danceability • 35% Energy • 12% Liveness
86% Instrumentalness • 56% Positiveness
42% Popularity • 36% Danceability • 35% Energy • 12% Liveness
86% Instrumentalness • 56% Positiveness
► Preview
Gene Krupa & His Orchestra
Bolero At The Savoy
163 bpm • A min • 03:09 • -10.16db
12% Popularity • 49% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 49% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
► Preview
Buddy Greco
I'm in Love
175 bpm • C Maj • 01:31 • -11.49db
34% Popularity • 30% Danceability • 54% Energy • 81% Liveness
0% Instrumentalness • 80% Positiveness
34% Popularity • 30% Danceability • 54% Energy • 81% Liveness
0% Instrumentalness • 80% Positiveness
► Preview
Bunny Berigan
Ain't She Sweet
176 bpm • C min • 02:35 • -6.98db
30% Popularity • 65% Danceability • 48% Energy • 9% Liveness
51% Instrumentalness • 86% Positiveness
30% Popularity • 65% Danceability • 48% Energy • 9% Liveness
51% Instrumentalness • 86% Positiveness
► Preview
Johnnie Ray
Please, Mr. Sun
176 bpm • E min • 02:57 • -16.1db
27% Popularity • 34% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 34% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Billy Eckstine
Temptation
176 bpm • F# Maj • 02:55 • -14.66db
0% Popularity • 23% Danceability • 19% Energy • 17% Liveness
67% Instrumentalness • 8% Positiveness
0% Popularity • 23% Danceability • 19% Energy • 17% Liveness
67% Instrumentalness • 8% Positiveness
► Preview
Jimmy Dorsey & His Orchestra
Begin The Beguine
161 bpm • C Maj • 02:50 • -7.92db
20% Popularity • 51% Danceability • 40% Energy • 19% Liveness
88% Instrumentalness • 89% Positiveness
20% Popularity • 51% Danceability • 40% Energy • 19% Liveness
88% Instrumentalness • 89% Positiveness
► Preview
Benny Goodman Trio
At Sundown
161 bpm • A# Maj • 02:27 • -13.63db
32% Popularity • 67% Danceability • 36% Energy • 9% Liveness
37% Instrumentalness • 84% Positiveness
32% Popularity • 67% Danceability • 36% Energy • 9% Liveness
37% Instrumentalness • 84% Positiveness
► Preview
Charlie Barnet & His Orchestra
The Gal From Joe's
162 bpm • A# min • 03:22 • -12db
30% Popularity • 68% Danceability • 17% Energy • 8% Liveness
25% Instrumentalness • 84% Positiveness
30% Popularity • 68% Danceability • 17% Energy • 8% Liveness
25% Instrumentalness • 84% Positiveness
► Preview
Ray Anthony & His Orchestra
Mr. Anthony's Boogie
160 bpm • C# Maj • 02:31 • -10db
19% Popularity • 40% Danceability • 52% Energy • 32% Liveness
10% Instrumentalness • 80% Positiveness
19% Popularity • 40% Danceability • 52% Energy • 32% Liveness
10% Instrumentalness • 80% Positiveness
► Preview
Guy Lombardo
Boo Hoo
180 bpm • C Maj • 02:37 • -12.15db
20% Popularity • 59% Danceability • 20% Energy • 12% Liveness
1% Instrumentalness • 70% Positiveness
20% Popularity • 59% Danceability • 20% Energy • 12% Liveness
1% Instrumentalness • 70% Positiveness
► Preview
Ella Fitzgerald and Her Savoy Eight
Darktown Strutters Ball
180 bpm • D# Maj • 03:03 • -9.24db
23% Popularity • 57% Danceability • 37% Energy • 14% Liveness
2% Instrumentalness • 92% Positiveness
23% Popularity • 57% Danceability • 37% Energy • 14% Liveness
2% Instrumentalness • 92% Positiveness
► Preview
Jimmy Dorsey & His Orchestra
Stompin' At The Savoy
160 bpm • C# Maj • 03:10 • -12db
30% Popularity • 67% Danceability • 45% Energy • 7% Liveness
86% Instrumentalness • 70% Positiveness
30% Popularity • 67% Danceability • 45% Energy • 7% Liveness
86% Instrumentalness • 70% Positiveness
► Preview
Benny Goodman Trio
Blue (And Broken Hearted)
180 bpm • A# Maj • 02:58 • -16.57db
28% Popularity • 53% Danceability • 25% Energy • 24% Liveness
90% Instrumentalness • 75% Positiveness
28% Popularity • 53% Danceability • 25% Energy • 24% Liveness
90% Instrumentalness • 75% Positiveness
► Preview
Members Of The Glenn Miller Orchestra
American Patrol
181 bpm • G min • 02:35 • -20.57db
45% Popularity • 31% Danceability • 23% Energy • 7% Liveness
56% Instrumentalness • 65% Positiveness
45% Popularity • 31% Danceability • 23% Energy • 7% Liveness
56% Instrumentalness • 65% Positiveness
► Preview
Earl Hines
Jelly Roll
157 bpm • G# Maj • 02:51 • -9.04db
36% Popularity • 64% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
36% Popularity • 64% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
► Preview
Guy Lombardo
For Me and My Gal
159 bpm • G Maj • 02:43 • -14.04db
17% Popularity • 70% Danceability • 13% Energy • 8% Liveness
65% Instrumentalness • 70% Positiveness
17% Popularity • 70% Danceability • 13% Energy • 8% Liveness
65% Instrumentalness • 70% Positiveness
► Preview
The Merry Macs
Breezin' Along with the Breeze
157 bpm • F min • 03:01 • -14.54db
23% Popularity • 55% Danceability • 20% Energy • 4% Liveness
2% Instrumentalness • 34% Positiveness
23% Popularity • 55% Danceability • 20% Energy • 4% Liveness
2% Instrumentalness • 34% Positiveness
► Preview
Buddy Greco
Roses Of Picardy
183 bpm • G min • 02:25 • -11.27db
19% Popularity • 41% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
19% Popularity • 41% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
► Preview
Benny Goodman Trio
When You're Smiling (The Whole World Smi...
157 bpm • D# Maj • 02:36 • -14.55db
40% Popularity • 65% Danceability • 27% Energy • 18% Liveness
88% Instrumentalness • 66% Positiveness
40% Popularity • 65% Danceability • 27% Energy • 18% Liveness
88% Instrumentalness • 66% Positiveness
► Preview
Members Of The Glenn Miller Orchestra
Lovers Serenade
181 bpm • G min • 02:34 • -21.34db
41% Popularity • 32% Danceability • 19% Energy • 7% Liveness
92% Instrumentalness • 71% Positiveness
41% Popularity • 32% Danceability • 19% Energy • 7% Liveness
92% Instrumentalness • 71% Positiveness
► Preview
Jimmy Dorsey & His Orchestra
Tangerine
155 bpm • B min • 03:12 • -11.09db
39% Popularity • 48% Danceability • 20% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
39% Popularity • 48% Danceability • 20% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
► Preview
Sammy Kaye
Daddy
154 bpm • A# Maj • 02:55 • -11.89db
25% Popularity • 68% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
25% Popularity • 68% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
► Preview
Fats Waller
Honeysuckle Rose
155 bpm • F Maj • 02:38 • -17db
35% Popularity • 73% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 79% Positiveness
35% Popularity • 73% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 79% Positiveness
► Preview
Buddy Greco
Around the World
184 bpm • C Maj • 02:25 • -11db
34% Popularity • 42% Danceability • 59% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
34% Popularity • 42% Danceability • 59% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
► Preview
Billy Eckstine
Misty
153 bpm • F min • 05:05 • -17.26db
4% Popularity • 31% Danceability • 17% Energy • 30% Liveness
0% Instrumentalness • 11% Positiveness
4% Popularity • 31% Danceability • 17% Energy • 30% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Carroll Gibbons
Too Marvellous for Words
153 bpm • C# Maj • 03:04 • -20.66db
40% Popularity • 38% Danceability • 6% Energy • 10% Liveness
64% Instrumentalness • 28% Positiveness
40% Popularity • 38% Danceability • 6% Energy • 10% Liveness
64% Instrumentalness • 28% Positiveness
► Preview
Jimmy Dorsey & His Orchestra
Slap That Bass
186 bpm • G# Maj • 03:06 • -15.18db
17% Popularity • 64% Danceability • 30% Energy • 10% Liveness
68% Instrumentalness • 94% Positiveness
17% Popularity • 64% Danceability • 30% Energy • 10% Liveness
68% Instrumentalness • 94% Positiveness
► Preview
Gene Krupa and His Orchestra
Opus NO. 1
153 bpm • A min • 02:56 • -7.2db
19% Popularity • 60% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
19% Popularity • 60% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
► Preview
Benny Goodman Trio
Someday, Sweetheart - 1996 Remastered
153 bpm • D min • 02:47 • -14.55db
29% Popularity • 67% Danceability • 19% Energy • 8% Liveness
84% Instrumentalness • 66% Positiveness
29% Popularity • 67% Danceability • 19% Energy • 8% Liveness
84% Instrumentalness • 66% Positiveness
► Preview
Abbey Lincoln
No More
189 bpm • D# Maj • 03:11 • -13.63db
24% Popularity • 21% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
24% Popularity • 21% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Bobby Short
You've Got That Thing
151 bpm • A# Maj • 03:23 • -16db
31% Popularity • 56% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 56% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
► Preview
Ernestine Anderson
That Old Feeling
189 bpm • D min • 02:28 • -10.1db
32% Popularity • 42% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
32% Popularity • 42% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
Jimmy Dorsey & His Orchestra
I Got Rhythm
151 bpm • D min • 03:05 • -9db
34% Popularity • 60% Danceability • 75% Energy • 10% Liveness
94% Instrumentalness • 88% Positiveness
34% Popularity • 60% Danceability • 75% Energy • 10% Liveness
94% Instrumentalness • 88% Positiveness
► Preview
Joni James
You're My Everything
190 bpm • G Maj • 02:28 • -15.65db
16% Popularity • 29% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
16% Popularity • 29% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
Benny Goodman Trio
Stompin' At The Savoy - Instrumental
189 bpm • C# Maj • 02:51 • -16.4db
34% Popularity • 49% Danceability • 37% Energy • 16% Liveness
40% Instrumentalness • 86% Positiveness
34% Popularity • 49% Danceability • 37% Energy • 16% Liveness
40% Instrumentalness • 86% Positiveness
► Preview
Jimmie Lunceford
Ain't She Sweet
148 bpm • C# Maj • 02:26 • -15db
25% Popularity • 78% Danceability • 18% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
25% Popularity • 78% Danceability • 18% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
► Preview
Helen O'Connell
You, You Darling
147 bpm • G min • 02:02 • -13.07db
17% Popularity • 60% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
17% Popularity • 60% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
► Preview
Lorez Alexandria
Get Me To The Church On Time
146 bpm • D# Maj • 04:00 • -11.64db
22% Popularity • 56% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
22% Popularity • 56% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
► Preview
Lester Lanin
This Could Be The Start Of Something - S...
199 bpm • D# Maj • 02:12 • -14.13db
30% Popularity • 64% Danceability • 34% Energy • 6% Liveness
83% Instrumentalness • 96% Positiveness
30% Popularity • 64% Danceability • 34% Energy • 6% Liveness
83% Instrumentalness • 96% Positiveness
► Preview
Joni James
You Belong to Me
148 bpm • C Maj • 02:58 • -15.36db
17% Popularity • 34% Danceability • 9% Energy • 40% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 34% Danceability • 9% Energy • 40% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Ella Fitzgerald and Her Savoy Eight
Shine
145 bpm • D Maj • 02:50 • -10.51db
24% Popularity • 66% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
24% Popularity • 66% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
► Preview
Harry Connick, Jr.
We Are In Love
200 bpm • G Maj • 02:40 • -15db
47% Popularity • 37% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
47% Popularity • 37% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
