Songs like Something Wild in the City: Mary Ann's Theme by Ensemble Recherche
Based on a tempo of (+/- 10%) and a similar genre
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Morton Feldman
Something Wild in the City: Mary Ann's T...
94 bpm • A Maj • 03:07 • -43db
28% Popularity • 11% Danceability • 0% Energy • 7% Liveness
89% Instrumentalness • 7% Positiveness
28% Popularity • 11% Danceability • 0% Energy • 7% Liveness
89% Instrumentalness • 7% Positiveness
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György Ligeti
Cello Sonata: I. Dialogo
94 bpm • F Maj • 03:58 • -24db
24% Popularity • 14% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
24% Popularity • 14% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
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Steve Reich
The Desert Music: First Movement - Fast
93 bpm • G min • 07:54 • -16db
10% Popularity • 42% Danceability • 40% Energy • 39% Liveness
55% Instrumentalness • 4% Positiveness
10% Popularity • 42% Danceability • 40% Energy • 39% Liveness
55% Instrumentalness • 4% Positiveness
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Christian Mason
III: Interlude II
93 bpm • C Maj • 01:18 • -28.31db
0% Popularity • 26% Danceability • 0% Energy • 10% Liveness
99% Instrumentalness • 10% Positiveness
0% Popularity • 26% Danceability • 0% Energy • 10% Liveness
99% Instrumentalness • 10% Positiveness
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Hans Werner Henze
Trio in drei Sätzen: Adagio
95 bpm • C# Maj • 07:12 • -20.6db
0% Popularity • 15% Danceability • 8% Energy • 13% Liveness
4% Instrumentalness • 4% Positiveness
0% Popularity • 15% Danceability • 8% Energy • 13% Liveness
4% Instrumentalness • 4% Positiveness
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Karlheinz Stockhausen
Klavierstück V, Work No. 4: Klavierstuc...
95 bpm • C# Maj • 05:11 • -20db
4% Popularity • 51% Danceability • 1% Energy • 10% Liveness
44% Instrumentalness • 22% Positiveness
4% Popularity • 51% Danceability • 1% Energy • 10% Liveness
44% Instrumentalness • 22% Positiveness
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Thomas Adès
Arcadiana, Op. 12: I. Venezia notturna
95 bpm • G# Maj • 02:33 • -33.75db
8% Popularity • 20% Danceability • 1% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 1% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
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Beat Furrer
Begehren (2002/03): IX. Szene
93 bpm • G Maj • 05:00 • -44.56db
0% Popularity • 26% Danceability • 8% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
0% Popularity • 26% Danceability • 8% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
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Hèctor Parra
Piano Trio No. 1 Wortschatten (2004) for...
93 bpm • D Maj • 07:50 • -22.32db
0% Popularity • 31% Danceability • 6% Energy • 36% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 31% Danceability • 6% Energy • 36% Liveness
0% Instrumentalness • 8% Positiveness
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Anders Hillborg
11 Gates: No. 11. Waves, Pulse and Elast...
95 bpm • G Maj • 03:20 • -20.42db
8% Popularity • 16% Danceability • 13% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
8% Popularity • 16% Danceability • 13% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
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Steve Reich
Music for Ensemble and Orchestra: II. Ei...
96 bpm • D# Maj • 03:13 • -14.53db
13% Popularity • 43% Danceability • 30% Energy • 14% Liveness
67% Instrumentalness • 18% Positiveness
13% Popularity • 43% Danceability • 30% Energy • 14% Liveness
67% Instrumentalness • 18% Positiveness
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John Cage
Sonatas and Interludes for Prepared Pian...
92 bpm • B min • 01:51 • -33.95db
33% Popularity • 29% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
33% Popularity • 29% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
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Wolfgang Rihm
String Trio No. 2 (1969)
96 bpm • G# Maj • 04:51 • -25.35db
0% Popularity • 30% Danceability • 1% Energy • 13% Liveness
1% Instrumentalness • 4% Positiveness
0% Popularity • 30% Danceability • 1% Energy • 13% Liveness
1% Instrumentalness • 4% Positiveness
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Toru Takemitsu
Piano Pieces for Children: No. 2. Clouds
96 bpm • A Maj • 01:39 • -33db
38% Popularity • 43% Danceability • 1% Energy • 11% Liveness
79% Instrumentalness • 28% Positiveness
38% Popularity • 43% Danceability • 1% Energy • 11% Liveness
79% Instrumentalness • 28% Positiveness
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Terry Riley
The Heaven Ladder, Book 7: Simone's Lull...
96 bpm • B min • 05:43 • -39.06db
28% Popularity • 37% Danceability • 0% Energy • 7% Liveness
55% Instrumentalness • 13% Positiveness
28% Popularity • 37% Danceability • 0% Energy • 7% Liveness
55% Instrumentalness • 13% Positiveness
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Meredith Monk
Winter Variation
96 bpm • A min • 01:51 • -32db
36% Popularity • 14% Danceability • 1% Energy • 6% Liveness
62% Instrumentalness • 16% Positiveness
36% Popularity • 14% Danceability • 1% Energy • 6% Liveness
62% Instrumentalness • 16% Positiveness
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Steve Reich
New York Counterpoint (Version for Clari...
92 bpm • F# Maj • 04:56 • -18db
10% Popularity • 75% Danceability • 31% Energy • 7% Liveness
90% Instrumentalness • 12% Positiveness
10% Popularity • 75% Danceability • 31% Energy • 7% Liveness
90% Instrumentalness • 12% Positiveness
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Gérard Pesson
Récréations françaises: II.
96 bpm • C min • 03:06 • -45.83db
0% Popularity • 17% Danceability • 0% Energy • 40% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 17% Danceability • 0% Energy • 40% Liveness
0% Instrumentalness • 4% Positiveness
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Kaija Saariaho
7 Papillons: No. 6. —
96 bpm • G Maj • 02:02 • -36db
18% Popularity • 12% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
18% Popularity • 12% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Philip Glass
Concerto for Saxophone - Quartet: Moveve...
92 bpm • C# Maj • 08:23 • -20.7db
9% Popularity • 36% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
9% Popularity • 36% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: II. Vocali...
97 bpm • F# min • 05:01 • -19db
19% Popularity • 21% Danceability • 4% Energy • 19% Liveness
8% Instrumentalness • 4% Positiveness
19% Popularity • 21% Danceability • 4% Energy • 19% Liveness
8% Instrumentalness • 4% Positiveness
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Christian Mason
Vi: But is there not perhaps a place, wh...
91 bpm • C Maj • 07:33 • -24.8db
0% Popularity • 17% Danceability • 15% Energy • 11% Liveness
24% Instrumentalness • 10% Positiveness
0% Popularity • 17% Danceability • 15% Energy • 11% Liveness
24% Instrumentalness • 10% Positiveness
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Wolfgang Rihm
Chiffre IV (1984) for Bass Clarinet, Cel...
97 bpm • G Maj • 10:29 • -27.21db
0% Popularity • 36% Danceability • 0% Energy • 5% Liveness
4% Instrumentalness • 6% Positiveness
0% Popularity • 36% Danceability • 0% Energy • 5% Liveness
4% Instrumentalness • 6% Positiveness
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Henry Cowell
The Tides of Manaunaun - 1912
91 bpm • C# Maj • 02:29 • -20db
9% Popularity • 71% Danceability • 5% Energy • 13% Liveness
95% Instrumentalness • 5% Positiveness
9% Popularity • 71% Danceability • 5% Energy • 13% Liveness
95% Instrumentalness • 5% Positiveness
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Stuart MacRae
Tol-Pedn (1999) for flute, percussion, v...
97 bpm • B min • 03:17 • -37.41db
0% Popularity • 13% Danceability • 1% Energy • 8% Liveness
6% Instrumentalness • 2% Positiveness
0% Popularity • 13% Danceability • 1% Energy • 8% Liveness
6% Instrumentalness • 2% Positiveness
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Meredith Monk
Clusters 1
97 bpm • B Maj • 03:17 • -42.84db
11% Popularity • 15% Danceability • 3% Energy • 76% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 15% Danceability • 3% Energy • 76% Liveness
0% Instrumentalness • 4% Positiveness
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Pauline Oliveros
Trio For Trumpet, Accordion, and String ...
98 bpm • D Maj • 01:06 • -13.52db
20% Popularity • 19% Danceability • 24% Energy • 15% Liveness
86% Instrumentalness • 3% Positiveness
20% Popularity • 19% Danceability • 24% Energy • 15% Liveness
86% Instrumentalness • 3% Positiveness
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Roman Haubenstock-Ramati
Concert a tre (1972): C
90 bpm • F min • 02:21 • -39.81db
0% Popularity • 48% Danceability • 1% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 48% Danceability • 1% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Hèctor Parra
L'aube Assaillie (2005) for Violoncello ...
90 bpm • F Maj • 05:50 • -20.3db
0% Popularity • 26% Danceability • 11% Energy • 10% Liveness
4% Instrumentalness • 11% Positiveness
0% Popularity • 26% Danceability • 11% Energy • 10% Liveness
4% Instrumentalness • 11% Positiveness
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György Ligeti
Musica ricercata: 4. Tempo de Valse. Poc...
91 bpm • D# Maj • 01:56 • -20.38db
11% Popularity • 44% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
11% Popularity • 44% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Wolfgang Rihm
Musik für drei Streicher (1977): Erster...
98 bpm • C# Maj • 05:08 • -30.08db
0% Popularity • 26% Danceability • 0% Energy • 20% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 26% Danceability • 0% Energy • 20% Liveness
0% Instrumentalness • 4% Positiveness
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Brice Pauset
Huit canons pour hautbois d'amour et ens...
98 bpm • G Maj • 02:25 • -31.67db
0% Popularity • 26% Danceability • 0% Energy • 13% Liveness
2% Instrumentalness • 6% Positiveness
0% Popularity • 26% Danceability • 0% Energy • 13% Liveness
2% Instrumentalness • 6% Positiveness
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Hans Abrahamsen
Schoenberg - 4 Pieces from 6 Kleine Klav...
90 bpm • A# min • 02:05 • -30.81db
7% Popularity • 12% Danceability • 1% Energy • 17% Liveness
24% Instrumentalness • 3% Positiveness
7% Popularity • 12% Danceability • 1% Energy • 17% Liveness
24% Instrumentalness • 3% Positiveness
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Meredith Monk
Strand (Gathering)
90 bpm • E min • 01:55 • -30.86db
24% Popularity • 13% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 2% Positiveness
24% Popularity • 13% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 2% Positiveness
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KNOXVILLETRACKZ
HFDBMX
90 bpm • D min • 01:04 • -52.03db
18% Popularity • 10% Danceability • 0% Energy • 12% Liveness
99% Instrumentalness • 0% Positiveness
18% Popularity • 10% Danceability • 0% Energy • 12% Liveness
99% Instrumentalness • 0% Positiveness
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Beat Furrer
Begehren (2002/03): III. Szene
99 bpm • B min • 10:15 • -37.04db
0% Popularity • 24% Danceability • 14% Energy • 37% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 24% Danceability • 14% Energy • 37% Liveness
0% Instrumentalness • 4% Positiveness
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Steve Reich
Music for Ensemble and Orchestra: V. Six...
99 bpm • G# Maj • 05:23 • -20.43db
12% Popularity • 38% Danceability • 20% Energy • 17% Liveness
97% Instrumentalness • 6% Positiveness
12% Popularity • 38% Danceability • 20% Energy • 17% Liveness
97% Instrumentalness • 6% Positiveness
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Brice Pauset
Six préludes pour clavecin: I. Instabil...
99 bpm • C# Maj • 02:48 • -25.96db
0% Popularity • 39% Danceability • 9% Energy • 11% Liveness
15% Instrumentalness • 36% Positiveness
0% Popularity • 39% Danceability • 9% Energy • 11% Liveness
15% Instrumentalness • 36% Positiveness
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Ramon Lazkano
Wintersonnenwende No. 3
99 bpm • C# Maj • 07:19 • -18.04db
0% Popularity • 36% Danceability • 28% Energy • 12% Liveness
19% Instrumentalness • 12% Positiveness
0% Popularity • 36% Danceability • 28% Energy • 12% Liveness
19% Instrumentalness • 12% Positiveness
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Isabel Mundry
Dufay-Bearbeitungen (2003-04) for Ensemb...
89 bpm • D min • 03:34 • -27.17db
1% Popularity • 20% Danceability • 3% Energy • 13% Liveness
95% Instrumentalness • 23% Positiveness
1% Popularity • 20% Danceability • 3% Energy • 13% Liveness
95% Instrumentalness • 23% Positiveness
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Henry Purcell
In Nomine of Seven Parts (1680/1999) an ...
99 bpm • D min • 02:26 • -29.18db
0% Popularity • 17% Danceability • 1% Energy • 18% Liveness
79% Instrumentalness • 11% Positiveness
0% Popularity • 17% Danceability • 1% Energy • 18% Liveness
79% Instrumentalness • 11% Positiveness
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Nico Muhly
Move
89 bpm • D Maj • 02:35 • -20.17db
11% Popularity • 37% Danceability • 19% Energy • 8% Liveness
84% Instrumentalness • 30% Positiveness
11% Popularity • 37% Danceability • 19% Energy • 8% Liveness
84% Instrumentalness • 30% Positiveness
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Steve Reich
Runner: II. Eighths
99 bpm • D# min • 01:27 • -20.27db
19% Popularity • 36% Danceability • 12% Energy • 14% Liveness
78% Instrumentalness • 4% Positiveness
19% Popularity • 36% Danceability • 12% Energy • 14% Liveness
78% Instrumentalness • 4% Positiveness
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Stuart Dempster
Deep Hockets
89 bpm • D min • 03:42 • -27db
23% Popularity • 13% Danceability • 8% Energy • 17% Liveness
97% Instrumentalness • 13% Positiveness
23% Popularity • 13% Danceability • 8% Energy • 17% Liveness
97% Instrumentalness • 13% Positiveness
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Anders Hillborg
11 Gates: No. 10. Seafloor Meditation (W...
89 bpm • F Maj • 01:45 • -43db
9% Popularity • 24% Danceability • 0% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 24% Danceability • 0% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
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Gérard Pesson
Nebenstück
100 bpm • C Maj • 08:05 • -37db
9% Popularity • 19% Danceability • 0% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
9% Popularity • 19% Danceability • 0% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Georg Kröll
… mit innigster Empfindung
100 bpm • E min • 03:59 • -27.46db
0% Popularity • 19% Danceability • 3% Energy • 20% Liveness
59% Instrumentalness • 4% Positiveness
0% Popularity • 19% Danceability • 3% Energy • 20% Liveness
59% Instrumentalness • 4% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: I. Liturgi...
100 bpm • F min • 02:42 • -30db
24% Popularity • 34% Danceability • 4% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
24% Popularity • 34% Danceability • 4% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
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Steve Reich
Runner: I. Sixteenths
99 bpm • D min • 04:30 • -20.53db
19% Popularity • 45% Danceability • 26% Energy • 17% Liveness
92% Instrumentalness • 10% Positiveness
19% Popularity • 45% Danceability • 26% Energy • 17% Liveness
92% Instrumentalness • 10% Positiveness
► Preview
Osvaldo Golijov
The Dreams and Prayers of Isaac the Blin...
88 bpm • F# min • 03:13 • -28db
9% Popularity • 9% Danceability • 0% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
9% Popularity • 9% Danceability • 0% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Balanescu Quartet
Wedding Preparation
100 bpm • F Maj • 01:41 • -11.69db
13% Popularity • 53% Danceability • 34% Energy • 28% Liveness
71% Instrumentalness • 41% Positiveness
13% Popularity • 53% Danceability • 34% Energy • 28% Liveness
71% Instrumentalness • 41% Positiveness
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Gérard Pesson
Récréations françaises: VI.
100 bpm • G# Maj • 02:11 • -37.09db
0% Popularity • 46% Danceability • 8% Energy • 11% Liveness
25% Instrumentalness • 20% Positiveness
0% Popularity • 46% Danceability • 8% Energy • 11% Liveness
25% Instrumentalness • 20% Positiveness
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Toru Takemitsu
Saegirarenai kyusoku (Uninterrupted Rest...
100 bpm • C Maj • 03:03 • -24.95db
12% Popularity • 58% Danceability • 0% Energy • 10% Liveness
36% Instrumentalness • 19% Positiveness
12% Popularity • 58% Danceability • 0% Energy • 10% Liveness
36% Instrumentalness • 19% Positiveness
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Kaija Saariaho
Petals
100 bpm • G Maj • 10:38 • -19db
14% Popularity • 25% Danceability • 27% Energy • 23% Liveness
73% Instrumentalness • 5% Positiveness
14% Popularity • 25% Danceability • 27% Energy • 23% Liveness
73% Instrumentalness • 5% Positiveness
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Isabel Mundry
Traces De Moments (1999-2000) for String...
88 bpm • F Maj • 03:01 • -20.28db
0% Popularity • 21% Danceability • 5% Energy • 5% Liveness
86% Instrumentalness • 3% Positiveness
0% Popularity • 21% Danceability • 5% Energy • 5% Liveness
86% Instrumentalness • 3% Positiveness
► Preview
Harry Partch
Eleven Intrusions I: Study on Olympos' P...
100 bpm • D# Maj • 01:20 • -19db
27% Popularity • 65% Danceability • 18% Energy • 35% Liveness
72% Instrumentalness • 34% Positiveness
27% Popularity • 65% Danceability • 18% Energy • 35% Liveness
72% Instrumentalness • 34% Positiveness
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Caspar Johannes Walter
Elegie (Krebskannon in der Quinte, ober-...
88 bpm • C# min • 03:57 • -42.83db
2% Popularity • 11% Danceability • 0% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
2% Popularity • 11% Danceability • 0% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Luciano Berio
Sequenza III for Female Voice
88 bpm • F min • 08:16 • -24db
7% Popularity • 40% Danceability • 3% Energy • 23% Liveness
1% Instrumentalness • 4% Positiveness
7% Popularity • 40% Danceability • 3% Energy • 23% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Iannis Xenakis
6 Chansons: No. 3. Une perdrix descendai...
101 bpm • F# min • 01:29 • -29.39db
11% Popularity • 33% Danceability • 4% Energy • 10% Liveness
87% Instrumentalness • 16% Positiveness
11% Popularity • 33% Danceability • 4% Energy • 10% Liveness
87% Instrumentalness • 16% Positiveness
► Preview
Mark Andre
Iv 9
88 bpm • C min • 01:40 • -34.91db
0% Popularity • 68% Danceability • 0% Energy • 11% Liveness
40% Instrumentalness • 12% Positiveness
0% Popularity • 68% Danceability • 0% Energy • 11% Liveness
40% Instrumentalness • 12% Positiveness
► Preview
Terry Riley
One Earth, One People, One Love
88 bpm • G Maj • 09:00 • -23.24db
22% Popularity • 12% Danceability • 14% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
22% Popularity • 12% Danceability • 14% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
► Preview
Irena And Vojtech Havlovi
Piano & Violoncello 3
88 bpm • G min • 01:37 • -22.63db
36% Popularity • 20% Danceability • 8% Energy • 43% Liveness
96% Instrumentalness • 4% Positiveness
36% Popularity • 20% Danceability • 8% Energy • 43% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Harry Partch
Two Studies on Ancient Greek Scales: 1) ...
88 bpm • C min • 03:41 • -32db
18% Popularity • 16% Danceability • 4% Energy • 18% Liveness
85% Instrumentalness • 11% Positiveness
18% Popularity • 16% Danceability • 4% Energy • 18% Liveness
85% Instrumentalness • 11% Positiveness
► Preview
Steve Reich
Music for 18 Musicians: Pulses
101 bpm • F# min • 05:26 • -17db
30% Popularity • 58% Danceability • 61% Energy • 13% Liveness
96% Instrumentalness • 34% Positiveness
30% Popularity • 58% Danceability • 61% Energy • 13% Liveness
96% Instrumentalness • 34% Positiveness
► Preview
Iannis Xenakis
6 Chansons: No. 5. Aujourd'hui le ciel e...
101 bpm • C# Maj • 02:20 • -28.29db
21% Popularity • 58% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
21% Popularity • 58% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
► Preview
Wolfgang Rihm
Musik für drei Streicher (1977): Zweite...
88 bpm • F# Maj • 06:55 • -48.5db
0% Popularity • 9% Danceability • 0% Energy • 5% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 9% Danceability • 0% Energy • 5% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
John Zorn
Kol Nidre
87 bpm • E Maj • 05:52 • -25db
17% Popularity • 9% Danceability • 3% Energy • 19% Liveness
19% Instrumentalness • 3% Positiveness
17% Popularity • 9% Danceability • 3% Energy • 19% Liveness
19% Instrumentalness • 3% Positiveness
► Preview
Brian Ferneyhough
Funerailles No. 1
101 bpm • F Maj • 11:11 • -22.63db
0% Popularity • 25% Danceability • 9% Energy • 9% Liveness
13% Instrumentalness • 4% Positiveness
0% Popularity • 25% Danceability • 9% Energy • 9% Liveness
13% Instrumentalness • 4% Positiveness
► Preview
Lou Harrison
Suite for Symphonic Strings: 2. Chorale ...
87 bpm • B min • 05:51 • -33db
20% Popularity • 13% Danceability • 3% Energy • 14% Liveness
92% Instrumentalness • 3% Positiveness
20% Popularity • 13% Danceability • 3% Energy • 14% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Franz Martin Olbrisch
In nomine (1999) for flute, oboe, clarin...
102 bpm • D min • 02:08 • -24.52db
0% Popularity • 31% Danceability • 5% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
0% Popularity • 31% Danceability • 5% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
► Preview
Balanescu Quartet
Seduction
87 bpm • A min • 01:46 • -25.72db
38% Popularity • 10% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
38% Popularity • 10% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Hans Abrahamsen
Canon 4b (maggiore), (Hommage à WAM) Se...
87 bpm • A# Maj • 02:41 • -10.74db
0% Popularity • 22% Danceability • 73% Energy • 17% Liveness
62% Instrumentalness • 27% Positiveness
0% Popularity • 22% Danceability • 73% Energy • 17% Liveness
62% Instrumentalness • 27% Positiveness
► Preview
Giacinto Scelsi
4 Pezzi (Su una nota sola): I. —
87 bpm • A# Maj • 02:56 • -35.32db
13% Popularity • 12% Danceability • 0% Energy • 9% Liveness
22% Instrumentalness • 3% Positiveness
13% Popularity • 12% Danceability • 0% Energy • 9% Liveness
22% Instrumentalness • 3% Positiveness
► Preview
Márton Illés
Three Watercolors for Accordion, Piano a...
87 bpm • G min • 03:49 • -44.14db
0% Popularity • 19% Danceability • 0% Energy • 7% Liveness
27% Instrumentalness • 3% Positiveness
0% Popularity • 19% Danceability • 0% Energy • 7% Liveness
27% Instrumentalness • 3% Positiveness
► Preview
Lou Harrison
Suite for Cello and Harp: I. Chorale
87 bpm • B min • 01:29 • -27.1db
17% Popularity • 19% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
17% Popularity • 19% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
► Preview
Philip Glass
Music in Fifths
102 bpm • C min • 05:50 • -19db
20% Popularity • 53% Danceability • 39% Energy • 12% Liveness
92% Instrumentalness • 78% Positiveness
20% Popularity • 53% Danceability • 39% Energy • 12% Liveness
92% Instrumentalness • 78% Positiveness
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György Ligeti
Musica ricercata No. 7 in B-Flat Major
87 bpm • D# Maj • 02:49 • -35.21db
29% Popularity • 21% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 68% Positiveness
29% Popularity • 21% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 68% Positiveness
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Roman Haubenstock-Ramati
Concert a tre (1972): B
87 bpm • D Maj • 03:32 • -26.71db
0% Popularity • 44% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 44% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Salvatore Sciarrino
Infintito Nero
87 bpm • D min • 02:33 • -24.37db
0% Popularity • 56% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 56% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
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Olivier Messiaen
Quartet for the End of Time
86 bpm • E Maj • 09:29 • -24db
8% Popularity • 17% Danceability • 5% Energy • 7% Liveness
93% Instrumentalness • 3% Positiveness
8% Popularity • 17% Danceability • 5% Energy • 7% Liveness
93% Instrumentalness • 3% Positiveness
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Steve Reich
Music for 18 Musicians: Section I
102 bpm • D Maj • 03:58 • -17db
30% Popularity • 59% Danceability • 30% Energy • 15% Liveness
93% Instrumentalness • 19% Positiveness
30% Popularity • 59% Danceability • 30% Energy • 15% Liveness
93% Instrumentalness • 19% Positiveness
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Gérard Pesson
Cinq Chansons: III. La stripteaseuse du ...
86 bpm • D min • 00:58 • -23.25db
0% Popularity • 43% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
0% Popularity • 43% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Elena Mendoza
Liebeslied für Recherche
102 bpm • D Maj • 04:13 • -22.68db
0% Popularity • 24% Danceability • 6% Energy • 12% Liveness
83% Instrumentalness • 3% Positiveness
0% Popularity • 24% Danceability • 6% Energy • 12% Liveness
83% Instrumentalness • 3% Positiveness
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Ben Johnston
String Quartet No. 7: Scurrying, Forcefu...
86 bpm • G Maj • 02:36 • -12.6db
8% Popularity • 34% Danceability • 39% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
8% Popularity • 34% Danceability • 39% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
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Kaija Saariaho
Sept papillons: Papillons I
86 bpm • D Maj • 01:24 • -30.36db
11% Popularity • 26% Danceability • 13% Energy • 18% Liveness
82% Instrumentalness • 4% Positiveness
11% Popularity • 26% Danceability • 13% Energy • 18% Liveness
82% Instrumentalness • 4% Positiveness
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Márton Illés
Three Watercolors for Clarinet (2014): I
86 bpm • G min • 01:03 • -32.15db
1% Popularity • 17% Danceability • 0% Energy • 9% Liveness
13% Instrumentalness • 4% Positiveness
1% Popularity • 17% Danceability • 0% Energy • 9% Liveness
13% Instrumentalness • 4% Positiveness
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Isabel Mundry
Dufay-Bearbeitungen (2003-04) for Ensemb...
86 bpm • C min • 05:23 • -29.4db
0% Popularity • 9% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
0% Popularity • 9% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
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Brice Pauset
Huit canons pour hautbois d'amour et ens...
103 bpm • E min • 06:52 • -32.37db
0% Popularity • 26% Danceability • 0% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
0% Popularity • 26% Danceability • 0% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
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Olivier Messiaen
Quartet for the End of Time
103 bpm • F# Maj • 02:39 • -24db
12% Popularity • 37% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 10% Positiveness
12% Popularity • 37% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 10% Positiveness
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Anna Thorvaldsdottir
Hidden: II. Our
85 bpm • D min • 01:59 • -45db
9% Popularity • 22% Danceability • 0% Energy • 11% Liveness
83% Instrumentalness • 7% Positiveness
9% Popularity • 22% Danceability • 0% Energy • 11% Liveness
83% Instrumentalness • 7% Positiveness
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Kaija Saariaho
7 Papillons: No. 3. —
103 bpm • D Maj • 01:32 • -29.17db
21% Popularity • 30% Danceability • 9% Energy • 8% Liveness
8% Instrumentalness • 4% Positiveness
21% Popularity • 30% Danceability • 9% Energy • 8% Liveness
8% Instrumentalness • 4% Positiveness
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Wolfgang Rihm
Musik für drei Streicher (1977): Erster...
85 bpm • G Maj • 12:22 • -20.94db
0% Popularity • 40% Danceability • 15% Energy • 8% Liveness
35% Instrumentalness • 11% Positiveness
0% Popularity • 40% Danceability • 15% Energy • 8% Liveness
35% Instrumentalness • 11% Positiveness
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Chaya Czernowin
Lovesong
103 bpm • C Maj • 09:58 • -28.15db
0% Popularity • 26% Danceability • 6% Energy • 17% Liveness
1% Instrumentalness • 5% Positiveness
0% Popularity • 26% Danceability • 6% Energy • 17% Liveness
1% Instrumentalness • 5% Positiveness
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Krzysztof Penderecki
3 Pieces in Old Style: No. 1. Aria
85 bpm • G min • 02:13 • -31.17db
56% Popularity • 15% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
56% Popularity • 15% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Charles Ives
Set of 5 Take-offs: Song Without (Good) ...
104 bpm • C Maj • 04:05 • -36db
19% Popularity • 44% Danceability • 0% Energy • 6% Liveness
73% Instrumentalness • 17% Positiveness
19% Popularity • 44% Danceability • 0% Energy • 6% Liveness
73% Instrumentalness • 17% Positiveness
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Mark Andre
…Zu… (2004) for String Trio
104 bpm • G# Maj • 09:36 • -31.21db
0% Popularity • 25% Danceability • 4% Energy • 20% Liveness
2% Instrumentalness • 11% Positiveness
0% Popularity • 25% Danceability • 4% Energy • 20% Liveness
2% Instrumentalness • 11% Positiveness
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Alfred Schnittke
Schnittke: String Quartet No. 3: I. Anda...
85 bpm • G Maj • 05:56 • -21.27db
9% Popularity • 16% Danceability • 6% Energy • 10% Liveness
57% Instrumentalness • 3% Positiveness
9% Popularity • 16% Danceability • 6% Energy • 10% Liveness
57% Instrumentalness • 3% Positiveness
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Christian Mason
II: ...and yet, by how much still farthe...
85 bpm • F min • 02:32 • -17.73db
0% Popularity • 25% Danceability • 14% Energy • 8% Liveness
43% Instrumentalness • 4% Positiveness
0% Popularity • 25% Danceability • 14% Energy • 8% Liveness
43% Instrumentalness • 4% Positiveness
