Songs like Somewhere in Berlin by Luigi Madonna
Based on a tempo of (+/- 10%) and a similar genre
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SAMA (old)
Existence
126 bpm • G Maj • 07:22 • -8.19db
23% Popularity • 67% Danceability • 83% Energy • 18% Liveness
86% Instrumentalness • 18% Positiveness
23% Popularity • 67% Danceability • 83% Energy • 18% Liveness
86% Instrumentalness • 18% Positiveness
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Mutate
Circle 2 (Alberto Pascual Remix)
126 bpm • C Maj • 05:37 • -12.86db
0% Popularity • 85% Danceability • 77% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
0% Popularity • 85% Danceability • 77% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Adam Beyer
Valium & LFOs
126 bpm • D Maj • 07:42 • -5.51db
6% Popularity • 80% Danceability • 87% Energy • 12% Liveness
76% Instrumentalness • 77% Positiveness
6% Popularity • 80% Danceability • 87% Energy • 12% Liveness
76% Instrumentalness • 77% Positiveness
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Luigi Madonna
Fuencarral
126 bpm • A# min • 06:41 • -11.48db
4% Popularity • 80% Danceability • 55% Energy • 11% Liveness
90% Instrumentalness • 47% Positiveness
4% Popularity • 80% Danceability • 55% Energy • 11% Liveness
90% Instrumentalness • 47% Positiveness
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Alberto Pascual
Bailando Despacio
126 bpm • B min • 05:39 • -12.25db
1% Popularity • 72% Danceability • 67% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
1% Popularity • 72% Danceability • 67% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Steve Shaden
Compromise - RAW Mix
126 bpm • C# Maj • 06:32 • -11.03db
12% Popularity • 64% Danceability • 82% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
12% Popularity • 64% Danceability • 82% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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SAMA (old)
Origin
126 bpm • B min • 07:22 • -8.09db
7% Popularity • 71% Danceability • 89% Energy • 9% Liveness
87% Instrumentalness • 25% Positiveness
7% Popularity • 71% Danceability • 89% Energy • 9% Liveness
87% Instrumentalness • 25% Positiveness
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Joseph Capriati
Easy Come Easy Go
126 bpm • G Maj • 08:54 • -11db
17% Popularity • 81% Danceability • 45% Energy • 11% Liveness
90% Instrumentalness • 32% Positiveness
17% Popularity • 81% Danceability • 45% Energy • 11% Liveness
90% Instrumentalness • 32% Positiveness
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Adam Beyer
Darlek
126 bpm • F min • 08:12 • -9.86db
18% Popularity • 80% Danceability • 65% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
18% Popularity • 80% Danceability • 65% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
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UMEK
Foresight
126 bpm • G Maj • 06:54 • -8.78db
11% Popularity • 79% Danceability • 86% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
11% Popularity • 79% Danceability • 86% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
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Alberto Pascual
Amok
126 bpm • B min • 05:54 • -8.39db
0% Popularity • 83% Danceability • 64% Energy • 10% Liveness
92% Instrumentalness • 48% Positiveness
0% Popularity • 83% Danceability • 64% Energy • 10% Liveness
92% Instrumentalness • 48% Positiveness
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Luigi Madonna
New World
126 bpm • F# Maj • 06:17 • -9.31db
4% Popularity • 78% Danceability • 61% Energy • 9% Liveness
86% Instrumentalness • 25% Positiveness
4% Popularity • 78% Danceability • 61% Energy • 9% Liveness
86% Instrumentalness • 25% Positiveness
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Cari Lekebusch
Xylopeggiator
126 bpm • B min • 06:09 • -9db
13% Popularity • 76% Danceability • 81% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
13% Popularity • 76% Danceability • 81% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Hidden Empire
Transcending Time
126 bpm • C# Maj • 06:24 • -8db
9% Popularity • 86% Danceability • 91% Energy • 10% Liveness
83% Instrumentalness • 12% Positiveness
9% Popularity • 86% Danceability • 91% Energy • 10% Liveness
83% Instrumentalness • 12% Positiveness
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Tom Hutt
Neptun
126 bpm • B min • 07:10 • -10db
12% Popularity • 78% Danceability • 64% Energy • 11% Liveness
87% Instrumentalness • 37% Positiveness
12% Popularity • 78% Danceability • 64% Energy • 11% Liveness
87% Instrumentalness • 37% Positiveness
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Bjoern Torwellen
Halo
126 bpm • E min • 07:09 • -14.17db
15% Popularity • 68% Danceability • 53% Energy • 19% Liveness
90% Instrumentalness • 4% Positiveness
15% Popularity • 68% Danceability • 53% Energy • 19% Liveness
90% Instrumentalness • 4% Positiveness
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Ron Costa
Hourncase
126 bpm • D Maj • 05:42 • -6.09db
17% Popularity • 87% Danceability • 73% Energy • 7% Liveness
90% Instrumentalness • 71% Positiveness
17% Popularity • 87% Danceability • 73% Energy • 7% Liveness
90% Instrumentalness • 71% Positiveness
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Joseph Capriati
This Then That - Coyu Remix
126 bpm • C# Maj • 06:45 • -9.95db
15% Popularity • 80% Danceability • 85% Energy • 6% Liveness
93% Instrumentalness • 37% Positiveness
15% Popularity • 80% Danceability • 85% Energy • 6% Liveness
93% Instrumentalness • 37% Positiveness
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Secret Cinema
Diviner
126 bpm • G Maj • 07:40 • -8.67db
15% Popularity • 61% Danceability • 68% Energy • 11% Liveness
55% Instrumentalness • 4% Positiveness
15% Popularity • 61% Danceability • 68% Energy • 11% Liveness
55% Instrumentalness • 4% Positiveness
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Luigi Madonna
Wendy
126 bpm • A Maj • 05:54 • -7.94db
20% Popularity • 74% Danceability • 59% Energy • 12% Liveness
95% Instrumentalness • 5% Positiveness
20% Popularity • 74% Danceability • 59% Energy • 12% Liveness
95% Instrumentalness • 5% Positiveness
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Jel Ford
Overcast
126 bpm • G Maj • 06:57 • -5.92db
11% Popularity • 70% Danceability • 92% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
11% Popularity • 70% Danceability • 92% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
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Hollen
Electrocution
126 bpm • A min • 06:56 • -6.91db
25% Popularity • 80% Danceability • 91% Energy • 5% Liveness
92% Instrumentalness • 25% Positiveness
25% Popularity • 80% Danceability • 91% Energy • 5% Liveness
92% Instrumentalness • 25% Positiveness
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Timmo
Connect
126 bpm • C# Maj • 06:07 • -9db
18% Popularity • 80% Danceability • 93% Energy • 11% Liveness
94% Instrumentalness • 29% Positiveness
18% Popularity • 80% Danceability • 93% Energy • 11% Liveness
94% Instrumentalness • 29% Positiveness
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Joseph Capriati
Always and Forever
126 bpm • C Maj • 08:30 • -9db
16% Popularity • 70% Danceability • 65% Energy • 10% Liveness
89% Instrumentalness • 52% Positiveness
16% Popularity • 70% Danceability • 65% Energy • 10% Liveness
89% Instrumentalness • 52% Positiveness
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Skober
Satisbeat
126 bpm • C# Maj • 07:07 • -8db
16% Popularity • 77% Danceability • 69% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
16% Popularity • 77% Danceability • 69% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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Roberto Capuano
Wilford
126 bpm • G# Maj • 07:48 • -8.44db
16% Popularity • 70% Danceability • 60% Energy • 11% Liveness
89% Instrumentalness • 35% Positiveness
16% Popularity • 70% Danceability • 60% Energy • 11% Liveness
89% Instrumentalness • 35% Positiveness
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Dustin Holtsberry
Behemoth
126 bpm • G# Maj • 07:52 • -9.94db
13% Popularity • 81% Danceability • 86% Energy • 10% Liveness
90% Instrumentalness • 72% Positiveness
13% Popularity • 81% Danceability • 86% Energy • 10% Liveness
90% Instrumentalness • 72% Positiveness
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SAMA (old)
The Beholder
126 bpm • F# min • 07:39 • -7.52db
24% Popularity • 68% Danceability • 90% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
24% Popularity • 68% Danceability • 90% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
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Frankyeffe
Come On - Luigi Madonna Remix
126 bpm • A# min • 07:52 • -5.31db
1% Popularity • 69% Danceability • 93% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
1% Popularity • 69% Danceability • 93% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Koen Groeneveld
Macadamia
126 bpm • G Maj • 03:25 • -7db
25% Popularity • 80% Danceability • 96% Energy • 12% Liveness
76% Instrumentalness • 80% Positiveness
25% Popularity • 80% Danceability • 96% Energy • 12% Liveness
76% Instrumentalness • 80% Positiveness
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Christian Smith
Total Departure - Christian Smith Remake
126 bpm • C# min • 09:42 • -7db
13% Popularity • 65% Danceability • 57% Energy • 11% Liveness
84% Instrumentalness • 39% Positiveness
13% Popularity • 65% Danceability • 57% Energy • 11% Liveness
84% Instrumentalness • 39% Positiveness
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UMEK
Specific Flavour
126 bpm • C Maj • 08:00 • -8.72db
26% Popularity • 80% Danceability • 75% Energy • 8% Liveness
92% Instrumentalness • 15% Positiveness
26% Popularity • 80% Danceability • 75% Energy • 8% Liveness
92% Instrumentalness • 15% Positiveness
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Andrea Signore
Giulia
126 bpm • A# min • 07:56 • -10.35db
15% Popularity • 74% Danceability • 52% Energy • 10% Liveness
85% Instrumentalness • 27% Positiveness
15% Popularity • 74% Danceability • 52% Energy • 10% Liveness
85% Instrumentalness • 27% Positiveness
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Paride Saraceni
Cold Summer
126 bpm • C# Maj • 05:58 • -7db
17% Popularity • 84% Danceability • 71% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
17% Popularity • 84% Danceability • 71% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
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Alberto Pascual
Continuous Learning
126 bpm • E min • 05:55 • -8.9db
0% Popularity • 82% Danceability • 73% Energy • 12% Liveness
89% Instrumentalness • 35% Positiveness
0% Popularity • 82% Danceability • 73% Energy • 12% Liveness
89% Instrumentalness • 35% Positiveness
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Timmo
Meteorite
126 bpm • G Maj • 05:56 • -9.8db
23% Popularity • 78% Danceability • 87% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
23% Popularity • 78% Danceability • 87% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
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Paul Ritch
Astral
126 bpm • C# min • 07:27 • -7.52db
17% Popularity • 62% Danceability • 79% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
17% Popularity • 62% Danceability • 79% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Loco & Jam
Omaplata
126 bpm • G Maj • 07:28 • -5.66db
18% Popularity • 80% Danceability • 94% Energy • 8% Liveness
86% Instrumentalness • 20% Positiveness
18% Popularity • 80% Danceability • 94% Energy • 8% Liveness
86% Instrumentalness • 20% Positiveness
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Roberto Capuano
Obsessed
126 bpm • G# Maj • 05:39 • -9.14db
19% Popularity • 61% Danceability • 85% Energy • 13% Liveness
91% Instrumentalness • 33% Positiveness
19% Popularity • 61% Danceability • 85% Energy • 13% Liveness
91% Instrumentalness • 33% Positiveness
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Adam Beyer
Future
126 bpm • C# min • 07:30 • -8.65db
29% Popularity • 82% Danceability • 62% Energy • 6% Liveness
85% Instrumentalness • 34% Positiveness
29% Popularity • 82% Danceability • 62% Energy • 6% Liveness
85% Instrumentalness • 34% Positiveness
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Gregor Tresher
Goliath
126 bpm • B min • 07:26 • -9.54db
32% Popularity • 74% Danceability • 67% Energy • 9% Liveness
88% Instrumentalness • 31% Positiveness
32% Popularity • 74% Danceability • 67% Energy • 9% Liveness
88% Instrumentalness • 31% Positiveness
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DJ Jock
Infernal
126 bpm • C# Maj • 03:56 • -8.41db
16% Popularity • 62% Danceability • 90% Energy • 8% Liveness
74% Instrumentalness • 21% Positiveness
16% Popularity • 62% Danceability • 90% Energy • 8% Liveness
74% Instrumentalness • 21% Positiveness
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Timmo
Never Stop - Luigi Madonna Remix
126 bpm • F# Maj • 07:42 • -8.96db
0% Popularity • 76% Danceability • 65% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
0% Popularity • 76% Danceability • 65% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Hollen
Bitty - Original Mix
126 bpm • B min • 07:19 • -7.78db
22% Popularity • 80% Danceability • 90% Energy • 12% Liveness
86% Instrumentalness • 3% Positiveness
22% Popularity • 80% Danceability • 90% Energy • 12% Liveness
86% Instrumentalness • 3% Positiveness
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Christian Smith
Jackin - Shall Ocin Remix
126 bpm • D# min • 06:13 • -8.22db
19% Popularity • 80% Danceability • 67% Energy • 8% Liveness
91% Instrumentalness • 34% Positiveness
19% Popularity • 80% Danceability • 67% Energy • 8% Liveness
91% Instrumentalness • 34% Positiveness
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Adam Beyer
That Would Be the Sun
126 bpm • B Maj • 07:08 • -6db
19% Popularity • 64% Danceability • 92% Energy • 11% Liveness
92% Instrumentalness • 26% Positiveness
19% Popularity • 64% Danceability • 92% Energy • 11% Liveness
92% Instrumentalness • 26% Positiveness
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Enrico Sangiuliano
Aries - Remix
126 bpm • D# min • 06:22 • -7.9db
18% Popularity • 85% Danceability • 69% Energy • 20% Liveness
90% Instrumentalness • 62% Positiveness
18% Popularity • 85% Danceability • 69% Energy • 20% Liveness
90% Instrumentalness • 62% Positiveness
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Florian Meindl
Mental Atmosphere
126 bpm • C Maj • 07:11 • -9.72db
14% Popularity • 73% Danceability • 89% Energy • 35% Liveness
81% Instrumentalness • 34% Positiveness
14% Popularity • 73% Danceability • 89% Energy • 35% Liveness
81% Instrumentalness • 34% Positiveness
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Frankie Bones
Call It Techno - Carlo Lio Remix
126 bpm • G Maj • 07:23 • -7.22db
19% Popularity • 69% Danceability • 86% Energy • 12% Liveness
83% Instrumentalness • 5% Positiveness
19% Popularity • 69% Danceability • 86% Energy • 12% Liveness
83% Instrumentalness • 5% Positiveness
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Vinicius Honorio
Desolate
126 bpm • A min • 07:42 • -7db
16% Popularity • 70% Danceability • 68% Energy • 12% Liveness
88% Instrumentalness • 3% Positiveness
16% Popularity • 70% Danceability • 68% Energy • 12% Liveness
88% Instrumentalness • 3% Positiveness
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ANNA
The Dansant
126 bpm • G# min • 06:39 • -9.97db
34% Popularity • 79% Danceability • 74% Energy • 10% Liveness
88% Instrumentalness • 11% Positiveness
34% Popularity • 79% Danceability • 74% Energy • 10% Liveness
88% Instrumentalness • 11% Positiveness
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Adam Beyer
Spaceman
126 bpm • B min • 07:27 • -4.41db
18% Popularity • 80% Danceability • 96% Energy • 4% Liveness
92% Instrumentalness • 56% Positiveness
18% Popularity • 80% Danceability • 96% Energy • 4% Liveness
92% Instrumentalness • 56% Positiveness
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Luigi Madonna
Trust Me
126 bpm • D Maj • 07:44 • -7.28db
8% Popularity • 89% Danceability • 68% Energy • 10% Liveness
86% Instrumentalness • 22% Positiveness
8% Popularity • 89% Danceability • 68% Energy • 10% Liveness
86% Instrumentalness • 22% Positiveness
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Roberto Capuano
The Space
126 bpm • E Maj • 07:38 • -6.36db
20% Popularity • 64% Danceability • 88% Energy • 11% Liveness
88% Instrumentalness • 66% Positiveness
20% Popularity • 64% Danceability • 88% Energy • 11% Liveness
88% Instrumentalness • 66% Positiveness
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Alberto Pascual
Vertigo
126 bpm • C Maj • 07:12 • -9.7db
1% Popularity • 83% Danceability • 54% Energy • 10% Liveness
90% Instrumentalness • 75% Positiveness
1% Popularity • 83% Danceability • 54% Energy • 10% Liveness
90% Instrumentalness • 75% Positiveness
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Vinicius Honorio
Walking Shadow
126 bpm • B min • 08:46 • -6.94db
9% Popularity • 70% Danceability • 81% Energy • 34% Liveness
92% Instrumentalness • 29% Positiveness
9% Popularity • 70% Danceability • 81% Energy • 34% Liveness
92% Instrumentalness • 29% Positiveness
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Veerus
Heavy
126 bpm • D# Maj • 06:52 • -9db
24% Popularity • 78% Danceability • 77% Energy • 19% Liveness
88% Instrumentalness • 13% Positiveness
24% Popularity • 78% Danceability • 77% Energy • 19% Liveness
88% Instrumentalness • 13% Positiveness
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Boris
Can You Hear Me - Remix
126 bpm • F# Maj • 06:28 • -7db
30% Popularity • 75% Danceability • 75% Energy • 11% Liveness
85% Instrumentalness • 15% Positiveness
30% Popularity • 75% Danceability • 75% Energy • 11% Liveness
85% Instrumentalness • 15% Positiveness
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Stephan Hinz
Kachel
126 bpm • F# Maj • 07:30 • -9.55db
6% Popularity • 71% Danceability • 85% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
6% Popularity • 71% Danceability • 85% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Kaiserdisco
No Lack of Void
126 bpm • C# min • 06:24 • -12.72db
15% Popularity • 80% Danceability • 62% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
15% Popularity • 80% Danceability • 62% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Hollen
Flopper
126 bpm • E min • 06:22 • -6.22db
21% Popularity • 84% Danceability • 85% Energy • 4% Liveness
91% Instrumentalness • 58% Positiveness
21% Popularity • 84% Danceability • 85% Energy • 4% Liveness
91% Instrumentalness • 58% Positiveness
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Hidden Empire
Jack Haze
126 bpm • G Maj • 07:25 • -10.65db
14% Popularity • 80% Danceability • 86% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
14% Popularity • 80% Danceability • 86% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
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Alberto Pascual
Matsuake
126 bpm • A# min • 06:24 • -13.75db
0% Popularity • 81% Danceability • 56% Energy • 11% Liveness
95% Instrumentalness • 26% Positiveness
0% Popularity • 81% Danceability • 56% Energy • 11% Liveness
95% Instrumentalness • 26% Positiveness
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Adam Beyer
Teach Me
126 bpm • G# min • 09:54 • -7.31db
24% Popularity • 67% Danceability • 93% Energy • 41% Liveness
89% Instrumentalness • 3% Positiveness
24% Popularity • 67% Danceability • 93% Energy • 41% Liveness
89% Instrumentalness • 3% Positiveness
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Stephan Hinz
Phantom Move
126 bpm • F Maj • 07:43 • -9.48db
9% Popularity • 76% Danceability • 63% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
9% Popularity • 76% Danceability • 63% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
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Axel Karakasis
Going Out - Original Mix
126 bpm • F Maj • 07:11 • -6.36db
18% Popularity • 77% Danceability • 81% Energy • 11% Liveness
90% Instrumentalness • 42% Positiveness
18% Popularity • 77% Danceability • 81% Energy • 11% Liveness
90% Instrumentalness • 42% Positiveness
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Timmo
Canvas
126 bpm • A Maj • 06:40 • -8.2db
20% Popularity • 71% Danceability • 90% Energy • 11% Liveness
83% Instrumentalness • 7% Positiveness
20% Popularity • 71% Danceability • 90% Energy • 11% Liveness
83% Instrumentalness • 7% Positiveness
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Hidden Empire
Tornado - Transcode Remix
126 bpm • D# min • 07:09 • -9.41db
10% Popularity • 74% Danceability • 80% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
10% Popularity • 74% Danceability • 80% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Luigi Madonna
Last Enemy
126 bpm • A# min • 06:09 • -8.25db
3% Popularity • 80% Danceability • 74% Energy • 10% Liveness
93% Instrumentalness • 36% Positiveness
3% Popularity • 80% Danceability • 74% Energy • 10% Liveness
93% Instrumentalness • 36% Positiveness
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Paride Saraceni
Barcelondon - Original Mix
126 bpm • C# min • 07:15 • -5.81db
8% Popularity • 71% Danceability • 86% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
8% Popularity • 71% Danceability • 86% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
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Stephan Hinz
Hak
126 bpm • A# min • 05:27 • -6.52db
24% Popularity • 79% Danceability • 90% Energy • 7% Liveness
94% Instrumentalness • 31% Positiveness
24% Popularity • 79% Danceability • 90% Energy • 7% Liveness
94% Instrumentalness • 31% Positiveness
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Raffaele Rizzi
Total Black
126 bpm • F# Maj • 05:39 • -12.05db
15% Popularity • 76% Danceability • 46% Energy • 11% Liveness
87% Instrumentalness • 8% Positiveness
15% Popularity • 76% Danceability • 46% Energy • 11% Liveness
87% Instrumentalness • 8% Positiveness
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Timmo
The Maze
126 bpm • C# Maj • 07:10 • -7.76db
15% Popularity • 67% Danceability • 96% Energy • 8% Liveness
90% Instrumentalness • 24% Positiveness
15% Popularity • 67% Danceability • 96% Energy • 8% Liveness
90% Instrumentalness • 24% Positiveness
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Martin Eyerer
Intimacy - Stephan Hinz Remix
126 bpm • D Maj • 07:24 • -11.98db
8% Popularity • 67% Danceability • 68% Energy • 10% Liveness
86% Instrumentalness • 18% Positiveness
8% Popularity • 67% Danceability • 68% Energy • 10% Liveness
86% Instrumentalness • 18% Positiveness
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Alec Troniq
Yujuuu!
126 bpm • G# min • 05:23 • -10.39db
0% Popularity • 81% Danceability • 48% Energy • 10% Liveness
91% Instrumentalness • 52% Positiveness
0% Popularity • 81% Danceability • 48% Energy • 10% Liveness
91% Instrumentalness • 52% Positiveness
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Paride Saraceni
Mindrush
126 bpm • G Maj • 06:38 • -7.74db
18% Popularity • 74% Danceability • 67% Energy • 11% Liveness
84% Instrumentalness • 14% Positiveness
18% Popularity • 74% Danceability • 67% Energy • 11% Liveness
84% Instrumentalness • 14% Positiveness
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Woo York
Poseidon
126 bpm • D Maj • 06:13 • -13.48db
31% Popularity • 81% Danceability • 52% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
31% Popularity • 81% Danceability • 52% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
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Gregor Tresher
The Kraken
126 bpm • C Maj • 06:22 • -8db
21% Popularity • 72% Danceability • 91% Energy • 8% Liveness
90% Instrumentalness • 69% Positiveness
21% Popularity • 72% Danceability • 91% Energy • 8% Liveness
90% Instrumentalness • 69% Positiveness
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SAMA
We Didn't Know
126 bpm • G Maj • 07:29 • -8.3db
8% Popularity • 72% Danceability • 84% Energy • 37% Liveness
85% Instrumentalness • 18% Positiveness
8% Popularity • 72% Danceability • 84% Energy • 37% Liveness
85% Instrumentalness • 18% Positiveness
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Vinicius Honorio
Through the Darkness
126 bpm • C# Maj • 07:33 • -7db
13% Popularity • 69% Danceability • 67% Energy • 69% Liveness
92% Instrumentalness • 20% Positiveness
13% Popularity • 69% Danceability • 67% Energy • 69% Liveness
92% Instrumentalness • 20% Positiveness
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Johannes Heil
By Night, Pt. One
126 bpm • A Maj • 06:59 • -7.95db
12% Popularity • 75% Danceability • 89% Energy • 58% Liveness
91% Instrumentalness • 10% Positiveness
12% Popularity • 75% Danceability • 89% Energy • 58% Liveness
91% Instrumentalness • 10% Positiveness
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Ron Costa
Reject
126 bpm • G Maj • 05:09 • -8.67db
19% Popularity • 73% Danceability • 79% Energy • 9% Liveness
92% Instrumentalness • 33% Positiveness
19% Popularity • 73% Danceability • 79% Energy • 9% Liveness
92% Instrumentalness • 33% Positiveness
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Adam Beyer
Parallels
126 bpm • G Maj • 07:42 • -6.69db
19% Popularity • 94% Danceability • 45% Energy • 68% Liveness
94% Instrumentalness • 4% Positiveness
19% Popularity • 94% Danceability • 45% Energy • 68% Liveness
94% Instrumentalness • 4% Positiveness
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Luigi Madonna
Somewhere in Berlin
126 bpm • G# min • 06:14 • -11db
16% Popularity • 66% Danceability • 71% Energy • 8% Liveness
85% Instrumentalness • 19% Positiveness
16% Popularity • 66% Danceability • 71% Energy • 8% Liveness
85% Instrumentalness • 19% Positiveness
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SHDW
Die weiße Rose - Tale Of Us & Mind Agai...
126 bpm • E min • 06:18 • -8.44db
21% Popularity • 80% Danceability • 86% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
21% Popularity • 80% Danceability • 86% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
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Dave Sinner
Human Nature
126 bpm • B min • 07:10 • -8.33db
17% Popularity • 80% Danceability • 74% Energy • 9% Liveness
82% Instrumentalness • 16% Positiveness
17% Popularity • 80% Danceability • 74% Energy • 9% Liveness
82% Instrumentalness • 16% Positiveness
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Kostas Maskalides
Furnace
126 bpm • A Maj • 06:57 • -8.74db
8% Popularity • 75% Danceability • 66% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
8% Popularity • 75% Danceability • 66% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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Dense & Pika
Tex
126 bpm • A Maj • 06:01 • -10.56db
19% Popularity • 86% Danceability • 72% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
19% Popularity • 86% Danceability • 72% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Alejandro Trebor
Quemadura del Sol - Luigi Madonna Remix
126 bpm • F# Maj • 06:55 • -6.73db
0% Popularity • 88% Danceability • 77% Energy • 9% Liveness
82% Instrumentalness • 41% Positiveness
0% Popularity • 88% Danceability • 77% Energy • 9% Liveness
82% Instrumentalness • 41% Positiveness
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Luigi Madonna
Primo
126 bpm • C# min • 07:48 • -8.3db
26% Popularity • 74% Danceability • 69% Energy • 6% Liveness
91% Instrumentalness • 12% Positiveness
26% Popularity • 74% Danceability • 69% Energy • 6% Liveness
91% Instrumentalness • 12% Positiveness
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Stephan Hinz
Panther
126 bpm • C# Maj • 08:11 • -9.45db
16% Popularity • 87% Danceability • 57% Energy • 10% Liveness
84% Instrumentalness • 46% Positiveness
16% Popularity • 87% Danceability • 57% Energy • 10% Liveness
84% Instrumentalness • 46% Positiveness
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Adam Beyer
People Understand
126 bpm • B Maj • 09:11 • -6.54db
9% Popularity • 69% Danceability • 96% Energy • 11% Liveness
86% Instrumentalness • 49% Positiveness
9% Popularity • 69% Danceability • 96% Energy • 11% Liveness
86% Instrumentalness • 49% Positiveness
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VNTM
Be A Freak
126 bpm • B min • 05:42 • -8.82db
8% Popularity • 79% Danceability • 90% Energy • 14% Liveness
88% Instrumentalness • 46% Positiveness
8% Popularity • 79% Danceability • 90% Energy • 14% Liveness
88% Instrumentalness • 46% Positiveness
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Enrico Sangiuliano
Hook At The Border - Original Mix
126 bpm • C# min • 07:02 • -6.01db
22% Popularity • 74% Danceability • 91% Energy • 8% Liveness
84% Instrumentalness • 7% Positiveness
22% Popularity • 74% Danceability • 91% Energy • 8% Liveness
84% Instrumentalness • 7% Positiveness
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Dennis Smile
Abomination
126 bpm • G# Maj • 06:32 • -10.53db
18% Popularity • 82% Danceability • 73% Energy • 14% Liveness
64% Instrumentalness • 48% Positiveness
18% Popularity • 82% Danceability • 73% Energy • 14% Liveness
64% Instrumentalness • 48% Positiveness
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Piatto
Fuck the System
126 bpm • C Maj • 06:22 • -8db
11% Popularity • 73% Danceability • 58% Energy • 10% Liveness
91% Instrumentalness • 14% Positiveness
11% Popularity • 73% Danceability • 58% Energy • 10% Liveness
91% Instrumentalness • 14% Positiveness
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Marco Faraone
Over the Clouds
126 bpm • C# Maj • 07:29 • -10.31db
8% Popularity • 58% Danceability • 74% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
8% Popularity • 58% Danceability • 74% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Oliver Koletzki
Iyéwaye - Hatzler Remix
126 bpm • A Maj • 08:09 • -9.75db
23% Popularity • 88% Danceability • 57% Energy • 9% Liveness
69% Instrumentalness • 43% Positiveness
23% Popularity • 88% Danceability • 57% Energy • 9% Liveness
69% Instrumentalness • 43% Positiveness
