Songs like Something Good's Gonna Happen (feat. Amy Sheppard) by The Wolfe Brothers
Based on a tempo of (+/- 10%) and a similar genre
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Cornell And Carr
A Town Like This
122 bpm • D Maj • 03:27 • -5.83db
18% Popularity • 74% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
18% Popularity • 74% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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The Wolfe Brothers
Ain't Even Close to Gone
122 bpm • A# Maj • 03:08 • -6.92db
13% Popularity • 64% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
13% Popularity • 64% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Luke O'Shea
Wayne And Wanita
122 bpm • E Maj • 04:05 • -6.27db
29% Popularity • 66% Danceability • 73% Energy • 37% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 66% Danceability • 73% Energy • 37% Liveness
0% Instrumentalness • 78% Positiveness
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McAlister Kemp
Blue Collar Night
122 bpm • C Maj • 03:55 • -5.96db
12% Popularity • 60% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
12% Popularity • 60% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Zac & George
Call It A Day
122 bpm • A# Maj • 03:02 • -4.57db
46% Popularity • 71% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
46% Popularity • 71% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Luke Bryan
Drinking Again
122 bpm • E Maj • 03:45 • -3.03db
37% Popularity • 68% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
37% Popularity • 68% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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The Viper Creek Band
Thank God For Beer
123 bpm • D Maj • 03:10 • -4.23db
24% Popularity • 65% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 65% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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The Wolfe Brothers
Something Good's Gonna Happen
122 bpm • G# Maj • 02:21 • -5.61db
28% Popularity • 86% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 94% Positiveness
28% Popularity • 86% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 94% Positiveness
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Kip Moore
Magic
123 bpm • C# Maj • 03:35 • -5.82db
37% Popularity • 61% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 16% Positiveness
37% Popularity • 61% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 16% Positiveness
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Casey Barnes
Just Like Magic
123 bpm • C# Maj • 02:59 • -5db
32% Popularity • 73% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 73% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Lane Pittman
Love in a Country Town
123 bpm • D Maj • 03:08 • -3.41db
37% Popularity • 48% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
37% Popularity • 48% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Brooke McClymont & Adam Eckersley
Lay With Me
121 bpm • A# Maj • 04:42 • -4.15db
20% Popularity • 57% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
20% Popularity • 57% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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The Viper Creek Band
Fired Up
123 bpm • A Maj • 03:12 • -6db
22% Popularity • 60% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
22% Popularity • 60% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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The Wolfe Brothers
Throw 'Em Back
123 bpm • G# Maj • 03:21 • -6db
34% Popularity • 64% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
34% Popularity • 64% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Dusty Black
Right Church Wrong Pew
123 bpm • G min • 03:21 • -4.55db
27% Popularity • 60% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
27% Popularity • 60% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
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Casey Barnes
Never Give Up On A Good Time
123 bpm • G Maj • 03:17 • -3.96db
44% Popularity • 61% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
44% Popularity • 61% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Jayne Denham
Addicted to the Diesel
124 bpm • D Maj • 03:37 • -4db
26% Popularity • 66% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
26% Popularity • 66% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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The Reklaws
Wish You Were Beer
120 bpm • A Maj • 03:46 • -7.29db
42% Popularity • 70% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
42% Popularity • 70% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
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The Viper Creek Band
Wrecked Everything
123 bpm • C Maj • 03:42 • -6db
17% Popularity • 57% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 57% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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The Wolfe Brothers
Time To Be Alive
120 bpm • D Maj • 03:19 • -4.44db
19% Popularity • 69% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 69% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Coffey Anderson
Every Now and Then
120 bpm • A# Maj • 03:20 • -4.94db
23% Popularity • 62% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
23% Popularity • 62% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Casey Barnes
Gone Gone Gone
123 bpm • C# Maj • 03:16 • -3db
33% Popularity • 63% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
33% Popularity • 63% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
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Jayne Denham
Renegade
120 bpm • A Maj • 02:24 • -5.02db
18% Popularity • 62% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
18% Popularity • 62% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Steve Forde
Crazy Love
120 bpm • F# Maj • 03:14 • -5.71db
8% Popularity • 61% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 61% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Christie Lamb
All She Wrote
120 bpm • C# Maj • 02:51 • -4.61db
15% Popularity • 73% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 73% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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The Wolfe Brothers
All In Good Time
120 bpm • C# Maj • 03:24 • -4.17db
22% Popularity • 65% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
22% Popularity • 65% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Kirsty Lee Akers
Under My Skin
120 bpm • A Maj • 03:22 • -5.81db
16% Popularity • 68% Danceability • 78% Energy • 10% Liveness
1% Instrumentalness • 94% Positiveness
16% Popularity • 68% Danceability • 78% Energy • 10% Liveness
1% Instrumentalness • 94% Positiveness
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Brooks & Dunn
Proud of the House We Built
120 bpm • F# Maj • 03:46 • -4.97db
40% Popularity • 62% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
40% Popularity • 62% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Morgan Evans
Young Again
120 bpm • F# Maj • 02:55 • -5.41db
48% Popularity • 61% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
48% Popularity • 61% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
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Darlinghurst
Sorry Won't Get You Back
124 bpm • F Maj • 03:55 • -3db
20% Popularity • 61% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
20% Popularity • 61% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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James Johnston
COUNTRY BOYS
120 bpm • C Maj • 03:14 • -5.36db
46% Popularity • 60% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
46% Popularity • 60% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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The Wolfe Brothers
Home Without You
120 bpm • G Maj • 02:40 • -5db
15% Popularity • 66% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
15% Popularity • 66% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Steve Forde
Aussie Philosophy
125 bpm • F Maj • 02:44 • -5.73db
20% Popularity • 47% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
20% Popularity • 47% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Andrew Swift
You and Me and a Bottle of Whiskey
125 bpm • G Maj • 03:37 • -4.08db
18% Popularity • 58% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 58% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
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Luke O'Shea
The Old Man's Shed
125 bpm • C Maj • 04:04 • -10db
32% Popularity • 66% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 66% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Ty Herndon
Dents On A Chevy
119 bpm • D# Maj • 03:17 • -2.11db
26% Popularity • 59% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
26% Popularity • 59% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Big & Rich
Brand New Buzz
119 bpm • B Maj • 03:22 • -3.84db
26% Popularity • 64% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
26% Popularity • 64% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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The Wolfe Brothers
Anybody Ever
120 bpm • F# Maj • 02:54 • -4.84db
26% Popularity • 79% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
26% Popularity • 79% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
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Christie Lamb
You Brought the Party
125 bpm • D# Maj • 02:39 • -5db
35% Popularity • 60% Danceability • 83% Energy • 10% Liveness
1% Instrumentalness • 80% Positiveness
35% Popularity • 60% Danceability • 83% Energy • 10% Liveness
1% Instrumentalness • 80% Positiveness
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Jasmine Rae
Hunky Country Boys
125 bpm • A# Maj • 03:28 • -2db
29% Popularity • 68% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 68% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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LOCASH
Cold Beer Kinda Night
125 bpm • F# Maj • 03:21 • -4db
20% Popularity • 60% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
20% Popularity • 60% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Sammy White
I Can't Outrun You
125 bpm • C Maj • 03:31 • -8.64db
23% Popularity • 69% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 69% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Kip Moore
Girl Of The Summer
125 bpm • D Maj • 03:56 • -5.06db
37% Popularity • 65% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
37% Popularity • 65% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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The Wolfe Brothers
Storm Rollin In
124 bpm • F# Maj • 02:42 • -5.37db
33% Popularity • 65% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 65% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Blake O'Connor
If You Wanna Get To Heaven
125 bpm • F Maj • 03:26 • -4.16db
16% Popularity • 66% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
16% Popularity • 66% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Steve Forde
I Ain't That Guy
119 bpm • D Maj • 02:50 • -5.29db
24% Popularity • 57% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 57% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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McAlister Kemp
I Got You
118 bpm • E Maj • 03:51 • -4.73db
15% Popularity • 55% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
15% Popularity • 55% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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John Williamson
Goondiwindi Pork
119 bpm • C Maj • 03:26 • -15db
41% Popularity • 71% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
41% Popularity • 71% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Kip Moore
Good Thing
119 bpm • E Maj • 02:50 • -5.42db
34% Popularity • 81% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
34% Popularity • 81% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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Melanie Dyer
Run Out Of Road
126 bpm • D Maj • 02:48 • -3.87db
22% Popularity • 63% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 63% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
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The Wolfe Brothers
Red Dress
119 bpm • B Maj • 05:07 • -6.11db
13% Popularity • 66% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 66% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
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Hurricane Fall
Wheels Up
126 bpm • E Maj • 03:47 • -2.99db
19% Popularity • 66% Danceability • 92% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 66% Danceability • 92% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Coffey Anderson
I Wanna Be Your Cowboy
126 bpm • D Maj • 02:51 • -4.92db
27% Popularity • 55% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
27% Popularity • 55% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
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Caitlyn Shadbolt
Maps out the Window
126 bpm • C min • 03:05 • -3.48db
10% Popularity • 59% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 53% Positiveness
10% Popularity • 59% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 53% Positiveness
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Casey Barnes
Heartbreaker
118 bpm • B Maj • 02:54 • -3.38db
25% Popularity • 63% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
25% Popularity • 63% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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The Viper Creek Band
Kickin' Up Dust
118 bpm • A min • 04:10 • -4.61db
19% Popularity • 65% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
19% Popularity • 65% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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The Wolfe Brothers
Wake Up
125 bpm • C# Maj • 03:44 • -3.71db
15% Popularity • 59% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 59% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Kaylee Bell
Boots 'N All
118 bpm • D Maj • 02:45 • -4.43db
47% Popularity • 65% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
47% Popularity • 65% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
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James Barker Band
It's Working
118 bpm • G Maj • 03:13 • -5db
40% Popularity • 67% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
40% Popularity • 67% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Deric Ruttan
Up All Night
127 bpm • E Maj • 03:39 • -4db
23% Popularity • 52% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
23% Popularity • 52% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Casey Barnes
Light It Up
127 bpm • C# Maj • 02:50 • -3.36db
33% Popularity • 65% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
33% Popularity • 65% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Lee Kernaghan
Backroad Nation
127 bpm • F# Maj • 03:43 • -5.83db
39% Popularity • 68% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
39% Popularity • 68% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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The Wolfe Brothers
Nothing Better To Me
118 bpm • C Maj • 03:17 • -2.81db
26% Popularity • 66% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
26% Popularity • 66% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Kaylee Bell
That Summer
118 bpm • C Maj • 03:04 • -5.31db
40% Popularity • 60% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
40% Popularity • 60% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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The Viper Creek Band
Rockstars
127 bpm • D Maj • 03:17 • -6db
21% Popularity • 62% Danceability • 81% Energy • 12% Liveness
3% Instrumentalness • 22% Positiveness
21% Popularity • 62% Danceability • 81% Energy • 12% Liveness
3% Instrumentalness • 22% Positiveness
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Adam Eckersley Band
Wheels
117 bpm • B Maj • 04:03 • -4.34db
11% Popularity • 36% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 36% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Deep Creek Road
What If I Was Willing
117 bpm • E Maj • 03:30 • -5.58db
30% Popularity • 56% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 56% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Tom Curtain
Never Never Land
128 bpm • C# Maj • 02:48 • -7db
31% Popularity • 60% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 60% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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The Wolfe Brothers
Kids On Cassette
127 bpm • G# Maj • 03:29 • -5.72db
23% Popularity • 58% Danceability • 87% Energy • 35% Liveness
1% Instrumentalness • 57% Positiveness
23% Popularity • 58% Danceability • 87% Energy • 35% Liveness
1% Instrumentalness • 57% Positiveness
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James Johnston
GROWING UP
128 bpm • C# Maj • 03:41 • -5.03db
37% Popularity • 65% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
37% Popularity • 65% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Travis Sinclair
Carry the Country
128 bpm • A Maj • 03:06 • -7db
30% Popularity • 72% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 72% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
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Jasmine Rae
I Faked It
128 bpm • A# Maj • 03:04 • -1.63db
22% Popularity • 66% Danceability • 91% Energy • 26% Liveness
0% Instrumentalness • 77% Positiveness
22% Popularity • 66% Danceability • 91% Energy • 26% Liveness
0% Instrumentalness • 77% Positiveness
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Hurricane Fall
Lost
128 bpm • A min • 02:43 • -4.22db
20% Popularity • 55% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 55% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
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Morgan Evans
Live Each Day - Country
128 bpm • A Maj • 04:03 • -4.24db
3% Popularity • 57% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
3% Popularity • 57% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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The Wolfe Brothers
That Kinda Night
127 bpm • A# Maj • 03:02 • -6db
39% Popularity • 57% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
39% Popularity • 57% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Andrew Swift
Young Lovers
128 bpm • A Maj • 03:39 • -4.7db
10% Popularity • 61% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
10% Popularity • 61% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
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The Viper Creek Band
My Hometown
128 bpm • D Maj • 03:47 • -4db
32% Popularity • 57% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
32% Popularity • 57% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Hinterland
Giddy Up
128 bpm • A Maj • 03:30 • -3.1db
18% Popularity • 58% Danceability • 81% Energy • 48% Liveness
0% Instrumentalness • 76% Positiveness
18% Popularity • 58% Danceability • 81% Energy • 48% Liveness
0% Instrumentalness • 76% Positiveness
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Dan Davidson
Barn Burner
116 bpm • A Maj • 03:13 • -4db
30% Popularity • 63% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
30% Popularity • 63% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Max Jackson
Runnin'
116 bpm • A Maj • 03:06 • -2.98db
25% Popularity • 61% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
25% Popularity • 61% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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Christie Lamb
Loaded
116 bpm • D min • 03:26 • -5.06db
10% Popularity • 63% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
10% Popularity • 63% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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The Wolfe Brothers
You Got to Me
116 bpm • C# Maj • 03:33 • -5.56db
19% Popularity • 57% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
19% Popularity • 57% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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The Road Hammers
Crazy About You
116 bpm • A# min • 03:40 • -6db
23% Popularity • 54% Danceability • 95% Energy • 12% Liveness
6% Instrumentalness • 53% Positiveness
23% Popularity • 54% Danceability • 95% Energy • 12% Liveness
6% Instrumentalness • 53% Positiveness
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Trace Adkins
Gonna Make You Miss Me
129 bpm • F# Maj • 03:42 • -4.81db
17% Popularity • 52% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
17% Popularity • 52% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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The Viper Creek Band
Good To Be Us
115 bpm • G Maj • 03:22 • -3.28db
18% Popularity • 56% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
18% Popularity • 56% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Kip Moore
Burn The Whole World Down
115 bpm • A Maj • 04:03 • -7.18db
36% Popularity • 61% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
36% Popularity • 61% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Christie Lamb
Three Chords and a Woman's Truth
129 bpm • F# Maj • 03:30 • -3.44db
10% Popularity • 69% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
10% Popularity • 69% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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The Wolfe Brothers
Ain't Seen It Yet
129 bpm • F# Maj • 03:53 • -7db
32% Popularity • 59% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 59% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Darlinghurst
Bad Things
115 bpm • B Maj • 03:42 • -5.69db
16% Popularity • 59% Danceability • 80% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 59% Danceability • 80% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
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Hayley Marsten
Money Can't Buy Class
130 bpm • C Maj • 04:01 • -5.72db
19% Popularity • 63% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 63% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Andrew Swift
The Good Old Days
130 bpm • F Maj • 03:47 • -4db
14% Popularity • 52% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
14% Popularity • 52% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Kip Moore
Motorcycle
115 bpm • G Maj • 04:14 • -7.1db
31% Popularity • 68% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
31% Popularity • 68% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Christie Lamb
Bad Habit
130 bpm • G Maj • 03:05 • -4.37db
15% Popularity • 64% Danceability • 80% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 64% Danceability • 80% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
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Deep Creek Road
I Wanna See Ur Crazy
130 bpm • G Maj • 03:01 • -5.62db
26% Popularity • 67% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
26% Popularity • 67% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Darlinghurst
So Long So Long
130 bpm • E Maj • 03:00 • -2.43db
28% Popularity • 66% Danceability • 96% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 66% Danceability • 96% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
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Travis Sinclair
Wheels Are Smokin'
130 bpm • E min • 03:46 • -7.48db
21% Popularity • 63% Danceability • 62% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
21% Popularity • 63% Danceability • 62% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
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Kaylee Bell
Just A Little Crazy
114 bpm • A Maj • 03:22 • -3.6db
37% Popularity • 59% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
37% Popularity • 59% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Kip Moore
Midnight Slow Dance
130 bpm • B min • 03:13 • -5.46db
37% Popularity • 63% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
37% Popularity • 63% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
