Musicstax
Advanced Search
Metrics
Your Stats
🔥Growing Artists
|
Pitch your song
|
<<
Back to
Sometimes When We Touch
Songs like
Sometimes When We Touch
by
Jamie Conway
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Georg Erixon
Against All Odds (Take a Look at Me Now)
116 bpm • C# Maj • 03:19 • -14.35db
46% Popularity • 65% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 41% Positiveness
► Preview
Glendon Smith
You Raise Me Up
116 bpm • F Maj • 04:05 • -12.06db
28% Popularity • 51% Danceability • 21% Energy • 30% Liveness
20% Instrumentalness • 16% Positiveness
► Preview
Keith Martinson
Let It Be Me
115 bpm • D Maj • 03:18 • -20db
25% Popularity • 39% Danceability • 11% Energy • 11% Liveness
91% Instrumentalness • 21% Positiveness
► Preview
Attila Fias
All My Life - Piano Instrumental
115 bpm • A min • 04:55 • -18.92db
32% Popularity • 39% Danceability • 19% Energy • 11% Liveness
84% Instrumentalness • 30% Positiveness
► Preview
Jeremy Weinglass
When I Fall In Love
115 bpm • D# Maj • 03:26 • -22db
10% Popularity • 40% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 15% Positiveness
► Preview
Carmen da Silva
Everything I Do (I do it for you) - Pian...
117 bpm • A Maj • 03:23 • -16.1db
35% Popularity • 53% Danceability • 8% Energy • 13% Liveness
91% Instrumentalness • 8% Positiveness
► Preview
Thad Fiscella
Surrey Hills
114 bpm • B Maj • 02:27 • -17.02db
27% Popularity • 36% Danceability • 29% Energy • 16% Liveness
90% Instrumentalness • 38% Positiveness
► Preview
Box Tree Orchestra
Love Hurts
114 bpm • A Maj • 02:59 • -15db
21% Popularity • 49% Danceability • 23% Energy • 12% Liveness
90% Instrumentalness • 38% Positiveness
► Preview
Keith Martinson
The Hands of Time (Brian's Song)
116 bpm • G Maj • 02:20 • -21db
31% Popularity • 44% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 21% Positiveness
► Preview
Attila Fias
I Just Called to Say I Love You
115 bpm • C# Maj • 03:42 • -13.99db
23% Popularity • 62% Danceability • 24% Energy • 11% Liveness
87% Instrumentalness • 39% Positiveness
► Preview
Jeremy Weinglass
I Can't Help Falling in Love with You
117 bpm • F Maj • 03:33 • -23db
29% Popularity • 43% Danceability • 4% Energy • 9% Liveness
82% Instrumentalness • 11% Positiveness
► Preview
Ambrose Evans Collective
It Had to Be You
114 bpm • C Maj • 02:52 • -19.97db
32% Popularity • 70% Danceability • 14% Energy • 16% Liveness
91% Instrumentalness • 55% Positiveness
► Preview
Renato Falerni
My Heart Will Go On
118 bpm • C# min • 02:39 • -17db
8% Popularity • 40% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 9% Positiveness
► Preview
Lazarus
Close to You - Piano Instrumental
114 bpm • E min • 03:22 • -25.48db
14% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
► Preview
Stephan Schleiner
And I Love Her
114 bpm • C# min • 03:22 • -20.03db
19% Popularity • 61% Danceability • 15% Energy • 10% Liveness
95% Instrumentalness • 35% Positiveness
► Preview
Attila Fias
Against All Odds (Take a Look at Me Now)...
118 bpm • D Maj • 03:22 • -15.73db
26% Popularity • 49% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 23% Positiveness
► Preview
Jim Chappell
Gone
118 bpm • D# Maj • 05:03 • -16db
33% Popularity • 36% Danceability • 26% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
► Preview
Jamie Conway
Sometimes When We Touch
114 bpm • D Maj • 04:01 • -20.62db
29% Popularity • 37% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 17% Positiveness
► Preview
Ron Merritt
Terms Of Endearment Theme
114 bpm • C Maj • 03:24 • -18.89db
11% Popularity • 47% Danceability • 15% Energy • 8% Liveness
94% Instrumentalness • 21% Positiveness
► Preview
Renato Falerni
How Deep Is Your Love
119 bpm • G# Maj • 02:34 • -14.28db
22% Popularity • 49% Danceability • 30% Energy • 11% Liveness
91% Instrumentalness • 27% Positiveness
► Preview
Serge de Saint Laurent
Saving All My Love for You
119 bpm • A Maj • 03:12 • -22db
26% Popularity • 34% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 13% Positiveness
► Preview
Emilee Hartley
A Whole New World
119 bpm • A# Maj • 03:09 • -18.72db
31% Popularity • 38% Danceability • 16% Energy • 17% Liveness
91% Instrumentalness • 16% Positiveness
► Preview
Christoph Spendel
New York, New York
113 bpm • F Maj • 03:36 • -15.48db
13% Popularity • 54% Danceability • 21% Energy • 16% Liveness
91% Instrumentalness • 40% Positiveness
► Preview
Jamie Conway
Because You Loved Me
119 bpm • A# min • 03:56 • -18.86db
2% Popularity • 55% Danceability • 18% Energy • 20% Liveness
89% Instrumentalness • 10% Positiveness
► Preview
Pablo Jesús GarcÃa
Morning Has Broken
113 bpm • C Maj • 02:01 • -16.41db
28% Popularity • 59% Danceability • 12% Energy • 13% Liveness
92% Instrumentalness • 21% Positiveness
► Preview
Winston Brey
She
119 bpm • C Maj • 02:45 • -28db
37% Popularity • 44% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 28% Positiveness
► Preview
Guitarist
The Rose
119 bpm • C Maj • 03:48 • -13db
33% Popularity • 57% Danceability • 11% Energy • 11% Liveness
82% Instrumentalness • 40% Positiveness
► Preview
Len Rhodes
You are so Beautiful
120 bpm • C# Maj • 04:21 • -30db
8% Popularity • 46% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
► Preview
The Marco Phillipe Orchestra
I Believe I Can Fly
120 bpm • G Maj • 04:46 • -15.28db
38% Popularity • 55% Danceability • 27% Energy • 12% Liveness
12% Instrumentalness • 5% Positiveness
► Preview
Jamie Conway
Time After Time
120 bpm • C Maj • 03:40 • -19.12db
19% Popularity • 49% Danceability • 15% Energy • 16% Liveness
93% Instrumentalness • 11% Positiveness
► Preview
Ji-Hae. Park
Johann Sebastian Bach: Miunet in G major
120 bpm • C Maj • 02:34 • -17.01db
36% Popularity • 47% Danceability • 13% Energy • 11% Liveness
67% Instrumentalness • 57% Positiveness
► Preview
Glendon Smith
The Closer I Get to You
120 bpm • C Maj • 04:50 • -13.39db
25% Popularity • 69% Danceability • 40% Energy • 9% Liveness
86% Instrumentalness • 47% Positiveness
► Preview
Brandon Mills
Just The Way You Are
112 bpm • G Maj • 03:56 • -20db
37% Popularity • 57% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
► Preview
Len Rhodes
Edelweiss (Sound of Music)
112 bpm • F Maj • 03:04 • -26.09db
15% Popularity • 67% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 34% Positiveness
► Preview
Georg Erixon
Goodbye Yellow Brick Road
120 bpm • F Maj • 03:13 • -13.19db
49% Popularity • 72% Danceability • 19% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
► Preview
Nikolay Kasakov
Killing My Softly - Saxophone Instrument...
120 bpm • C# Maj • 03:35 • -14.77db
32% Popularity • 47% Danceability • 26% Energy • 16% Liveness
78% Instrumentalness • 12% Positiveness
► Preview
Kirsten Agresta Copely
I Want to Break Free
112 bpm • E Maj • 02:36 • -12.64db
22% Popularity • 70% Danceability • 26% Energy • 11% Liveness
93% Instrumentalness • 21% Positiveness
► Preview
Glendon Smith
Tonight, I Celebrate My Love
120 bpm • G Maj • 04:46 • -13.68db
30% Popularity • 56% Danceability • 30% Energy • 20% Liveness
84% Instrumentalness • 25% Positiveness
► Preview
Ernesto Cortazar III
Legacy
120 bpm • C min • 03:24 • -9.84db
37% Popularity • 67% Danceability • 35% Energy • 14% Liveness
88% Instrumentalness • 30% Positiveness
► Preview
Guus Dielissen
The Way You Look Tonight (Instrumental G...
120 bpm • C min • 01:55 • -18.96db
36% Popularity • 61% Danceability • 18% Energy • 32% Liveness
89% Instrumentalness • 48% Positiveness
► Preview
Jamie Conway
You Are So Beautiful
120 bpm • C# Maj • 02:59 • -21.12db
24% Popularity • 46% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
► Preview
Sebastian Vargas
A Whole New World
112 bpm • C# Maj • 03:59 • -14.2db
29% Popularity • 46% Danceability • 24% Energy • 12% Liveness
76% Instrumentalness • 9% Positiveness
► Preview
Thad Fiscella
Wedding Song
121 bpm • A Maj • 05:03 • -18.79db
33% Popularity • 38% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 25% Positiveness
► Preview
Phillip La Grande
When Will I See You Again
121 bpm • G Maj • 02:40 • -13.72db
37% Popularity • 62% Danceability • 61% Energy • 29% Liveness
20% Instrumentalness • 64% Positiveness
► Preview
David Huntsinger
A Whole New World
111 bpm • D# Maj • 03:31 • -27db
38% Popularity • 55% Danceability • 4% Energy • 10% Liveness
76% Instrumentalness • 22% Positiveness
► Preview
Christopher Phillips
Goodbye Yellow Brick Road
122 bpm • F Maj • 03:36 • -18.46db
17% Popularity • 60% Danceability • 15% Energy • 12% Liveness
93% Instrumentalness • 22% Positiveness
► Preview
Jamie Conway
Angel
121 bpm • C# Maj • 04:41 • -18.57db
2% Popularity • 57% Danceability • 13% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
► Preview
Chester Tan
On The Treetops
110 bpm • E Maj • 03:17 • -17.5db
39% Popularity • 56% Danceability • 25% Energy • 12% Liveness
89% Instrumentalness • 12% Positiveness
► Preview
Ron Merritt
Somewhere In Time
110 bpm • A min • 03:17 • -19.19db
12% Popularity • 39% Danceability • 5% Energy • 9% Liveness
87% Instrumentalness • 8% Positiveness
► Preview
Noah Perry
Goodbye Yellow Brick Road
122 bpm • F Maj • 03:13 • -14.59db
23% Popularity • 58% Danceability • 38% Energy • 12% Liveness
90% Instrumentalness • 23% Positiveness
► Preview
Attila Fias
Your Song - Piano Instrumental
122 bpm • D# Maj • 04:12 • -15db
33% Popularity • 48% Danceability • 29% Energy • 12% Liveness
88% Instrumentalness • 18% Positiveness
► Preview
Andy Tallent
Chariots of Fire
110 bpm • D Maj • 03:44 • -21.83db
38% Popularity • 45% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 27% Positiveness
► Preview
Christopher Phillips
Candle In The Wind
122 bpm • E Maj • 03:31 • -17.56db
21% Popularity • 37% Danceability • 20% Energy • 12% Liveness
91% Instrumentalness • 22% Positiveness
► Preview
Jeremy Weinglass
Fallin'
110 bpm • B min • 03:04 • -18db
9% Popularity • 44% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 27% Positiveness
► Preview
Georg Erixon
I'll Be Over You
110 bpm • A# Maj • 03:25 • -14.88db
40% Popularity • 64% Danceability • 21% Energy • 12% Liveness
85% Instrumentalness • 28% Positiveness
► Preview
Keith Martinson
Till There Was You
110 bpm • D Maj • 02:32 • -22db
34% Popularity • 55% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 62% Positiveness
► Preview
Chester Tan
Our Sunken Prayers
110 bpm • F min • 03:31 • -20.48db
29% Popularity • 56% Danceability • 4% Energy • 12% Liveness
94% Instrumentalness • 17% Positiveness
► Preview
Christoph Spendel
Cheek to Cheek
123 bpm • C Maj • 02:49 • -17.62db
15% Popularity • 47% Danceability • 16% Energy • 14% Liveness
95% Instrumentalness • 7% Positiveness
► Preview
Jamie Conway
Have You Never Been Mellow
123 bpm • C Maj • 03:38 • -20.67db
18% Popularity • 45% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 12% Positiveness
► Preview
Jane Leslie
Southampton Sunset
109 bpm • D# Maj • 03:24 • -24db
41% Popularity • 47% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 12% Positiveness
► Preview
Piano Dust Covers
Sweet Caroline
109 bpm • B Maj • 03:51 • -21db
39% Popularity • 72% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 31% Positiveness
► Preview
Tom McBryde
Just In Time
123 bpm • G Maj • 03:01 • -19.19db
15% Popularity • 49% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 18% Positiveness
► Preview
Clark Younger
Uptown Girl
109 bpm • D# Maj • 03:32 • -22.95db
32% Popularity • 41% Danceability • 10% Energy • 14% Liveness
96% Instrumentalness • 10% Positiveness
► Preview
Silvard
Life's Overture
124 bpm • G Maj • 04:43 • -11.84db
13% Popularity • 43% Danceability • 53% Energy • 20% Liveness
85% Instrumentalness • 59% Positiveness
► Preview
Attila Fias
Thank You - Piano Instrumental
124 bpm • C Maj • 04:07 • -17db
22% Popularity • 53% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 20% Positiveness
► Preview
Jane Leslie
Flowing Waters
109 bpm • D# Maj • 03:49 • -23.23db
32% Popularity • 36% Danceability • 6% Energy • 15% Liveness
90% Instrumentalness • 15% Positiveness
► Preview
Richard Carpenter
For All We Know
124 bpm • D Maj • 02:59 • -24.49db
29% Popularity • 31% Danceability • 12% Energy • 14% Liveness
91% Instrumentalness • 17% Positiveness
► Preview
Georg Erixon
Dancing Queen
124 bpm • A Maj • 03:57 • -11.49db
47% Popularity • 59% Danceability • 28% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
► Preview
Glendon Smith
Up Where We Belong
124 bpm • D Maj • 04:59 • -10db
28% Popularity • 60% Danceability • 41% Energy • 11% Liveness
9% Instrumentalness • 14% Positiveness
► Preview
Silvard
Life Is Grand...
124 bpm • D Maj • 03:11 • -13.17db
34% Popularity • 58% Danceability • 45% Energy • 10% Liveness
88% Instrumentalness • 32% Positiveness
► Preview
Andrea Carri
Let It Be
124 bpm • C Maj • 03:40 • -20.81db
21% Popularity • 57% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 23% Positiveness
► Preview
Jane Leslie
A Special Day
124 bpm • A Maj • 02:58 • -26.58db
38% Popularity • 39% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
► Preview
Willy Cruz
It Might Be You
108 bpm • G# Maj • 03:48 • -24.56db
30% Popularity • 42% Danceability • 6% Energy • 15% Liveness
87% Instrumentalness • 12% Positiveness
► Preview
Georg Erixon
Fernando
108 bpm • A Maj • 03:57 • -12db
41% Popularity • 50% Danceability • 33% Energy • 10% Liveness
92% Instrumentalness • 22% Positiveness
► Preview
Jamie Conway
The Greatest Love Of All
124 bpm • F# min • 04:53 • -22.93db
24% Popularity • 46% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 11% Positiveness
► Preview
Stephan Schleiner
New York, New York - Piano Version
108 bpm • G Maj • 03:19 • -19.49db
30% Popularity • 63% Danceability • 12% Energy • 14% Liveness
92% Instrumentalness • 24% Positiveness
► Preview
Piano Queen
Killing Me Softly - Piano Instrumental
108 bpm • A# Maj • 04:21 • -18.08db
17% Popularity • 41% Danceability • 15% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
► Preview
Matt Ganim
Wonderful Tonight (Piano Version)
125 bpm • G Maj • 03:06 • -17.91db
29% Popularity • 42% Danceability • 17% Energy • 11% Liveness
86% Instrumentalness • 30% Positiveness
► Preview
Attila Fias
More Than Words - Piano Instrumental
108 bpm • G Maj • 04:11 • -15db
36% Popularity • 54% Danceability • 27% Energy • 12% Liveness
88% Instrumentalness • 24% Positiveness
► Preview
Steve Hall & Mary Beth Carlson
Tennessee Waltz / Let Me Call You Sweeth...
107 bpm • C Maj • 03:16 • -21db
22% Popularity • 48% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
► Preview
Jamie Conway
I Don't Want To Miss A Thing
125 bpm • D Maj • 04:31 • -17.69db
12% Popularity • 51% Danceability • 19% Energy • 13% Liveness
87% Instrumentalness • 20% Positiveness
► Preview
Owen Richards
You're the Inspiration
126 bpm • B Maj • 04:39 • -24.5db
19% Popularity • 46% Danceability • 9% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
► Preview
Chester Tan
Don't Say Goodbye
126 bpm • D min • 03:48 • -18.26db
34% Popularity • 52% Danceability • 17% Energy • 13% Liveness
91% Instrumentalness • 17% Positiveness
► Preview
Christopher Phillips
Uptown Girl
126 bpm • E Maj • 02:56 • -19.73db
20% Popularity • 44% Danceability • 28% Energy • 11% Liveness
89% Instrumentalness • 24% Positiveness
► Preview
Christine Brown
Imagine What a Wonderful World
126 bpm • G# Maj • 04:54 • -18.47db
33% Popularity • 44% Danceability • 13% Energy • 13% Liveness
92% Instrumentalness • 11% Positiveness
► Preview
Jeremy Weinglass
Un-break My Heart
126 bpm • B min • 03:43 • -19db
22% Popularity • 45% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 14% Positiveness
► Preview
Silvard
Collage: Variations on Rainbow Connectio...
126 bpm • C Maj • 05:22 • -14.95db
32% Popularity • 41% Danceability • 30% Energy • 8% Liveness
89% Instrumentalness • 39% Positiveness
► Preview
Tom McBryde
Time After Time
107 bpm • A min • 02:48 • -18.85db
20% Popularity • 50% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 32% Positiveness
► Preview
Guitarist
Daydream Believer
126 bpm • G Maj • 02:52 • -10.52db
34% Popularity • 59% Danceability • 30% Energy • 18% Liveness
93% Instrumentalness • 52% Positiveness
► Preview
Henry Dubois
Mandy
107 bpm • A# Maj • 02:27 • -10.9db
45% Popularity • 51% Danceability • 51% Energy • 14% Liveness
88% Instrumentalness • 47% Positiveness
► Preview
Doug Smith
Your Song
127 bpm • C Maj • 04:10 • -16.08db
22% Popularity • 41% Danceability • 27% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
► Preview
Jeremy Weinglass
More Than Words
126 bpm • G Maj • 03:52 • -24db
9% Popularity • 47% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 28% Positiveness
► Preview
Georg Erixon
Can You Feel the Love Tonight
126 bpm • A# Maj • 03:56 • -12db
46% Popularity • 50% Danceability • 26% Energy • 14% Liveness
91% Instrumentalness • 14% Positiveness
► Preview
Steven Current
Fur Elise (Solo Piano)
127 bpm • A min • 03:45 • -18.04db
17% Popularity • 34% Danceability • 32% Energy • 12% Liveness
91% Instrumentalness • 19% Positiveness
► Preview
Stephan Schleiner
If You Leave Me Now - Piano Version
106 bpm • B Maj • 03:44 • -22.08db
27% Popularity • 56% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
► Preview
David Osborne
Wonderful Tonight
106 bpm • G Maj • 03:45 • -14.1db
33% Popularity • 47% Danceability • 31% Energy • 12% Liveness
84% Instrumentalness • 34% Positiveness
► Preview
Zach Rogers
The Wind Beneath My Wings
127 bpm • A# Maj • 03:21 • -21.94db
9% Popularity • 42% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 23% Positiveness
► Preview
Keith Martinson
A Time to Love
127 bpm • C Maj • 03:52 • -19db
22% Popularity • 39% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 29% Positiveness
► Preview
Pat Coil
This One's For You
127 bpm • D Maj • 03:52 • -19.18db
4% Popularity • 46% Danceability • 7% Energy • 17% Liveness
81% Instrumentalness • 11% Positiveness
► Preview
Rusty Hudelson
Mona Lisa
106 bpm • C Maj • 03:14 • -15.37db
11% Popularity • 48% Danceability • 15% Energy • 14% Liveness
92% Instrumentalness • 20% Positiveness
<<
Back to
Sometimes When We Touch