Songs like Something Really Mean by Nicki Bluhm
Based on a tempo of (+/- 10%) and a similar genre
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Anna Ash
Sister Golden Hair
119 bpm • F# Maj • 03:30 • -9.86db
29% Popularity • 69% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
29% Popularity • 69% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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The Waybacks
Tequila Sunrise > Working in a Coal Mine
119 bpm • G Maj • 06:01 • -17.69db
0% Popularity • 71% Danceability • 36% Energy • 74% Liveness
0% Instrumentalness • 82% Positiveness
0% Popularity • 71% Danceability • 36% Energy • 74% Liveness
0% Instrumentalness • 82% Positiveness
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Birds of Chicago
Dim Star of the Palisades
119 bpm • E Maj • 02:58 • -9.51db
20% Popularity • 78% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 78% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Nicki Bluhm
Something Really Mean
119 bpm • G# Maj • 02:00 • -9.81db
3% Popularity • 54% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
3% Popularity • 54% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Molly Tuttle
You Didn't Call My Name
119 bpm • D Maj • 04:25 • -13.71db
16% Popularity • 42% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 42% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Travis Book
It’s Ok Not to be Ok (Live)
118 bpm • D Maj • 03:26 • -9.99db
0% Popularity • 70% Danceability • 58% Energy • 67% Liveness
0% Instrumentalness • 63% Positiveness
0% Popularity • 70% Danceability • 58% Energy • 67% Liveness
0% Instrumentalness • 63% Positiveness
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Andrew Duhon
Feelin' Low Down
118 bpm • G# Maj • 03:12 • -5db
25% Popularity • 81% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
25% Popularity • 81% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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The Waybacks
Purple Rain
119 bpm • A# Maj • 06:30 • -11.02db
0% Popularity • 35% Danceability • 57% Energy • 94% Liveness
3% Instrumentalness • 46% Positiveness
0% Popularity • 35% Danceability • 57% Energy • 94% Liveness
3% Instrumentalness • 46% Positiveness
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Caitlin Canty
Leaping Out
118 bpm • B Maj • 03:55 • -13.13db
23% Popularity • 62% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
23% Popularity • 62% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Nicki Bluhm
Baby Don't Go
120 bpm • C Maj • 03:38 • -12.39db
3% Popularity • 66% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
3% Popularity • 66% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Yarn
Angel In Woodstock
120 bpm • D Maj • 04:01 • -11.98db
11% Popularity • 75% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 75% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Ray LaMontagne
Blue Canadian Rockies - Recorded at Soun...
118 bpm • D# Maj • 02:16 • -11.09db
34% Popularity • 68% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
34% Popularity • 68% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Andrew Duhon
Easy Ways
120 bpm • G Maj • 04:19 • -6.54db
17% Popularity • 48% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 48% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Molly Tuttle
Helpless
118 bpm • D Maj • 04:25 • -6.03db
40% Popularity • 50% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
40% Popularity • 50% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Wynonna
Ramble On Rose
120 bpm • B Maj • 05:37 • -6.43db
13% Popularity • 72% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 72% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Hiss Golden Messenger
Jenny of the Roses
120 bpm • G# Maj • 03:38 • -6db
37% Popularity • 72% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
37% Popularity • 72% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Lilly Hiatt
You Must Go
118 bpm • C Maj • 05:02 • -8.91db
15% Popularity • 58% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 58% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Bruce Cockburn
Last Night Of The World
120 bpm • C Maj • 04:51 • -10db
34% Popularity • 72% Danceability • 58% Energy • 10% Liveness
12% Instrumentalness • 18% Positiveness
34% Popularity • 72% Danceability • 58% Energy • 10% Liveness
12% Instrumentalness • 18% Positiveness
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Scot Sax
Off the Mat
120 bpm • F min • 02:38 • -9.34db
0% Popularity • 81% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 81% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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The Waybacks
Desperado
118 bpm • B Maj • 04:43 • -18.51db
0% Popularity • 45% Danceability • 14% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
0% Popularity • 45% Danceability • 14% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Dave Rawlings Machine
Ruby
120 bpm • A Maj • 04:54 • -10db
23% Popularity • 47% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
23% Popularity • 47% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Leon Majcen
Love and Misery
120 bpm • D min • 04:10 • -6.78db
29% Popularity • 69% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 69% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Nicki Bluhm
Big Road
120 bpm • F Maj • 03:22 • -5.72db
2% Popularity • 56% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 97% Positiveness
2% Popularity • 56% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 97% Positiveness
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Della Mae
Bourbon Hound
121 bpm • E Maj • 03:11 • -7.43db
27% Popularity • 70% Danceability • 65% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 70% Danceability • 65% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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Amanda Shires
Pale Fire
117 bpm • C Maj • 03:16 • -14.51db
28% Popularity • 54% Danceability • 20% Energy • 12% Liveness
5% Instrumentalness • 11% Positiveness
28% Popularity • 54% Danceability • 20% Energy • 12% Liveness
5% Instrumentalness • 11% Positiveness
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The Mastersons
Perfect
121 bpm • C Maj • 04:03 • -6.03db
8% Popularity • 53% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
8% Popularity • 53% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Caroline Spence
Hotel Amarillo
121 bpm • C Maj • 04:00 • -7.09db
31% Popularity • 65% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
31% Popularity • 65% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Justin Townes Earle
Talking To Myself
121 bpm • F Maj • 02:54 • -8.84db
34% Popularity • 63% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
34% Popularity • 63% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Nicki Bluhm
It's Ok Not to be Ok
117 bpm • A Maj • 03:32 • -7.43db
4% Popularity • 58% Danceability • 70% Energy • 35% Liveness
0% Instrumentalness • 62% Positiveness
4% Popularity • 58% Danceability • 70% Energy • 35% Liveness
0% Instrumentalness • 62% Positiveness
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Amanda Anne Platt & the Honeycutters
The Good Guys (Dick Tracy)
117 bpm • A min • 04:37 • -7.48db
9% Popularity • 70% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 70% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Blackie & The Rodeo Kings
Beautiful Scars
117 bpm • G Maj • 04:55 • -7.97db
14% Popularity • 58% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 58% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Molly Tuttle
She's A Rainbow
117 bpm • E Maj • 03:49 • -11.85db
30% Popularity • 45% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 45% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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David Gray
Money (That's What I Want)
121 bpm • F Maj • 03:54 • -6db
42% Popularity • 66% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
42% Popularity • 66% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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The Derek Trucks Band
Back Where I Started
117 bpm • C Maj • 04:20 • -9.63db
37% Popularity • 62% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 62% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Jimmy LaFave
Let My Love Open the Door
122 bpm • A# Maj • 04:46 • -9.12db
19% Popularity • 40% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 40% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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The Gourds
Everybody's Missing the Sun
122 bpm • G Maj • 02:59 • -9.4db
30% Popularity • 68% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
30% Popularity • 68% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
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Caroline Spence
Song About A City
122 bpm • A min • 03:22 • -7.23db
17% Popularity • 57% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
17% Popularity • 57% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Midnight North
Greene County
122 bpm • C Maj • 04:38 • -11.63db
8% Popularity • 63% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 63% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Nicki Bluhm
Mountain out of Nothing
122 bpm • C# Maj • 03:11 • -6.16db
3% Popularity • 56% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
3% Popularity • 56% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Max Gomez
Run from You
116 bpm • C Maj • 03:59 • -7.52db
17% Popularity • 59% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 59% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Twisted Pine
Bound to Do It Right (The Jersey City So...
116 bpm • B Maj • 04:20 • -7.67db
12% Popularity • 77% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 77% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Pharis & Jason Romero
Stitch In Time
116 bpm • G# Maj • 03:51 • -8.21db
9% Popularity • 70% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 70% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Molly Tuttle
Stop Draggin' My Heart Around
116 bpm • D min • 03:56 • -13.78db
32% Popularity • 72% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 72% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Tedeschi Trucks Band
It's So Heavy
122 bpm • G Maj • 04:35 • -9.35db
12% Popularity • 54% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 54% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Nicki Bluhm
Things I've Done
122 bpm • F Maj • 03:21 • -6.33db
2% Popularity • 55% Danceability • 78% Energy • 45% Liveness
0% Instrumentalness • 69% Positiveness
2% Popularity • 55% Danceability • 78% Energy • 45% Liveness
0% Instrumentalness • 69% Positiveness
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Viv & Riley
Time is Everything
116 bpm • B Maj • 03:05 • -9.3db
20% Popularity • 57% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 57% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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Pieta Brown
Station Blues
116 bpm • D Maj • 03:14 • -10db
33% Popularity • 57% Danceability • 67% Energy • 15% Liveness
1% Instrumentalness • 32% Positiveness
33% Popularity • 57% Danceability • 67% Energy • 15% Liveness
1% Instrumentalness • 32% Positiveness
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Eliza Gilkyson
Beauty Way
116 bpm • E Maj • 03:02 • -11db
29% Popularity • 77% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
29% Popularity • 77% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Lake Street Dive
Close to Me
116 bpm • G Maj • 04:17 • -7.98db
30% Popularity • 58% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 58% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 37% Positiveness
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Buffalo Clover
The Ruse
116 bpm • C Maj • 03:10 • -4.12db
31% Popularity • 79% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
31% Popularity • 79% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Nicki Bluhm
It Never Rains In Southern California
116 bpm • D Maj • 04:24 • -11.9db
2% Popularity • 72% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 94% Positiveness
2% Popularity • 72% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 94% Positiveness
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Jeffrey Foucault
Lodi
122 bpm • F# Maj • 02:53 • -14db
50% Popularity • 55% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
50% Popularity • 55% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Justin Townes Earle
Mornings In Memphis
116 bpm • C Maj • 04:31 • -10.56db
43% Popularity • 64% Danceability • 34% Energy • 9% Liveness
8% Instrumentalness • 42% Positiveness
43% Popularity • 64% Danceability • 34% Energy • 9% Liveness
8% Instrumentalness • 42% Positiveness
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Amy Helm
The Stones I Throw
115 bpm • D Maj • 02:10 • -4.77db
12% Popularity • 69% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
12% Popularity • 69% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
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Birds of Chicago
Remember Wild Horses
123 bpm • C Maj • 04:46 • -9.62db
17% Popularity • 62% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 62% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Lukas Nelson and Promise of the Real
Set Me Down On A Cloud
123 bpm • F# Maj • 07:16 • -6.03db
35% Popularity • 48% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
35% Popularity • 48% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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Nicki Bluhm
You Stopped Loving Me
123 bpm • E min • 04:39 • -10.11db
3% Popularity • 48% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
3% Popularity • 48% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Yarn
Fallin'
115 bpm • C Maj • 04:17 • -11.37db
15% Popularity • 47% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 47% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Tedeschi Trucks Band
The Ending
123 bpm • C# Maj • 05:02 • -14.31db
19% Popularity • 56% Danceability • 9% Energy • 38% Liveness
0% Instrumentalness • 18% Positiveness
19% Popularity • 56% Danceability • 9% Energy • 38% Liveness
0% Instrumentalness • 18% Positiveness
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Kamara Thomas & the Ghost Gamblers
You Wreck Me
115 bpm • G Maj • 04:53 • -5.65db
18% Popularity • 47% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
18% Popularity • 47% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Darden Smith
Love Will Win the War
115 bpm • G Maj • 03:54 • -7.58db
19% Popularity • 66% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
19% Popularity • 66% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Twisted Pine
Well, You Can Do It Without Me
115 bpm • B Maj • 04:01 • -10.59db
18% Popularity • 88% Danceability • 35% Energy • 10% Liveness
4% Instrumentalness • 32% Positiveness
18% Popularity • 88% Danceability • 35% Energy • 10% Liveness
4% Instrumentalness • 32% Positiveness
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Nicki Bluhm
Learn To Love Myself
115 bpm • F# min • 03:22 • -8.21db
3% Popularity • 65% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
3% Popularity • 65% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Shannon McNally
It Makes No Difference
123 bpm • C Maj • 05:27 • -10db
17% Popularity • 62% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
17% Popularity • 62% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Julian Taylor
Love Enough
123 bpm • C# min • 03:30 • -7.81db
15% Popularity • 57% Danceability • 72% Energy • 23% Liveness
4% Instrumentalness • 56% Positiveness
15% Popularity • 57% Danceability • 72% Energy • 23% Liveness
4% Instrumentalness • 56% Positiveness
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Catherine MacLellan
Take A Break
124 bpm • E Maj • 02:46 • -10.49db
16% Popularity • 68% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 68% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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David Myles
When It Comes My Turn
114 bpm • F Maj • 03:31 • -11db
32% Popularity • 64% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
32% Popularity • 64% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Reina del Cid
When You Were Mine
124 bpm • C Maj • 04:10 • -14.24db
12% Popularity • 79% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 79% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Nicki Bluhm
Love To Spare
115 bpm • C Maj • 03:01 • -9.45db
14% Popularity • 65% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
14% Popularity • 65% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Dori Freeman
That's How I Feel
114 bpm • C# Maj • 02:43 • -7.33db
26% Popularity • 76% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
26% Popularity • 76% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Anderson East
Quit You
114 bpm • C Maj • 02:49 • -5.56db
33% Popularity • 71% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
33% Popularity • 71% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
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Margo Price
Later On
114 bpm • A Maj • 04:50 • -8.3db
6% Popularity • 65% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
6% Popularity • 65% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Kat Wright
Everybody's Talkin'
114 bpm • G Maj • 04:13 • -12.25db
9% Popularity • 56% Danceability • 17% Energy • 23% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 56% Danceability • 17% Energy • 23% Liveness
0% Instrumentalness • 35% Positiveness
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Shannon McNally
I Went to the Well
114 bpm • E min • 04:10 • -11db
16% Popularity • 74% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 74% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Nicki Bluhm
Wall of Early Morning Light
123 bpm • B min • 03:54 • -10.07db
2% Popularity • 36% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
2% Popularity • 36% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Erik Koskinen
First Time in Years
125 bpm • C Maj • 03:52 • -8db
16% Popularity • 64% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 64% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Front Country
If Something Breaks
125 bpm • A# Maj • 04:56 • -8.4db
26% Popularity • 78% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 78% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Jeffrey Foucault
Don't Look for Me
113 bpm • A# Maj • 03:05 • -15.85db
39% Popularity • 49% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
39% Popularity • 49% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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The Waybacks
Getaway > One of These Nights
113 bpm • A min • 08:52 • -15.51db
0% Popularity • 56% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
0% Popularity • 56% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Amanda Shires
When You Need a Train It Never Comes
113 bpm • G min • 04:14 • -10db
25% Popularity • 68% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 53% Positiveness
25% Popularity • 68% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 53% Positiveness
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Nicki Bluhm
Friends (How To Do It)
124 bpm • D Maj • 03:34 • -7.81db
9% Popularity • 65% Danceability • 67% Energy • 66% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 65% Danceability • 67% Energy • 66% Liveness
0% Instrumentalness • 70% Positiveness
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Caitlin Canty
Time Rolls By
113 bpm • A# Maj • 03:35 • -12.71db
26% Popularity • 48% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 48% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Cris Jacobs Band
Be My Stars
113 bpm • D Maj • 04:50 • -8.01db
8% Popularity • 44% Danceability • 52% Energy • 15% Liveness
2% Instrumentalness • 31% Positiveness
8% Popularity • 44% Danceability • 52% Energy • 15% Liveness
2% Instrumentalness • 31% Positiveness
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Alison Brown
Carolina in the Pines
113 bpm • D Maj • 04:57 • -10.06db
28% Popularity • 62% Danceability • 60% Energy • 15% Liveness
8% Instrumentalness • 52% Positiveness
28% Popularity • 62% Danceability • 60% Energy • 15% Liveness
8% Instrumentalness • 52% Positiveness
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Andrew Duhon
Tandem Bike
113 bpm • B Maj • 04:18 • -5.83db
22% Popularity • 58% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
22% Popularity • 58% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Yarn
Undone
125 bpm • G Maj • 03:27 • -8.75db
29% Popularity • 72% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 72% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Nicki Bluhm
Kill You to Call
114 bpm • G Maj • 05:50 • -7.17db
7% Popularity • 59% Danceability • 46% Energy • 42% Liveness
0% Instrumentalness • 36% Positiveness
7% Popularity • 59% Danceability • 46% Energy • 42% Liveness
0% Instrumentalness • 36% Positiveness
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Paul Thorn
Love Train
113 bpm • G Maj • 06:04 • -6.47db
20% Popularity • 51% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
20% Popularity • 51% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Yola
What You Do
126 bpm • G Maj • 03:16 • -4.52db
24% Popularity • 55% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 55% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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The Mastersons
Closer to You
112 bpm • D Maj • 03:48 • -5.23db
23% Popularity • 71% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 71% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Amanda Shires
Shake the Walls
126 bpm • A Maj • 03:20 • -9.69db
15% Popularity • 75% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 75% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Caroline Spence
Long Haul
126 bpm • D Maj • 04:01 • -6db
25% Popularity • 62% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
25% Popularity • 62% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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Nicki Bluhm
Keep It Loose
114 bpm • A Maj • 04:07 • -8.41db
5% Popularity • 71% Danceability • 57% Energy • 17% Liveness
8% Instrumentalness • 83% Positiveness
5% Popularity • 71% Danceability • 57% Energy • 17% Liveness
8% Instrumentalness • 83% Positiveness
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Trigger Hippy
Heartache On The Line
112 bpm • A Maj • 05:48 • -4.83db
21% Popularity • 36% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
21% Popularity • 36% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Maggie Koerner
He Calls Me Mama
126 bpm • A# Maj • 03:19 • -7.69db
21% Popularity • 46% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
21% Popularity • 46% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Justin Townes Earle
15-25
126 bpm • C Maj • 04:02 • -7.19db
31% Popularity • 54% Danceability • 83% Energy • 11% Liveness
1% Instrumentalness • 61% Positiveness
31% Popularity • 54% Danceability • 83% Energy • 11% Liveness
1% Instrumentalness • 61% Positiveness
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Ray Bonneville
Cool Cool Rain
112 bpm • D Maj • 03:46 • -13db
26% Popularity • 66% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 52% Positiveness
26% Popularity • 66% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 52% Positiveness
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Watchhouse
Into the Sun
112 bpm • C Maj • 03:52 • -13.46db
35% Popularity • 62% Danceability • 25% Energy • 12% Liveness
22% Instrumentalness • 26% Positiveness
35% Popularity • 62% Danceability • 25% Energy • 12% Liveness
22% Instrumentalness • 26% Positiveness
