Songs like Someone Loves Us by Dario Marianelli
Based on a tempo of (+/- 10%) and a similar genre
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Nicholas Hooper
When Ginny Kissed Harry
84 bpm • E min • 02:38 • -28.26db
55% Popularity • 48% Danceability • 6% Energy • 4% Liveness
96% Instrumentalness • 8% Positiveness
55% Popularity • 48% Danceability • 6% Energy • 4% Liveness
96% Instrumentalness • 8% Positiveness
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Bear McCreary
Galadriel
84 bpm • A# min • 03:43 • -16.17db
41% Popularity • 16% Danceability • 17% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
41% Popularity • 16% Danceability • 17% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Clint Mansell
At Eternity's Gate
84 bpm • A min • 03:40 • -19.19db
28% Popularity • 15% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
28% Popularity • 15% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Dario Marianelli
Someone Loves Us
84 bpm • E Maj • 01:56 • -27db
53% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
53% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
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Atli Örvarsson
The Hug
84 bpm • G Maj • 02:11 • -26db
25% Popularity • 14% Danceability • 4% Energy • 7% Liveness
83% Instrumentalness • 4% Positiveness
25% Popularity • 14% Danceability • 4% Energy • 7% Liveness
83% Instrumentalness • 4% Positiveness
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William Ross
A King's Sadness
84 bpm • C min • 02:00 • -36.4db
56% Popularity • 18% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
56% Popularity • 18% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
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Fernando Velázquez
I'm Here
84 bpm • C Maj • 03:02 • -15.69db
23% Popularity • 16% Danceability • 18% Energy • 11% Liveness
37% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 18% Energy • 11% Liveness
37% Instrumentalness • 4% Positiveness
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Michael Kamen
Main Titles from the HBO Miniseries Band...
84 bpm • F Maj • 02:24 • -17.62db
45% Popularity • 8% Danceability • 18% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
45% Popularity • 8% Danceability • 18% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Brian Tyler
Into Eternity
84 bpm • A# Maj • 03:41 • -18db
43% Popularity • 17% Danceability • 22% Energy • 13% Liveness
92% Instrumentalness • 3% Positiveness
43% Popularity • 17% Danceability • 22% Energy • 13% Liveness
92% Instrumentalness • 3% Positiveness
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Dario Marianelli
Elegy For Dunkirk
84 bpm • B min • 04:15 • -16.15db
36% Popularity • 14% Danceability • 14% Energy • 16% Liveness
88% Instrumentalness • 3% Positiveness
36% Popularity • 14% Danceability • 14% Energy • 16% Liveness
88% Instrumentalness • 3% Positiveness
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Craig Armstrong
Never Been Kissed
84 bpm • G min • 03:01 • -17.73db
30% Popularity • 15% Danceability • 18% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
30% Popularity • 15% Danceability • 18% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Alexis Grapsas
Different Kinds Of Cry
84 bpm • A# Maj • 03:33 • -24.58db
43% Popularity • 8% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
43% Popularity • 8% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Harald Kloser
10,000 BC/End Credits
84 bpm • E min • 02:55 • -12.92db
35% Popularity • 9% Danceability • 53% Energy • 9% Liveness
61% Instrumentalness • 15% Positiveness
35% Popularity • 9% Danceability • 53% Energy • 9% Liveness
61% Instrumentalness • 15% Positiveness
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Rohan Stevenson
Lancelot Leaves
85 bpm • A# min • 01:55 • -20.15db
35% Popularity • 9% Danceability • 6% Energy • 10% Liveness
50% Instrumentalness • 3% Positiveness
35% Popularity • 9% Danceability • 6% Energy • 10% Liveness
50% Instrumentalness • 3% Positiveness
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Trevor Morris
Reflections on a Hero
85 bpm • E min • 02:23 • -17.68db
52% Popularity • 8% Danceability • 19% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
52% Popularity • 8% Danceability • 19% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
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Dario Marianelli
Yes!
84 bpm • C min • 02:01 • -15db
43% Popularity • 15% Danceability • 24% Energy • 11% Liveness
81% Instrumentalness • 3% Positiveness
43% Popularity • 15% Danceability • 24% Energy • 11% Liveness
81% Instrumentalness • 3% Positiveness
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Craig Armstrong
Dream Violin
85 bpm • C Maj • 03:23 • -17.17db
28% Popularity • 14% Danceability • 21% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
28% Popularity • 14% Danceability • 21% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Geoff Zanelli
Evelyn Goes It Alone
83 bpm • F# min • 02:33 • -25.17db
42% Popularity • 21% Danceability • 5% Energy • 15% Liveness
88% Instrumentalness • 11% Positiveness
42% Popularity • 21% Danceability • 5% Energy • 15% Liveness
88% Instrumentalness • 11% Positiveness
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Steven Price
A Game of Strategy
85 bpm • B min • 03:17 • -18db
32% Popularity • 27% Danceability • 37% Energy • 14% Liveness
96% Instrumentalness • 20% Positiveness
32% Popularity • 27% Danceability • 37% Energy • 14% Liveness
96% Instrumentalness • 20% Positiveness
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Stephen Warbeck
The Shells
85 bpm • G min • 02:18 • -18.67db
44% Popularity • 9% Danceability • 10% Energy • 20% Liveness
91% Instrumentalness • 4% Positiveness
44% Popularity • 9% Danceability • 10% Energy • 20% Liveness
91% Instrumentalness • 4% Positiveness
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Tales of the Forgotten
Purpose
83 bpm • D min • 02:54 • -20.52db
33% Popularity • 16% Danceability • 8% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
33% Popularity • 16% Danceability • 8% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
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Dario Marianelli
Summit
85 bpm • C# min • 04:57 • -17.13db
25% Popularity • 16% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
25% Popularity • 16% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Nicholas Britell
Searching (Foundation Track)
85 bpm • A Maj • 03:25 • -14.56db
44% Popularity • 9% Danceability • 18% Energy • 16% Liveness
81% Instrumentalness • 4% Positiveness
44% Popularity • 9% Danceability • 18% Energy • 16% Liveness
81% Instrumentalness • 4% Positiveness
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Craig Armstrong
Hollow in the Ferns
85 bpm • D min • 03:38 • -17.3db
47% Popularity • 22% Danceability • 14% Energy • 12% Liveness
86% Instrumentalness • 5% Positiveness
47% Popularity • 22% Danceability • 14% Energy • 12% Liveness
86% Instrumentalness • 5% Positiveness
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Jeff Russo
Justin’s Theme
85 bpm • A min • 02:51 • -19.43db
37% Popularity • 9% Danceability • 15% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
37% Popularity • 9% Danceability • 15% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Chance Thomas
The Grey Havens
85 bpm • D min • 02:18 • -22db
45% Popularity • 22% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
45% Popularity • 22% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Michael Kamen
Austria - Instrumental
86 bpm • A# Maj • 01:59 • -22db
36% Popularity • 16% Danceability • 12% Energy • 18% Liveness
94% Instrumentalness • 8% Positiveness
36% Popularity • 16% Danceability • 12% Energy • 18% Liveness
94% Instrumentalness • 8% Positiveness
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Dario Marianelli
In the Fabric of the Universe
83 bpm • F min • 03:21 • -20.6db
33% Popularity • 14% Danceability • 7% Energy • 6% Liveness
91% Instrumentalness • 3% Positiveness
33% Popularity • 14% Danceability • 7% Energy • 6% Liveness
91% Instrumentalness • 3% Positiveness
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Carter Burwell
My Dear Anne
82 bpm • A min • 02:37 • -20.64db
40% Popularity • 14% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
40% Popularity • 14% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
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Panu Aaltio
Boys Decide to Stay
82 bpm • F min • 01:34 • -23.55db
45% Popularity • 28% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 12% Positiveness
45% Popularity • 28% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 12% Positiveness
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Mark Isham
Time Passing II
82 bpm • A Maj • 01:17 • -24db
42% Popularity • 29% Danceability • 10% Energy • 8% Liveness
96% Instrumentalness • 6% Positiveness
42% Popularity • 29% Danceability • 10% Energy • 8% Liveness
96% Instrumentalness • 6% Positiveness
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Anne Dudley
Resurgam
82 bpm • F min • 03:24 • -13.24db
30% Popularity • 12% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 12% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Jeff Beal
Next In Line
82 bpm • D min • 01:46 • -18db
43% Popularity • 26% Danceability • 27% Energy • 12% Liveness
98% Instrumentalness • 6% Positiveness
43% Popularity • 26% Danceability • 27% Energy • 12% Liveness
98% Instrumentalness • 6% Positiveness
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Dario Marianelli
Atonement
85 bpm • A Maj • 05:18 • -25.17db
34% Popularity • 16% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Pinar Toprak
Dreams
86 bpm • A min • 01:03 • -18db
56% Popularity • 23% Danceability • 18% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
56% Popularity • 23% Danceability • 18% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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Trevor Kowalski
Caught in the Waves
82 bpm • G min • 02:28 • -16.01db
38% Popularity • 31% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
38% Popularity • 31% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Nicholas Hooper
Farewell Aragog
82 bpm • G Maj • 02:08 • -25db
45% Popularity • 12% Danceability • 3% Energy • 8% Liveness
6% Instrumentalness • 5% Positiveness
45% Popularity • 12% Danceability • 3% Energy • 8% Liveness
6% Instrumentalness • 5% Positiveness
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Craig Armstrong
Bathsheba and Oak Unite
82 bpm • G Maj • 01:35 • -17.66db
47% Popularity • 17% Danceability • 21% Energy • 32% Liveness
88% Instrumentalness • 4% Positiveness
47% Popularity • 17% Danceability • 21% Energy • 32% Liveness
88% Instrumentalness • 4% Positiveness
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Harald Kloser
Sea Of Sand
82 bpm • C# Maj • 02:41 • -13.85db
38% Popularity • 15% Danceability • 39% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 15% Danceability • 39% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Dario Marianelli
Denouement
82 bpm • C# Maj • 02:27 • -21db
30% Popularity • 8% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
30% Popularity • 8% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Inon Zur
Coming Home
82 bpm • D min • 03:14 • -23.08db
46% Popularity • 19% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
46% Popularity • 19% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
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Christian Reindl
Freya
82 bpm • C min • 03:07 • -9.64db
37% Popularity • 25% Danceability • 48% Energy • 7% Liveness
55% Instrumentalness • 4% Positiveness
37% Popularity • 25% Danceability • 48% Energy • 7% Liveness
55% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Honoring the Dead
87 bpm • G min • 02:43 • -16db
44% Popularity • 9% Danceability • 27% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
44% Popularity • 9% Danceability • 27% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
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Bear McCreary
Faith
81 bpm • E min • 03:29 • -26.69db
34% Popularity • 8% Danceability • 5% Energy • 18% Liveness
99% Instrumentalness • 4% Positiveness
34% Popularity • 8% Danceability • 5% Energy • 18% Liveness
99% Instrumentalness • 4% Positiveness
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Martin Phipps
New Start
81 bpm • G Maj • 03:41 • -17.54db
42% Popularity • 8% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
42% Popularity • 8% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Dario Marianelli
Elegy for Refugees
86 bpm • E Maj • 02:59 • -9.55db
29% Popularity • 16% Danceability • 34% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
29% Popularity • 16% Danceability • 34% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Kevin Kiner
Anakin and Padmé
81 bpm • G min • 01:48 • -14.36db
46% Popularity • 16% Danceability • 24% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
46% Popularity • 16% Danceability • 24% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Trevor Rabin
Declaration of Independence
87 bpm • F Maj • 01:43 • -24db
46% Popularity • 14% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
46% Popularity • 14% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Stephen Warbeck
Alone
87 bpm • D Maj • 01:10 • -22.81db
54% Popularity • 10% Danceability • 7% Energy • 13% Liveness
97% Instrumentalness • 13% Positiveness
54% Popularity • 10% Danceability • 7% Energy • 13% Liveness
97% Instrumentalness • 13% Positiveness
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Two Worlds II
Lands of Despair
87 bpm • G Maj • 02:16 • -15db
45% Popularity • 10% Danceability • 24% Energy • 6% Liveness
62% Instrumentalness • 6% Positiveness
45% Popularity • 10% Danceability • 24% Energy • 6% Liveness
62% Instrumentalness • 6% Positiveness
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Carter Burwell
Silent Whispers
81 bpm • A min • 01:33 • -19.96db
15% Popularity • 14% Danceability • 11% Energy • 11% Liveness
32% Instrumentalness • 4% Positiveness
15% Popularity • 14% Danceability • 11% Energy • 11% Liveness
32% Instrumentalness • 4% Positiveness
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John Debney
The Man Village
87 bpm • F# Maj • 02:57 • -32db
36% Popularity • 9% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
36% Popularity • 9% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Dario Marianelli
Possessor's Mistake
81 bpm • A# min • 02:02 • -16.13db
19% Popularity • 23% Danceability • 28% Energy • 16% Liveness
67% Instrumentalness • 14% Positiveness
19% Popularity • 23% Danceability • 28% Energy • 16% Liveness
67% Instrumentalness • 14% Positiveness
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Sharon Farber
Mathilda
81 bpm • D min • 02:48 • -18.15db
31% Popularity • 15% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
31% Popularity • 15% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Thomas Wander
Edward's Theme
87 bpm • C min • 01:33 • -25.77db
38% Popularity • 23% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
38% Popularity • 23% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Fernando Velázquez
Edith's Theme
81 bpm • G min • 01:56 • -14.8db
41% Popularity • 22% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
41% Popularity • 22% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Simon Franglen
Leaving Home
88 bpm • D min • 03:27 • -19db
39% Popularity • 18% Danceability • 22% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
39% Popularity • 18% Danceability • 22% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Mychael Danna
Back to the World
88 bpm • C min • 08:20 • -27db
26% Popularity • 9% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
26% Popularity • 9% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Dario Marianelli
My Edward & I
87 bpm • F Maj • 04:56 • -25.45db
11% Popularity • 13% Danceability • 7% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
11% Popularity • 13% Danceability • 7% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
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Nicholas Britell
Ballade in C# Minor: Coronation
80 bpm • C# Maj • 02:28 • -16.09db
47% Popularity • 20% Danceability • 18% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
47% Popularity • 20% Danceability • 18% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Nicholas Hooper
Journey To The Cave
88 bpm • D Maj • 03:08 • -22.55db
48% Popularity • 28% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
48% Popularity • 28% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Rael Jones
Precious to Me
80 bpm • E min • 01:49 • -27.77db
38% Popularity • 19% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 19% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Dustin O'Halloran
Home is with Me
88 bpm • G min • 03:15 • -19db
32% Popularity • 12% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
32% Popularity • 12% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Alex Baranowski
A New Beginning
80 bpm • D min • 03:10 • -19.39db
33% Popularity • 8% Danceability • 13% Energy • 13% Liveness
95% Instrumentalness • 5% Positiveness
33% Popularity • 8% Danceability • 13% Energy • 13% Liveness
95% Instrumentalness • 5% Positiveness
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Dario Marianelli
An Insuperable Impediment
81 bpm • C min • 02:59 • -14.73db
29% Popularity • 10% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
29% Popularity • 10% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Carlos Rafael Rivera
Am I Good Enough Now?
88 bpm • D min • 01:18 • -29.4db
49% Popularity • 14% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
49% Popularity • 14% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Nicholas Hooper
Dumbledore's Army
80 bpm • G Maj • 02:40 • -21db
52% Popularity • 34% Danceability • 12% Energy • 16% Liveness
79% Instrumentalness • 21% Positiveness
52% Popularity • 34% Danceability • 12% Energy • 16% Liveness
79% Instrumentalness • 21% Positiveness
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Steve Jablonsky
Prime
80 bpm • G# Maj • 02:14 • -17db
47% Popularity • 20% Danceability • 49% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
47% Popularity • 20% Danceability • 49% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
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Hampus Naeselius
Dark Turns to Light
80 bpm • A min • 04:10 • -17.14db
31% Popularity • 33% Danceability • 35% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
31% Popularity • 33% Danceability • 35% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Justin Hurwitz
The Landing
80 bpm • G min • 05:31 • -15.24db
44% Popularity • 17% Danceability • 32% Energy • 10% Liveness
93% Instrumentalness • 28% Positiveness
44% Popularity • 17% Danceability • 32% Energy • 10% Liveness
93% Instrumentalness • 28% Positiveness
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Dario Marianelli
Evey Reborn
80 bpm • F min • 03:50 • -18db
40% Popularity • 7% Danceability • 10% Energy • 21% Liveness
92% Instrumentalness • 3% Positiveness
40% Popularity • 7% Danceability • 10% Energy • 21% Liveness
92% Instrumentalness • 3% Positiveness
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Danny Bensi and Saunder Jurriaans
Make History
88 bpm • C Maj • 01:13 • -33.41db
40% Popularity • 20% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
40% Popularity • 20% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Theodore Shapiro
Stationary Cycle
88 bpm • B min • 02:43 • -16.17db
40% Popularity • 49% Danceability • 18% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
40% Popularity • 49% Danceability • 18% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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David Farnon
On the Journey of a Soul
88 bpm • G Maj • 03:06 • -15.83db
15% Popularity • 13% Danceability • 19% Energy • 15% Liveness
92% Instrumentalness • 4% Positiveness
15% Popularity • 13% Danceability • 19% Energy • 15% Liveness
92% Instrumentalness • 4% Positiveness
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Éric Serra
Protect Life
80 bpm • B min • 02:33 • -22db
36% Popularity • 16% Danceability • 9% Energy • 32% Liveness
39% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 9% Energy • 32% Liveness
39% Instrumentalness • 4% Positiveness
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Geoff Zanelli
My Name Is Barbossa
89 bpm • F Maj • 05:33 • -10.54db
48% Popularity • 10% Danceability • 33% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
48% Popularity • 10% Danceability • 33% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Dario Marianelli
Patience
80 bpm • C# Maj • 03:04 • -16.54db
20% Popularity • 16% Danceability • 23% Energy • 14% Liveness
36% Instrumentalness • 4% Positiveness
20% Popularity • 16% Danceability • 23% Energy • 14% Liveness
36% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Robin Speaks
79 bpm • D Maj • 02:33 • -19.82db
44% Popularity • 7% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
44% Popularity • 7% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Bill Brown
Crossroad at Dawn
89 bpm • G min • 02:00 • -19.39db
53% Popularity • 12% Danceability • 12% Energy • 14% Liveness
94% Instrumentalness • 11% Positiveness
53% Popularity • 12% Danceability • 12% Energy • 14% Liveness
94% Instrumentalness • 11% Positiveness
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Trevor Morris
Ragnar Dreams of Home
89 bpm • C# min • 01:41 • -29db
51% Popularity • 17% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
51% Popularity • 17% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Anne Dudley
The Endless River
79 bpm • C# min • 02:04 • -16db
45% Popularity • 20% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
45% Popularity • 20% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Carlos Rafael Rivera
Kentucky State Championship 1963
79 bpm • A min • 01:12 • -21.53db
52% Popularity • 38% Danceability • 24% Energy • 6% Liveness
96% Instrumentalness • 27% Positiveness
52% Popularity • 38% Danceability • 24% Energy • 6% Liveness
96% Instrumentalness • 27% Positiveness
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Dario Marianelli
Arrival at Thornfield Hall
80 bpm • E min • 01:18 • -23.41db
31% Popularity • 13% Danceability • 7% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
31% Popularity • 13% Danceability • 7% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
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John Barry
The John Dunbar Theme (film version)
89 bpm • D# Maj • 02:21 • -28db
51% Popularity • 10% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
51% Popularity • 10% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Nicholas Britell
A Rose in Spanish Harlem (Bonus Track)
89 bpm • G Maj • 02:56 • -19db
43% Popularity • 10% Danceability • 27% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
43% Popularity • 10% Danceability • 27% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
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John Ottman
Rebuilding / Cuffed / Goodbye Old Friend
79 bpm • G min • 03:35 • -35db
27% Popularity • 14% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
27% Popularity • 14% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Steve Jablonsky
Sacrifice
89 bpm • D min • 06:46 • -18.58db
45% Popularity • 10% Danceability • 11% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
45% Popularity • 10% Danceability • 11% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Anne Dudley
Rachel's Theme
79 bpm • E min • 01:28 • -16db
51% Popularity • 13% Danceability • 17% Energy • 8% Liveness
59% Instrumentalness • 8% Positiveness
51% Popularity • 13% Danceability • 17% Energy • 8% Liveness
59% Instrumentalness • 8% Positiveness
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Alexandre Desplat
Extremely Loud and Incredibly Close
79 bpm • A min • 01:57 • -31.11db
53% Popularity • 47% Danceability • 1% Energy • 6% Liveness
89% Instrumentalness • 7% Positiveness
53% Popularity • 47% Danceability • 1% Energy • 6% Liveness
89% Instrumentalness • 7% Positiveness
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Sarah Class
Journey of the King Fish
79 bpm • D# Maj • 03:05 • -11db
28% Popularity • 17% Danceability • 28% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
28% Popularity • 17% Danceability • 28% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Dan Jones
Solemn Love
89 bpm • B min • 01:36 • -24.5db
29% Popularity • 16% Danceability • 7% Energy • 26% Liveness
64% Instrumentalness • 5% Positiveness
29% Popularity • 16% Danceability • 7% Energy • 26% Liveness
64% Instrumentalness • 5% Positiveness
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Dario Marianelli
In Jest or Earnest
89 bpm • A min • 02:06 • -25.59db
31% Popularity • 21% Danceability • 5% Energy • 10% Liveness
85% Instrumentalness • 5% Positiveness
31% Popularity • 21% Danceability • 5% Energy • 10% Liveness
85% Instrumentalness • 5% Positiveness
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William Ross
Hometown Hero
79 bpm • G# Maj • 01:59 • -21.2db
44% Popularity • 15% Danceability • 6% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
44% Popularity • 15% Danceability • 6% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
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Thomas Newman
Come Back to Us
79 bpm • G min • 05:39 • -30.22db
52% Popularity • 7% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
52% Popularity • 7% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Brian Tyler
Loss Of A Twin
79 bpm • D min • 01:53 • -28db
43% Popularity • 7% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
43% Popularity • 7% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Nicholas Hooper
Harry & Hermione
90 bpm • C Maj • 02:52 • -29.09db
55% Popularity • 32% Danceability • 4% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
55% Popularity • 32% Danceability • 4% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Ciaran Hope
Mother Teresa
90 bpm • B min • 02:55 • -30.91db
18% Popularity • 11% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
18% Popularity • 11% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Volker Bertelmann
Salvation
78 bpm • F Maj • 05:25 • -17db
27% Popularity • 8% Danceability • 22% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
27% Popularity • 8% Danceability • 22% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness