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Sometimes I Still Miss You
Songs like
Sometimes I Still Miss You
by
Milan Polak
Based on a tempo of (+/- 10%) and a similar genre
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Time Waves
Tomorrows News
118 bpm • C Maj • 04:32 • -4.86db
0% Popularity • 51% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Joe Stump
N the Master's House
118 bpm • F# Maj • 08:40 • -6.04db
8% Popularity • 46% Danceability • 83% Energy • 13% Liveness
84% Instrumentalness • 45% Positiveness
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Jon Sudbury
Soul Surviving
118 bpm • C Maj • 05:13 • -6.93db
12% Popularity • 64% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Stel Andre
A Night With You
118 bpm • D min • 04:40 • -7.86db
16% Popularity • 47% Danceability • 57% Energy • 20% Liveness
78% Instrumentalness • 14% Positiveness
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Milan Polak
Sometimes I Still Miss You
118 bpm • E min • 04:26 • -10.91db
0% Popularity • 66% Danceability • 66% Energy • 28% Liveness
82% Instrumentalness • 39% Positiveness
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Omar Bruce
Trust And Betray
119 bpm • A# min • 04:09 • -7.08db
27% Popularity • 59% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 36% Positiveness
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Paul Gilbert
Love Is The Saddest Thing
117 bpm • D Maj • 04:07 • -9db
15% Popularity • 55% Danceability • 88% Energy • 15% Liveness
83% Instrumentalness • 44% Positiveness
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Joe Stump
The Beacon
118 bpm • A# min • 06:05 • -5db
14% Popularity • 38% Danceability • 86% Energy • 8% Liveness
70% Instrumentalness • 44% Positiveness
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Brian Maillard
A Positive Mind
117 bpm • F# min • 05:32 • -4.79db
13% Popularity • 55% Danceability • 91% Energy • 23% Liveness
85% Instrumentalness • 35% Positiveness
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John Petrucci
Tunnel Vision
119 bpm • E Maj • 06:35 • -5.49db
28% Popularity • 51% Danceability • 92% Energy • 21% Liveness
79% Instrumentalness • 42% Positiveness
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Milan Polak
Sometimes I Still Miss You
118 bpm • G Maj • 04:18 • -6.68db
7% Popularity • 43% Danceability • 87% Energy • 6% Liveness
77% Instrumentalness • 22% Positiveness
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Rhythm Therapy Band
Ghost in the Machine
119 bpm • G Maj • 03:48 • -8.3db
13% Popularity • 31% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 12% Positiveness
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STARGAZER
Land of Confusion
117 bpm • F# min • 03:32 • -12.04db
14% Popularity • 61% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Jason Solowsky
Cybernetic Chaos
120 bpm • B min • 06:50 • -9db
10% Popularity • 25% Danceability • 85% Energy • 12% Liveness
89% Instrumentalness • 24% Positiveness
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Jan Cyrka
Rip Roaring
120 bpm • G Maj • 01:38 • -4.89db
33% Popularity • 40% Danceability • 76% Energy • 12% Liveness
97% Instrumentalness • 69% Positiveness
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John Petrucci
Lost Without You
120 bpm • G min • 04:56 • -9.15db
35% Popularity • 46% Danceability • 50% Energy • 13% Liveness
40% Instrumentalness • 19% Positiveness
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Carlos Castillo
Endless
120 bpm • A# min • 02:14 • -12.87db
12% Popularity • 58% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
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Milan Polak
The Future Is Now
117 bpm • C# min • 04:13 • -5.92db
0% Popularity • 51% Danceability • 96% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
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Neronia
On Through the Night
120 bpm • B Maj • 03:57 • -5.6db
33% Popularity • 53% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
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Tony MacAlpine
Exhibitionist Blvd.
120 bpm • B Maj • 04:27 • -4db
31% Popularity • 45% Danceability • 98% Energy • 32% Liveness
87% Instrumentalness • 21% Positiveness
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Jam Track Central
The Best of Times
120 bpm • D min • 01:50 • -6.45db
25% Popularity • 38% Danceability • 83% Energy • 38% Liveness
88% Instrumentalness • 81% Positiveness
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Jeff Kollman
Journey Through Life
120 bpm • F# min • 04:52 • -11.59db
18% Popularity • 54% Danceability • 81% Energy • 33% Liveness
87% Instrumentalness • 55% Positiveness
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Luke Asher
Secret Garden
120 bpm • D Maj • 03:34 • -6.92db
8% Popularity • 59% Danceability • 52% Energy • 21% Liveness
84% Instrumentalness • 38% Positiveness
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Milan Polak
Slowgold
120 bpm • A Maj • 04:28 • -11.8db
0% Popularity • 76% Danceability • 35% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
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Igor Paspalj
Cassiopeia
120 bpm • C# min • 04:37 • -7.61db
17% Popularity • 52% Danceability • 86% Energy • 13% Liveness
78% Instrumentalness • 42% Positiveness
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Takanori Terada
Transwarp
120 bpm • G# Maj • 03:02 • -5.54db
10% Popularity • 40% Danceability • 97% Energy • 22% Liveness
90% Instrumentalness • 47% Positiveness
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Stel Andre
Them Feels
120 bpm • A Maj • 03:40 • -9.63db
15% Popularity • 43% Danceability • 52% Energy • 12% Liveness
94% Instrumentalness • 33% Positiveness
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Mr. Fastfinger
Effortless
120 bpm • A# Maj • 05:24 • -8.73db
16% Popularity • 70% Danceability • 55% Energy • 12% Liveness
87% Instrumentalness • 33% Positiveness
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Andy Wood
Forgotten Secrets
120 bpm • B min • 03:46 • -6.52db
27% Popularity • 56% Danceability • 92% Energy • 11% Liveness
82% Instrumentalness • 66% Positiveness
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Luka Biljak
Snake Against Wolf
120 bpm • F# Maj • 04:06 • -5.46db
2% Popularity • 41% Danceability • 88% Energy • 11% Liveness
80% Instrumentalness • 32% Positiveness
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Al Joseph
Purpose
120 bpm • A Maj • 04:56 • -6.73db
14% Popularity • 40% Danceability • 90% Energy • 33% Liveness
89% Instrumentalness • 42% Positiveness
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John Norum
In Chase Of The Wind
116 bpm • E min • 02:59 • -10.34db
23% Popularity • 39% Danceability • 72% Energy • 28% Liveness
60% Instrumentalness • 36% Positiveness
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Milan Polak
This Time
116 bpm • F Maj • 03:51 • -4.64db
1% Popularity • 59% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Mr. Fastfinger
Wax On – Wax Off
120 bpm • F# Maj • 05:42 • -9db
11% Popularity • 60% Danceability • 84% Energy • 6% Liveness
17% Instrumentalness • 40% Positiveness
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Neal Schon
The Universe
120 bpm • F min • 04:22 • -7.08db
17% Popularity • 55% Danceability • 83% Energy • 10% Liveness
38% Instrumentalness • 18% Positiveness
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Gustavo Guerra
Sunset 1030
120 bpm • B min • 03:55 • -6.06db
9% Popularity • 49% Danceability • 79% Energy • 27% Liveness
45% Instrumentalness • 38% Positiveness
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Al Joseph
I Just Wish
120 bpm • A# Maj • 05:59 • -6.1db
27% Popularity • 41% Danceability • 72% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
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Fabrizio Leo
Mr Malusardi in Los Angeles
120 bpm • E min • 03:53 • -5.82db
11% Popularity • 53% Danceability • 89% Energy • 4% Liveness
81% Instrumentalness • 25% Positiveness
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Michael Angelo Batio
Rain Forest
120 bpm • G# min • 06:29 • -11.59db
18% Popularity • 47% Danceability • 88% Energy • 8% Liveness
83% Instrumentalness • 56% Positiveness
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Stel Andre
The Flame Within
120 bpm • E min • 02:51 • -5.43db
16% Popularity • 48% Danceability • 93% Energy • 36% Liveness
4% Instrumentalness • 60% Positiveness
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Gary Hoey
The Deep
120 bpm • D# min • 06:02 • -4.8db
8% Popularity • 48% Danceability • 71% Energy • 30% Liveness
74% Instrumentalness • 10% Positiveness
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Jam Track Central
Flying High
120 bpm • G Maj • 02:20 • -6.75db
20% Popularity • 47% Danceability • 74% Energy • 8% Liveness
88% Instrumentalness • 29% Positiveness
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Holler
Don't Walk Away
120 bpm • E Maj • 04:11 • -7.87db
16% Popularity • 50% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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The Enders
The End of Innocence
120 bpm • C# Maj • 04:45 • -6.62db
17% Popularity • 29% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Paul Gilbert
Midnight Maryanne
120 bpm • F Maj • 03:34 • -5.41db
12% Popularity • 59% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Daniele Gottardo
Dick Plays the Blues
120 bpm • C Maj • 03:21 • -7.86db
25% Popularity • 59% Danceability • 78% Energy • 11% Liveness
40% Instrumentalness • 37% Positiveness
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Michael Angelo Batio
Rainforest
120 bpm • G# min • 05:25 • -6.2db
8% Popularity • 46% Danceability • 93% Energy • 20% Liveness
91% Instrumentalness • 56% Positiveness
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Throckmore
Like It This Way
115 bpm • F# Maj • 03:35 • -6.04db
9% Popularity • 44% Danceability • 86% Energy • 15% Liveness
1% Instrumentalness • 33% Positiveness
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Milan Polak
Quicksilver
115 bpm • A Maj • 03:41 • -9.57db
0% Popularity • 61% Danceability • 94% Energy • 18% Liveness
84% Instrumentalness • 34% Positiveness
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Jørg
Dreaming of a Blue Fly - Radio Edit
121 bpm • B Maj • 02:37 • -6.38db
34% Popularity • 45% Danceability • 79% Energy • 38% Liveness
71% Instrumentalness • 26% Positiveness
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Jeff Kollman
Cosmo Ray Vaughn
115 bpm • G Maj • 05:29 • -8db
14% Popularity • 65% Danceability • 82% Energy • 11% Liveness
88% Instrumentalness • 38% Positiveness
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EMPERORS & ANGELS
Black Cat
115 bpm • A Maj • 04:33 • -6.78db
28% Popularity • 57% Danceability • 90% Energy • 90% Liveness
0% Instrumentalness • 51% Positiveness
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Andy Wood
Junktown
115 bpm • F# min • 03:16 • -5.1db
32% Popularity • 59% Danceability • 93% Energy • 10% Liveness
90% Instrumentalness • 80% Positiveness
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Takanori Terada
Spring Season
115 bpm • E Maj • 02:52 • -8.02db
10% Popularity • 48% Danceability • 91% Energy • 13% Liveness
13% Instrumentalness • 52% Positiveness
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Pete Thorn
10th Street
115 bpm • C Maj • 03:22 • -4.93db
19% Popularity • 57% Danceability • 71% Energy • 9% Liveness
82% Instrumentalness • 25% Positiveness
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Tyler Larson
Rising
121 bpm • C min • 03:56 • -5.42db
11% Popularity • 57% Danceability • 86% Energy • 35% Liveness
83% Instrumentalness • 53% Positiveness
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Shawn Lane
The Way It Has to Be
115 bpm • D# Maj • 04:43 • -6.65db
29% Popularity • 44% Danceability • 70% Energy • 16% Liveness
16% Instrumentalness • 31% Positiveness
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Steve Vai
Windows to the Soul
121 bpm • A min • 06:25 • -6.59db
28% Popularity • 52% Danceability • 74% Energy • 21% Liveness
15% Instrumentalness • 54% Positiveness
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Hazzell
Distorted Reality
115 bpm • D Maj • 05:30 • -9db
9% Popularity • 31% Danceability • 68% Energy • 10% Liveness
75% Instrumentalness • 47% Positiveness
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Joe Stump
Tortured Soul
122 bpm • D# min • 07:10 • -4.26db
11% Popularity • 23% Danceability • 78% Energy • 12% Liveness
77% Instrumentalness • 49% Positiveness
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Rhythm Therapy Band
Alien
122 bpm • C Maj • 04:07 • -8.02db
14% Popularity • 55% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Gary Hoey
Karma Climb
122 bpm • G# min • 05:25 • -7.41db
8% Popularity • 47% Danceability • 78% Energy • 37% Liveness
81% Instrumentalness • 42% Positiveness
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My haunted past
4. I'LL BE FINE
122 bpm • F# Maj • 03:21 • -6.54db
1% Popularity • 47% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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Milan Polak
Heroes Die Young
114 bpm • B Maj • 04:09 • -6.04db
0% Popularity • 59% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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Gwendolyn Ivan
Save The World
122 bpm • C min • 04:11 • -13.36db
28% Popularity • 39% Danceability • 48% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
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Joe Stump
Demonic Trance
122 bpm • G# Maj • 02:48 • -5.87db
14% Popularity • 23% Danceability • 84% Energy • 9% Liveness
76% Instrumentalness • 17% Positiveness
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Jeff Kollman
Shedding Skin
122 bpm • E min • 04:58 • -10.61db
20% Popularity • 56% Danceability • 85% Energy • 13% Liveness
93% Instrumentalness • 37% Positiveness
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Gary Hoey
Bert's Lounge - Live
114 bpm • D# min • 06:04 • -7.92db
7% Popularity • 33% Danceability • 92% Energy • 18% Liveness
76% Instrumentalness • 37% Positiveness
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Joe Hankins
Go Away
122 bpm • G min • 05:35 • -9.62db
28% Popularity • 56% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Milan Polak
Sylphie
123 bpm • G Maj • 04:03 • -8.49db
1% Popularity • 47% Danceability • 61% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
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RPWL
Life In A Cage - Live
123 bpm • A min • 06:51 • -7.61db
20% Popularity • 27% Danceability • 77% Energy • 98% Liveness
8% Instrumentalness • 21% Positiveness
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Michael Lee Firkins
24 Grand Avenue
123 bpm • A Maj • 04:36 • -13.3db
17% Popularity • 51% Danceability • 70% Energy • 36% Liveness
32% Instrumentalness • 62% Positiveness
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Nick Lawyer
Hidden Stars - Album Mix
123 bpm • C# Maj • 02:04 • -7.81db
0% Popularity • 56% Danceability • 94% Energy • 24% Liveness
17% Instrumentalness • 24% Positiveness
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Marco Sfogli
Andromeda
113 bpm • E Maj • 06:30 • -3.68db
25% Popularity • 20% Danceability • 79% Energy • 28% Liveness
81% Instrumentalness • 19% Positiveness
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Jam Track Central
Sunshine Highway
123 bpm • D Maj • 01:34 • -3.78db
23% Popularity • 38% Danceability • 91% Energy • 5% Liveness
82% Instrumentalness • 49% Positiveness
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Milan Polak
Utopia
123 bpm • F Maj • 04:12 • -9.85db
0% Popularity • 63% Danceability • 75% Energy • 10% Liveness
87% Instrumentalness • 31% Positiveness
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Nadine Coradazzo
Near Fire
113 bpm • B Maj • 05:27 • -15.05db
22% Popularity • 58% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Rhythm Therapy Band
Demons to Fight
124 bpm • G Maj • 03:25 • -7.72db
14% Popularity • 63% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Igor Paspalj
Passengers from the Past
124 bpm • D Maj • 04:22 • -3.52db
16% Popularity • 43% Danceability • 96% Energy • 37% Liveness
95% Instrumentalness • 35% Positiveness
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Truman Gresham
You Have Changed
124 bpm • A# min • 04:35 • -7.78db
23% Popularity • 58% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Stel Andre
Fusion Funk Jam
112 bpm • D# Maj • 03:05 • -4.35db
8% Popularity • 48% Danceability • 92% Energy • 31% Liveness
86% Instrumentalness • 75% Positiveness
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Milan Polak
Girlfriends
124 bpm • D Maj • 03:49 • -5.98db
1% Popularity • 50% Danceability • 71% Energy • 9% Liveness
26% Instrumentalness • 65% Positiveness
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Steve Vai
Sunshine Electric Raindrops
112 bpm • A Maj • 04:15 • -6.25db
1% Popularity • 48% Danceability • 83% Energy • 10% Liveness
83% Instrumentalness • 51% Positiveness
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Gary Hoey
Gonzo Guru
112 bpm • C# Maj • 04:35 • -2.77db
8% Popularity • 39% Danceability • 94% Energy • 10% Liveness
89% Instrumentalness • 33% Positiveness
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Gods Of Centaurus
Azrael
112 bpm • C# Maj • 05:35 • -7.2db
8% Popularity • 35% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Omar Bruce
If We're Trying
125 bpm • G min • 04:41 • -6.56db
28% Popularity • 50% Danceability • 85% Energy • 77% Liveness
0% Instrumentalness • 55% Positiveness
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Jordan Rudess
Crack The Meter
125 bpm • F# min • 06:13 • -7db
14% Popularity • 53% Danceability • 83% Energy • 13% Liveness
30% Instrumentalness • 70% Positiveness
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Milan Polak
Catalyst
113 bpm • F# min • 03:44 • -6.1db
0% Popularity • 52% Danceability • 95% Energy • 8% Liveness
74% Instrumentalness • 83% Positiveness
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Steve Vai
The Crying Machine
112 bpm • E Maj • 04:50 • -5.09db
35% Popularity • 50% Danceability • 96% Energy • 5% Liveness
87% Instrumentalness • 58% Positiveness
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Tony MacAlpine
No Place in Time
112 bpm • F# Maj • 04:00 • -10.08db
12% Popularity • 20% Danceability • 67% Energy • 10% Liveness
93% Instrumentalness • 19% Positiveness
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Jeff Kollman
Superstring Theory
125 bpm • A Maj • 04:53 • -5.56db
10% Popularity • 61% Danceability • 91% Energy • 23% Liveness
73% Instrumentalness • 86% Positiveness
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Reb Beach
Infinito 1122
125 bpm • D Maj • 03:30 • -4db
14% Popularity • 45% Danceability • 92% Energy • 14% Liveness
90% Instrumentalness • 48% Positiveness
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Marco Sfogli
Sunset Lights
125 bpm • C# min • 05:38 • -5db
18% Popularity • 22% Danceability • 74% Energy • 37% Liveness
65% Instrumentalness • 15% Positiveness
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Milan Polak
Murphy's Law
124 bpm • A# Maj • 03:59 • -3.79db
0% Popularity • 53% Danceability • 95% Energy • 5% Liveness
5% Instrumentalness • 41% Positiveness
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Feodor Dosumov
Flying Swallow
125 bpm • G Maj • 05:27 • -8db
20% Popularity • 63% Danceability • 44% Energy • 9% Liveness
70% Instrumentalness • 19% Positiveness
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Laurent Borgen
Hearts Broken
125 bpm • E Maj • 04:02 • -5.1db
9% Popularity • 59% Danceability • 85% Energy • 11% Liveness
84% Instrumentalness • 35% Positiveness
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Al Joseph
Clock the Pain
125 bpm • B Maj • 05:57 • -7db
20% Popularity • 43% Danceability • 85% Energy • 10% Liveness
74% Instrumentalness • 35% Positiveness
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Circle of Stones
Birdman
111 bpm • C# min • 03:17 • -9.91db
10% Popularity • 36% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Reb Beach
Whiplash
125 bpm • D# min • 03:22 • -3.46db
9% Popularity • 45% Danceability • 96% Energy • 4% Liveness
94% Instrumentalness • 73% Positiveness
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Milan Polak
No One Else
125 bpm • D# min • 03:38 • -6.18db
0% Popularity • 55% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Sometimes I Still Miss You