Songs like Somewhere Out There by Susan Boyle
Based on a tempo of (+/- 10%) and a similar genre
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Susan Boyle
This Will Be The Year
76 bpm • G Maj • 03:53 • -11.52db
10% Popularity • 43% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 43% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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David Pomeranz
Devoted to You
76 bpm • D Maj • 02:55 • -10.25db
46% Popularity • 58% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
46% Popularity • 58% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Ian Campbell
Make Me Feel Your Love
76 bpm • A# Maj • 03:40 • -20db
27% Popularity • 65% Danceability • 12% Energy • 11% Liveness
7% Instrumentalness • 15% Positiveness
27% Popularity • 65% Danceability • 12% Energy • 11% Liveness
7% Instrumentalness • 15% Positiveness
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All Angels
The Sound Of Silence
75 bpm • F Maj • 04:04 • -14.95db
29% Popularity • 19% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
29% Popularity • 19% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Dave Koz
The Way We Were
76 bpm • F# Maj • 04:31 • -11db
29% Popularity • 21% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
29% Popularity • 21% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Whitney Houston
Run to You
77 bpm • G# Maj • 04:24 • -10.21db
65% Popularity • 37% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
65% Popularity • 37% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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Susan Boyle
Somewhere Out There
76 bpm • C Maj • 03:32 • -9.77db
43% Popularity • 17% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
43% Popularity • 17% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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The Serenad3
To Make You Feel My Love
75 bpm • G Maj • 03:43 • -10.95db
45% Popularity • 36% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
45% Popularity • 36% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Glenn Medeiros
Me - You = Blue
75 bpm • A# Maj • 04:28 • -10.76db
43% Popularity • 55% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
43% Popularity • 55% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
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Military Wives
Make You Feel My Love
77 bpm • A# Maj • 03:07 • -15db
40% Popularity • 46% Danceability • 18% Energy • 10% Liveness
6% Instrumentalness • 9% Positiveness
40% Popularity • 46% Danceability • 18% Energy • 10% Liveness
6% Instrumentalness • 9% Positiveness
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Chicago
Will You Still Love Me? - Alternate
77 bpm • C# Maj • 04:13 • -6.81db
56% Popularity • 48% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
56% Popularity • 48% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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Anna Bolivar
Hello Love
77 bpm • D Maj • 02:24 • -8.64db
42% Popularity • 56% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 56% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Susan Boyle
The End of the World
77 bpm • B Maj • 03:13 • -13.88db
21% Popularity • 50% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
21% Popularity • 50% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Michael Bolton
Hallelujah
77 bpm • D Maj • 03:44 • -9.1db
37% Popularity • 17% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
37% Popularity • 17% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Céline Dion
Beauty and the Beast - from the Soundtra...
77 bpm • F# min • 04:09 • -10db
65% Popularity • 46% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
65% Popularity • 46% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Michael Learns To Rock
Forever and a Day - 2002 Remaster
78 bpm • A Maj • 03:17 • -8.74db
39% Popularity • 54% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
39% Popularity • 54% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Debbie Gibson
Sure
78 bpm • A# Maj • 04:16 • -10.09db
36% Popularity • 60% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
36% Popularity • 60% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
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Tiffany
Here In My Heart
78 bpm • C Maj • 04:08 • -9db
40% Popularity • 46% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
40% Popularity • 46% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Susan Boyle
Both Sides Now
77 bpm • F# Maj • 03:29 • -11.01db
27% Popularity • 46% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 46% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Chris de Burgh
Always On My Mind - Re-Recorded Version
78 bpm • G Maj • 03:22 • -15.95db
45% Popularity • 26% Danceability • 21% Energy • 12% Liveness
2% Instrumentalness • 15% Positiveness
45% Popularity • 26% Danceability • 21% Energy • 12% Liveness
2% Instrumentalness • 15% Positiveness
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Michael Bolton
To Love Somebody
74 bpm • B Maj • 04:07 • -11.79db
61% Popularity • 37% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
61% Popularity • 37% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Debby Boone
You Light Up My Life
78 bpm • D Maj • 03:36 • -10.06db
57% Popularity • 33% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 7% Positiveness
57% Popularity • 33% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 7% Positiveness
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Debbie Gibson
No More Rhyme
74 bpm • A Maj • 04:15 • -7.64db
49% Popularity • 56% Danceability • 47% Energy • 31% Liveness
0% Instrumentalness • 26% Positiveness
49% Popularity • 56% Danceability • 47% Energy • 31% Liveness
0% Instrumentalness • 26% Positiveness
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Richard Marx
Now And Forever
78 bpm • G Maj • 03:34 • -11.23db
67% Popularity • 44% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
67% Popularity • 44% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Susan Boyle
Bring Him Home
78 bpm • C Maj • 03:30 • -11.05db
25% Popularity • 22% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
25% Popularity • 22% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Hugh Grant
Don't Write Me Off
74 bpm • C# Maj • 02:30 • -11.11db
37% Popularity • 64% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 64% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Chicago
You're the Inspiration - 2006 Remaster
74 bpm • B Maj • 03:49 • -6.36db
74% Popularity • 58% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
74% Popularity • 58% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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Rick Price
Nothing Can Stop Us Now
78 bpm • C Maj • 03:48 • -12.66db
49% Popularity • 49% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
49% Popularity • 49% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Linda Ronstadt
All My Life - 1999 Remaster
74 bpm • D# Maj • 03:30 • -8.75db
50% Popularity • 60% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
50% Popularity • 60% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
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Peter Cetera
Baby, What a Big Surprise
74 bpm • A# Maj • 03:30 • -7.93db
38% Popularity • 52% Danceability • 56% Energy • 47% Liveness
0% Instrumentalness • 58% Positiveness
38% Popularity • 52% Danceability • 56% Energy • 47% Liveness
0% Instrumentalness • 58% Positiveness
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Andy Williams
Love Theme from "Romeo and Juliet" - A T...
78 bpm • A min • 02:33 • -13.85db
37% Popularity • 24% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
37% Popularity • 24% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
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Susan Boyle
Always On My Mind
73 bpm • C Maj • 04:05 • -12db
38% Popularity • 22% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
38% Popularity • 22% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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Debbie Gibson
Didn't Have The Heart
79 bpm • F Maj • 04:45 • -6.3db
31% Popularity • 32% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
31% Popularity • 32% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
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Air Supply
Every Woman In The World
79 bpm • A Maj • 03:30 • -12.85db
40% Popularity • 46% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 37% Positiveness
40% Popularity • 46% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 37% Positiveness
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The Celtic Tenors
Somewhere
73 bpm • F Maj • 02:31 • -6.59db
33% Popularity • 33% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
33% Popularity • 33% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Chloe Agnew
Vincent - Starry, Starry Night
79 bpm • E Maj • 04:37 • -13db
33% Popularity • 31% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
33% Popularity • 31% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Beau Dermott
When You Wish Upon A Star
73 bpm • C Maj • 03:34 • -11.17db
14% Popularity • 14% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
14% Popularity • 14% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Susan Boyle
Send In the Clowns
79 bpm • D# Maj • 03:44 • -12.69db
29% Popularity • 25% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 25% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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David Pomeranz
Where Do We Go from Now?
73 bpm • C Maj • 03:56 • -10.71db
34% Popularity • 50% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
34% Popularity • 50% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Lobo
How Can I Tell Her - Rerecorded
80 bpm • D Maj • 04:34 • -10db
39% Popularity • 64% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
39% Popularity • 64% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Roberta Flack
If Ever I See You Again
80 bpm • A# Maj • 03:40 • -19.22db
32% Popularity • 24% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
32% Popularity • 24% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Laura Bretan
Adagio
80 bpm • D# min • 04:08 • -6.09db
44% Popularity • 20% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
44% Popularity • 20% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
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Beth Nielsen Chapman
The Moment You Were Mine
80 bpm • C min • 03:31 • -10.1db
17% Popularity • 46% Danceability • 38% Energy • 25% Liveness
0% Instrumentalness • 13% Positiveness
17% Popularity • 46% Danceability • 38% Energy • 25% Liveness
0% Instrumentalness • 13% Positiveness
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Peter Cetera
Hard to Say I'm Sorry / You're the Inspi...
72 bpm • A Maj • 05:19 • -8db
52% Popularity • 36% Danceability • 39% Energy • 83% Liveness
0% Instrumentalness • 22% Positiveness
52% Popularity • 36% Danceability • 39% Energy • 83% Liveness
0% Instrumentalness • 22% Positiveness
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Susan Boyle
You'll Never Walk Alone
80 bpm • A# Maj • 03:24 • -9.77db
34% Popularity • 12% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
34% Popularity • 12% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Linda Ronstadt
Somewhere Out There
80 bpm • C Maj • 03:58 • -16.3db
52% Popularity • 32% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
52% Popularity • 32% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Vladimir Cosma
My Life
72 bpm • F min • 03:20 • -12.86db
36% Popularity • 19% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
36% Popularity • 19% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Michael Learns To Rock
Out of the Blue
80 bpm • B Maj • 04:04 • -6.81db
59% Popularity • 60% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
59% Popularity • 60% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Beau Dermott
Tears In Heaven
72 bpm • D# Maj • 03:32 • -12.91db
38% Popularity • 32% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
38% Popularity • 32% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Sean Butler
Love Lifts Us Up Where We Belong
72 bpm • D Maj • 03:45 • -7.81db
30% Popularity • 49% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
30% Popularity • 49% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Susan Boyle
Bridge over Troubled Water
80 bpm • G# Maj • 04:53 • -10db
26% Popularity • 21% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
26% Popularity • 21% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Vanessa Williams
With You I'm Born Again (Duet with Georg...
81 bpm • D# min • 03:53 • -9.91db
37% Popularity • 22% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
37% Popularity • 22% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Daniel Emmet
Unchained Melody
71 bpm • C Maj • 03:07 • -7.81db
34% Popularity • 17% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
34% Popularity • 17% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Military Wives
Sing
81 bpm • G Maj • 04:02 • -8.22db
27% Popularity • 44% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
27% Popularity • 44% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Bonnie Tyler
If I Sing You a Love Song
81 bpm • F Maj • 04:45 • -12.23db
45% Popularity • 41% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
45% Popularity • 41% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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The Celtic Tenors
Forever Young
71 bpm • D Maj • 04:07 • -6.41db
30% Popularity • 33% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
30% Popularity • 33% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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All-4-One
I Swear
82 bpm • D Maj • 04:21 • -6db
39% Popularity • 25% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
39% Popularity • 25% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Susan Boyle
Like a Prayer
82 bpm • D min • 03:22 • -11.1db
33% Popularity • 21% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
33% Popularity • 21% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Annie Labrecque Paulin
Dance With My Father Again
82 bpm • C# Maj • 02:54 • -16db
35% Popularity • 43% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
35% Popularity • 43% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Joshua Payne
Remember Yesterday
70 bpm • G Maj • 04:37 • -11.99db
10% Popularity • 34% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
10% Popularity • 34% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Military Wives
One Voice
82 bpm • A# Maj • 03:13 • -11.73db
27% Popularity • 14% Danceability • 30% Energy • 5% Liveness
7% Instrumentalness • 16% Positiveness
27% Popularity • 14% Danceability • 30% Energy • 5% Liveness
7% Instrumentalness • 16% Positiveness
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Sheena Easton
For Your Eyes Only
82 bpm • G Maj • 03:04 • -7.78db
60% Popularity • 24% Danceability • 44% Energy • 37% Liveness
0% Instrumentalness • 11% Positiveness
60% Popularity • 24% Danceability • 44% Energy • 37% Liveness
0% Instrumentalness • 11% Positiveness
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David Pomeranz
I Still Believe in You
70 bpm • A Maj • 02:52 • -12.61db
39% Popularity • 36% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
39% Popularity • 36% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Susan Boyle
I Can Only Imagine
82 bpm • D Maj • 03:34 • -10db
27% Popularity • 26% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 26% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Beau Dermott
Someone Like You
70 bpm • F Maj • 04:02 • -9.3db
22% Popularity • 32% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 32% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Mr. Robert
Broken
82 bpm • C# Maj • 02:32 • -11.05db
11% Popularity • 42% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 42% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Military Wives
Rule The World
82 bpm • F Maj • 03:56 • -9.29db
26% Popularity • 43% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
26% Popularity • 43% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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The Celtic Tenors
The Things You Are To Me
70 bpm • F# min • 03:41 • -7.72db
25% Popularity • 37% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
25% Popularity • 37% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Mathilde Holtti
To Make You Feel My Love
70 bpm • A# Maj • 03:37 • -18.34db
52% Popularity • 49% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
52% Popularity • 49% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Susan Boyle
Over the Rainbow
82 bpm • G# Maj • 05:41 • -10.99db
28% Popularity • 21% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
28% Popularity • 21% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Beau Dermott
Colours Of The Wind
83 bpm • C Maj • 03:55 • -10db
26% Popularity • 33% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 33% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
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Chloe Agnew
Winter's Light
83 bpm • D Maj • 03:36 • -14.99db
30% Popularity • 23% Danceability • 16% Energy • 10% Liveness
3% Instrumentalness • 12% Positiveness
30% Popularity • 23% Danceability • 16% Energy • 10% Liveness
3% Instrumentalness • 12% Positiveness
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Patrizio Buanne
Forever Begins Tonight
83 bpm • F min • 03:48 • -6db
33% Popularity • 44% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 44% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Daniel Emmet
True Reflection
83 bpm • A# Maj • 03:41 • -5.76db
30% Popularity • 47% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 47% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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Patty Smyth
Sometimes Love Just Ain't Enough
83 bpm • A# Maj • 04:27 • -10.69db
62% Popularity • 56% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 27% Positiveness
62% Popularity • 56% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 27% Positiveness
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Jennylyn Mercado
Sometimes Love Just Ain't Enough
83 bpm • D Maj • 04:19 • -7.13db
47% Popularity • 46% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
47% Popularity • 46% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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All-4-One
I Swear
83 bpm • F# min • 04:19 • -9.66db
69% Popularity • 53% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
69% Popularity • 53% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Julian & Fortune
Grow Old Along With Me
83 bpm • G Maj • 03:08 • -13.42db
10% Popularity • 36% Danceability • 23% Energy • 12% Liveness
10% Instrumentalness • 14% Positiveness
10% Popularity • 36% Danceability • 23% Energy • 12% Liveness
10% Instrumentalness • 14% Positiveness
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Susan Boyle
I Dreamed a Dream
69 bpm • A# Maj • 03:10 • -8.75db
52% Popularity • 29% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
52% Popularity • 29% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Peter Cetera
Feels Like Heaven
83 bpm • G# Maj • 04:48 • -11db
45% Popularity • 54% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
45% Popularity • 54% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Marie Oppert
Pure Imagination
84 bpm • C# Maj • 04:12 • -16.18db
38% Popularity • 15% Danceability • 11% Energy • 5% Liveness
1% Instrumentalness • 4% Positiveness
38% Popularity • 15% Danceability • 11% Energy • 5% Liveness
1% Instrumentalness • 4% Positiveness
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Vanessa Williams
Colors Of The Wind - End Title
84 bpm • G min • 04:17 • -18.07db
48% Popularity • 57% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
48% Popularity • 57% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Jose Mari Chan
Perhaps Love
69 bpm • E Maj • 02:17 • -10db
37% Popularity • 33% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 33% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Lionel Richie
Truly
68 bpm • C# Maj • 03:20 • -14db
63% Popularity • 37% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
63% Popularity • 37% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Susan Boyle
Memory
84 bpm • F min • 04:06 • -11.23db
38% Popularity • 25% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
38% Popularity • 25% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Savage Garden
I Knew I Loved You
85 bpm • A Maj • 04:10 • -9.88db
71% Popularity • 61% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
71% Popularity • 61% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Lisa Lambe
Bridge over Trouble Waters
85 bpm • A# Maj • 04:03 • -10db
32% Popularity • 28% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
32% Popularity • 28% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
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Whitney Houston
I Will Always Love You
68 bpm • E Maj • 04:31 • -12.52db
79% Popularity • 33% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
79% Popularity • 33% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Jackie Evancho
A Mother's Prayer
86 bpm • G# Maj • 04:28 • -11.12db
29% Popularity • 20% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 20% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 6% Positiveness
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Lobo
Stoney - Rerecorded
86 bpm • A# Maj • 03:38 • -8.76db
41% Popularity • 58% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
41% Popularity • 58% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Susan Boyle
Return
84 bpm • C# min • 02:58 • -6.34db
13% Popularity • 15% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
13% Popularity • 15% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Patti Austin
In My Life
86 bpm • G# Maj • 04:04 • -13.2db
43% Popularity • 46% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
43% Popularity • 46% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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All Angels
The Scientist
86 bpm • D Maj • 03:58 • -12.04db
29% Popularity • 18% Danceability • 27% Energy • 13% Liveness
1% Instrumentalness • 8% Positiveness
29% Popularity • 18% Danceability • 27% Energy • 13% Liveness
1% Instrumentalness • 8% Positiveness
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Christopher Cross
Think of Laura
86 bpm • B Maj • 03:26 • -13db
62% Popularity • 64% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
62% Popularity • 64% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Mark Masri
Truly
67 bpm • D Maj • 04:15 • -9.24db
16% Popularity • 13% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
16% Popularity • 13% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
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Freddie Mercury
Love of My Life
87 bpm • F Maj • 03:44 • -8.91db
21% Popularity • 24% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 10% Positiveness
21% Popularity • 24% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 10% Positiveness
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Susan Boyle
The Winner Takes It All
84 bpm • F Maj • 04:49 • -11db
45% Popularity • 30% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
45% Popularity • 30% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Jack Jones
You Were There
87 bpm • B Maj • 03:56 • -12db
32% Popularity • 48% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
32% Popularity • 48% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
