Songs like Sometime Around Midnight by The Airborne Toxic Event
Based on a tempo of (+/- 10%) and a similar genre
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Silversun Pickups
The Pit
126 bpm • C# Maj • 04:41 • -7db
42% Popularity • 61% Danceability • 75% Energy • 9% Liveness
2% Instrumentalness • 46% Positiveness
42% Popularity • 61% Danceability • 75% Energy • 9% Liveness
2% Instrumentalness • 46% Positiveness
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The Airborne Toxic Event
Sometime Around Midnight
126 bpm • G# Maj • 05:03 • -5.17db
53% Popularity • 47% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
53% Popularity • 47% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Of Monsters and Men
King And Lionheart
127 bpm • D# Maj • 04:33 • -6.52db
62% Popularity • 52% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
62% Popularity • 52% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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The Smashing Pumpkins
1979 - Remastered 2012
127 bpm • D# Maj • 04:26 • -9.9db
77% Popularity • 77% Danceability • 79% Energy • 5% Liveness
58% Instrumentalness • 96% Positiveness
77% Popularity • 77% Danceability • 79% Energy • 5% Liveness
58% Instrumentalness • 96% Positiveness
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Iron & Wine
Boy With a Coin
126 bpm • C Maj • 04:05 • -8.22db
53% Popularity • 66% Danceability • 55% Energy • 14% Liveness
84% Instrumentalness • 31% Positiveness
53% Popularity • 66% Danceability • 55% Energy • 14% Liveness
84% Instrumentalness • 31% Positiveness
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The Killers
Smile Like You Mean It
125 bpm • D# min • 03:54 • -4.26db
69% Popularity • 35% Danceability • 96% Energy • 21% Liveness
1% Instrumentalness • 38% Positiveness
69% Popularity • 35% Danceability • 96% Energy • 21% Liveness
1% Instrumentalness • 38% Positiveness
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Foster The People
Helena Beat
127 bpm • F min • 04:36 • -4.91db
64% Popularity • 67% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
64% Popularity • 67% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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The Airborne Toxic Event
Does This Mean You're Moving On?
125 bpm • B Maj • 02:13 • -3db
34% Popularity • 44% Danceability • 84% Energy • 44% Liveness
11% Instrumentalness • 75% Positiveness
34% Popularity • 44% Danceability • 84% Energy • 44% Liveness
11% Instrumentalness • 75% Positiveness
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Atlas Genius
If So
125 bpm • G Maj • 03:00 • -5db
46% Popularity • 65% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
46% Popularity • 65% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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Band of Horses
Detlef Schrempf
127 bpm • B Maj • 04:28 • -8db
51% Popularity • 43% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
51% Popularity • 43% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
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Against Me!
Thrash Unreal
125 bpm • F Maj • 04:14 • -3.58db
53% Popularity • 56% Danceability • 84% Energy • 10% Liveness
6% Instrumentalness • 64% Positiveness
53% Popularity • 56% Danceability • 84% Energy • 10% Liveness
6% Instrumentalness • 64% Positiveness
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Arcade Fire
Rebellion (Lies)
127 bpm • G# Maj • 05:10 • -5.68db
63% Popularity • 40% Danceability • 93% Energy • 32% Liveness
63% Instrumentalness • 73% Positiveness
63% Popularity • 40% Danceability • 93% Energy • 32% Liveness
63% Instrumentalness • 73% Positiveness
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Death Cab for Cutie
Transatlanticism
127 bpm • A Maj • 07:55 • -10db
55% Popularity • 44% Danceability • 45% Energy • 18% Liveness
59% Instrumentalness • 20% Positiveness
55% Popularity • 44% Danceability • 45% Energy • 18% Liveness
59% Instrumentalness • 20% Positiveness
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The Shins
A Comet Appears
125 bpm • D Maj • 03:49 • -13db
43% Popularity • 46% Danceability • 21% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
43% Popularity • 46% Danceability • 21% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
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The Format
The First Single (You Know Me)
128 bpm • A Maj • 04:24 • -5db
41% Popularity • 57% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
41% Popularity • 57% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Manchester Orchestra
I Can Feel a Hot One
124 bpm • G# Maj • 04:19 • -11.37db
44% Popularity • 55% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
44% Popularity • 55% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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The All-American Rejects
Swing, Swing
128 bpm • G Maj • 03:53 • -5.86db
66% Popularity • 55% Danceability • 72% Energy • 4% Liveness
13% Instrumentalness • 32% Positiveness
66% Popularity • 55% Danceability • 72% Energy • 4% Liveness
13% Instrumentalness • 32% Positiveness
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Said The Whale
Camilo - The Magician
128 bpm • D Maj • 02:52 • -4.81db
37% Popularity • 72% Danceability • 93% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
37% Popularity • 72% Danceability • 93% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
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Modest Mouse
The Ground Walks, with Time in a Box
128 bpm • A min • 06:10 • -3.4db
44% Popularity • 65% Danceability • 96% Energy • 19% Liveness
1% Instrumentalness • 88% Positiveness
44% Popularity • 65% Danceability • 96% Energy • 19% Liveness
1% Instrumentalness • 88% Positiveness
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The Gaslight Anthem
Great Expectations
124 bpm • A# Maj • 03:05 • -4.32db
50% Popularity • 55% Danceability • 94% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
50% Popularity • 55% Danceability • 94% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
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Spoon
I Summon You
128 bpm • E min • 03:55 • -6db
47% Popularity • 81% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
47% Popularity • 81% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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The Killers
Everything Will Be Alright
128 bpm • C min • 05:44 • -6.6db
45% Popularity • 48% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
45% Popularity • 48% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Okkervil River
Unless It's Kicks
124 bpm • E Maj • 04:38 • -5db
36% Popularity • 36% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
36% Popularity • 36% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Of Monsters and Men
Six Weeks
124 bpm • B Maj • 05:34 • -5.63db
44% Popularity • 38% Danceability • 88% Energy • 11% Liveness
7% Instrumentalness • 42% Positiveness
44% Popularity • 38% Danceability • 88% Energy • 11% Liveness
7% Instrumentalness • 42% Positiveness
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The Raconteurs
Steady, As She Goes
124 bpm • A Maj • 03:35 • -4.56db
67% Popularity • 52% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
67% Popularity • 52% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
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The Decemberists
Down By The Water
123 bpm • E min • 03:41 • -4db
47% Popularity • 49% Danceability • 81% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
47% Popularity • 49% Danceability • 81% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
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We Were Promised Jetpacks
Keeping Warm
129 bpm • A Maj • 08:12 • -7.89db
7% Popularity • 29% Danceability • 78% Energy • 8% Liveness
9% Instrumentalness • 11% Positiveness
7% Popularity • 29% Danceability • 78% Energy • 8% Liveness
9% Instrumentalness • 11% Positiveness
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Band of Horses
The Great Salt Lake
123 bpm • G# Maj • 04:45 • -6db
53% Popularity • 32% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
53% Popularity • 32% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
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Local Natives
Wide Eyes
123 bpm • B min • 04:26 • -8.02db
47% Popularity • 53% Danceability • 84% Energy • 22% Liveness
46% Instrumentalness • 48% Positiveness
47% Popularity • 53% Danceability • 84% Energy • 22% Liveness
46% Instrumentalness • 48% Positiveness
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Young the Giant
Cough Syrup
129 bpm • B min • 04:09 • -7.31db
71% Popularity • 53% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
71% Popularity • 53% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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The Postal Service
Sleeping In - Remastered
129 bpm • C Maj • 04:21 • -5.75db
50% Popularity • 70% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
50% Popularity • 70% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Frightened Rabbit
Head Rolls Off
129 bpm • A Maj • 03:46 • -6db
17% Popularity • 54% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
17% Popularity • 54% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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City and Colour
Comin' Home
123 bpm • F# min • 05:05 • -5.83db
53% Popularity • 65% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
53% Popularity • 65% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Band of Horses
Laredo
123 bpm • A# Maj • 03:12 • -5.15db
48% Popularity • 50% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
48% Popularity • 50% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
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The Smashing Pumpkins
Disarm - 2011 Remaster
130 bpm • E min • 03:16 • -10.21db
70% Popularity • 53% Danceability • 42% Energy • 14% Liveness
78% Instrumentalness • 22% Positiveness
70% Popularity • 53% Danceability • 42% Energy • 14% Liveness
78% Instrumentalness • 22% Positiveness
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Third Eye Blind
Motorcycle Drive By
122 bpm • C Maj • 04:22 • -9.29db
51% Popularity • 42% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
51% Popularity • 42% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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The Flaming Lips
Do You Realize??
130 bpm • C Maj • 03:33 • -5.24db
62% Popularity • 46% Danceability • 80% Energy • 39% Liveness
0% Instrumentalness • 55% Positiveness
62% Popularity • 46% Danceability • 80% Energy • 39% Liveness
0% Instrumentalness • 55% Positiveness
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The Airborne Toxic Event
Numb
130 bpm • G Maj • 04:05 • -5db
32% Popularity • 39% Danceability • 93% Energy • 11% Liveness
3% Instrumentalness • 21% Positiveness
32% Popularity • 39% Danceability • 93% Energy • 11% Liveness
3% Instrumentalness • 21% Positiveness
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Silversun Pickups
Growing Old Is Getting Old
122 bpm • E Maj • 05:53 • -7.16db
40% Popularity • 50% Danceability • 72% Energy • 25% Liveness
7% Instrumentalness • 35% Positiveness
40% Popularity • 50% Danceability • 72% Energy • 25% Liveness
7% Instrumentalness • 35% Positiveness
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Band of Horses
The Funeral
122 bpm • C min • 05:22 • -6.12db
71% Popularity • 32% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
71% Popularity • 32% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Young the Giant
My Body - 2020 Remaster
130 bpm • A# Maj • 04:04 • -6.48db
59% Popularity • 49% Danceability • 90% Energy • 57% Liveness
0% Instrumentalness • 53% Positiveness
59% Popularity • 49% Danceability • 90% Energy • 57% Liveness
0% Instrumentalness • 53% Positiveness
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The Shins
New Slang - 2021 Remaster
130 bpm • C Maj • 03:50 • -10.62db
74% Popularity • 67% Danceability • 40% Energy • 9% Liveness
9% Instrumentalness • 62% Positiveness
74% Popularity • 67% Danceability • 40% Energy • 9% Liveness
9% Instrumentalness • 62% Positiveness
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AWOLNATION
I Am
130 bpm • E Maj • 04:34 • -4.92db
43% Popularity • 57% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 27% Positiveness
43% Popularity • 57% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 27% Positiveness
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Rogue Wave
Eyes
130 bpm • C# Maj • 02:28 • -8.03db
59% Popularity • 64% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
59% Popularity • 64% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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The Rural Alberta Advantage
Frank, AB
130 bpm • B min • 03:25 • -10.67db
37% Popularity • 62% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
37% Popularity • 62% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Band of Horses
Casual Party
130 bpm • F# Maj • 03:53 • -5db
46% Popularity • 47% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
46% Popularity • 47% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
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Manchester Orchestra
Bed Head
122 bpm • A# min • 04:04 • -6.05db
45% Popularity • 51% Danceability • 97% Energy • 52% Liveness
0% Instrumentalness • 21% Positiveness
45% Popularity • 51% Danceability • 97% Energy • 52% Liveness
0% Instrumentalness • 21% Positiveness
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The Black Keys
Gold on the Ceiling
130 bpm • C Maj • 03:44 • -4.63db
76% Popularity • 50% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
76% Popularity • 50% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Tegan and Sara
The Con
130 bpm • G# Maj • 03:29 • -6.21db
45% Popularity • 57% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
45% Popularity • 57% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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The Shins
Turn On Me
122 bpm • C Maj • 03:41 • -5db
46% Popularity • 56% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
46% Popularity • 56% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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The Killers
When You Were Young
130 bpm • B Maj • 03:40 • -3.31db
77% Popularity • 47% Danceability • 99% Energy • 28% Liveness
5% Instrumentalness • 32% Positiveness
77% Popularity • 47% Danceability • 99% Energy • 28% Liveness
5% Instrumentalness • 32% Positiveness
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Carolina Liar
I'm Not Over
131 bpm • B Maj • 03:21 • -2.98db
47% Popularity • 53% Danceability • 90% Energy • 6% Liveness
8% Instrumentalness • 48% Positiveness
47% Popularity • 53% Danceability • 90% Energy • 6% Liveness
8% Instrumentalness • 48% Positiveness
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Guster
Do You Love Me
130 bpm • C Maj • 03:40 • -4.34db
42% Popularity • 58% Danceability • 81% Energy • 31% Liveness
0% Instrumentalness • 87% Positiveness
42% Popularity • 58% Danceability • 81% Energy • 31% Liveness
0% Instrumentalness • 87% Positiveness
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Passion Pit
Moth's Wings
121 bpm • B Maj • 04:16 • -6.22db
44% Popularity • 51% Danceability • 73% Energy • 8% Liveness
9% Instrumentalness • 14% Positiveness
44% Popularity • 51% Danceability • 73% Energy • 8% Liveness
9% Instrumentalness • 14% Positiveness
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Lord Huron
Ends of the Earth
121 bpm • E Maj • 04:44 • -9db
69% Popularity • 55% Danceability • 58% Energy • 27% Liveness
4% Instrumentalness • 41% Positiveness
69% Popularity • 55% Danceability • 58% Energy • 27% Liveness
4% Instrumentalness • 41% Positiveness
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Spoon
Don't You Evah
121 bpm • F# Maj • 03:36 • -6.27db
33% Popularity • 78% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
33% Popularity • 78% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
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Arcade Fire
We Used to Wait
121 bpm • G# Maj • 05:01 • -7.21db
44% Popularity • 57% Danceability • 66% Energy • 10% Liveness
2% Instrumentalness • 49% Positiveness
44% Popularity • 57% Danceability • 66% Energy • 10% Liveness
2% Instrumentalness • 49% Positiveness
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The Gaslight Anthem
American Slang
132 bpm • C Maj • 03:41 • -3.05db
44% Popularity • 56% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
44% Popularity • 56% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Guster
Satellite
132 bpm • F# min • 04:33 • -6.3db
56% Popularity • 55% Danceability • 75% Energy • 12% Liveness
5% Instrumentalness • 64% Positiveness
56% Popularity • 55% Danceability • 75% Energy • 12% Liveness
5% Instrumentalness • 64% Positiveness
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The Airborne Toxic Event
The Kids Are Ready To Die
132 bpm • C Maj • 04:11 • -10.69db
20% Popularity • 45% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
20% Popularity • 45% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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The Boxer Rebellion
Spitting Fire
132 bpm • D# Maj • 02:50 • -5.43db
13% Popularity • 41% Danceability • 95% Energy • 18% Liveness
30% Instrumentalness • 28% Positiveness
13% Popularity • 41% Danceability • 95% Energy • 18% Liveness
30% Instrumentalness • 28% Positiveness
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Of Monsters and Men
Crystals
132 bpm • C Maj • 04:03 • -7.21db
61% Popularity • 58% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
61% Popularity • 58% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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The Killers
Read My Mind
132 bpm • C# Maj • 04:06 • -3.39db
68% Popularity • 54% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
68% Popularity • 54% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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AWOLNATION
Hollow Moon (Bad Wolf)
120 bpm • C Maj • 04:18 • -5.25db
47% Popularity • 75% Danceability • 76% Energy • 18% Liveness
53% Instrumentalness • 41% Positiveness
47% Popularity • 75% Danceability • 76% Energy • 18% Liveness
53% Instrumentalness • 41% Positiveness
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Say Hi
November Was White, December Was Grey
120 bpm • E Maj • 03:03 • -11.29db
41% Popularity • 76% Danceability • 36% Energy • 11% Liveness
43% Instrumentalness • 78% Positiveness
41% Popularity • 76% Danceability • 36% Energy • 11% Liveness
43% Instrumentalness • 78% Positiveness
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Greg Laswell
Comes And Goes (In Waves)
120 bpm • C Maj • 04:13 • -8.6db
48% Popularity • 56% Danceability • 70% Energy • 12% Liveness
2% Instrumentalness • 16% Positiveness
48% Popularity • 56% Danceability • 70% Energy • 12% Liveness
2% Instrumentalness • 16% Positiveness
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CAKE
Short Skirt / Long Jacket
120 bpm • D Maj • 03:24 • -6.55db
65% Popularity • 78% Danceability • 90% Energy • 3% Liveness
3% Instrumentalness • 88% Positiveness
65% Popularity • 78% Danceability • 90% Energy • 3% Liveness
3% Instrumentalness • 88% Positiveness
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Cloud Cult
Pretty Voice
120 bpm • D Maj • 03:45 • -9.58db
30% Popularity • 52% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 52% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Of Monsters and Men
Alligator
120 bpm • G# Maj • 03:04 • -5.51db
56% Popularity • 58% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
56% Popularity • 58% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Passion Pit
Carried Away
120 bpm • C Maj • 03:41 • -5.14db
55% Popularity • 77% Danceability • 83% Energy • 38% Liveness
0% Instrumentalness • 87% Positiveness
55% Popularity • 77% Danceability • 83% Energy • 38% Liveness
0% Instrumentalness • 87% Positiveness
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Frightened Rabbit
The Twist
120 bpm • G Maj • 03:32 • -6.88db
19% Popularity • 64% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 59% Positiveness
19% Popularity • 64% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 59% Positiveness
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The Weeks
Buttons
120 bpm • E Maj • 05:17 • -4.85db
38% Popularity • 60% Danceability • 71% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
38% Popularity • 60% Danceability • 71% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
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The Shins
Simple Song
120 bpm • G Maj • 04:15 • -5.14db
59% Popularity • 55% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
59% Popularity • 55% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Vampire Weekend
Oxford Comma
120 bpm • C Maj • 03:15 • -4.23db
57% Popularity • 69% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
57% Popularity • 69% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Ben Howard
Black Flies
132 bpm • G# Maj • 06:21 • -13db
51% Popularity • 58% Danceability • 36% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
51% Popularity • 58% Danceability • 36% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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Pete Yorn
Strange Condition
120 bpm • G Maj • 03:57 • -6.15db
41% Popularity • 52% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
41% Popularity • 52% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Yeah Yeah Yeahs
Maps
120 bpm • G Maj • 03:39 • -5.19db
69% Popularity • 50% Danceability • 94% Energy • 55% Liveness
32% Instrumentalness • 12% Positiveness
69% Popularity • 50% Danceability • 94% Energy • 55% Liveness
32% Instrumentalness • 12% Positiveness
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Stars
Take Me To The Riot
133 bpm • D# Maj • 03:48 • -5.57db
33% Popularity • 56% Danceability • 73% Energy • 14% Liveness
1% Instrumentalness • 60% Positiveness
33% Popularity • 56% Danceability • 73% Energy • 14% Liveness
1% Instrumentalness • 60% Positiveness
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The Shins
Phantom Limb
120 bpm • A Maj • 04:47 • -5db
52% Popularity • 52% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
52% Popularity • 52% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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The Decemberists
The Crane Wife 3
120 bpm • D Maj • 04:18 • -9.66db
47% Popularity • 59% Danceability • 61% Energy • 11% Liveness
4% Instrumentalness • 18% Positiveness
47% Popularity • 59% Danceability • 61% Energy • 11% Liveness
4% Instrumentalness • 18% Positiveness
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Band of Horses
I Go to the Barn Because I Like The
119 bpm • D Maj • 03:06 • -8db
51% Popularity • 42% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
51% Popularity • 42% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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City and Colour
Waiting...
133 bpm • A Maj • 04:53 • -6.27db
17% Popularity • 58% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
17% Popularity • 58% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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The Airborne Toxic Event
Sometime Around Midnight - Acoustic Vers...
119 bpm • G# Maj • 04:52 • -5db
27% Popularity • 57% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
27% Popularity • 57% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Death Cab for Cutie
I Will Possess Your Heart
133 bpm • A min • 08:25 • -8.97db
52% Popularity • 60% Danceability • 62% Energy • 7% Liveness
31% Instrumentalness • 58% Positiveness
52% Popularity • 60% Danceability • 62% Energy • 7% Liveness
31% Instrumentalness • 58% Positiveness
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TV On The Radio
Staring at the Sun
119 bpm • G# Maj • 04:01 • -8db
49% Popularity • 29% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
49% Popularity • 29% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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The Decemberists
Make You Better
119 bpm • D Maj • 05:07 • -5db
42% Popularity • 42% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
42% Popularity • 42% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Band of Horses
Wicked Gil
119 bpm • D# Maj • 02:57 • -4.3db
47% Popularity • 59% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
47% Popularity • 59% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Cloud Cult
Running With the Wolves
133 bpm • G Maj • 03:29 • -7db
30% Popularity • 36% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
30% Popularity • 36% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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Frightened Rabbit
Floating in the Forth
119 bpm • F# min • 04:16 • -6.04db
13% Popularity • 52% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
13% Popularity • 52% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Manchester Orchestra
Simple Math
134 bpm • C# Maj • 05:04 • -7.92db
40% Popularity • 34% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 34% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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New Politics
Harlem
134 bpm • F# Maj • 02:43 • -3.7db
54% Popularity • 60% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
54% Popularity • 60% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
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The Decemberists
We Both Go Down Together
119 bpm • A min • 03:04 • -6.19db
45% Popularity • 58% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
45% Popularity • 58% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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A Silent Film
Harbour Lights
134 bpm • D# Maj • 03:50 • -7.94db
31% Popularity • 51% Danceability • 60% Energy • 9% Liveness
17% Instrumentalness • 20% Positiveness
31% Popularity • 51% Danceability • 60% Energy • 9% Liveness
17% Instrumentalness • 20% Positiveness
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Metric
Help I'm Alive
118 bpm • F min • 04:46 • -4.55db
62% Popularity • 57% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
62% Popularity • 57% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
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Snow Patrol
Chocolate
118 bpm • D Maj • 03:01 • -4.34db
53% Popularity • 57% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
53% Popularity • 57% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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The Killers
A Dustland Fairytale
134 bpm • D Maj • 03:45 • -6.5db
53% Popularity • 43% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
53% Popularity • 43% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Band of Horses
The General Specific
118 bpm • F Maj • 03:07 • -6db
47% Popularity • 75% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
47% Popularity • 75% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Cold War Kids
All This Could Be Yours
118 bpm • E min • 03:08 • -2db
49% Popularity • 63% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 51% Positiveness
49% Popularity • 63% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 51% Positiveness
