Songs like Sometimes I Cry by Les McCann
Based on a tempo of (+/- 10%) and a similar genre
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Les McCann
Sometimes I Cry
136 bpm • F# Maj • 05:22 • -15.44db
32% Popularity • 48% Danceability • 26% Energy • 10% Liveness
80% Instrumentalness • 54% Positiveness
32% Popularity • 48% Danceability • 26% Energy • 10% Liveness
80% Instrumentalness • 54% Positiveness
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Joja Wendt
Come Rain Or Come Shine
136 bpm • A# Maj • 03:22 • -18.36db
1% Popularity • 41% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
1% Popularity • 41% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
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Alan Tew
Surveillance
136 bpm • G Maj • 01:33 • -20.5db
43% Popularity • 69% Danceability • 20% Energy • 10% Liveness
68% Instrumentalness • 67% Positiveness
43% Popularity • 69% Danceability • 20% Energy • 10% Liveness
68% Instrumentalness • 67% Positiveness
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Art Farmer
Siddhartha
137 bpm • D min • 07:38 • -14db
21% Popularity • 50% Danceability • 41% Energy • 7% Liveness
94% Instrumentalness • 48% Positiveness
21% Popularity • 50% Danceability • 41% Energy • 7% Liveness
94% Instrumentalness • 48% Positiveness
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Shirley Scott
Keep on Movin' On
137 bpm • A# Maj • 09:52 • -11.85db
8% Popularity • 54% Danceability • 39% Energy • 11% Liveness
88% Instrumentalness • 51% Positiveness
8% Popularity • 54% Danceability • 39% Energy • 11% Liveness
88% Instrumentalness • 51% Positiveness
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Pleasure
Theme For The Moonchild
137 bpm • G# Maj • 05:24 • -10.15db
19% Popularity • 42% Danceability • 54% Energy • 8% Liveness
20% Instrumentalness • 33% Positiveness
19% Popularity • 42% Danceability • 54% Energy • 8% Liveness
20% Instrumentalness • 33% Positiveness
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Kamaal Williams
Salaam
135 bpm • G# min • 08:33 • -11db
29% Popularity • 69% Danceability • 47% Energy • 7% Liveness
90% Instrumentalness • 44% Positiveness
29% Popularity • 69% Danceability • 47% Energy • 7% Liveness
90% Instrumentalness • 44% Positiveness
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Gene Harris
Losalamitoslatinfunklovesong
135 bpm • F min • 03:10 • -12.01db
46% Popularity • 77% Danceability • 71% Energy • 6% Liveness
1% Instrumentalness • 91% Positiveness
46% Popularity • 77% Danceability • 71% Energy • 6% Liveness
1% Instrumentalness • 91% Positiveness
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Tarika Blue
Dreamflower
135 bpm • D# min • 04:15 • -18db
48% Popularity • 55% Danceability • 25% Energy • 8% Liveness
72% Instrumentalness • 38% Positiveness
48% Popularity • 55% Danceability • 25% Energy • 8% Liveness
72% Instrumentalness • 38% Positiveness
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Les McCann
Carma
137 bpm • A# Maj • 05:29 • -8.06db
4% Popularity • 43% Danceability • 70% Energy • 14% Liveness
4% Instrumentalness • 85% Positiveness
4% Popularity • 43% Danceability • 70% Energy • 14% Liveness
4% Instrumentalness • 85% Positiveness
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Richard "Groove" Holmes
Carma
138 bpm • F min • 05:26 • -10.01db
1% Popularity • 49% Danceability • 56% Energy • 24% Liveness
2% Instrumentalness • 79% Positiveness
1% Popularity • 49% Danceability • 56% Energy • 24% Liveness
2% Instrumentalness • 79% Positiveness
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Stanton Davis' Ghetto/Mysticism
Play Sleep
138 bpm • B min • 05:09 • -11.39db
7% Popularity • 34% Danceability • 66% Energy • 17% Liveness
46% Instrumentalness • 39% Positiveness
7% Popularity • 34% Danceability • 66% Energy • 17% Liveness
46% Instrumentalness • 39% Positiveness
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Johnny "Hammond" Smith
Lost On 23rd Street
138 bpm • D# min • 05:51 • -9.33db
37% Popularity • 48% Danceability • 62% Energy • 12% Liveness
4% Instrumentalness • 56% Positiveness
37% Popularity • 48% Danceability • 62% Energy • 12% Liveness
4% Instrumentalness • 56% Positiveness
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Jack Wilkins
Red Clay
134 bpm • A# min • 04:58 • -10.79db
41% Popularity • 59% Danceability • 53% Energy • 11% Liveness
69% Instrumentalness • 50% Positiveness
41% Popularity • 59% Danceability • 53% Energy • 11% Liveness
69% Instrumentalness • 50% Positiveness
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Henry Franklin
Blue Lights
134 bpm • C Maj • 07:03 • -12.4db
9% Popularity • 38% Danceability • 73% Energy • 8% Liveness
68% Instrumentalness • 75% Positiveness
9% Popularity • 38% Danceability • 73% Energy • 8% Liveness
68% Instrumentalness • 75% Positiveness
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Les McCann
Love for Sale
134 bpm • D# Maj • 06:35 • -16.32db
15% Popularity • 58% Danceability • 29% Energy • 13% Liveness
14% Instrumentalness • 48% Positiveness
15% Popularity • 58% Danceability • 29% Energy • 13% Liveness
14% Instrumentalness • 48% Positiveness
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Richard "Groove" Holmes
Licks a Plenty
134 bpm • F min • 04:08 • -8.41db
1% Popularity • 46% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
1% Popularity • 46% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Calvin Keys
B. E.
134 bpm • E min • 07:23 • -15.79db
11% Popularity • 43% Danceability • 40% Energy • 21% Liveness
89% Instrumentalness • 52% Positiveness
11% Popularity • 43% Danceability • 40% Energy • 21% Liveness
89% Instrumentalness • 52% Positiveness
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Oliver Nelson
In A Japanese Garden
138 bpm • A# Maj • 03:11 • -11db
36% Popularity • 44% Danceability • 45% Energy • 14% Liveness
96% Instrumentalness • 37% Positiveness
36% Popularity • 44% Danceability • 45% Energy • 14% Liveness
96% Instrumentalness • 37% Positiveness
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Roy Ayers Ubiquity
Vibrations
138 bpm • F Maj • 03:02 • -10db
39% Popularity • 43% Danceability • 65% Energy • 4% Liveness
2% Instrumentalness • 31% Positiveness
39% Popularity • 43% Danceability • 65% Energy • 4% Liveness
2% Instrumentalness • 31% Positiveness
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Eddie Harris
Happy Gemini
139 bpm • C# Maj • 03:00 • -15.74db
17% Popularity • 85% Danceability • 38% Energy • 6% Liveness
75% Instrumentalness • 79% Positiveness
17% Popularity • 85% Danceability • 38% Energy • 6% Liveness
75% Instrumentalness • 79% Positiveness
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Les McCann
Sunny
138 bpm • F min • 02:36 • -11.41db
30% Popularity • 74% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 74% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 76% Positiveness
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Dave Grusin
The Colorado Trail
133 bpm • G Maj • 05:14 • -29.82db
15% Popularity • 37% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
15% Popularity • 37% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
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Gene Harris
Love Talkin'
133 bpm • D Maj • 04:49 • -13db
24% Popularity • 33% Danceability • 60% Energy • 10% Liveness
77% Instrumentalness • 31% Positiveness
24% Popularity • 33% Danceability • 60% Energy • 10% Liveness
77% Instrumentalness • 31% Positiveness
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The Chris Schilder Quintet
Spring
133 bpm • F# min • 10:39 • -4.01db
9% Popularity • 52% Danceability • 76% Energy • 16% Liveness
76% Instrumentalness • 55% Positiveness
9% Popularity • 52% Danceability • 76% Energy • 16% Liveness
76% Instrumentalness • 55% Positiveness
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O'Donel Levy
Call Me
133 bpm • A# Maj • 04:03 • -15.51db
26% Popularity • 67% Danceability • 36% Energy • 9% Liveness
94% Instrumentalness • 92% Positiveness
26% Popularity • 67% Danceability • 36% Energy • 9% Liveness
94% Instrumentalness • 92% Positiveness
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Pete Jolly
Leaves
133 bpm • C Maj • 01:43 • -25.8db
30% Popularity • 80% Danceability • 0% Energy • 10% Liveness
8% Instrumentalness • 19% Positiveness
30% Popularity • 80% Danceability • 0% Energy • 10% Liveness
8% Instrumentalness • 19% Positiveness
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September
Stump
133 bpm • A min • 03:26 • -12.31db
12% Popularity • 65% Danceability • 39% Energy • 10% Liveness
85% Instrumentalness • 66% Positiveness
12% Popularity • 65% Danceability • 39% Energy • 10% Liveness
85% Instrumentalness • 66% Positiveness
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The Awakening
When Will It Ever End
139 bpm • A min • 07:18 • -20.68db
16% Popularity • 40% Danceability • 15% Energy • 20% Liveness
53% Instrumentalness • 35% Positiveness
16% Popularity • 40% Danceability • 15% Energy • 20% Liveness
53% Instrumentalness • 35% Positiveness
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Billy Cobham
Heather
133 bpm • A# min • 08:40 • -27.87db
38% Popularity • 35% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 35% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Alan Tew
Night Watch
133 bpm • A min • 02:14 • -24.54db
34% Popularity • 62% Danceability • 13% Energy • 8% Liveness
87% Instrumentalness • 65% Positiveness
34% Popularity • 62% Danceability • 13% Energy • 8% Liveness
87% Instrumentalness • 65% Positiveness
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Gene Ammons
Jungle Strut
133 bpm • D# min • 05:11 • -14db
28% Popularity • 65% Danceability • 62% Energy • 5% Liveness
12% Instrumentalness • 55% Positiveness
28% Popularity • 65% Danceability • 62% Energy • 5% Liveness
12% Instrumentalness • 55% Positiveness
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The Greg Foat Group
Door into Summer
140 bpm • B min • 05:01 • -12.57db
19% Popularity • 46% Danceability • 43% Energy • 22% Liveness
93% Instrumentalness • 28% Positiveness
19% Popularity • 46% Danceability • 43% Energy • 22% Liveness
93% Instrumentalness • 28% Positiveness
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Herbie Hancock
Bubbles
140 bpm • C# min • 08:59 • -15.36db
26% Popularity • 67% Danceability • 31% Energy • 35% Liveness
84% Instrumentalness • 40% Positiveness
26% Popularity • 67% Danceability • 31% Energy • 35% Liveness
84% Instrumentalness • 40% Positiveness
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The Awakening
Kera's Dance
133 bpm • A Maj • 10:03 • -18.03db
11% Popularity • 53% Danceability • 30% Energy • 22% Liveness
81% Instrumentalness • 43% Positiveness
11% Popularity • 53% Danceability • 30% Energy • 22% Liveness
81% Instrumentalness • 43% Positiveness
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Larry Nozero
Tune For L.N.
133 bpm • G min • 05:48 • -14.05db
11% Popularity • 57% Danceability • 48% Energy • 15% Liveness
91% Instrumentalness • 76% Positiveness
11% Popularity • 57% Danceability • 48% Energy • 15% Liveness
91% Instrumentalness • 76% Positiveness
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Richard "Groove" Holmes
Me & Groove
132 bpm • A# Maj • 03:11 • -12.12db
1% Popularity • 50% Danceability • 52% Energy • 6% Liveness
5% Instrumentalness • 93% Positiveness
1% Popularity • 50% Danceability • 52% Energy • 6% Liveness
5% Instrumentalness • 93% Positiveness
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Wayne Shorter
Beauty and the Beast
140 bpm • G min • 05:04 • -7db
29% Popularity • 67% Danceability • 57% Energy • 6% Liveness
50% Instrumentalness • 65% Positiveness
29% Popularity • 67% Danceability • 57% Energy • 6% Liveness
50% Instrumentalness • 65% Positiveness
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Shelton Kilby
Poor Wayfaring Stranger
140 bpm • A# Maj • 04:19 • -13.73db
31% Popularity • 63% Danceability • 26% Energy • 9% Liveness
37% Instrumentalness • 57% Positiveness
31% Popularity • 63% Danceability • 26% Energy • 9% Liveness
37% Instrumentalness • 57% Positiveness
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Eddie Henderson
Kudu
132 bpm • F# Maj • 06:06 • -11db
13% Popularity • 51% Danceability • 73% Energy • 17% Liveness
83% Instrumentalness • 55% Positiveness
13% Popularity • 51% Danceability • 73% Energy • 17% Liveness
83% Instrumentalness • 55% Positiveness
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Calvin Keys
B. K.
132 bpm • G Maj • 09:20 • -13.14db
11% Popularity • 60% Danceability • 52% Energy • 22% Liveness
1% Instrumentalness • 76% Positiveness
11% Popularity • 60% Danceability • 52% Energy • 22% Liveness
1% Instrumentalness • 76% Positiveness
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Marion Brown
Maimoun
141 bpm • C Maj • 07:33 • -10.91db
14% Popularity • 41% Danceability • 67% Energy • 10% Liveness
40% Instrumentalness • 27% Positiveness
14% Popularity • 41% Danceability • 67% Energy • 10% Liveness
40% Instrumentalness • 27% Positiveness
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Tarika Blue
Things Spring
141 bpm • D# Maj • 06:22 • -16.13db
19% Popularity • 45% Danceability • 44% Energy • 10% Liveness
87% Instrumentalness • 82% Positiveness
19% Popularity • 45% Danceability • 44% Energy • 10% Liveness
87% Instrumentalness • 82% Positiveness
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The Lyman Woodard Organization
Joy Road
131 bpm • G min • 04:57 • -7.67db
24% Popularity • 31% Danceability • 39% Energy • 19% Liveness
80% Instrumentalness • 30% Positiveness
24% Popularity • 31% Danceability • 39% Energy • 19% Liveness
80% Instrumentalness • 30% Positiveness
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Hermeto Pascoal
Dança do Pajé
141 bpm • C# Maj • 08:59 • -12.92db
19% Popularity • 29% Danceability • 49% Energy • 15% Liveness
40% Instrumentalness • 40% Positiveness
19% Popularity • 29% Danceability • 49% Energy • 15% Liveness
40% Instrumentalness • 40% Positiveness
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John Klemmer
My Love Has Butterfly Wings
131 bpm • F Maj • 03:50 • -14.49db
35% Popularity • 46% Danceability • 32% Energy • 28% Liveness
74% Instrumentalness • 8% Positiveness
35% Popularity • 46% Danceability • 32% Energy • 28% Liveness
74% Instrumentalness • 8% Positiveness
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Les McCann
Bags' Groove
141 bpm • A# Maj • 03:08 • -17.37db
5% Popularity • 52% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 47% Positiveness
5% Popularity • 52% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 47% Positiveness
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Mulatu Astatke
Mascaram Setaba - Stereo Master
141 bpm • B min • 02:47 • -15.99db
50% Popularity • 50% Danceability • 40% Energy • 11% Liveness
68% Instrumentalness • 85% Positiveness
50% Popularity • 50% Danceability • 40% Energy • 11% Liveness
68% Instrumentalness • 85% Positiveness
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Phil Ranelin
Vibes From The Tribe (Prelude)
141 bpm • F# Maj • 03:32 • -20.11db
21% Popularity • 60% Danceability • 28% Energy • 10% Liveness
86% Instrumentalness • 70% Positiveness
21% Popularity • 60% Danceability • 28% Energy • 10% Liveness
86% Instrumentalness • 70% Positiveness
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Michael White
The Land Of Spirit And Light (Part 1)
141 bpm • B Maj • 02:43 • -13.73db
15% Popularity • 46% Danceability • 51% Energy • 15% Liveness
57% Instrumentalness • 89% Positiveness
15% Popularity • 46% Danceability • 51% Energy • 15% Liveness
57% Instrumentalness • 89% Positiveness
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Gene Harris & The Three Sounds
African Sweets
131 bpm • A min • 04:28 • -9db
15% Popularity • 61% Danceability • 67% Energy • 64% Liveness
82% Instrumentalness • 84% Positiveness
15% Popularity • 61% Danceability • 67% Energy • 64% Liveness
82% Instrumentalness • 84% Positiveness
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Walter Bishop, Jr.
Coral Keys
141 bpm • D min • 05:37 • -21.15db
10% Popularity • 58% Danceability • 18% Energy • 12% Liveness
31% Instrumentalness • 59% Positiveness
10% Popularity • 58% Danceability • 18% Energy • 12% Liveness
31% Instrumentalness • 59% Positiveness
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Jack Wilkins
Canzona
130 bpm • A# min • 05:20 • -10.6db
19% Popularity • 43% Danceability • 82% Energy • 11% Liveness
32% Instrumentalness • 81% Positiveness
19% Popularity • 43% Danceability • 82% Energy • 11% Liveness
32% Instrumentalness • 81% Positiveness
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David "Fathead" Newman
Foxy Brown
130 bpm • E min • 04:58 • -10.34db
9% Popularity • 78% Danceability • 64% Energy • 12% Liveness
2% Instrumentalness • 90% Positiveness
9% Popularity • 78% Danceability • 64% Energy • 12% Liveness
2% Instrumentalness • 90% Positiveness
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Idris Muhammad
By The Red Sea
142 bpm • F min • 08:53 • -17.39db
18% Popularity • 58% Danceability • 48% Energy • 4% Liveness
85% Instrumentalness • 81% Positiveness
18% Popularity • 58% Danceability • 48% Energy • 4% Liveness
85% Instrumentalness • 81% Positiveness
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Eddie Harris
Hip Hoppin'
130 bpm • G Maj • 02:34 • -13.06db
17% Popularity • 64% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
17% Popularity • 64% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Tarika Blue
Truth Is The Key
130 bpm • D min • 06:49 • -14.2db
27% Popularity • 60% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
27% Popularity • 60% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Manfredo Fest
Braziliana Nº 1
143 bpm • C# Maj • 09:04 • -12.68db
22% Popularity • 42% Danceability • 46% Energy • 14% Liveness
73% Instrumentalness • 41% Positiveness
22% Popularity • 42% Danceability • 46% Energy • 14% Liveness
73% Instrumentalness • 41% Positiveness
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Les McCann
Soaring, Pt. 2
129 bpm • C Maj • 08:02 • -17.84db
11% Popularity • 57% Danceability • 28% Energy • 4% Liveness
86% Instrumentalness • 56% Positiveness
11% Popularity • 57% Danceability • 28% Energy • 4% Liveness
86% Instrumentalness • 56% Positiveness
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Wilma Archer
Scarecrow
129 bpm • A# min • 05:53 • -11.66db
18% Popularity • 43% Danceability • 37% Energy • 30% Liveness
47% Instrumentalness • 31% Positiveness
18% Popularity • 43% Danceability • 37% Energy • 30% Liveness
47% Instrumentalness • 31% Positiveness
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O'Donel Levy
Watch What Happens
129 bpm • A# Maj • 03:34 • -15.1db
31% Popularity • 68% Danceability • 33% Energy • 9% Liveness
90% Instrumentalness • 76% Positiveness
31% Popularity • 68% Danceability • 33% Energy • 9% Liveness
90% Instrumentalness • 76% Positiveness
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Sandro Brugnolini
Stenella dubia
144 bpm • C Maj • 03:39 • -15db
35% Popularity • 56% Danceability • 37% Energy • 11% Liveness
92% Instrumentalness • 32% Positiveness
35% Popularity • 56% Danceability • 37% Energy • 11% Liveness
92% Instrumentalness • 32% Positiveness
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Tarika Blue
Charlie
129 bpm • B min • 04:44 • -12.97db
15% Popularity • 44% Danceability • 60% Energy • 33% Liveness
93% Instrumentalness • 90% Positiveness
15% Popularity • 44% Danceability • 60% Energy • 33% Liveness
93% Instrumentalness • 90% Positiveness
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Charles Earland
'Cause I Love Her
129 bpm • D min • 09:39 • -8.92db
12% Popularity • 63% Danceability • 65% Energy • 7% Liveness
87% Instrumentalness • 66% Positiveness
12% Popularity • 63% Danceability • 65% Energy • 7% Liveness
87% Instrumentalness • 66% Positiveness
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Sven Libaek
Solar Flares
128 bpm • C Maj • 03:31 • -16.16db
34% Popularity • 60% Danceability • 43% Energy • 20% Liveness
82% Instrumentalness • 89% Positiveness
34% Popularity • 60% Danceability • 43% Energy • 20% Liveness
82% Instrumentalness • 89% Positiveness
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Don Cherry
Medley: Journey of Milarepa / Shanti / E...
144 bpm • A min • 10:12 • -8db
10% Popularity • 42% Danceability • 80% Energy • 14% Liveness
70% Instrumentalness • 62% Positiveness
10% Popularity • 42% Danceability • 80% Energy • 14% Liveness
70% Instrumentalness • 62% Positiveness
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Hampshire & Foat
End Song
128 bpm • F Maj • 07:05 • -11.15db
20% Popularity • 36% Danceability • 49% Energy • 15% Liveness
91% Instrumentalness • 24% Positiveness
20% Popularity • 36% Danceability • 49% Energy • 15% Liveness
91% Instrumentalness • 24% Positiveness
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Les McCann
Blues For Yna Yna
128 bpm • D min • 03:12 • -22.2db
23% Popularity • 48% Danceability • 12% Energy • 11% Liveness
66% Instrumentalness • 28% Positiveness
23% Popularity • 48% Danceability • 12% Energy • 11% Liveness
66% Instrumentalness • 28% Positiveness
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Tarika Blue
Revelation
128 bpm • C Maj • 07:02 • -10.41db
13% Popularity • 39% Danceability • 68% Energy • 36% Liveness
2% Instrumentalness • 73% Positiveness
13% Popularity • 39% Danceability • 68% Energy • 36% Liveness
2% Instrumentalness • 73% Positiveness
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Dexter Wansel
Rings of Saturn
145 bpm • A# Maj • 03:42 • -12.19db
18% Popularity • 29% Danceability • 43% Energy • 14% Liveness
42% Instrumentalness • 4% Positiveness
18% Popularity • 29% Danceability • 43% Energy • 14% Liveness
42% Instrumentalness • 4% Positiveness
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James Mason
Mbewe
145 bpm • D Maj • 02:29 • -7.89db
18% Popularity • 59% Danceability • 60% Energy • 16% Liveness
3% Instrumentalness • 73% Positiveness
18% Popularity • 59% Danceability • 60% Energy • 16% Liveness
3% Instrumentalness • 73% Positiveness
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Adele Sebastian
Belize
128 bpm • C min • 05:49 • -19.85db
12% Popularity • 57% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 60% Positiveness
12% Popularity • 57% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 60% Positiveness
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Jack DeJohnette
Four Levels Of Joy
128 bpm • A# Maj • 03:12 • -20.87db
32% Popularity • 44% Danceability • 30% Energy • 13% Liveness
96% Instrumentalness • 81% Positiveness
32% Popularity • 44% Danceability • 30% Energy • 13% Liveness
96% Instrumentalness • 81% Positiveness
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Roland Haynes
Aicelis
127 bpm • C Maj • 04:37 • -20.27db
8% Popularity • 40% Danceability • 26% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
8% Popularity • 40% Danceability • 26% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
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Les McCann
Let's Gather
145 bpm • G Maj • 01:13 • -18.43db
25% Popularity • 40% Danceability • 41% Energy • 10% Liveness
87% Instrumentalness • 27% Positiveness
25% Popularity • 40% Danceability • 41% Energy • 10% Liveness
87% Instrumentalness • 27% Positiveness
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Roy Ayers Ubiquity
I Don't Know How To Love Him
127 bpm • G Maj • 04:02 • -18.91db
15% Popularity • 25% Danceability • 22% Energy • 14% Liveness
95% Instrumentalness • 22% Positiveness
15% Popularity • 25% Danceability • 22% Energy • 14% Liveness
95% Instrumentalness • 22% Positiveness
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Idris Muhammad
Camby Bolongo
127 bpm • E Maj • 04:33 • -7db
27% Popularity • 89% Danceability • 52% Energy • 7% Liveness
77% Instrumentalness • 91% Positiveness
27% Popularity • 89% Danceability • 52% Energy • 7% Liveness
77% Instrumentalness • 91% Positiveness
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David Axelrod
Don't You Worry 'Bout A Thing
127 bpm • C min • 03:42 • -11.39db
26% Popularity • 64% Danceability • 60% Energy • 13% Liveness
66% Instrumentalness • 66% Positiveness
26% Popularity • 64% Danceability • 60% Energy • 13% Liveness
66% Instrumentalness • 66% Positiveness
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Maynard Ferguson
Mister Mellow
146 bpm • C min • 06:27 • -10db
25% Popularity • 59% Danceability • 52% Energy • 13% Liveness
83% Instrumentalness • 51% Positiveness
25% Popularity • 59% Danceability • 52% Energy • 13% Liveness
83% Instrumentalness • 51% Positiveness
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Don Cherry
California
126 bpm • C Maj • 02:49 • -8.16db
15% Popularity • 57% Danceability • 97% Energy • 25% Liveness
20% Instrumentalness • 57% Positiveness
15% Popularity • 57% Danceability • 97% Energy • 25% Liveness
20% Instrumentalness • 57% Positiveness
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Les McCann
Doin That Thing
127 bpm • E min • 08:30 • -16.67db
26% Popularity • 54% Danceability • 38% Energy • 12% Liveness
95% Instrumentalness • 45% Positiveness
26% Popularity • 54% Danceability • 38% Energy • 12% Liveness
95% Instrumentalness • 45% Positiveness
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ã‚»ã‚トオ・シゲオ
処女航海
126 bpm • A# Maj • 06:58 • -13.53db
38% Popularity • 48% Danceability • 37% Energy • 9% Liveness
73% Instrumentalness • 24% Positiveness
38% Popularity • 48% Danceability • 37% Energy • 9% Liveness
73% Instrumentalness • 24% Positiveness
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Kool & The Gang
Wild And Peaceful
147 bpm • E min • 09:32 • -15db
17% Popularity • 39% Danceability • 44% Energy • 11% Liveness
78% Instrumentalness • 41% Positiveness
17% Popularity • 39% Danceability • 44% Energy • 11% Liveness
78% Instrumentalness • 41% Positiveness
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Herbie Hancock
You'll Know When You Get There
126 bpm • E min • 10:14 • -15.31db
20% Popularity • 36% Danceability • 25% Energy • 8% Liveness
71% Instrumentalness • 11% Positiveness
20% Popularity • 36% Danceability • 25% Energy • 8% Liveness
71% Instrumentalness • 11% Positiveness
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The Lightmen
Luke
126 bpm • C min • 02:44 • -10.98db
14% Popularity • 54% Danceability • 52% Energy • 32% Liveness
1% Instrumentalness • 88% Positiveness
14% Popularity • 54% Danceability • 52% Energy • 32% Liveness
1% Instrumentalness • 88% Positiveness
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Roy Ayers Ubiquity
He Ain't Heavy He's My Brother
147 bpm • G Maj • 04:06 • -18.47db
15% Popularity • 36% Danceability • 36% Energy • 9% Liveness
92% Instrumentalness • 37% Positiveness
15% Popularity • 36% Danceability • 36% Energy • 9% Liveness
92% Instrumentalness • 37% Positiveness
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Les McCann
Poo Pye McGoochie (And His Friends)
146 bpm • A# min • 12:30 • -16.51db
8% Popularity • 50% Danceability • 59% Energy • 8% Liveness
79% Instrumentalness • 37% Positiveness
8% Popularity • 50% Danceability • 59% Energy • 8% Liveness
79% Instrumentalness • 37% Positiveness
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The Lloyd McNeill Quartet
2504 Cliffborne Pl.
125 bpm • G# min • 05:59 • -23.38db
8% Popularity • 35% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 38% Positiveness
8% Popularity • 35% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 38% Positiveness
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Tarika Blue
Blue Neptune
125 bpm • E min • 04:46 • -15.03db
14% Popularity • 39% Danceability • 35% Energy • 19% Liveness
13% Instrumentalness • 16% Positiveness
14% Popularity • 39% Danceability • 35% Energy • 19% Liveness
13% Instrumentalness • 16% Positiveness
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Jack DeJohnette
Epilog
148 bpm • B min • 03:14 • -12.35db
32% Popularity • 68% Danceability • 47% Energy • 10% Liveness
33% Instrumentalness • 97% Positiveness
32% Popularity • 68% Danceability • 47% Energy • 10% Liveness
33% Instrumentalness • 97% Positiveness
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The J.B.'s
Theme From King Heroin
148 bpm • A# min • 03:07 • -18db
34% Popularity • 49% Danceability • 13% Energy • 8% Liveness
65% Instrumentalness • 71% Positiveness
34% Popularity • 49% Danceability • 13% Energy • 8% Liveness
65% Instrumentalness • 71% Positiveness
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Bennie Maupin
Water Torture
148 bpm • C Maj • 04:53 • -14db
19% Popularity • 46% Danceability • 39% Energy • 10% Liveness
77% Instrumentalness • 48% Positiveness
19% Popularity • 46% Danceability • 39% Energy • 10% Liveness
77% Instrumentalness • 48% Positiveness
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Les McCann
Roberta
146 bpm • D# Maj • 08:53 • -15.7db
16% Popularity • 38% Danceability • 19% Energy • 10% Liveness
83% Instrumentalness • 21% Positiveness
16% Popularity • 38% Danceability • 19% Energy • 10% Liveness
83% Instrumentalness • 21% Positiveness
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Dexter Wansel
Time Is the Teacher
148 bpm • D min • 05:27 • -9db
15% Popularity • 33% Danceability • 48% Energy • 7% Liveness
54% Instrumentalness • 28% Positiveness
15% Popularity • 33% Danceability • 48% Energy • 7% Liveness
54% Instrumentalness • 28% Positiveness
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Stefano Torossi
Feeling tense
149 bpm • D Maj • 04:09 • -14db
28% Popularity • 61% Danceability • 50% Energy • 13% Liveness
90% Instrumentalness • 68% Positiveness
28% Popularity • 61% Danceability • 50% Energy • 13% Liveness
90% Instrumentalness • 68% Positiveness
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Placebo
Showbiz Suite
124 bpm • D Maj • 07:41 • -14.16db
11% Popularity • 40% Danceability • 35% Energy • 11% Liveness
83% Instrumentalness • 10% Positiveness
11% Popularity • 40% Danceability • 35% Energy • 11% Liveness
83% Instrumentalness • 10% Positiveness
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Steve Kuhn
A Change Of Face
149 bpm • C min • 04:58 • -10.05db
22% Popularity • 31% Danceability • 75% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
22% Popularity • 31% Danceability • 75% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
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Roy Haynes
Dorian
150 bpm • C min • 06:48 • -15.22db
3% Popularity • 40% Danceability • 32% Energy • 10% Liveness
10% Instrumentalness • 58% Positiveness
3% Popularity • 40% Danceability • 32% Energy • 10% Liveness
10% Instrumentalness • 58% Positiveness
