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Somethin' I'm Good At
Songs like
Somethin' I'm Good At
by
Brett Eldredge
Based on a tempo of (+/- 10%) and a similar genre
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Brett Eldredge
Fall For Me
103 bpm • F Maj • 03:35 • -7.81db
28% Popularity • 62% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Ryan Hurd
Every Other Memory
103 bpm • C Maj • 03:39 • -7db
43% Popularity • 63% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Brad Paisley
She's Everything
103 bpm • C Maj • 04:26 • -8.32db
64% Popularity • 36% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
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Luke Combs
Beautiful Crazy
103 bpm • B Maj • 03:13 • -7.43db
81% Popularity • 55% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Rascal Flatts
Summer Nights
102 bpm • D Maj • 04:02 • -4.88db
58% Popularity • 54% Danceability • 90% Energy • 57% Liveness
0% Instrumentalness • 66% Positiveness
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Joe Nichols
Home Run
104 bpm • C# min • 03:05 • -5.92db
38% Popularity • 60% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
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Brett Eldredge
Somethin' I'm Good At
103 bpm • F Maj • 03:37 • -4db
50% Popularity • 57% Danceability • 94% Energy • 24% Liveness
0% Instrumentalness • 45% Positiveness
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Midland
Drinkin' Problem
102 bpm • A Maj • 03:40 • -6.4db
71% Popularity • 62% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
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Randy Houser
We Went
102 bpm • E min • 02:59 • -3.77db
57% Popularity • 65% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
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Jake Owen
American Country Love Song
104 bpm • G# Maj • 03:19 • -4db
58% Popularity • 53% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Eric Church
Springsteen
104 bpm • D Maj • 04:23 • -5.94db
76% Popularity • 69% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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Dustin Lynch
Love Me Or Leave Me Alone
102 bpm • A Maj • 04:05 • -7.67db
43% Popularity • 51% Danceability • 44% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
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Kelsea Ballerini
hole in the bottle
104 bpm • E Maj • 02:35 • -3.64db
59% Popularity • 48% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
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Kenny Chesney
When the Sun Goes Down
105 bpm • A Maj • 04:50 • -6.8db
66% Popularity • 80% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
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Randy Houser
How Country Feels
105 bpm • G Maj • 03:05 • -3.62db
68% Popularity • 68% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Brett Eldredge
Lose My Mind
101 bpm • F# min • 02:35 • -5.51db
53% Popularity • 68% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Chris Janson
Done
105 bpm • A Maj • 03:40 • -3.38db
54% Popularity • 56% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Tenille Arts
Somebody Like That
105 bpm • F# Maj • 03:18 • -5.38db
63% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Easton Corbin
A Girl Like You
105 bpm • F Maj • 03:37 • -4db
52% Popularity • 74% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Old Dominion
Snapback
101 bpm • F Maj • 03:26 • -3.58db
63% Popularity • 69% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Dustin Lynch
Seein' Red
101 bpm • C# min • 03:14 • -4.73db
53% Popularity • 65% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Tim McGraw
Humble And Kind
101 bpm • B Maj • 04:19 • -7.31db
69% Popularity • 36% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Carrie Underwood
Southbound
101 bpm • C Maj • 03:22 • -4.02db
54% Popularity • 61% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Tyler Hubbard
5 Foot 9
106 bpm • F Maj • 03:09 • -6db
71% Popularity • 60% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Justin Moore
You Look Like I Need A Drink
106 bpm • B Maj • 03:07 • -3.63db
56% Popularity • 61% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Mitchell Tenpenny
Alcohol You Later
100 bpm • G# Maj • 03:06 • -7db
50% Popularity • 67% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Dustin Lynch
I'd Be Jealous Too
101 bpm • C Maj • 03:05 • -5.36db
53% Popularity • 72% Danceability • 72% Energy • 47% Liveness
0% Instrumentalness • 54% Positiveness
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Michael Ray
Whiskey And Rain
100 bpm • G# Maj • 03:26 • -4.56db
60% Popularity • 65% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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LOCASH
Ring On Every Finger
100 bpm • G Maj • 03:31 • -4db
26% Popularity • 59% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Chris Lane
Fishin'
100 bpm • D Maj • 02:42 • -5.11db
37% Popularity • 66% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Justin Moore
With A Woman You Love
106 bpm • G Maj • 02:47 • -4.65db
61% Popularity • 62% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
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Keith Urban
Wasted Time
100 bpm • G Maj • 03:53 • -5.76db
36% Popularity • 62% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Jordan Davis
Take It From Me
100 bpm • A# Maj • 02:54 • -3.14db
68% Popularity • 59% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness
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Maddie & Tae
Friends Don't
100 bpm • G Maj • 03:08 • -5.95db
58% Popularity • 53% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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David Nail
Kiss You Tonight
99 bpm • B Maj • 03:50 • -6db
40% Popularity • 57% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Chris Lane
Fix
100 bpm • C min • 03:10 • -2.74db
49% Popularity • 53% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Gary Allan
Every Storm (Runs Out Of Rain)
107 bpm • C Maj • 03:45 • -6.97db
59% Popularity • 52% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
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Travis Denning
After A Few
107 bpm • A# min • 03:33 • -4.32db
56% Popularity • 62% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Eric Church
Hell Of A View
99 bpm • F Maj • 02:55 • -6.76db
70% Popularity • 69% Danceability • 59% Energy • 11% Liveness
1% Instrumentalness • 92% Positiveness
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Brett Eldredge
Gabrielle
99 bpm • A# Maj • 03:36 • -6.72db
48% Popularity • 71% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Luke Bryan
Roller Coaster
108 bpm • G# Maj • 04:19 • -4.46db
59% Popularity • 60% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Jon Pardi
Head Over Boots
108 bpm • G Maj • 03:22 • -4.47db
74% Popularity • 56% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Keith Urban
Raise 'Em Up
108 bpm • E Maj • 03:04 • -7.86db
51% Popularity • 61% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Drake White
Livin' The Dream
98 bpm • G# Maj • 03:07 • -4.46db
46% Popularity • 60% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Billy Currington
Don't
98 bpm • D Maj • 03:56 • -4db
53% Popularity • 72% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Brett Eldredge
Where Do I Sign
108 bpm • A Maj • 03:18 • -4.32db
30% Popularity • 69% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Luke Bryan
Rain Is A Good Thing
108 bpm • B min • 02:56 • -4.66db
69% Popularity • 62% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Eli Young Band
Love Ain't
98 bpm • B Maj • 03:07 • -4.67db
63% Popularity • 60% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Montgomery Gentry
Something to Be Proud Of
98 bpm • C Maj • 04:16 • -6.48db
61% Popularity • 64% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Jake Owen
Alone With You
109 bpm • G Maj • 03:30 • -3.99db
50% Popularity • 65% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Josh Turner
Lay Low
109 bpm • B Maj • 04:20 • -5.92db
48% Popularity • 63% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Brett Eldredge
Crowd My Mind
109 bpm • D# Maj • 03:08 • -8.95db
39% Popularity • 52% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Trent Harmon
There's a Girl
97 bpm • G Maj • 03:35 • -5.49db
43% Popularity • 53% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Brooks & Dunn
Ain't Nothing 'Bout You - with Brett You...
97 bpm • G# min • 04:01 • -6db
47% Popularity • 68% Danceability • 75% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
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Easton Corbin
Lovin' You Is Fun
110 bpm • G# Maj • 03:19 • -3.03db
55% Popularity • 70% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
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Brothers Osborne
Stay A Little Longer
97 bpm • F# Maj • 05:35 • -5.36db
63% Popularity • 56% Danceability • 89% Energy • 16% Liveness
11% Instrumentalness • 55% Positiveness
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Brett Young
Reason To Stay
110 bpm • G# Maj • 03:10 • -5.65db
49% Popularity • 70% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Brett Eldredge
Beat of the Music
110 bpm • A Maj • 02:59 • -4.13db
60% Popularity • 63% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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High Valley
Grew up on That
110 bpm • A Maj • 02:52 • -6db
48% Popularity • 65% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Morgan Wallen
This Bar
110 bpm • D Maj • 03:05 • -5.31db
72% Popularity • 55% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 25% Positiveness
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Chris Janson
Everybody
96 bpm • D Maj • 02:52 • -6db
38% Popularity • 64% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
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Jon Pardi
Night Shift
96 bpm • D Maj • 02:52 • -3.56db
78% Popularity • 63% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 73% Positiveness
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Brett Young
Here Tonight
96 bpm • B Maj • 03:36 • -5db
57% Popularity • 52% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Miranda Lambert
Automatic
96 bpm • A# Maj • 04:07 • -6.21db
61% Popularity • 59% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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High Valley
She's with Me
111 bpm • B Maj • 03:00 • -4db
50% Popularity • 60% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Brett Eldredge
Holy Water
95 bpm • A Maj • 02:44 • -8db
33% Popularity • 52% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Chris Janson
Holdin' Her
96 bpm • D Maj • 04:04 • -5.13db
41% Popularity • 30% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Randy Houser
Goodnight Kiss
111 bpm • C# Maj • 03:26 • -4.29db
52% Popularity • 73% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Jon Pardi
Heartache Medication
95 bpm • A Maj • 03:29 • -3.34db
68% Popularity • 62% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Jake Owen
Good Company
95 bpm • D Maj • 02:53 • -5.59db
48% Popularity • 64% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
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Kenny Chesney
Tip of My Tongue
95 bpm • F Maj • 03:19 • -5.6db
48% Popularity • 67% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Brett Eldredge
Heartbreaker
95 bpm • F# Maj • 03:24 • -5.86db
29% Popularity • 56% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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Dan + Shay
All To Myself
95 bpm • C# Maj • 02:49 • -4.62db
63% Popularity • 65% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Luke Bryan
I Don't Want This Night To End
112 bpm • A min • 03:39 • -4.02db
72% Popularity • 62% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Dylan Scott
My Girl
95 bpm • C# Maj • 03:17 • -7.25db
68% Popularity • 65% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Josh Turner
Time Is Love
112 bpm • D Maj • 03:20 • -4.99db
57% Popularity • 66% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Kenny Chesney
Somewhere With You
112 bpm • C# min • 04:03 • -6.48db
60% Popularity • 68% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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LOCASH
I Love This Life
112 bpm • D Maj • 03:28 • -3db
36% Popularity • 59% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Carly Pearce
Closer To You
112 bpm • E min • 03:07 • -4.55db
46% Popularity • 66% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Adam Doleac
Famous
95 bpm • G Maj • 03:06 • -5.58db
47% Popularity • 60% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Brothers Osborne
21 Summer
112 bpm • D Maj • 03:34 • -6.99db
57% Popularity • 64% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Granger Smith
You’re In It
112 bpm • B Maj • 03:16 • -5.45db
41% Popularity • 58% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 59% Positiveness
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Jon Langston
When It Comes To Loving You
112 bpm • G Maj • 03:31 • -6.33db
46% Popularity • 69% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Tim McGraw
Just To See You Smile
94 bpm • F# Maj • 03:35 • -8.53db
68% Popularity • 49% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Billy Currington
I Got A Feelin'
112 bpm • D Maj • 03:13 • -5.4db
59% Popularity • 65% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Jake Owen
I Was Jack (You Were Diane)
94 bpm • F# Maj • 03:07 • -3.54db
61% Popularity • 60% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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Kenny Chesney
Setting the World On Fire
94 bpm • C Maj • 03:37 • -4.42db
59% Popularity • 61% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Jerrod Niemann
Lover, Lover
112 bpm • G Maj • 03:13 • -6.51db
58% Popularity • 88% Danceability • 57% Energy • 62% Liveness
0% Instrumentalness • 95% Positiveness
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Rascal Flatts
Yours If You Want It
113 bpm • G# Maj • 03:26 • -3db
53% Popularity • 55% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Joe Nichols
Tequila Makes Her Clothes Fall Off
94 bpm • D Maj • 03:07 • -7.05db
68% Popularity • 66% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Russell Dickerson
Every Little Thing
94 bpm • C# Maj • 03:10 • -4.66db
61% Popularity • 64% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Eric Church
Drink In My Hand
113 bpm • C Maj • 03:11 • -4.45db
72% Popularity • 63% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
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Luke Combs
Does To Me
113 bpm • C Maj • 03:43 • -4.9db
67% Popularity • 62% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
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Cole Swindell
Love You Too Late
114 bpm • A min • 03:24 • -4.45db
55% Popularity • 54% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Mitchell Tenpenny
To Us It Did
114 bpm • C Maj • 02:45 • -4.76db
49% Popularity • 69% Danceability • 84% Energy • 2% Liveness
0% Instrumentalness • 46% Positiveness
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Josh Abbott Band
Wasn't That Drunk
114 bpm • C min • 03:43 • -5.38db
49% Popularity • 56% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Eli Young Band
Saltwater Gospel
114 bpm • B Maj • 03:06 • -7db
52% Popularity • 69% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Brett Eldredge
Crystal Clear
93 bpm • C# Maj • 03:21 • -6.13db
25% Popularity • 63% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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Frankie Ballard
Sunshine & Whiskey
93 bpm • A Maj • 03:02 • -6.79db
64% Popularity • 67% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
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Cole Swindell
Let Me See Ya Girl
93 bpm • F# Maj • 03:07 • -4db
54% Popularity • 52% Danceability • 83% Energy • 39% Liveness
0% Instrumentalness • 44% Positiveness
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Somethin' I'm Good At