Songs like Something to Talk About by Badly Drawn Boy
Based on a tempo of (+/- 10%) and a similar genre
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Villagers
That Day
120 bpm • G Maj • 03:10 • -7db
26% Popularity • 67% Danceability • 55% Energy • 42% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 67% Danceability • 55% Energy • 42% Liveness
0% Instrumentalness • 36% Positiveness
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The Beta Band
Assessment
120 bpm • C# Maj • 04:36 • -5.18db
23% Popularity • 31% Danceability • 84% Energy • 38% Liveness
83% Instrumentalness • 55% Positiveness
23% Popularity • 31% Danceability • 84% Energy • 38% Liveness
83% Instrumentalness • 55% Positiveness
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John Grant
Chicken Bones
120 bpm • F Maj • 03:38 • -7.9db
25% Popularity • 79% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 79% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
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Beth Orton
Central Reservation - The Then Again Ver...
120 bpm • G Maj • 04:01 • -6.35db
34% Popularity • 71% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
34% Popularity • 71% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Ron Sexsmith
There's A Rhythm
120 bpm • A Maj • 03:11 • -12.23db
28% Popularity • 48% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
28% Popularity • 48% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Bell X1
Alphabet Soup
120 bpm • A Maj • 04:50 • -5.01db
26% Popularity • 55% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 29% Positiveness
26% Popularity • 55% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 29% Positiveness
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Villagers
Nothing Arrived
120 bpm • G Maj • 03:43 • -6db
44% Popularity • 56% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 56% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Badly Drawn Boy
Something to Talk About
120 bpm • C Maj • 03:40 • -10db
48% Popularity • 60% Danceability • 61% Energy • 12% Liveness
16% Instrumentalness • 53% Positiveness
48% Popularity • 60% Danceability • 61% Energy • 12% Liveness
16% Instrumentalness • 53% Positiveness
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John Grant
Outer Space
120 bpm • G# Maj • 03:14 • -6.44db
33% Popularity • 53% Danceability • 43% Energy • 11% Liveness
16% Instrumentalness • 33% Positiveness
33% Popularity • 53% Danceability • 43% Energy • 11% Liveness
16% Instrumentalness • 33% Positiveness
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Pulp
Something Changed
121 bpm • G Maj • 03:18 • -8.33db
54% Popularity • 54% Danceability • 68% Energy • 36% Liveness
2% Instrumentalness • 38% Positiveness
54% Popularity • 54% Danceability • 68% Energy • 36% Liveness
2% Instrumentalness • 38% Positiveness
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Jarvis Cocker
From Auschwitz To Ipswich
119 bpm • D Maj • 03:51 • -9.5db
20% Popularity • 56% Danceability • 54% Energy • 10% Liveness
1% Instrumentalness • 53% Positiveness
20% Popularity • 56% Danceability • 54% Energy • 10% Liveness
1% Instrumentalness • 53% Positiveness
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Cherry Ghost
My God Betrays
119 bpm • F# min • 04:06 • -11.2db
13% Popularity • 44% Danceability • 41% Energy • 10% Liveness
9% Instrumentalness • 22% Positiveness
13% Popularity • 44% Danceability • 41% Energy • 10% Liveness
9% Instrumentalness • 22% Positiveness
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Inspiral Carpets
This Is How It Feels
119 bpm • B Maj • 03:05 • -12.84db
52% Popularity • 50% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 29% Positiveness
52% Popularity • 50% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 29% Positiveness
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Gene
Truth, Rest Your Head
119 bpm • E Maj • 05:00 • -9.67db
25% Popularity • 40% Danceability • 66% Energy • 7% Liveness
1% Instrumentalness • 64% Positiveness
25% Popularity • 40% Danceability • 66% Energy • 7% Liveness
1% Instrumentalness • 64% Positiveness
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The Thrills
You Can't Fool Old Friends With Limousin...
119 bpm • A# Maj • 03:12 • -5db
17% Popularity • 62% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
17% Popularity • 62% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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The La's
Timeless Melody
121 bpm • C Maj • 03:01 • -9db
42% Popularity • 54% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
42% Popularity • 54% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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Fionn Regan
Put a Penny in the Slot
119 bpm • C# Maj • 03:59 • -9.31db
28% Popularity • 74% Danceability • 28% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
28% Popularity • 74% Danceability • 28% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
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King Creosote
Something To Believe In
121 bpm • D Maj • 03:14 • -10db
36% Popularity • 24% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
36% Popularity • 24% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
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Gorky's Zygotic Mynci
Stood On Gold
119 bpm • F# Maj • 02:54 • -11db
24% Popularity • 61% Danceability • 37% Energy • 15% Liveness
85% Instrumentalness • 65% Positiveness
24% Popularity • 61% Danceability • 37% Energy • 15% Liveness
85% Instrumentalness • 65% Positiveness
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Badly Drawn Boy
The Long Way Round
121 bpm • C# min • 03:43 • -6.57db
17% Popularity • 66% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 66% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Saint Saviour
The Place I Want to Be
121 bpm • C Maj • 03:04 • -12.89db
37% Popularity • 57% Danceability • 25% Energy • 8% Liveness
23% Instrumentalness • 19% Positiveness
37% Popularity • 57% Danceability • 25% Energy • 8% Liveness
23% Instrumentalness • 19% Positiveness
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Liam Frost
The Mourner's Of St Paul's
119 bpm • E Maj • 04:31 • -8.25db
12% Popularity • 60% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
12% Popularity • 60% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Midlake
Roscoe
122 bpm • G# min • 04:46 • -8.3db
50% Popularity • 56% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
50% Popularity • 56% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Mercury Rev
Endlessly
118 bpm • F Maj • 04:25 • -6.13db
28% Popularity • 39% Danceability • 58% Energy • 27% Liveness
26% Instrumentalness • 21% Positiveness
28% Popularity • 39% Danceability • 58% Energy • 27% Liveness
26% Instrumentalness • 21% Positiveness
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Field Music
Them That Do Nothing
118 bpm • A Maj • 03:08 • -8db
3% Popularity • 75% Danceability • 57% Energy • 12% Liveness
1% Instrumentalness • 51% Positiveness
3% Popularity • 75% Danceability • 57% Energy • 12% Liveness
1% Instrumentalness • 51% Positiveness
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Delays
Hey Girl
122 bpm • D Maj • 02:43 • -5db
23% Popularity • 55% Danceability • 88% Energy • 25% Liveness
0% Instrumentalness • 75% Positiveness
23% Popularity • 55% Danceability • 88% Energy • 25% Liveness
0% Instrumentalness • 75% Positiveness
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Badly Drawn Boy
Above You Below Me
118 bpm • E min • 02:40 • -8.26db
24% Popularity • 50% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 50% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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King Creosote
Coast On By
118 bpm • A# Maj • 03:32 • -8.03db
9% Popularity • 78% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
9% Popularity • 78% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Beth Orton
Call Me the Breeze
122 bpm • B min • 03:52 • -11db
34% Popularity • 58% Danceability • 56% Energy • 10% Liveness
36% Instrumentalness • 26% Positiveness
34% Popularity • 58% Danceability • 56% Energy • 10% Liveness
36% Instrumentalness • 26% Positiveness
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Mercury Rev
You're My Queen
118 bpm • G Maj • 02:33 • -9.23db
28% Popularity • 50% Danceability • 72% Energy • 11% Liveness
6% Instrumentalness • 21% Positiveness
28% Popularity • 50% Danceability • 72% Energy • 11% Liveness
6% Instrumentalness • 21% Positiveness
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Gorky's Zygotic Mynci
Patio Song
118 bpm • C# Maj • 02:43 • -8db
36% Popularity • 34% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
36% Popularity • 34% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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The Thrills
Found My Rosebud
122 bpm • F Maj • 04:19 • -4.44db
14% Popularity • 46% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 46% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
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Badly Drawn Boy
Camping Next to Water
123 bpm • D Maj • 03:50 • -8.92db
29% Popularity • 65% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
29% Popularity • 65% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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King Creosote
Cockle Shell
118 bpm • F Maj • 02:28 • -9.67db
21% Popularity • 74% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
21% Popularity • 74% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Gomez
We Haven't Turned Around
122 bpm • E Maj • 06:29 • -11db
38% Popularity • 40% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
38% Popularity • 40% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Elbow
The Bones of You
117 bpm • G min • 04:49 • -6db
44% Popularity • 61% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 24% Positiveness
44% Popularity • 61% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 24% Positiveness
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Gorky's Zygotic Mynci
Fresher Than the Sweetness in Water
123 bpm • A Maj • 02:25 • -9db
19% Popularity • 66% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 98% Positiveness
19% Popularity • 66% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 98% Positiveness
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Shack
Neighbours
123 bpm • A# Maj • 03:57 • -7.84db
21% Popularity • 54% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 54% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Beth Orton
Concrete Sky
117 bpm • B Maj • 04:34 • -9db
32% Popularity • 66% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
32% Popularity • 66% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
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Gene
Your Love, It Lies
117 bpm • D# min • 03:18 • -10db
27% Popularity • 42% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 42% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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The Thrills
Deckchairs And Cigarettes
117 bpm • D# Maj • 04:58 • -8.28db
18% Popularity • 45% Danceability • 53% Energy • 14% Liveness
8% Instrumentalness • 13% Positiveness
18% Popularity • 45% Danceability • 53% Energy • 14% Liveness
8% Instrumentalness • 13% Positiveness
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Elbow
Not A Job
117 bpm • G Maj • 04:23 • -8.79db
32% Popularity • 62% Danceability • 50% Energy • 20% Liveness
10% Instrumentalness • 13% Positiveness
32% Popularity • 62% Danceability • 50% Energy • 20% Liveness
10% Instrumentalness • 13% Positiveness
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Delays
Long Time Coming
117 bpm • C# Maj • 03:57 • -5db
33% Popularity • 47% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
33% Popularity • 47% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Shack
Comedy
117 bpm • G Maj • 05:27 • -8.35db
29% Popularity • 39% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 39% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Badly Drawn Boy
Once Around the Block
124 bpm • F Maj • 03:44 • -8db
40% Popularity • 39% Danceability • 71% Energy • 12% Liveness
1% Instrumentalness • 85% Positiveness
40% Popularity • 39% Danceability • 71% Energy • 12% Liveness
1% Instrumentalness • 85% Positiveness
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Cashier No. 9
Lost at Sea
117 bpm • E Maj • 04:07 • -5.84db
9% Popularity • 50% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 50% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
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Willy Mason
Oxygen
117 bpm • A Maj • 04:57 • -11.66db
35% Popularity • 66% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
35% Popularity • 66% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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The National
So Far Around the Bend
124 bpm • C Maj • 03:42 • -6.25db
35% Popularity • 52% Danceability • 78% Energy • 9% Liveness
34% Instrumentalness • 55% Positiveness
35% Popularity • 52% Danceability • 78% Energy • 9% Liveness
34% Instrumentalness • 55% Positiveness
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The Coral
Put the Sun Back
116 bpm • E Maj • 03:02 • -6db
40% Popularity • 66% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 89% Positiveness
40% Popularity • 66% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 89% Positiveness
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Graham Coxon
Sorrow's Army
116 bpm • G# Maj • 04:19 • -7.02db
12% Popularity • 78% Danceability • 68% Energy • 10% Liveness
3% Instrumentalness • 58% Positiveness
12% Popularity • 78% Danceability • 68% Energy • 10% Liveness
3% Instrumentalness • 58% Positiveness
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Badly Drawn Boy
Journey from a to B
116 bpm • C Maj • 03:48 • -5.37db
19% Popularity • 55% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
19% Popularity • 55% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Longpigs
Far
116 bpm • E min • 03:44 • -7db
32% Popularity • 45% Danceability • 78% Energy • 24% Liveness
1% Instrumentalness • 67% Positiveness
32% Popularity • 45% Danceability • 78% Energy • 24% Liveness
1% Instrumentalness • 67% Positiveness
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Gomez
Tijuana Lady
116 bpm • A Maj • 07:08 • -12db
42% Popularity • 63% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
42% Popularity • 63% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Beth Orton
Shopping Trolley
125 bpm • A Maj • 02:51 • -15.71db
13% Popularity • 54% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 54% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Grand Drive
Wheels
125 bpm • G Maj • 04:32 • -10.76db
8% Popularity • 36% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 36% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
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Shack
Meant to Be
125 bpm • A min • 05:36 • -7.87db
13% Popularity • 35% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
13% Popularity • 35% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Badly Drawn Boy
Once Around the Block
116 bpm • F Maj • 04:04 • -8db
49% Popularity • 39% Danceability • 72% Energy • 6% Liveness
1% Instrumentalness • 86% Positiveness
49% Popularity • 39% Danceability • 72% Energy • 6% Liveness
1% Instrumentalness • 86% Positiveness
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Willy Mason
Save Myself
125 bpm • G Maj • 03:43 • -8.83db
19% Popularity • 43% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 43% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Supergrass
Fin
125 bpm • G Maj • 03:11 • -12.53db
32% Popularity • 60% Danceability • 49% Energy • 11% Liveness
92% Instrumentalness • 41% Positiveness
32% Popularity • 60% Danceability • 49% Energy • 11% Liveness
92% Instrumentalness • 41% Positiveness
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World Party
Kingdom Come
125 bpm • C Maj • 05:27 • -8.34db
28% Popularity • 41% Danceability • 66% Energy • 53% Liveness
0% Instrumentalness • 65% Positiveness
28% Popularity • 41% Danceability • 66% Energy • 53% Liveness
0% Instrumentalness • 65% Positiveness
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David Kitt
Dancing In the Monnlight
115 bpm • G min • 03:27 • -12.96db
19% Popularity • 77% Danceability • 41% Energy • 9% Liveness
3% Instrumentalness • 48% Positiveness
19% Popularity • 77% Danceability • 41% Energy • 9% Liveness
3% Instrumentalness • 48% Positiveness
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Ed Harcourt
This One's for You
115 bpm • C# Maj • 04:52 • -11.09db
19% Popularity • 46% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
19% Popularity • 46% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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Gomez
Whippin' Piccadilly
115 bpm • C# Maj • 03:12 • -10.36db
45% Popularity • 74% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
45% Popularity • 74% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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The Coral
Don't Think You're the First
126 bpm • G min • 04:03 • -5.19db
22% Popularity • 53% Danceability • 86% Energy • 34% Liveness
5% Instrumentalness • 79% Positiveness
22% Popularity • 53% Danceability • 86% Energy • 34% Liveness
5% Instrumentalness • 79% Positiveness
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Supergrass
St. Petersburg
125 bpm • F# min • 03:09 • -8.57db
51% Popularity • 48% Danceability • 60% Energy • 10% Liveness
53% Instrumentalness • 46% Positiveness
51% Popularity • 48% Danceability • 60% Energy • 10% Liveness
53% Instrumentalness • 46% Positiveness
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Badly Drawn Boy
Cause a Rockslide
114 bpm • A min • 05:55 • -8.63db
23% Popularity • 42% Danceability • 76% Energy • 42% Liveness
2% Instrumentalness • 38% Positiveness
23% Popularity • 42% Danceability • 76% Energy • 42% Liveness
2% Instrumentalness • 38% Positiveness
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The Thrills
Just Travelling Through
126 bpm • A# Maj • 03:21 • -7.16db
17% Popularity • 59% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
17% Popularity • 59% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Grandaddy
The Crystal Lake
126 bpm • D# Maj • 05:00 • -7db
39% Popularity • 53% Danceability • 68% Energy • 28% Liveness
1% Instrumentalness • 19% Positiveness
39% Popularity • 53% Danceability • 68% Energy • 28% Liveness
1% Instrumentalness • 19% Positiveness
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Gomez
Free To Run
126 bpm • D Maj • 04:31 • -10.62db
29% Popularity • 42% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 42% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Cornershop
Staging the Plaguing of the Raised Platf...
114 bpm • G Maj • 04:35 • -4.91db
18% Popularity • 67% Danceability • 78% Energy • 47% Liveness
1% Instrumentalness • 60% Positiveness
18% Popularity • 67% Danceability • 78% Energy • 47% Liveness
1% Instrumentalness • 60% Positiveness
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Eels
Blinking Lights (For You)
126 bpm • E min • 01:59 • -22db
35% Popularity • 56% Danceability • 23% Energy • 10% Liveness
80% Instrumentalness • 39% Positiveness
35% Popularity • 56% Danceability • 23% Energy • 10% Liveness
80% Instrumentalness • 39% Positiveness
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Shack
Natalie's Party
114 bpm • D Maj • 03:50 • -7db
22% Popularity • 43% Danceability • 78% Energy • 39% Liveness
0% Instrumentalness • 65% Positiveness
22% Popularity • 43% Danceability • 78% Energy • 39% Liveness
0% Instrumentalness • 65% Positiveness
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The Coral
In the Morning
126 bpm • F# min • 02:32 • -6.17db
58% Popularity • 64% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
58% Popularity • 64% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Gene
Be My Light, Be My Guide
114 bpm • E Maj • 04:01 • -8db
19% Popularity • 48% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
19% Popularity • 48% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Mercury Rev
Delta Sun Bottleneck Stomp
114 bpm • D Maj • 06:19 • -6.26db
22% Popularity • 51% Danceability • 92% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
22% Popularity • 51% Danceability • 92% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
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Camera Obscura
The Sweetest Thing
126 bpm • C# Maj • 04:22 • -4db
37% Popularity • 40% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
37% Popularity • 40% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
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Eels
Mr. E's Beautiful Blues
114 bpm • D Maj • 04:18 • -6.63db
43% Popularity • 66% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 49% Positiveness
43% Popularity • 66% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 49% Positiveness
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Gorky's Zygotic Mynci
How I Long
126 bpm • A# Maj • 04:08 • -12db
14% Popularity • 38% Danceability • 24% Energy • 21% Liveness
20% Instrumentalness • 7% Positiveness
14% Popularity • 38% Danceability • 24% Energy • 21% Liveness
20% Instrumentalness • 7% Positiveness
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The Jam
English Rose - 1997 Remaster
114 bpm • G# Maj • 02:49 • -20.8db
47% Popularity • 53% Danceability • 12% Energy • 38% Liveness
0% Instrumentalness • 14% Positiveness
47% Popularity • 53% Danceability • 12% Energy • 38% Liveness
0% Instrumentalness • 14% Positiveness
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Richard Hawley
Coles Corner
114 bpm • G Maj • 04:52 • -11.59db
43% Popularity • 24% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
43% Popularity • 24% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Mercury Rev
Little Rhymes
114 bpm • E min • 05:13 • -10.07db
18% Popularity • 62% Danceability • 62% Energy • 14% Liveness
7% Instrumentalness • 32% Positiveness
18% Popularity • 62% Danceability • 62% Energy • 14% Liveness
7% Instrumentalness • 32% Positiveness
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The Coral
Jacqueline
127 bpm • F# Maj • 03:28 • -5db
37% Popularity • 64% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
37% Popularity • 64% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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The Magic Numbers
Which Way to Happy
127 bpm • B min • 04:27 • -7.22db
18% Popularity • 59% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
18% Popularity • 59% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
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Gorky's Zygotic Mynci
Spanish Dance Troupe
114 bpm • B min • 03:16 • -8.56db
32% Popularity • 50% Danceability • 59% Energy • 37% Liveness
1% Instrumentalness • 80% Positiveness
32% Popularity • 50% Danceability • 59% Energy • 37% Liveness
1% Instrumentalness • 80% Positiveness
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The Charlatans
The Only One I Know
113 bpm • F Maj • 03:58 • -13.1db
59% Popularity • 55% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
59% Popularity • 55% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Tim Burgess
White
127 bpm • G# Maj • 03:30 • -8db
14% Popularity • 72% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 72% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Badly Drawn Boy
Spitting in the Wind - George Drakoulias...
113 bpm • C Maj • 04:27 • -5db
12% Popularity • 53% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
12% Popularity • 53% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Richard Hawley
Just Like the Rain
113 bpm • G Maj • 03:17 • -10db
37% Popularity • 56% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
37% Popularity • 56% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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David Kitt
What I Ask
113 bpm • A min • 07:54 • -8db
14% Popularity • 63% Danceability • 60% Energy • 7% Liveness
91% Instrumentalness • 30% Positiveness
14% Popularity • 63% Danceability • 60% Energy • 7% Liveness
91% Instrumentalness • 30% Positiveness
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Gorky's Zygotic Mynci
Let Those Blue Skies
127 bpm • E Maj • 03:01 • -10.14db
15% Popularity • 37% Danceability • 33% Energy • 35% Liveness
58% Instrumentalness • 61% Positiveness
15% Popularity • 37% Danceability • 33% Energy • 35% Liveness
58% Instrumentalness • 61% Positiveness
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Gomez
Hangover
128 bpm • G# Maj • 03:27 • -11.24db
31% Popularity • 46% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 46% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
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John Grant
Sigourney Weaver
128 bpm • G# Maj • 03:31 • -5.35db
29% Popularity • 59% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 59% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Beth Orton
Live as You Dream
113 bpm • G Maj • 02:58 • -6.46db
19% Popularity • 64% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
19% Popularity • 64% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Elbow
The Fix
113 bpm • C min • 04:27 • -9.69db
38% Popularity • 54% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
38% Popularity • 54% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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King Creosote
Home in a Sentence
128 bpm • D Maj • 02:58 • -5.85db
16% Popularity • 54% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
16% Popularity • 54% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Jonny
Candyfloss
128 bpm • E Maj • 02:58 • -10db
9% Popularity • 55% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 55% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Badly Drawn Boy
Four Leaf Clover
112 bpm • C Maj • 04:19 • -7.75db
25% Popularity • 52% Danceability • 43% Energy • 46% Liveness
6% Instrumentalness • 80% Positiveness
25% Popularity • 52% Danceability • 43% Energy • 46% Liveness
6% Instrumentalness • 80% Positiveness
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Guillemots
Annie, Let's Not Wait
128 bpm • C Maj • 04:43 • -6db
27% Popularity • 53% Danceability • 91% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
27% Popularity • 53% Danceability • 91% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
