Songs like Something To Live For - Live by Lena Horne
Based on a tempo of (+/- 10%) and a similar genre
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Roberta Gambarini
You Are There
73 bpm • C Maj • 02:48 • -17.59db
28% Popularity • 40% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
28% Popularity • 40% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Artie Shaw
Love Me a Little Little - 1990 Remastere...
73 bpm • A# Maj • 03:05 • -11.76db
1% Popularity • 60% Danceability • 16% Energy • 15% Liveness
15% Instrumentalness • 64% Positiveness
1% Popularity • 60% Danceability • 16% Energy • 15% Liveness
15% Instrumentalness • 64% Positiveness
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Vaughn Monroe
Racing with the Moon
73 bpm • A# Maj • 03:16 • -12db
17% Popularity • 25% Danceability • 14% Energy • 38% Liveness
62% Instrumentalness • 25% Positiveness
17% Popularity • 25% Danceability • 14% Energy • 38% Liveness
62% Instrumentalness • 25% Positiveness
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Ray Anthony
Dream Dancing
72 bpm • A# min • 02:57 • -19.46db
17% Popularity • 27% Danceability • 11% Energy • 9% Liveness
94% Instrumentalness • 14% Positiveness
17% Popularity • 27% Danceability • 11% Energy • 9% Liveness
94% Instrumentalness • 14% Positiveness
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Buddy Greco
I Love Being Here With You
74 bpm • G min • 03:35 • -10.7db
17% Popularity • 54% Danceability • 55% Energy • 35% Liveness
0% Instrumentalness • 75% Positiveness
17% Popularity • 54% Danceability • 55% Energy • 35% Liveness
0% Instrumentalness • 75% Positiveness
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Glenn Miller Orchestra
At Last
72 bpm • F# min • 03:05 • -20.58db
32% Popularity • 17% Danceability • 8% Energy • 37% Liveness
87% Instrumentalness • 19% Positiveness
32% Popularity • 17% Danceability • 8% Energy • 37% Liveness
87% Instrumentalness • 19% Positiveness
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Lena Horne
Why Was I Born
72 bpm • G# Maj • 01:57 • -8.61db
1% Popularity • 14% Danceability • 44% Energy • 21% Liveness
3% Instrumentalness • 12% Positiveness
1% Popularity • 14% Danceability • 44% Energy • 21% Liveness
3% Instrumentalness • 12% Positiveness
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Abbey Lincoln
Do Nothing 'Til You Hear From Me
74 bpm • G Maj • 02:16 • -10db
40% Popularity • 42% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 42% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Vaughn Monroe
There, I've Said It Again
72 bpm • G# Maj • 03:09 • -12.92db
32% Popularity • 38% Danceability • 18% Energy • 12% Liveness
1% Instrumentalness • 22% Positiveness
32% Popularity • 38% Danceability • 18% Energy • 12% Liveness
1% Instrumentalness • 22% Positiveness
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Dave Brubeck Trio
Alice In Wonderland
72 bpm • G min • 05:58 • -13.87db
32% Popularity • 46% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
32% Popularity • 46% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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June Christy
Something Cool - Mono
72 bpm • A# min • 04:18 • -9.92db
46% Popularity • 32% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
46% Popularity • 32% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Ray Anthony
I Don't Know Why (I Just Do)
74 bpm • D# Maj • 02:48 • -14.25db
15% Popularity • 41% Danceability • 19% Energy • 15% Liveness
88% Instrumentalness • 27% Positiveness
15% Popularity • 41% Danceability • 19% Energy • 15% Liveness
88% Instrumentalness • 27% Positiveness
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Lena Horne
Summertime
74 bpm • F min • 02:54 • -8.55db
7% Popularity • 26% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
7% Popularity • 26% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Dinah Shore
My Funny Valentine
71 bpm • G min • 03:33 • -15.22db
22% Popularity • 34% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
22% Popularity • 34% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Glenn Miller Orchestra
Knit One, Purl Two
71 bpm • D Maj • 02:39 • -11.77db
18% Popularity • 44% Danceability • 12% Energy • 22% Liveness
6% Instrumentalness • 28% Positiveness
18% Popularity • 44% Danceability • 12% Energy • 22% Liveness
6% Instrumentalness • 28% Positiveness
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Irene Kral
I'd Know You Anywhere
75 bpm • G Maj • 02:11 • -6.41db
40% Popularity • 50% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
40% Popularity • 50% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Jaimee Paul
You Belong To Me
71 bpm • F Maj • 04:15 • -12.71db
10% Popularity • 34% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 34% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Ray Anthony
Laura
75 bpm • G Maj • 02:52 • -15.49db
18% Popularity • 19% Danceability • 24% Energy • 38% Liveness
93% Instrumentalness • 11% Positiveness
18% Popularity • 19% Danceability • 24% Energy • 38% Liveness
93% Instrumentalness • 11% Positiveness
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Members Of The Glenn Miller Orchestra
Serenade In Blue
75 bpm • G# Maj • 02:09 • -18db
35% Popularity • 33% Danceability • 10% Energy • 7% Liveness
44% Instrumentalness • 37% Positiveness
35% Popularity • 33% Danceability • 10% Energy • 7% Liveness
44% Instrumentalness • 37% Positiveness
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Lena Horne
More Than You Know
72 bpm • F min • 03:07 • -12.58db
7% Popularity • 37% Danceability • 6% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
7% Popularity • 37% Danceability • 6% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
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The Mills Brothers
Till Then - 1958 version
71 bpm • D# Maj • 02:58 • -20.7db
33% Popularity • 47% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
33% Popularity • 47% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Abbey Lincoln
The Masquerade Is Over
71 bpm • G# Maj • 03:24 • -15.27db
37% Popularity • 41% Danceability • 10% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
37% Popularity • 41% Danceability • 10% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
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Helen O'Connell
Boulevard of Broken Dreams
71 bpm • A min • 02:19 • -17.61db
20% Popularity • 57% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
20% Popularity • 57% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Catherine Russell
Blue And Sentimental
71 bpm • F Maj • 03:07 • -11.39db
52% Popularity • 72% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
52% Popularity • 72% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Martha Tilton
A Stranger In Town
75 bpm • G# Maj • 03:11 • -13.64db
13% Popularity • 35% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
13% Popularity • 35% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Lena Horne
How Long Has This Been Going On?
75 bpm • A min • 03:23 • -14db
35% Popularity • 47% Danceability • 10% Energy • 16% Liveness
1% Instrumentalness • 37% Positiveness
35% Popularity • 47% Danceability • 10% Energy • 16% Liveness
1% Instrumentalness • 37% Positiveness
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Lee Wiley
You Do Something to Me
71 bpm • C Maj • 03:05 • -19.62db
21% Popularity • 21% Danceability • 4% Energy • 15% Liveness
80% Instrumentalness • 14% Positiveness
21% Popularity • 21% Danceability • 4% Energy • 15% Liveness
80% Instrumentalness • 14% Positiveness
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Mark Murphy
I Got Rhythm
76 bpm • A min • 02:24 • -15.59db
27% Popularity • 45% Danceability • 22% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 45% Danceability • 22% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
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Karrin Allyson
How Long Has This Been Going On?
76 bpm • A# min • 05:39 • -21.29db
43% Popularity • 37% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
43% Popularity • 37% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Ray Anthony
Moonlight In Vermont
76 bpm • D min • 02:32 • -17.04db
17% Popularity • 31% Danceability • 9% Energy • 13% Liveness
86% Instrumentalness • 16% Positiveness
17% Popularity • 31% Danceability • 9% Energy • 13% Liveness
86% Instrumentalness • 16% Positiveness
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The Delta Rhythm Boys
Take the "a" Train
76 bpm • C Maj • 03:06 • -7.42db
19% Popularity • 68% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
19% Popularity • 68% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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Hoagy Carmichael
Skylark
70 bpm • C# Maj • 04:03 • -19.53db
28% Popularity • 58% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
28% Popularity • 58% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Teresa Brewer
When It's Sleepy Time Down South
76 bpm • B min • 02:47 • -15.45db
9% Popularity • 40% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 40% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Dorothy Dandridge
What Is There To Say?
70 bpm • D# Maj • 03:12 • -17.66db
27% Popularity • 50% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
27% Popularity • 50% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Anita O'Day
You're The Top
76 bpm • F# min • 02:25 • -13db
41% Popularity • 76% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
41% Popularity • 76% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Ray Anthony
I'll Never Smile Again
76 bpm • E min • 02:54 • -18.32db
14% Popularity • 24% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
14% Popularity • 24% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
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Martha Tilton
These Foolish Things (Remind Me Of You)
70 bpm • G# Maj • 03:14 • -17.65db
23% Popularity • 42% Danceability • 4% Energy • 15% Liveness
10% Instrumentalness • 28% Positiveness
23% Popularity • 42% Danceability • 4% Energy • 15% Liveness
10% Instrumentalness • 28% Positiveness
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Hoagy Carmichael
Georgia On My Mind
76 bpm • C min • 03:58 • -16.29db
25% Popularity • 59% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
25% Popularity • 59% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
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Lee Wiley
A Ghost of a Chance
76 bpm • F Maj • 03:16 • -23.2db
22% Popularity • 45% Danceability • 4% Energy • 11% Liveness
2% Instrumentalness • 18% Positiveness
22% Popularity • 45% Danceability • 4% Energy • 11% Liveness
2% Instrumentalness • 18% Positiveness
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Lavay Smith & Her Red Hot Skillet Lickers
Downhearted Blues
76 bpm • G min • 05:23 • -11.68db
19% Popularity • 47% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
19% Popularity • 47% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Karrin Allyson
Everytime We Say Goodbye
76 bpm • C# Maj • 06:01 • -11.57db
45% Popularity • 39% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
45% Popularity • 39% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Buddy Greco
My Kind Of Girl
70 bpm • F Maj • 02:40 • -12.67db
43% Popularity • 65% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
43% Popularity • 65% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Jimmy Dorsey
Contrasts
76 bpm • G# Maj • 01:29 • -12.83db
29% Popularity • 48% Danceability • 28% Energy • 55% Liveness
92% Instrumentalness • 62% Positiveness
29% Popularity • 48% Danceability • 28% Energy • 55% Liveness
92% Instrumentalness • 62% Positiveness
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Joe Williams
Is You Is Or Is You Ain't My Baby
76 bpm • A# min • 06:12 • -18.49db
6% Popularity • 67% Danceability • 25% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
6% Popularity • 67% Danceability • 25% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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Alberta Hunter
The Darktown Strutters' Ball
77 bpm • D Maj • 05:20 • -11.31db
36% Popularity • 68% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
36% Popularity • 68% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Mel Tormé
Nice Work If You Can Get It (2012 - Rema...
76 bpm • C min • 03:08 • -10.45db
33% Popularity • 60% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 60% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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The Mills Brothers
Opus One
77 bpm • G Maj • 02:15 • -9.03db
29% Popularity • 72% Danceability • 53% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
29% Popularity • 72% Danceability • 53% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
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Martha Tilton
That's My Desire
77 bpm • G# Maj • 02:56 • -15.43db
34% Popularity • 34% Danceability • 5% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 34% Danceability • 5% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
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Dorothy Dandridge
It's A Beautiful Evening
77 bpm • G Maj • 02:40 • -12.13db
27% Popularity • 20% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 20% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Ray Anthony
I Only Have Eyes For You
77 bpm • G Maj • 03:08 • -15.2db
16% Popularity • 19% Danceability • 16% Energy • 11% Liveness
86% Instrumentalness • 12% Positiveness
16% Popularity • 19% Danceability • 16% Energy • 11% Liveness
86% Instrumentalness • 12% Positiveness
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Helen O'Connell
It's a Lonesome Old Town
69 bpm • C min • 01:55 • -18.5db
18% Popularity • 53% Danceability • 8% Energy • 9% Liveness
18% Instrumentalness • 30% Positiveness
18% Popularity • 53% Danceability • 8% Energy • 9% Liveness
18% Instrumentalness • 30% Positiveness
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Dianne Reeves
Gotta Be This Or That
69 bpm • F min • 03:13 • -13.97db
14% Popularity • 58% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 58% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Lena Horne
Stormy Weather
68 bpm • E min • 03:47 • -10.98db
11% Popularity • 36% Danceability • 30% Energy • 61% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 36% Danceability • 30% Energy • 61% Liveness
0% Instrumentalness • 28% Positiveness
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Martha Tilton
A Fine Romance
77 bpm • G# Maj • 02:44 • -13.4db
28% Popularity • 80% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
28% Popularity • 80% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Carmen McRae
My Foolish Heart
78 bpm • F# Maj • 03:09 • -12db
35% Popularity • 31% Danceability • 17% Energy • 60% Liveness
0% Instrumentalness • 22% Positiveness
35% Popularity • 31% Danceability • 17% Energy • 60% Liveness
0% Instrumentalness • 22% Positiveness
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Jane Monheit
The Man That Got Away
78 bpm • A# Maj • 05:29 • -12.33db
35% Popularity • 40% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
35% Popularity • 40% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Morgana King
For You, For Me, For Evermore
78 bpm • A# Maj • 03:07 • -18db
25% Popularity • 26% Danceability • 15% Energy • 36% Liveness
1% Instrumentalness • 21% Positiveness
25% Popularity • 26% Danceability • 15% Energy • 36% Liveness
1% Instrumentalness • 21% Positiveness
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Mabel Mercer
When Love Comes Your Way
79 bpm • G Maj • 03:13 • -15.59db
19% Popularity • 33% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
19% Popularity • 33% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Lena Horne
I Got It Bad (And That Ain't Good)
68 bpm • D min • 03:45 • -17.77db
1% Popularity • 40% Danceability • 6% Energy • 10% Liveness
57% Instrumentalness • 9% Positiveness
1% Popularity • 40% Danceability • 6% Energy • 10% Liveness
57% Instrumentalness • 9% Positiveness
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Danny Kaye
The Music Goes 'Round And 'Round - Remas...
79 bpm • F Maj • 01:43 • -9.47db
33% Popularity • 68% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 68% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
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Earl Hines
Fantastic, That's You
68 bpm • C Maj • 04:10 • -19db
44% Popularity • 47% Danceability • 14% Energy • 11% Liveness
21% Instrumentalness • 18% Positiveness
44% Popularity • 47% Danceability • 14% Energy • 11% Liveness
21% Instrumentalness • 18% Positiveness
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Dianne Reeves
Misty
79 bpm • A# Maj • 05:56 • -13.62db
38% Popularity • 35% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
38% Popularity • 35% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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The Mills Brothers
Nevertheless (I'm In Love With You) - 19...
79 bpm • C Maj • 02:47 • -21db
50% Popularity • 56% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
50% Popularity • 56% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Dorothy Dandridge
Stay With It
80 bpm • D Maj • 02:37 • -7db
17% Popularity • 63% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 63% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Cabin In The Sky feat. Lena Horne
Ain't It the Truth - Reprise Outtake; C...
80 bpm • D# Maj • 02:30 • -14.17db
3% Popularity • 55% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
3% Popularity • 55% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Susannah McCorkle
If I Only Had A Heart
67 bpm • F# Maj • 02:22 • -12.35db
16% Popularity • 56% Danceability • 13% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 56% Danceability • 13% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Lena Horne
I'm Confessin' (That I Love You)
67 bpm • C Maj • 03:30 • -19.76db
25% Popularity • 32% Danceability • 11% Energy • 11% Liveness
4% Instrumentalness • 14% Positiveness
25% Popularity • 32% Danceability • 11% Energy • 11% Liveness
4% Instrumentalness • 14% Positiveness
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Glenn Miller
In A Sentimental Mood
80 bpm • F min • 03:20 • -12db
37% Popularity • 32% Danceability • 28% Energy • 16% Liveness
90% Instrumentalness • 30% Positiveness
37% Popularity • 32% Danceability • 28% Energy • 16% Liveness
90% Instrumentalness • 30% Positiveness
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Martha Tilton
I'll Walk Alone
80 bpm • E min • 03:16 • -11.73db
18% Popularity • 37% Danceability • 13% Energy • 29% Liveness
0% Instrumentalness • 22% Positiveness
18% Popularity • 37% Danceability • 13% Energy • 29% Liveness
0% Instrumentalness • 22% Positiveness
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Irene Kral
Love Came On Stealthy Fingers
80 bpm • D min • 03:10 • -16.79db
32% Popularity • 45% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
32% Popularity • 45% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Helen O'Connell
Tangerine
80 bpm • A min • 02:29 • -15db
16% Popularity • 47% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 47% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Susannah McCorkle
Goodbye Little Dream, Goodbye
80 bpm • D min • 03:09 • -20.67db
20% Popularity • 51% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
20% Popularity • 51% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Lena Horne
Where Or When
80 bpm • C# Maj • 03:01 • -15.51db
16% Popularity • 36% Danceability • 10% Energy • 28% Liveness
1% Instrumentalness • 23% Positiveness
16% Popularity • 36% Danceability • 10% Energy • 28% Liveness
1% Instrumentalness • 23% Positiveness
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Ethel Waters
Baby, What Else Can I Do?
80 bpm • F Maj • 02:57 • -15.73db
34% Popularity • 49% Danceability • 7% Energy • 24% Liveness
0% Instrumentalness • 33% Positiveness
34% Popularity • 49% Danceability • 7% Energy • 24% Liveness
0% Instrumentalness • 33% Positiveness
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Hoagy Carmichael
Georgia On My Mind - Instrumental
80 bpm • F min • 01:48 • -13db
31% Popularity • 47% Danceability • 31% Energy • 15% Liveness
19% Instrumentalness • 31% Positiveness
31% Popularity • 47% Danceability • 31% Energy • 15% Liveness
19% Instrumentalness • 31% Positiveness
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Paul Whiteman & His Orchestra
Serenade In Blue
81 bpm • E min • 03:22 • -12db
13% Popularity • 28% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 28% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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The Andrews Sisters
I Wanna B Loved - Remastered
81 bpm • G# Maj • 03:16 • -10.55db
4% Popularity • 36% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
4% Popularity • 36% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Jimmy Durante
A Way of Life
81 bpm • C Maj • 03:09 • -9db
23% Popularity • 26% Danceability • 26% Energy • 13% Liveness
1% Instrumentalness • 17% Positiveness
23% Popularity • 26% Danceability • 26% Energy • 13% Liveness
1% Instrumentalness • 17% Positiveness
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Lena Horne
Nobody Knows The Trouble I've Seen
66 bpm • D min • 03:04 • -12.57db
1% Popularity • 46% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
1% Popularity • 46% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
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Anita O'Day
Waiter, Make Mine Blues
81 bpm • G# Maj • 03:20 • -17db
39% Popularity • 56% Danceability • 11% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
39% Popularity • 56% Danceability • 11% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Lorez Alexandria
Dancing On The Ceiling
81 bpm • C Maj • 01:29 • -14.47db
44% Popularity • 61% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
44% Popularity • 61% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Mabel Mercer
Where Oh Where
81 bpm • F Maj • 02:11 • -14.44db
18% Popularity • 52% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 52% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Peggy Lee
You're Getting To Be A Habit With Me
81 bpm • A# Maj • 02:42 • -14.82db
39% Popularity • 62% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
39% Popularity • 62% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Benny Goodman Trio
More Than You Know
81 bpm • C min • 03:09 • -16db
22% Popularity • 68% Danceability • 18% Energy • 41% Liveness
81% Instrumentalness • 57% Positiveness
22% Popularity • 68% Danceability • 18% Energy • 41% Liveness
81% Instrumentalness • 57% Positiveness
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Susannah McCorkle
Why Try To Change Me Now?
65 bpm • G# Maj • 03:39 • -17.66db
15% Popularity • 61% Danceability • 9% Energy • 12% Liveness
1% Instrumentalness • 10% Positiveness
15% Popularity • 61% Danceability • 9% Energy • 12% Liveness
1% Instrumentalness • 10% Positiveness
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Cabin In The Sky
Life's Full O' Consequence
82 bpm • F min • 01:49 • -18.21db
2% Popularity • 72% Danceability • 8% Energy • 55% Liveness
0% Instrumentalness • 56% Positiveness
2% Popularity • 72% Danceability • 8% Energy • 55% Liveness
0% Instrumentalness • 56% Positiveness
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Helen O'Connell
Be Anything (But Be Mine)
82 bpm • B min • 02:49 • -12db
26% Popularity • 39% Danceability • 14% Energy • 35% Liveness
0% Instrumentalness • 26% Positiveness
26% Popularity • 39% Danceability • 14% Energy • 35% Liveness
0% Instrumentalness • 26% Positiveness
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Lee Wiley
Stormy Weather
82 bpm • C# Maj • 02:51 • -13.46db
28% Popularity • 53% Danceability • 15% Energy • 16% Liveness
1% Instrumentalness • 37% Positiveness
28% Popularity • 53% Danceability • 15% Energy • 16% Liveness
1% Instrumentalness • 37% Positiveness
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Morgana King
Bill
83 bpm • G Maj • 02:47 • -18.36db
31% Popularity • 39% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 39% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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King Pleasure
Twisted
82 bpm • D# Maj • 02:38 • -12.12db
15% Popularity • 62% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 62% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Mark Murphy
Lucky in Love
65 bpm • A# Maj • 01:00 • -11.27db
36% Popularity • 65% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
36% Popularity • 65% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Johnny Hodges & His Orchestra
Jeep's Blues
83 bpm • A# Maj • 02:56 • -14.01db
39% Popularity • 56% Danceability • 21% Energy • 18% Liveness
84% Instrumentalness • 62% Positiveness
39% Popularity • 56% Danceability • 21% Energy • 18% Liveness
84% Instrumentalness • 62% Positiveness
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Woody Herman & His Orchestra
Blue Flame
64 bpm • A# Maj • 03:16 • -12.96db
14% Popularity • 51% Danceability • 22% Energy • 18% Liveness
87% Instrumentalness • 8% Positiveness
14% Popularity • 51% Danceability • 22% Energy • 18% Liveness
87% Instrumentalness • 8% Positiveness
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Members Of The Glenn Miller Orchestra
Pennsylvania 6-5000
83 bpm • G# Maj • 02:55 • -12.21db
27% Popularity • 46% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
27% Popularity • 46% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
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Lorez Alexandria
Almost Like Being In Love
83 bpm • G# Maj • 02:23 • -17.78db
33% Popularity • 70% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 70% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Pandora Mystery
Threads of the Cosmic Tapestry
83 bpm • C min • 01:30 • -23.33db
5% Popularity • 65% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
5% Popularity • 65% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Richard Pryor
The Good Witch Glinda
83 bpm • A# Maj • 01:09 • -17.81db
22% Popularity • 20% Danceability • 14% Energy • 35% Liveness
0% Instrumentalness • 7% Positiveness
22% Popularity • 20% Danceability • 14% Energy • 35% Liveness
0% Instrumentalness • 7% Positiveness
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Lena Horne
I Feel So Smoochie
83 bpm • C min • 02:49 • -14.95db
15% Popularity • 59% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 59% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
