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Something
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Kristen Sieh
Based on a tempo of (+/- 10%) and a similar genre
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Stuart Matthew Price
Before After
110 bpm • C Maj • 04:41 • -8.04db
8% Popularity • 48% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Matt Doyle
Goodbye Jasper
110 bpm • D Maj • 06:07 • -7.8db
11% Popularity • 57% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Working: A Musical (Original London Cast)
If I Could've Been
110 bpm • E Maj • 03:52 • -12.69db
12% Popularity • 39% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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André De Shields
A Gathering Storm
110 bpm • D min • 01:33 • -10.53db
49% Popularity • 33% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Ellie Fishman
Connected (Pt. 1)
110 bpm • A Maj • 03:17 • -6.27db
13% Popularity • 48% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
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Tamsin Carroll
In the Middle
110 bpm • E min • 04:10 • -11.42db
8% Popularity • 39% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
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David Byrne & Fatboy Slim
Rose of Tacloban
110 bpm • B Maj • 02:55 • -9.23db
14% Popularity • 53% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Telly Leung
Get in the Game
109 bpm • D Maj • 03:32 • -10db
7% Popularity • 70% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Kristen Sieh
Something
110 bpm • G Maj • 06:10 • -12.34db
2% Popularity • 69% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Andy Mientus
Back Home
109 bpm • F Maj • 02:05 • -15.7db
8% Popularity • 50% Danceability • 12% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Ariana Perlson
The Dad I Never Had (Reprise)
111 bpm • A Maj • 01:04 • -15.93db
9% Popularity • 60% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Will Reynolds
Ease
109 bpm • G Maj • 02:21 • -7.32db
24% Popularity • 60% Danceability • 59% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
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Preludes Original Cast
Tchaikovsky's Child's Song
111 bpm • G Maj • 01:39 • -10.89db
9% Popularity • 58% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Jeremy Shamos
The Press Song
111 bpm • G Maj • 03:27 • -12.87db
13% Popularity • 64% Danceability • 26% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
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Keith Carradine
Keep Your Hands on It
109 bpm • D Maj • 05:17 • -8.52db
8% Popularity • 62% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Michelle Knight
Big Tits
109 bpm • D Maj • 04:21 • -3.67db
10% Popularity • 63% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Mariand Torres
The Spark of Creation
111 bpm • C Maj • 03:06 • -9.1db
8% Popularity • 56% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Stuart Matthew Price
For the First Time
111 bpm • F Maj • 04:28 • -9.29db
8% Popularity • 60% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Heidi Blickenstaff
I'm Your Man
109 bpm • C min • 02:45 • -7.63db
21% Popularity • 74% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Will Reynolds
Bright
108 bpm • D Maj • 03:11 • -10.55db
13% Popularity • 65% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Maya Sharpe
Last Song
111 bpm • A Maj • 01:36 • -13.38db
9% Popularity • 55% Danceability • 10% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
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Sean Bell
How Can I Serve You Madam?
112 bpm • C Maj • 03:57 • -8.08db
17% Popularity • 42% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Darius de Haas
In Arden
112 bpm • C# Maj • 04:04 • -6.08db
12% Popularity • 70% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Christopher M. Allport
I've Lived a Thousand Lifetimes
108 bpm • C Maj • 01:35 • -7.92db
11% Popularity • 56% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Amelia Fei
Slow Dancing
108 bpm • C Maj • 03:47 • -8.55db
18% Popularity • 65% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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Will Reynolds
You Want Time
112 bpm • C Maj • 03:23 • -12.29db
14% Popularity • 35% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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'Twelfth Night' Company
Word On The Street III
107 bpm • D# min • 00:53 • -6.07db
14% Popularity • 50% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Anna DeNoia
Familiar
107 bpm • C Maj • 02:12 • -4.3db
9% Popularity • 55% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Andy Mientus
When You're Near
113 bpm • G Maj • 03:02 • -7.87db
9% Popularity • 43% Danceability • 31% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
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Adam Makké
Rose Stopnick Can Cook
107 bpm • C Maj • 01:16 • -10.61db
9% Popularity • 67% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Ashley Wool
Butterflies
112 bpm • G# Maj • 02:47 • -7.5db
18% Popularity • 73% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Will Reynolds
As Fast As I Can
112 bpm • G# Maj • 02:32 • -9.98db
13% Popularity • 44% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Jeremy Shamos
Festival!
113 bpm • F Maj • 04:06 • -11.59db
10% Popularity • 69% Danceability • 26% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
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Brad Alexander & Adam Mathias
Rock City
114 bpm • D Maj • 02:54 • -9db
10% Popularity • 70% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Stuart Matthew Price
Up Here
106 bpm • A Maj • 02:46 • -9.81db
8% Popularity • 39% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Daniella Bowen
Look to the Sky
106 bpm • A min • 02:58 • -7.25db
8% Popularity • 72% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Conor Tague
Chevy Silverado
112 bpm • G Maj • 00:56 • -6.79db
17% Popularity • 76% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 76% Positiveness
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Will Reynolds
I Know How It Ends
107 bpm • D Maj • 03:16 • -11db
18% Popularity • 60% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Charlie Pollack
Rich People
114 bpm • G# Maj • 02:26 • -6.77db
9% Popularity • 68% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Susan Blackwell
Give Me Your Attention
114 bpm • A# min • 04:47 • -8db
8% Popularity • 62% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Stuart Zagnit
The Phone Call
115 bpm • A Maj • 02:39 • -12db
11% Popularity • 71% Danceability • 19% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
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Jeremy Shamos
Second Prologue
115 bpm • E min • 01:37 • -15.85db
10% Popularity • 61% Danceability • 13% Energy • 70% Liveness
0% Instrumentalness • 28% Positiveness
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Hannah Waddingham
A Modest Modiste
115 bpm • D Maj • 04:23 • -9.97db
14% Popularity • 54% Danceability • 39% Energy • 50% Liveness
0% Instrumentalness • 56% Positiveness
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Will Reynolds
A Special Word
107 bpm • G# Maj • 03:25 • -10.77db
13% Popularity • 49% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
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Denée Benton
Natasha & Bolkonskys
115 bpm • B min • 03:28 • -11.2db
36% Popularity • 79% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 11% Positiveness
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Daphne Rubin-Vega
Martirio
115 bpm • F# min • 01:18 • -10.37db
8% Popularity • 48% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Vivian Jett
Is This Not Love - Reprise
105 bpm • F Maj • 01:04 • -6.93db
13% Popularity • 42% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Hadley Fraser, Ross Noble, Lesley Joseph, Summer Strallen
It Could Work
105 bpm • C Maj • 04:54 • -10.83db
8% Popularity • 57% Danceability • 47% Energy • 63% Liveness
0% Instrumentalness • 57% Positiveness
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Gaby Alter
Big Shot
105 bpm • G Maj • 02:43 • -7.88db
10% Popularity • 83% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Jeff Blumenkrantz
Protocol Says
115 bpm • D Maj • 04:04 • -13.98db
8% Popularity • 73% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Jeremy Shamos
"OK! Here We Go!"
115 bpm • F Maj • 02:10 • -15.9db
13% Popularity • 72% Danceability • 25% Energy • 50% Liveness
0% Instrumentalness • 41% Positiveness
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Reeve Carney
If it's True
116 bpm • A# min • 04:13 • -6.9db
49% Popularity • 59% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Ryan Scott Oliver
A Ball of Gold in a Blood Sky
105 bpm • F Maj • 03:09 • -11.57db
11% Popularity • 55% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Denée Benton
You Chose Me
104 bpm • D Maj • 03:15 • -10.04db
7% Popularity • 52% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Gaby Alter
If I Had a Stage
115 bpm • G Maj • 03:29 • -9.53db
11% Popularity • 41% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Scott Wakefield
Cantigny
105 bpm • F# Maj • 00:56 • -7.51db
9% Popularity • 56% Danceability • 50% Energy • 38% Liveness
0% Instrumentalness • 56% Positiveness
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Grace McLean
The Ripening
116 bpm • F Maj • 03:50 • -9.85db
13% Popularity • 73% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Michelle Knight
A Happy Tune?
116 bpm • G Maj • 02:47 • -6.04db
9% Popularity • 57% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Ryan Scott Oliver
Bleed You Dry
116 bpm • B Maj • 03:22 • -7.83db
13% Popularity • 70% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Kevin Mambo
The Time Keeps Changing
116 bpm • F Maj • 03:36 • -12.15db
3% Popularity • 60% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Gaby Alter
Get It Together
116 bpm • C# min • 05:28 • -7.16db
9% Popularity • 67% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
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Paul Williams
Bikini Beauty
116 bpm • D Maj • 00:54 • -6.01db
13% Popularity • 57% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Summer Strallen, Ross Noble, Hadley Fraser
Roll In The Hay
104 bpm • G min • 03:52 • -10.2db
10% Popularity • 51% Danceability • 42% Energy • 75% Liveness
0% Instrumentalness • 70% Positiveness
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Will Reynolds
A Machine, Pt. 2 (End of Act One)
117 bpm • G Maj • 01:27 • -9.09db
21% Popularity • 53% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Ryan Scott Oliver
I Don't Want to Be Sad Anymore
116 bpm • G# Maj • 03:15 • -12.82db
9% Popularity • 32% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Kyle Mcarthur
My Dad, The Superhero
104 bpm • C Maj • 03:10 • -9db
8% Popularity • 47% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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J. Elaine Marcos
Without the Guy
103 bpm • G Maj • 04:59 • -6db
8% Popularity • 60% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Kelly McIntyre
The Three Failed Escape Attempts Of Shei...
117 bpm • F min • 07:01 • -7.2db
12% Popularity • 58% Danceability • 50% Energy • 62% Liveness
0% Instrumentalness • 49% Positiveness
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Jeremy Morse
Jeff
117 bpm • D Maj • 05:19 • -8.65db
9% Popularity • 75% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Stuart Matthew Price
Coming Back
117 bpm • B min • 02:35 • -12.49db
9% Popularity • 42% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Lauren Marcus
Break Out the Booze
117 bpm • G Maj • 03:42 • -7.26db
7% Popularity • 48% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Pulp Musicals
On the Roof
117 bpm • F min • 02:44 • -12.8db
9% Popularity • 46% Danceability • 43% Energy • 59% Liveness
0% Instrumentalness • 36% Positiveness
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Paul Williams
What I Dreamed Last Night (Reprise)
103 bpm • C# Maj • 02:08 • -6.36db
9% Popularity • 65% Danceability • 46% Energy • 41% Liveness
0% Instrumentalness • 63% Positiveness
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Bryce Pinkham
Longaville's Sonnet
118 bpm • C min • 01:58 • -8.98db
9% Popularity • 62% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Michael Mater
Not a Chance in Hell
118 bpm • A# Maj • 03:20 • -7.82db
8% Popularity • 70% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
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Gaby Alter
Team Player
103 bpm • G Maj • 03:13 • -7.26db
9% Popularity • 68% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Liv Andrusier
The World's Greatest Story
118 bpm • G Maj • 02:05 • -8.86db
18% Popularity • 68% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
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Frankenstein World Premiere Cast
A Happier Day
103 bpm • C Maj • 04:52 • -6.78db
16% Popularity • 38% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Dana Al Fardan
The Moon of Your Heart
118 bpm • F# Maj • 05:06 • -11.03db
9% Popularity • 39% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Love's Labour's Lost Original Cast
The Tuba Song
118 bpm • C Maj • 03:35 • -9db
9% Popularity • 60% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Alice Ripley
You Don't Know
102 bpm • C Maj • 01:30 • -6.86db
36% Popularity • 62% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Nunsense 30th Anniversary Cast
A Difficult Transition
118 bpm • D Maj • 04:52 • -12.54db
14% Popularity • 79% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Shaina Taub
Prologue: All The World's A Stage
102 bpm • C# Maj • 03:05 • -10.47db
15% Popularity • 68% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Lili Thomas
Quinze Minutes
102 bpm • F min • 04:25 • -5.9db
12% Popularity • 55% Danceability • 50% Energy • 38% Liveness
0% Instrumentalness • 52% Positiveness
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Working: A Musical (Original London Cast)
All the Livelong Day
102 bpm • B Maj • 03:37 • -11.21db
15% Popularity • 46% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Krysta Rodriguez
Down The Stairs
118 bpm • F Maj • 02:40 • -8.95db
9% Popularity • 40% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 27% Positiveness
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'Twelfth Night' Company
Word On The Street II
102 bpm • C Maj • 01:18 • -6.38db
15% Popularity • 55% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Central Park Cast
Promise
119 bpm • C Maj • 01:58 • -10.41db
10% Popularity • 64% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Charles Keating
Books
119 bpm • D Maj • 02:32 • -21db
10% Popularity • 57% Danceability • 8% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
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Ellie Fishman
Answer the Call
102 bpm • B Maj • 04:16 • -6db
15% Popularity • 49% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Rob Rokicki
Hell Hath No Fury
120 bpm • D Maj • 04:01 • -11.56db
7% Popularity • 37% Danceability • 31% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
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Peter Polycarpou
Joe
120 bpm • D Maj • 05:16 • -15.13db
9% Popularity • 60% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Mark Linn-Baker
Toad to the Rescue
120 bpm • G Maj • 02:04 • -9.39db
15% Popularity • 80% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Amina Faye
The Other One
120 bpm • E Maj • 04:24 • -7.98db
11% Popularity • 73% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Kevin Mambo
Prelude
101 bpm • C Maj • 02:09 • -11.52db
3% Popularity • 50% Danceability • 22% Energy • 37% Liveness
0% Instrumentalness • 40% Positiveness
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Norbert Leo Butz
You're Changing
120 bpm • C# Maj • 02:51 • -10.66db
21% Popularity • 70% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Jeremy Jordan
History
120 bpm • F Maj • 02:45 • -10.61db
15% Popularity • 52% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Nicholas Belton
The Private and Intimate Life of the Hou...
120 bpm • G# Maj • 05:38 • -9.97db
36% Popularity • 56% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Umay
Holding Back
120 bpm • D Maj • 03:12 • -9.4db
11% Popularity • 69% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Neil Bartram
I'm Allergic to Cats
101 bpm • F Maj • 03:31 • -12db
22% Popularity • 60% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Something