Songs like Somewhere over the Rainbow Bar and Grill by David Lee Roth
Based on a tempo of (+/- 10%) and a similar genre
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David Lee Roth
Somewhere over the Rainbow Bar and Grill
137 bpm • E Maj • 04:11 • -7.59db
21% Popularity • 66% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
21% Popularity • 66% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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The Firm
Satisfaction Guaranteed
137 bpm • C Maj • 04:10 • -14db
39% Popularity • 48% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
39% Popularity • 48% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
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Cinderella
Move Over
136 bpm • B min • 03:45 • -4.54db
25% Popularity • 50% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 50% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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The Quireboys
Man on the Loose
136 bpm • D Maj • 04:16 • -10.71db
20% Popularity • 57% Danceability • 77% Energy • 57% Liveness
0% Instrumentalness • 83% Positiveness
20% Popularity • 57% Danceability • 77% Energy • 57% Liveness
0% Instrumentalness • 83% Positiveness
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John Mellencamp
The Real Life
136 bpm • D# min • 03:57 • -3.03db
31% Popularity • 61% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 79% Positiveness
31% Popularity • 61% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 79% Positiveness
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38 Special
The Sound Of Your Voice
136 bpm • E Maj • 04:59 • -9.97db
33% Popularity • 62% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
33% Popularity • 62% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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Huey Lewis
Her Love Is Killin' Me
136 bpm • A Maj • 03:41 • -4.2db
30% Popularity • 65% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
30% Popularity • 65% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Faster Pussycat
Tattoo
138 bpm • B Maj • 04:52 • -5.69db
22% Popularity • 53% Danceability • 96% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 53% Danceability • 96% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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Alice Cooper
Detroit City 2021
136 bpm • A Maj • 03:19 • -2.65db
14% Popularity • 43% Danceability • 97% Energy • 35% Liveness
0% Instrumentalness • 41% Positiveness
14% Popularity • 43% Danceability • 97% Energy • 35% Liveness
0% Instrumentalness • 41% Positiveness
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Chickenfoot
Avenida Revolucion
136 bpm • B min • 05:58 • -4.89db
19% Popularity • 50% Danceability • 96% Energy • 32% Liveness
1% Instrumentalness • 29% Positiveness
19% Popularity • 50% Danceability • 96% Energy • 32% Liveness
1% Instrumentalness • 29% Positiveness
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Down 'n' Outz
This Is How We Roll
138 bpm • C# Maj • 03:06 • -5.89db
11% Popularity • 40% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 40% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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The Rolling Stones
One Hit (To The Body) - Remastered
138 bpm • B min • 04:43 • -4db
41% Popularity • 59% Danceability • 96% Energy • 69% Liveness
0% Instrumentalness • 61% Positiveness
41% Popularity • 59% Danceability • 96% Energy • 69% Liveness
0% Instrumentalness • 61% Positiveness
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David Lee Roth
Tell the Truth
138 bpm • D min • 05:18 • -10.61db
25% Popularity • 64% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 64% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
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Michael Schenker Group
On and On - 2009 Remaster
139 bpm • F min • 04:45 • -10db
41% Popularity • 34% Danceability • 80% Energy • 48% Liveness
0% Instrumentalness • 26% Positiveness
41% Popularity • 34% Danceability • 80% Energy • 48% Liveness
0% Instrumentalness • 26% Positiveness
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Phantom, Rocker & Slick
My Mistake
139 bpm • A Maj • 03:17 • -8.8db
12% Popularity • 52% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
12% Popularity • 52% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Chickenfoot
Get It Up
136 bpm • B min • 04:41 • -4.87db
21% Popularity • 49% Danceability • 94% Energy • 39% Liveness
2% Instrumentalness • 48% Positiveness
21% Popularity • 49% Danceability • 94% Energy • 39% Liveness
2% Instrumentalness • 48% Positiveness
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Collective Soul
Let Her Out
135 bpm • F# Maj • 02:56 • -6.4db
13% Popularity • 63% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
13% Popularity • 63% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Blackfoot
Fly Away
135 bpm • C Maj • 02:57 • -8.8db
30% Popularity • 56% Danceability • 78% Energy • 54% Liveness
0% Instrumentalness • 81% Positiveness
30% Popularity • 56% Danceability • 78% Energy • 54% Liveness
0% Instrumentalness • 81% Positiveness
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David Lee Roth
Just Like Paradise
136 bpm • D Maj • 04:03 • -4.98db
56% Popularity • 61% Danceability • 85% Energy • 67% Liveness
0% Instrumentalness • 38% Positiveness
56% Popularity • 61% Danceability • 85% Energy • 67% Liveness
0% Instrumentalness • 38% Positiveness
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Ray Lyell
Another Man's Gun
139 bpm • F# Maj • 05:06 • -6.58db
16% Popularity • 60% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
16% Popularity • 60% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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The Quireboys
I Don't Love You Anymore - 30Th Annivers...
135 bpm • E Maj • 05:37 • -10.58db
10% Popularity • 50% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 50% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
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Neal Schon & Jan Hammer
No More Lies
135 bpm • D Maj • 03:30 • -6.62db
18% Popularity • 51% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
18% Popularity • 51% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Thin Lizzy
Running Back - Demo
135 bpm • A Maj • 04:00 • -6.44db
8% Popularity • 32% Danceability • 93% Energy • 36% Liveness
1% Instrumentalness • 91% Positiveness
8% Popularity • 32% Danceability • 93% Energy • 36% Liveness
1% Instrumentalness • 91% Positiveness
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Foghat
Drivin' Wheel - Single Version
140 bpm • D Maj • 04:28 • -11db
21% Popularity • 54% Danceability • 90% Energy • 5% Liveness
32% Instrumentalness • 66% Positiveness
21% Popularity • 54% Danceability • 90% Energy • 5% Liveness
32% Instrumentalness • 66% Positiveness
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David Lee Roth
Land's Edge - 2007 Remaster
135 bpm • F min • 03:12 • -6.47db
16% Popularity • 53% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
16% Popularity • 53% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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Enuff Z'Nuff
Jet
140 bpm • G# Maj • 03:49 • -5.39db
9% Popularity • 35% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
9% Popularity • 35% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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The Quireboys
Long Time Comin'
139 bpm • D Maj • 03:26 • -10.29db
18% Popularity • 36% Danceability • 90% Energy • 4% Liveness
5% Instrumentalness • 83% Positiveness
18% Popularity • 36% Danceability • 90% Energy • 4% Liveness
5% Instrumentalness • 83% Positiveness
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The Firm
Closer
140 bpm • A Maj • 02:53 • -12.75db
27% Popularity • 55% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
27% Popularity • 55% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Winger
Headed for a Heartbreak
134 bpm • D min • 05:12 • -13.85db
46% Popularity • 46% Danceability • 51% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
46% Popularity • 46% Danceability • 51% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
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Phil Rudd
Sun Goes Down
140 bpm • E Maj • 02:50 • -3db
19% Popularity • 52% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
19% Popularity • 52% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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David Lee Roth
Goin' Crazy (Loco del Calor)
135 bpm • G Maj • 03:10 • -12.79db
42% Popularity • 51% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
42% Popularity • 51% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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George Lynch
Ordinary World
140 bpm • C min • 05:52 • -3.82db
12% Popularity • 46% Danceability • 83% Energy • 32% Liveness
2% Instrumentalness • 42% Positiveness
12% Popularity • 46% Danceability • 83% Energy • 32% Liveness
2% Instrumentalness • 42% Positiveness
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Gilby Clarke
Rock n' Roll Is Getting Louder
134 bpm • A Maj • 03:46 • -3.23db
14% Popularity • 58% Danceability • 96% Energy • 35% Liveness
2% Instrumentalness • 69% Positiveness
14% Popularity • 58% Danceability • 96% Energy • 35% Liveness
2% Instrumentalness • 69% Positiveness
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38 Special
Somebody Like You
134 bpm • G Maj • 04:08 • -14.4db
41% Popularity • 62% Danceability • 48% Energy • 11% Liveness
4% Instrumentalness • 91% Positiveness
41% Popularity • 62% Danceability • 48% Energy • 11% Liveness
4% Instrumentalness • 91% Positiveness
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Angel City
Marseilles
133 bpm • D Maj • 04:50 • -10.86db
27% Popularity • 52% Danceability • 61% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
27% Popularity • 52% Danceability • 61% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
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Chickenfoot
My Kinda Girl
133 bpm • G Maj • 04:35 • -4.37db
26% Popularity • 48% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
26% Popularity • 48% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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David Lee Roth
Tobacco Road (La Calle del Tabaco)
139 bpm • A min • 02:29 • -12.39db
43% Popularity • 44% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
43% Popularity • 44% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
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Ugly Kid Joe
Mr. Recordman
133 bpm • F# Maj • 04:06 • -11db
33% Popularity • 69% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 69% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Black Star Riders
Tonight the Moonlight Let Me Down
141 bpm • G# Maj • 03:54 • -4.12db
31% Popularity • 51% Danceability • 99% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 51% Danceability • 99% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Axe
Rock and Roll Party
133 bpm • E min • 04:32 • -10.01db
22% Popularity • 60% Danceability • 86% Energy • 63% Liveness
0% Instrumentalness • 58% Positiveness
22% Popularity • 60% Danceability • 86% Energy • 63% Liveness
0% Instrumentalness • 58% Positiveness
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Paul Stanley
Venus and Mars / Rock Show
133 bpm • D Maj • 06:40 • -5.65db
14% Popularity • 41% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
14% Popularity • 41% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Zebra
Tell Me What You Want
133 bpm • G Maj • 03:50 • -7db
41% Popularity • 42% Danceability • 89% Energy • 9% Liveness
8% Instrumentalness • 38% Positiveness
41% Popularity • 42% Danceability • 89% Energy • 9% Liveness
8% Instrumentalness • 38% Positiveness
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David Lee Roth
She's Looking Good
140 bpm • A Maj • 02:50 • -3.3db
19% Popularity • 72% Danceability • 95% Energy • 7% Liveness
1% Instrumentalness • 73% Positiveness
19% Popularity • 72% Danceability • 95% Energy • 7% Liveness
1% Instrumentalness • 73% Positiveness
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Cinderella
Hot And Bothered
133 bpm • D Maj • 03:57 • -6.25db
39% Popularity • 55% Danceability • 85% Energy • 6% Liveness
5% Instrumentalness • 51% Positiveness
39% Popularity • 55% Danceability • 85% Energy • 6% Liveness
5% Instrumentalness • 51% Positiveness
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38 Special
You Keep Runnin' Away
133 bpm • A min • 03:56 • -10db
38% Popularity • 65% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
38% Popularity • 65% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Deep Purple
Rockin' Pneumonia and the Boogie Woogie ...
133 bpm • C Maj • 03:15 • -5.29db
25% Popularity • 61% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 89% Positiveness
25% Popularity • 61% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 89% Positiveness
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Smith/Kotzen
Running
133 bpm • C min • 04:19 • -3.98db
29% Popularity • 55% Danceability • 92% Energy • 13% Liveness
1% Instrumentalness • 46% Positiveness
29% Popularity • 55% Danceability • 92% Energy • 13% Liveness
1% Instrumentalness • 46% Positiveness
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Little Caesar
Down-N-Dirty
141 bpm • C Maj • 04:19 • -8.21db
21% Popularity • 50% Danceability • 87% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
21% Popularity • 50% Danceability • 87% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
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David Lee Roth
Stand Up
134 bpm • A min • 04:42 • -7db
27% Popularity • 69% Danceability • 77% Energy • 10% Liveness
6% Instrumentalness • 86% Positiveness
27% Popularity • 69% Danceability • 77% Energy • 10% Liveness
6% Instrumentalness • 86% Positiveness
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Cinderella
Shake Me
133 bpm • A Maj • 03:42 • -12db
59% Popularity • 54% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
59% Popularity • 54% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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White Lion
Wait - Extended Remix
142 bpm • D Maj • 06:23 • -6.88db
8% Popularity • 44% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 44% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 30% Positiveness
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L.A. Guns
Never Enough - Re-Recorded
142 bpm • G# Maj • 04:10 • -4db
33% Popularity • 25% Danceability • 97% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 25% Danceability • 97% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Gin Blossoms
Christine Sixteen
132 bpm • A Maj • 03:09 • -8.1db
20% Popularity • 57% Danceability • 89% Energy • 7% Liveness
2% Instrumentalness • 85% Positiveness
20% Popularity • 57% Danceability • 89% Energy • 7% Liveness
2% Instrumentalness • 85% Positiveness
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Boston
Used to Bad News
132 bpm • D Maj • 02:56 • -10.89db
38% Popularity • 48% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
38% Popularity • 48% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Jefferson Starship
Stranger
142 bpm • B min • 04:43 • -6.29db
32% Popularity • 55% Danceability • 86% Energy • 61% Liveness
0% Instrumentalness • 58% Positiveness
32% Popularity • 55% Danceability • 86% Energy • 61% Liveness
0% Instrumentalness • 58% Positiveness
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Cinderella
Gypsy Road
132 bpm • A Maj • 03:55 • -9db
62% Popularity • 52% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
62% Popularity • 52% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
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Bad Touch
I've Got the Music In Me
132 bpm • G# Maj • 03:39 • -7.91db
13% Popularity • 59% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
13% Popularity • 59% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Fastway
Say What You Will
131 bpm • E min • 03:19 • -11db
42% Popularity • 52% Danceability • 85% Energy • 20% Liveness
3% Instrumentalness • 59% Positiveness
42% Popularity • 52% Danceability • 85% Energy • 20% Liveness
3% Instrumentalness • 59% Positiveness
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38 Special
If I'd Been The One
143 bpm • G Maj • 03:55 • -12db
55% Popularity • 57% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
55% Popularity • 57% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Chris Cornell
Jump Into The Fire
143 bpm • B min • 03:35 • -5.45db
36% Popularity • 64% Danceability • 94% Energy • 5% Liveness
6% Instrumentalness • 81% Positiveness
36% Popularity • 64% Danceability • 94% Energy • 5% Liveness
6% Instrumentalness • 81% Positiveness
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David Lee Roth
Easy Street
143 bpm • A# Maj • 03:49 • -6.56db
24% Popularity • 49% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
24% Popularity • 49% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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The Cult
Wild Hearted Son
131 bpm • F# Maj • 05:41 • -7db
38% Popularity • 41% Danceability • 88% Energy • 11% Liveness
13% Instrumentalness • 25% Positiveness
38% Popularity • 41% Danceability • 88% Energy • 11% Liveness
13% Instrumentalness • 25% Positiveness
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Cinderella
The More Things Change
131 bpm • A Maj • 04:22 • -7db
48% Popularity • 51% Danceability • 95% Energy • 34% Liveness
90% Instrumentalness • 72% Positiveness
48% Popularity • 51% Danceability • 95% Energy • 34% Liveness
90% Instrumentalness • 72% Positiveness
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GODDO
Sweet Thing
131 bpm • D Maj • 03:44 • -4.75db
14% Popularity • 43% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 43% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Phantom, Rocker & Slick
Men Without Shame
143 bpm • G Maj • 06:17 • -9.44db
27% Popularity • 36% Danceability • 86% Energy • 40% Liveness
6% Instrumentalness • 50% Positiveness
27% Popularity • 36% Danceability • 86% Energy • 40% Liveness
6% Instrumentalness • 50% Positiveness
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Collective Soul
Right As Rain
131 bpm • F# Maj • 03:29 • -3.56db
32% Popularity • 52% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 52% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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The Law
Nature of the Beast
131 bpm • A Maj • 03:53 • -5.34db
13% Popularity • 63% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
13% Popularity • 63% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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Shooting Star
Tonight
131 bpm • A Maj • 04:40 • -9db
9% Popularity • 36% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 36% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 18% Positiveness
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Damn Yankees
Come Again
131 bpm • A min • 05:39 • -11db
46% Popularity • 22% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
46% Popularity • 22% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Bad English
Rockin' Horse
144 bpm • B min • 05:28 • -9.4db
20% Popularity • 44% Danceability • 81% Energy • 36% Liveness
1% Instrumentalness • 52% Positiveness
20% Popularity • 44% Danceability • 81% Energy • 36% Liveness
1% Instrumentalness • 52% Positiveness
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Lynyrd Skynyrd
Last Of The Street Survivors
144 bpm • G Maj • 04:15 • -5.45db
17% Popularity • 48% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
17% Popularity • 48% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Bon Scott
Round and Round and Round (1996)
130 bpm • B Maj • 03:23 • -3.81db
16% Popularity • 53% Danceability • 94% Energy • 7% Liveness
3% Instrumentalness • 71% Positiveness
16% Popularity • 53% Danceability • 94% Energy • 7% Liveness
3% Instrumentalness • 71% Positiveness
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Zebra
Bears
130 bpm • D Maj • 04:33 • -8db
21% Popularity • 49% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 49% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Duff McKagan
Don't Look Behind You
130 bpm • F# Maj • 06:14 • -7.26db
17% Popularity • 56% Danceability • 50% Energy • 11% Liveness
21% Instrumentalness • 16% Positiveness
17% Popularity • 56% Danceability • 50% Energy • 11% Liveness
21% Instrumentalness • 16% Positiveness
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REO Speedwagon
Only the Strong Survive
130 bpm • C Maj • 03:52 • -11.23db
29% Popularity • 57% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 57% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Faster Pussycat
Nonstop to Nowhere
130 bpm • A Maj • 06:57 • -8.76db
28% Popularity • 47% Danceability • 84% Energy • 31% Liveness
4% Instrumentalness • 49% Positiveness
28% Popularity • 47% Danceability • 84% Energy • 31% Liveness
4% Instrumentalness • 49% Positiveness
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Gilby Clarke
The Gospel Truth
130 bpm • B Maj • 03:56 • -4.42db
11% Popularity • 65% Danceability • 86% Energy • 7% Liveness
62% Instrumentalness • 80% Positiveness
11% Popularity • 65% Danceability • 86% Energy • 7% Liveness
62% Instrumentalness • 80% Positiveness
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The Babys
Midnight Rendezvous
130 bpm • A Maj • 03:36 • -7db
45% Popularity • 64% Danceability • 79% Energy • 25% Liveness
0% Instrumentalness • 85% Positiveness
45% Popularity • 64% Danceability • 79% Energy • 25% Liveness
0% Instrumentalness • 85% Positiveness
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Brother Cane
The Road
130 bpm • F# Maj • 04:41 • -7.45db
12% Popularity • 63% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 63% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Jackyl
Cover of the Rolling Stone
145 bpm • A Maj • 02:59 • -6.54db
29% Popularity • 62% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
29% Popularity • 62% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Blue Murder
Itchycoo Park
130 bpm • D Maj • 03:48 • -7.15db
14% Popularity • 27% Danceability • 89% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
14% Popularity • 27% Danceability • 89% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
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REO Speedwagon
Heavy on Your Love
145 bpm • D Maj • 03:34 • -11db
26% Popularity • 41% Danceability • 77% Energy • 10% Liveness
44% Instrumentalness • 75% Positiveness
26% Popularity • 41% Danceability • 77% Energy • 10% Liveness
44% Instrumentalness • 75% Positiveness
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John Mellencamp
Rumbleseat
129 bpm • F Maj • 02:58 • -2.7db
44% Popularity • 68% Danceability • 92% Energy • 10% Liveness
11% Instrumentalness • 97% Positiveness
44% Popularity • 68% Danceability • 92% Energy • 10% Liveness
11% Instrumentalness • 97% Positiveness
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Extreme
Song For Love
145 bpm • G# Maj • 05:55 • -7.88db
35% Popularity • 25% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 25% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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April Wine
All Over Town
129 bpm • A min • 03:00 • -13.79db
35% Popularity • 59% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
35% Popularity • 59% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Brother Cane
That Don't Satisfy Me
129 bpm • E Maj • 04:42 • -4.33db
23% Popularity • 62% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
23% Popularity • 62% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
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Y&T
Summertime Girls - Studio Version
129 bpm • E Maj • 03:27 • -6.4db
39% Popularity • 39% Danceability • 84% Energy • 41% Liveness
0% Instrumentalness • 76% Positiveness
39% Popularity • 39% Danceability • 84% Energy • 41% Liveness
0% Instrumentalness • 76% Positiveness
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David Lee Roth
That's Life (Asi Es la Vida)
129 bpm • A Maj • 02:45 • -11db
36% Popularity • 42% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 42% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Streetheart
Under My Thumb
129 bpm • A Maj • 06:39 • -6.57db
20% Popularity • 65% Danceability • 83% Energy • 14% Liveness
3% Instrumentalness • 95% Positiveness
20% Popularity • 65% Danceability • 83% Energy • 14% Liveness
3% Instrumentalness • 95% Positiveness
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Damn Yankees
Tell Me How You Want It
129 bpm • F Maj • 04:33 • -9.3db
31% Popularity • 50% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 50% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
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Kim Mitchell
Ain't Life Amazing
146 bpm • A# Maj • 04:17 • -4.04db
12% Popularity • 46% Danceability • 94% Energy • 54% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 46% Danceability • 94% Energy • 54% Liveness
0% Instrumentalness • 36% Positiveness
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Mick Jagger
Wired All Night
146 bpm • C# Maj • 04:05 • -4db
33% Popularity • 49% Danceability • 90% Energy • 6% Liveness
1% Instrumentalness • 64% Positiveness
33% Popularity • 49% Danceability • 90% Energy • 6% Liveness
1% Instrumentalness • 64% Positiveness
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Huey Lewis & The News
Walking On A Thin Line
128 bpm • D Maj • 05:10 • -8.61db
49% Popularity • 67% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
49% Popularity • 67% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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David Lee Roth
Shyboy (Timido)
128 bpm • F Maj • 03:24 • -14.09db
34% Popularity • 48% Danceability • 89% Energy • 56% Liveness
0% Instrumentalness • 43% Positiveness
34% Popularity • 48% Danceability • 89% Energy • 56% Liveness
0% Instrumentalness • 43% Positiveness
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Faster Pussycat
You're So Vain
128 bpm • C Maj • 04:09 • -9.59db
32% Popularity • 56% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 56% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
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Izzy Stradlin And The Ju Ju Hounds
Somebody Knockin'
128 bpm • D Maj • 03:27 • -5.42db
28% Popularity • 53% Danceability • 87% Energy • 14% Liveness
2% Instrumentalness • 74% Positiveness
28% Popularity • 53% Danceability • 87% Energy • 14% Liveness
2% Instrumentalness • 74% Positiveness
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Alice Cooper
Hail Mary
128 bpm • A min • 03:14 • -2.26db
13% Popularity • 58% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 58% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Mammoth WVH
Mr. Ed
128 bpm • A Maj • 03:44 • -3.4db
40% Popularity • 46% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 46% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
