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Something's Gotta Give
Songs like
Something's Gotta Give
by
Johnny Mercer
Based on a tempo of (+/- 10%) and a similar genre
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Members Of The Glenn Miller Orchestra
Sunrise Serenade
91 bpm • F min • 02:03 • -13.3db
37% Popularity • 48% Danceability • 23% Energy • 7% Liveness
19% Instrumentalness • 46% Positiveness
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Evelyn Knight
A Little Bird Told Me [1948 Single Rema...
91 bpm • C Maj • 02:37 • -10.53db
33% Popularity • 82% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Johnny Mercer
Something's Gotta Give
91 bpm • F# min • 02:35 • -10.45db
14% Popularity • 46% Danceability • 54% Energy • 27% Liveness
0% Instrumentalness • 89% Positiveness
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Cab Calloway & His Orchestra
The Jumpin' Jive
91 bpm • G# Maj • 02:47 • -12.21db
15% Popularity • 70% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Paul Weston And His Orchestra
Sweet Lorraine
91 bpm • D Maj • 03:03 • -15.56db
2% Popularity • 50% Danceability • 14% Energy • 8% Liveness
20% Instrumentalness • 54% Positiveness
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Bob Crosby
Happy Times
91 bpm • A min • 02:45 • -13.36db
42% Popularity • 49% Danceability • 12% Energy • 21% Liveness
8% Instrumentalness • 28% Positiveness
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The Merry Macs
The Way You Look Tonight
90 bpm • G# Maj • 02:58 • -18db
28% Popularity • 23% Danceability • 11% Energy • 13% Liveness
66% Instrumentalness • 13% Positiveness
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Roy Brown
Butcher Pete, Pt. 2
90 bpm • D# min • 02:41 • -7.44db
26% Popularity • 69% Danceability • 65% Energy • 32% Liveness
0% Instrumentalness • 94% Positiveness
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Lew Stone & His Band
Anything Goes
92 bpm • G# Maj • 02:47 • -13db
23% Popularity • 83% Danceability • 26% Energy • 6% Liveness
57% Instrumentalness • 93% Positiveness
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Cab Calloway & His Orchestra
Jumpin Jive
91 bpm • G# Maj • 02:49 • -10.89db
22% Popularity • 68% Danceability • 47% Energy • 14% Liveness
5% Instrumentalness • 87% Positiveness
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Betty Hutton
He's a Demon, He's a Devil, He's a Doll
92 bpm • F min • 03:16 • -9.86db
31% Popularity • 55% Danceability • 23% Energy • 41% Liveness
0% Instrumentalness • 73% Positiveness
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Bob Crosby
Sing to Me
92 bpm • A# Maj • 02:24 • -14db
22% Popularity • 40% Danceability • 14% Energy • 15% Liveness
24% Instrumentalness • 24% Positiveness
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Erskine Hawkins
Hawk's Boogie
92 bpm • G Maj • 02:58 • -5.07db
23% Popularity • 61% Danceability • 56% Energy • 30% Liveness
84% Instrumentalness • 80% Positiveness
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Noel Coward
Party's over Now, The (Words and Music)
92 bpm • C Maj • 03:37 • -19db
31% Popularity • 33% Danceability • 13% Energy • 35% Liveness
48% Instrumentalness • 34% Positiveness
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Freddy Martin & His Orchestra
To Each His Own
92 bpm • A min • 03:11 • -8.17db
10% Popularity • 22% Danceability • 29% Energy • 37% Liveness
4% Instrumentalness • 27% Positiveness
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Cab Calloway & His Orchestra
I'll Be Around
92 bpm • C min • 03:05 • -15.23db
5% Popularity • 35% Danceability • 13% Energy • 19% Liveness
2% Instrumentalness • 31% Positiveness
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Roy Brown
Butcher Pete, Pt. 1
92 bpm • D# min • 02:26 • -6.21db
42% Popularity • 76% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 87% Positiveness
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Lee Wiley
Oh Look at Me Now
90 bpm • A# min • 03:12 • -16db
29% Popularity • 50% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Woody Herman & His Orchestra
Blues in the Night
89 bpm • C Maj • 03:11 • -11.68db
26% Popularity • 54% Danceability • 17% Energy • 55% Liveness
0% Instrumentalness • 43% Positiveness
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Jack Hylton
One, Two, Button Your Shoe
93 bpm • C min • 02:34 • -17.06db
17% Popularity • 86% Danceability • 22% Energy • 8% Liveness
7% Instrumentalness • 84% Positiveness
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Ben Selvin & His Orchestra
Between the Devil and the Deep Blue Sea
93 bpm • G min • 03:29 • -10.06db
14% Popularity • 75% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
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The Delta Rhythm Boys
One O'Clock Jump
89 bpm • G# Maj • 02:41 • -16.82db
2% Popularity • 77% Danceability • 20% Energy • 34% Liveness
1% Instrumentalness • 84% Positiveness
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Lynda Carter
Good Neighbor
93 bpm • D min • 03:35 • -11.22db
51% Popularity • 66% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Larry Clinton
True Confession
89 bpm • A# min • 02:59 • -20.79db
27% Popularity • 50% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Gerhard Trede
Jolly Days
94 bpm • D min • 01:43 • -11.53db
46% Popularity • 58% Danceability • 58% Energy • 24% Liveness
5% Instrumentalness • 87% Positiveness
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Bea Wain
Deep Purple
88 bpm • A# Maj • 03:41 • -15db
14% Popularity • 28% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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Ruth Etting
After You've Gone
88 bpm • F Maj • 02:50 • -10db
22% Popularity • 50% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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Kay Kyser & His Orchestra
Jingle, Jangle, Jingle
94 bpm • G min • 03:21 • -12db
49% Popularity • 71% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Frankie Carle
A Little On The Lonely Side
94 bpm • G min • 03:04 • -13.81db
11% Popularity • 50% Danceability • 12% Energy • 21% Liveness
1% Instrumentalness • 52% Positiveness
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Paul Whiteman
The Darktown Strutters' Ball
94 bpm • B Maj • 02:58 • -4.9db
28% Popularity • 78% Danceability • 59% Energy • 6% Liveness
78% Instrumentalness • 91% Positiveness
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Louis Jordan
Ration Blues
94 bpm • F min • 03:09 • -10.1db
19% Popularity • 79% Danceability • 26% Energy • 37% Liveness
0% Instrumentalness • 37% Positiveness
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Ray Smith
Right Behind You Baby - Remastered 2022
88 bpm • A min • 02:25 • -4.09db
49% Popularity • 51% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Fletcher Henderson
Sing You Sinners
94 bpm • C# Maj • 02:39 • -8.16db
32% Popularity • 76% Danceability • 50% Energy • 26% Liveness
93% Instrumentalness • 94% Positiveness
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Midge Williams
Lazy Bones
95 bpm • G min • 03:33 • -17.45db
4% Popularity • 59% Danceability • 6% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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Johnny Mercer
Surprise Party
88 bpm • D# Maj • 03:11 • -16.04db
0% Popularity • 64% Danceability • 15% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Fats Waller
Two Sleepy People
87 bpm • F Maj • 03:03 • -18.88db
44% Popularity • 65% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Martha Tilton
Moon Dreams
95 bpm • A min • 02:54 • -12.45db
31% Popularity • 50% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Rudy Vallee
A Pretty Girl Is Like a Melody
87 bpm • D# Maj • 03:04 • -11.8db
23% Popularity • 57% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Cootie Williams
Juice Head Baby
87 bpm • C min • 03:09 • -10db
23% Popularity • 52% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
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Horace Heidt And His Orchestra
Dawn of a new day
95 bpm • F Maj • 02:30 • -10.15db
11% Popularity • 85% Danceability • 36% Energy • 8% Liveness
4% Instrumentalness • 87% Positiveness
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Johnny Mercer
Crazy Rhythm
96 bpm • D# Maj • 01:55 • -6.69db
4% Popularity • 74% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 83% Positiveness
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Lynda Carter
I'm the One You're Looking For
96 bpm • E Maj • 03:25 • -12.91db
50% Popularity • 64% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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The Ames Brothers
Music, Music, Music
96 bpm • C# Maj • 02:38 • -10.24db
17% Popularity • 67% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Les Brown & His Orchestra
Leap Frog - Remastered
96 bpm • G# Maj • 02:35 • -11.01db
23% Popularity • 50% Danceability • 50% Energy • 8% Liveness
24% Instrumentalness • 69% Positiveness
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Lee Wiley
A Ship Without a Sail
86 bpm • B Maj • 03:27 • -22.94db
23% Popularity • 37% Danceability • 3% Energy • 13% Liveness
2% Instrumentalness • 22% Positiveness
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Bert Weedon
Roundhouse Rock
97 bpm • E Maj • 02:47 • -11.81db
50% Popularity • 40% Danceability • 75% Energy • 25% Liveness
86% Instrumentalness • 76% Positiveness
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Johnny Mercer
Huggin' And A Chalkin'
96 bpm • G# Maj • 02:47 • -6.77db
4% Popularity • 57% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Frankie Carle
Cruising Down the River
97 bpm • D# Maj • 02:51 • -8.51db
10% Popularity • 62% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
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Charlie Barnet & His Orchestra
Pompton Turnpike
86 bpm • F min • 03:02 • -13.67db
19% Popularity • 43% Danceability • 22% Energy • 9% Liveness
28% Instrumentalness • 27% Positiveness
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Billy Munn
Jazzy Interlude
97 bpm • D# Maj • 02:54 • -8.45db
50% Popularity • 66% Danceability • 54% Energy • 6% Liveness
68% Instrumentalness • 95% Positiveness
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Billy Jones
Yes! We Have No Bananas
97 bpm • C Maj • 02:59 • -11.77db
13% Popularity • 80% Danceability • 27% Energy • 6% Liveness
76% Instrumentalness • 74% Positiveness
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Red McKenzie
The Trouble With Me Is You
97 bpm • D min • 02:32 • -9.18db
21% Popularity • 85% Danceability • 60% Energy • 12% Liveness
78% Instrumentalness • 82% Positiveness
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Johnny Mercer
G.I. Jive
97 bpm • F min • 03:21 • -14.09db
28% Popularity • 58% Danceability • 20% Energy • 40% Liveness
0% Instrumentalness • 67% Positiveness
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Four Vagabonds
Hit That Jive, Jack
97 bpm • F# Maj • 02:26 • -13.92db
17% Popularity • 76% Danceability • 22% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
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Glenn Miller & The Army Air Force Band
Along The Santa Fe Trail - Remastered 20...
85 bpm • A# Maj • 03:18 • -13.76db
15% Popularity • 36% Danceability • 12% Energy • 15% Liveness
2% Instrumentalness • 21% Positiveness
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Victor Schertzinger
Tangerine
97 bpm • F Maj • 02:44 • -14.68db
2% Popularity • 77% Danceability • 21% Energy • 18% Liveness
44% Instrumentalness • 76% Positiveness
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Ethel Waters
Stormy Weather
85 bpm • C Maj • 03:12 • -14db
31% Popularity • 36% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Kay Kyser & His Orchestra
(There'll Be Bluebirds Over) The White C...
85 bpm • C Maj • 02:35 • -17db
16% Popularity • 25% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
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Johnny Mercer
My Sugar Is So Refined
97 bpm • F Maj • 02:43 • -15.04db
11% Popularity • 64% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Annette Hanshaw
I've Got a Feeling I'm Falling
85 bpm • A min • 02:55 • -11.92db
26% Popularity • 66% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Fats Waller
Jitterbug Waltz
98 bpm • C min • 03:20 • -11db
32% Popularity • 36% Danceability • 31% Energy • 16% Liveness
41% Instrumentalness • 32% Positiveness
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Jack Buchanan
Who
84 bpm • A# min • 01:21 • -11db
28% Popularity • 46% Danceability • 26% Energy • 13% Liveness
36% Instrumentalness • 59% Positiveness
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Paul Whiteman
Whispering
99 bpm • D Maj • 03:16 • -21.62db
14% Popularity • 65% Danceability • 25% Energy • 48% Liveness
92% Instrumentalness • 45% Positiveness
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Ruth Etting
Shine On, Harvest Moon
98 bpm • F min • 02:49 • -11db
31% Popularity • 49% Danceability • 17% Energy • 12% Liveness
2% Instrumentalness • 55% Positiveness
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Johnny Mercer
Thirteenth Street Rag
97 bpm • G# Maj • 02:51 • -10.59db
3% Popularity • 78% Danceability • 41% Energy • 33% Liveness
0% Instrumentalness • 90% Positiveness
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The Merry Macs
La Paloma
84 bpm • D Maj • 02:21 • -16db
30% Popularity • 69% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 76% Positiveness
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Fats Waller
Ain't Misbehavin'
98 bpm • C min • 03:57 • -16.92db
51% Popularity • 52% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
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John Vincent's Californians
Loving You the Way I Do
84 bpm • D min • 02:49 • -11.73db
24% Popularity • 69% Danceability • 31% Energy • 7% Liveness
86% Instrumentalness • 96% Positiveness
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Buster Bailey
There's a House in Harlem for Sale
99 bpm • D min • 02:50 • -10db
17% Popularity • 68% Danceability • 26% Energy • 10% Liveness
85% Instrumentalness • 45% Positiveness
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Johnny Mercer & The Pied Pipers
Baby I'm True To You
99 bpm • A# Maj • 02:58 • -10.26db
13% Popularity • 74% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Johnny Mercer
One For My Baby (And One More For The Ro...
85 bpm • G# Maj • 03:09 • -17.46db
17% Popularity • 36% Danceability • 9% Energy • 40% Liveness
0% Instrumentalness • 37% Positiveness
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Larry Clinton & His Orchestra
You Go To My Head
100 bpm • D# Maj • 03:41 • -24.76db
25% Popularity • 35% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 13% Positiveness
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Fats Waller
Until the Real Thing Comes Along
99 bpm • G min • 03:22 • -14.33db
37% Popularity • 68% Danceability • 21% Energy • 17% Liveness
14% Instrumentalness • 49% Positiveness
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Cab Calloway & His Orchestra
Minnie the Moocher
100 bpm • E min • 03:14 • -10.54db
29% Popularity • 55% Danceability • 37% Energy • 77% Liveness
0% Instrumentalness • 45% Positiveness
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Rudy Vallee and His Connecticut Yankees
Me Minus You
83 bpm • F Maj • 03:04 • -16.76db
25% Popularity • 60% Danceability • 14% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Members Of The Glenn Miller Orchestra
Pennsylvania 6-5000
83 bpm • G# Maj • 02:55 • -12.21db
30% Popularity • 46% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
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Johnny Mercer
The Days Of Wine And Roses
98 bpm • D min • 03:16 • -15.1db
2% Popularity • 48% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Ella Mae Morse
Pig Foot Pete
83 bpm • G Maj • 02:54 • -4.64db
18% Popularity • 77% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
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Erskine Hawkins
Knock Me a Kiss
100 bpm • F min • 02:47 • -9.46db
12% Popularity • 46% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
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Bob Crosby
Let'S Go Around Together
100 bpm • C Maj • 02:28 • -13.25db
21% Popularity • 57% Danceability • 19% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
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Eddy Howard
I Married an Angel
101 bpm • F Maj • 02:27 • -9db
22% Popularity • 69% Danceability • 46% Energy • 26% Liveness
34% Instrumentalness • 82% Positiveness
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The Merry Macs
Laughing on the Outside
83 bpm • A# Maj • 02:45 • -15db
16% Popularity • 44% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Johnny Mercer
Sweet Lorraine
99 bpm • D Maj • 02:59 • -11.81db
4% Popularity • 58% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Ella Mae Morse
Milkman Keep Those Bottles Quiet
83 bpm • C# Maj • 02:40 • -3.02db
13% Popularity • 71% Danceability • 62% Energy • 37% Liveness
0% Instrumentalness • 85% Positiveness
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Glenn Miller & His Orchestra; Vocal by Smith Ballew
A Blues Serenade - 78rpm Version
82 bpm • G# Maj • 02:49 • -20db
26% Popularity • 45% Danceability • 11% Energy • 36% Liveness
36% Instrumentalness • 56% Positiveness
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Rudy Vallee and His Connecticut Yankees
The You and Me That Used to Be
101 bpm • F Maj • 03:13 • -20db
31% Popularity • 46% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Annette Hanshaw
I Want a Good Man
82 bpm • E Maj • 02:49 • -9db
33% Popularity • 64% Danceability • 16% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Bert Weedon
Happy Times
82 bpm • A Maj • 01:57 • -9.25db
50% Popularity • 53% Danceability • 49% Energy • 13% Liveness
13% Instrumentalness • 96% Positiveness
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Helen O'Connell
Green Eyes
101 bpm • G# Maj • 02:38 • -18db
30% Popularity • 57% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Warren Smith
Uranium Rock
102 bpm • D Maj • 02:07 • -6.5db
48% Popularity • 52% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 92% Positiveness
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Ella Fitzgerald
Undecided
102 bpm • E Maj • 03:19 • -9.82db
55% Popularity • 70% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
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The Merry Macs
You Made Me Love You
81 bpm • G Maj • 03:04 • -15db
30% Popularity • 74% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Jimmy Dorsey & His Orchestra
The Darktown Strutter's Ball
102 bpm • F min • 02:27 • -8db
25% Popularity • 71% Danceability • 55% Energy • 51% Liveness
3% Instrumentalness • 84% Positiveness
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The Five Stars
Atom Bomb Baby
81 bpm • G Maj • 02:16 • -6.12db
58% Popularity • 52% Danceability • 62% Energy • 38% Liveness
0% Instrumentalness • 91% Positiveness
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Annette Hanshaw
Carolina Moon
102 bpm • C Maj • 02:56 • -16.05db
21% Popularity • 67% Danceability • 12% Energy • 23% Liveness
2% Instrumentalness • 54% Positiveness
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Warren Smith
Uranium Rock
102 bpm • D Maj • 02:08 • -9.1db
46% Popularity • 62% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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LaVern Baker
Tweedle Dee
81 bpm • C# Maj • 03:04 • -11.37db
52% Popularity • 76% Danceability • 50% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
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Ella Mae Morse
Shoo Shoo Baby
103 bpm • A min • 03:15 • -11.81db
14% Popularity • 72% Danceability • 9% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
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Connee Boswell
Basin Street Blues
103 bpm • D# Maj • 03:00 • -13.75db
16% Popularity • 61% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Paul Whiteman & His Orchestra
Serenade In Blue
81 bpm • E min • 03:22 • -12db
13% Popularity • 28% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Something's Gotta Give