Songs like Somewhere by Willie Jones & The Royal Jokers
Based on a tempo of (+/- 10%) and a similar genre
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Ann Cole
Each Day
92 bpm • D min • 02:20 • -7.81db
11% Popularity • 62% Danceability • 61% Energy • 4% Liveness
0% Instrumentalness • 81% Positiveness
11% Popularity • 62% Danceability • 61% Energy • 4% Liveness
0% Instrumentalness • 81% Positiveness
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Jessie Mae
Don't Freeze on Me
92 bpm • F Maj • 02:18 • -5.16db
8% Popularity • 62% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
8% Popularity • 62% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
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Willie Jones & The Royal Jokers
Somewhere
92 bpm • G Maj • 02:43 • -10.51db
0% Popularity • 42% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
0% Popularity • 42% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Gino Parks
Same Thing - Single Version
91 bpm • G# Maj • 02:21 • -5db
13% Popularity • 62% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 97% Positiveness
13% Popularity • 62% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 97% Positiveness
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Barry White & The Atlantics
Tracy (All I Have Is You)
91 bpm • C min • 02:12 • -8.49db
13% Popularity • 59% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 59% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
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Tony Clarke
Ain't Love Good, Ain't Love Proud
91 bpm • D# Maj • 03:15 • -4.45db
10% Popularity • 57% Danceability • 90% Energy • 88% Liveness
0% Instrumentalness • 77% Positiveness
10% Popularity • 57% Danceability • 90% Energy • 88% Liveness
0% Instrumentalness • 77% Positiveness
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Barrett Strong
Two Wrongs Don't Make A Right - Single V...
93 bpm • D# min • 02:42 • -8.68db
11% Popularity • 60% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 60% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
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Roy Milton
One Zippy Zam
93 bpm • G# Maj • 02:43 • -8db
13% Popularity • 56% Danceability • 66% Energy • 14% Liveness
7% Instrumentalness • 80% Positiveness
13% Popularity • 56% Danceability • 66% Energy • 14% Liveness
7% Instrumentalness • 80% Positiveness
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Willie Jones & The Royal Jokers
Got You In My Bones
91 bpm • B min • 04:07 • -5.55db
0% Popularity • 68% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
0% Popularity • 68% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
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Jimmy Hughes
Midnight Affair
90 bpm • C# Maj • 02:30 • -8.02db
17% Popularity • 62% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
17% Popularity • 62% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Lee Dorsey
Behind the 8-Ball
90 bpm • C# Maj • 02:09 • -10.95db
11% Popularity • 54% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 54% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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LaVern Baker
See See Rider
94 bpm • F# Maj • 02:30 • -11db
39% Popularity • 67% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
39% Popularity • 67% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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The El Dorados
Bim Bam Boom
94 bpm • G# Maj • 02:53 • -11.61db
23% Popularity • 72% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
23% Popularity • 72% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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The Canes
Why Should I Suffer With The Blues
90 bpm • F Maj • 02:51 • -11.71db
14% Popularity • 53% Danceability • 39% Energy • 24% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 53% Danceability • 39% Energy • 24% Liveness
0% Instrumentalness • 27% Positiveness
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Tommy Ridgley
Jam Up
94 bpm • C Maj • 02:46 • -11db
15% Popularity • 69% Danceability • 76% Energy • 36% Liveness
1% Instrumentalness • 72% Positiveness
15% Popularity • 69% Danceability • 76% Energy • 36% Liveness
1% Instrumentalness • 72% Positiveness
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Fontella Bass
Baby What You Want Me To Do
90 bpm • A# Maj • 03:13 • -7.51db
15% Popularity • 82% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
15% Popularity • 82% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Jimmy McCracklin
Let's Do It (The Chicken Scratch)
90 bpm • F Maj • 02:42 • -7db
11% Popularity • 68% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 68% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
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Titus Turner
Hold Your Lovin'
90 bpm • C# Maj • 02:32 • -10.52db
11% Popularity • 66% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 66% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
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Willie Jones & The Royal Jokers
Jody's Back In Town
95 bpm • G# min • 04:04 • -6.31db
0% Popularity • 68% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
0% Popularity • 68% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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Barbara Carr
Don't Knock Love
89 bpm • C# min • 02:27 • -7.28db
13% Popularity • 65% Danceability • 83% Energy • 8% Liveness
1% Instrumentalness • 96% Positiveness
13% Popularity • 65% Danceability • 83% Energy • 8% Liveness
1% Instrumentalness • 96% Positiveness
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Otis Redding
Shout Bamalama
88 bpm • G# Maj • 02:13 • -10.44db
15% Popularity • 53% Danceability • 49% Energy • 41% Liveness
0% Instrumentalness • 97% Positiveness
15% Popularity • 53% Danceability • 49% Energy • 41% Liveness
0% Instrumentalness • 97% Positiveness
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Huey "Piano" Smith
Everybodys Whalin'
88 bpm • A# Maj • 02:42 • -7.23db
8% Popularity • 57% Danceability • 88% Energy • 8% Liveness
95% Instrumentalness • 86% Positiveness
8% Popularity • 57% Danceability • 88% Energy • 8% Liveness
95% Instrumentalness • 86% Positiveness
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Big Jay McNeely
Psycho Serenade
88 bpm • F# Maj • 02:41 • -7db
9% Popularity • 67% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 95% Positiveness
9% Popularity • 67% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 95% Positiveness
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The Olympics
Good Lovin'
88 bpm • D Maj • 02:30 • -7.48db
11% Popularity • 52% Danceability • 82% Energy • 29% Liveness
1% Instrumentalness • 72% Positiveness
11% Popularity • 52% Danceability • 82% Energy • 29% Liveness
1% Instrumentalness • 72% Positiveness
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Willie Jones & The Royal Jokers
Stop The Clock
95 bpm • C Maj • 03:07 • -6.48db
0% Popularity • 63% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
0% Popularity • 63% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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Willie Hutch
I Can't Get Enough
97 bpm • A Maj • 02:52 • -5db
15% Popularity • 56% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 56% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Barbara Lynn
Can't Buy My Love
97 bpm • G Maj • 01:55 • -7.02db
17% Popularity • 68% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
17% Popularity • 68% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Lee Dorsey
Give Me You
87 bpm • C Maj • 02:27 • -8.85db
12% Popularity • 57% Danceability • 41% Energy • 36% Liveness
0% Instrumentalness • 75% Positiveness
12% Popularity • 57% Danceability • 41% Energy • 36% Liveness
0% Instrumentalness • 75% Positiveness
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Jackie Wilson
So Much
87 bpm • G min • 02:16 • -6.81db
9% Popularity • 65% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 91% Positiveness
9% Popularity • 65% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 91% Positiveness
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Irma Thomas
I Did My Part
87 bpm • G# Maj • 02:35 • -7.1db
11% Popularity • 69% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
11% Popularity • 69% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Bobby Parker
Watch Your Step
98 bpm • A Maj • 02:43 • -7.78db
11% Popularity • 43% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
11% Popularity • 43% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
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Rudy Ray Moore
The Buggy Ride
98 bpm • D min • 02:27 • -6.89db
11% Popularity • 78% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 78% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
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Garnet Mimms
Tell Me Baby
98 bpm • A# min • 02:44 • -14.63db
15% Popularity • 49% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
15% Popularity • 49% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
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Lee Dorsey
Can You Hear Me
98 bpm • G# Maj • 02:13 • -9.69db
23% Popularity • 84% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
23% Popularity • 84% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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The "5" Royales
Baby, Don't Do It
86 bpm • A min • 02:45 • -8db
16% Popularity • 41% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
16% Popularity • 41% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Blanche Thomas
You Ain't So Such A Much
86 bpm • A# min • 02:21 • -10.71db
10% Popularity • 63% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
10% Popularity • 63% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Willie Jones & The Royal Jokers
Mary
86 bpm • F# min • 01:56 • -9.21db
1% Popularity • 62% Danceability • 74% Energy • 51% Liveness
2% Instrumentalness • 97% Positiveness
1% Popularity • 62% Danceability • 74% Energy • 51% Liveness
2% Instrumentalness • 97% Positiveness
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Jo Ann Campbell
I Changed My Mind Jack
85 bpm • A# min • 01:55 • -6db
10% Popularity • 44% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 44% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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Sugar Pie DeSanto
Nickel and a Dime - Remastered
85 bpm • G min • 01:49 • -6.24db
13% Popularity • 63% Danceability • 66% Energy • 46% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 63% Danceability • 66% Energy • 46% Liveness
0% Instrumentalness • 76% Positiveness
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Little Ann
One Way Street
99 bpm • D min • 02:26 • -9.38db
17% Popularity • 65% Danceability • 65% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 65% Danceability • 65% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
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The Shirelles
Love Is a Swinging Thing
100 bpm • D Maj • 02:11 • -7.14db
8% Popularity • 63% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
8% Popularity • 63% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Mable John
It's Catching
100 bpm • C Maj • 02:38 • -10db
17% Popularity • 75% Danceability • 37% Energy • 14% Liveness
1% Instrumentalness • 70% Positiveness
17% Popularity • 75% Danceability • 37% Energy • 14% Liveness
1% Instrumentalness • 70% Positiveness
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Willie Jones & The Royal Jokers
Champagne Dreams
100 bpm • G Maj • 03:34 • -5.79db
0% Popularity • 69% Danceability • 76% Energy • 46% Liveness
0% Instrumentalness • 84% Positiveness
0% Popularity • 69% Danceability • 76% Energy • 46% Liveness
0% Instrumentalness • 84% Positiveness
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Jackie Wilson
The Who Who Song (Nobody But My Sweet Ba...
85 bpm • B Maj • 02:50 • -6.95db
23% Popularity • 63% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 63% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
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The Olympics
Mine Exclusively
84 bpm • G# Maj • 02:27 • -6db
11% Popularity • 56% Danceability • 91% Energy • 25% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 56% Danceability • 91% Energy • 25% Liveness
0% Instrumentalness • 89% Positiveness
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Shorty Long
Out To Get You
84 bpm • F Maj • 02:10 • -11.45db
9% Popularity • 55% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
9% Popularity • 55% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Eddie Bo
I Found a Little Girl
101 bpm • B min • 02:17 • -5.05db
9% Popularity • 56% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
9% Popularity • 56% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Freddie Scott
I'll Be Gone
84 bpm • D# Maj • 02:08 • -9.74db
14% Popularity • 63% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
14% Popularity • 63% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Willie Jones & The Royal Jokers
Sam's Back
100 bpm • F Maj • 02:10 • -7.92db
0% Popularity • 70% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
0% Popularity • 70% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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Bobby Charles
Take It Easy, Greasy
101 bpm • G# Maj • 02:13 • -11db
6% Popularity • 67% Danceability • 42% Energy • 3% Liveness
0% Instrumentalness • 94% Positiveness
6% Popularity • 67% Danceability • 42% Energy • 3% Liveness
0% Instrumentalness • 94% Positiveness
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Jackie Wilson
Shake! Shake! Shake!
101 bpm • G# Maj • 02:11 • -8.37db
14% Popularity • 52% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
14% Popularity • 52% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
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Irma Thomas
Look Up - Remastered
84 bpm • A# Maj • 02:32 • -15.92db
11% Popularity • 52% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 52% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Tommy Tucker
Long Tall Shorty
83 bpm • C Maj • 02:26 • -7db
13% Popularity • 64% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 64% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Lee Dorsey
Eenie Meenie Mini Mo
83 bpm • G# Maj • 02:12 • -12.82db
11% Popularity • 64% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 64% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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The Apollas
Seven Days
102 bpm • F Maj • 02:40 • -8.65db
11% Popularity • 62% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 62% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Billy "The Kid" Emerson
Red Hot
101 bpm • C Maj • 02:27 • -6db
16% Popularity • 78% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
16% Popularity • 78% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Esther Phillips
Mojo Hannah
83 bpm • F# Maj • 02:20 • -9db
15% Popularity • 56% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 56% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Willie Jones & The Royal Jokers
Let's Groove
102 bpm • A min • 04:12 • -5.41db
0% Popularity • 60% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
0% Popularity • 60% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
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Aaron Neville
Over You
83 bpm • B min • 02:18 • -11.7db
20% Popularity • 51% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 91% Positiveness
20% Popularity • 51% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 91% Positiveness
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Mickey Baker
Hit Git and Split
83 bpm • G Maj • 02:29 • -3.85db
18% Popularity • 61% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
18% Popularity • 61% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Freddie King
Now I’ve Got a Woman - Original Federa...
83 bpm • A min • 03:04 • -12.16db
17% Popularity • 55% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 83% Positiveness
17% Popularity • 55% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 83% Positiveness
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Buster Brown
Sugar Babe
82 bpm • E Maj • 02:27 • -7.74db
11% Popularity • 58% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
11% Popularity • 58% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
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Jimmy McCracklin
Georgia Slop
103 bpm • A# Maj • 02:24 • -10.66db
10% Popularity • 67% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 67% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
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Willie Jones & The Royal Jokers
It Ain't Enough
103 bpm • D Maj • 03:33 • -6.13db
0% Popularity • 63% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
0% Popularity • 63% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
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Inez & Charlie Foxx
Hurt By Love
82 bpm • A Maj • 02:19 • -6.11db
8% Popularity • 65% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
8% Popularity • 65% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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Little Willie John
Don't Play With Love
82 bpm • G# Maj • 02:46 • -4.84db
9% Popularity • 53% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 53% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Baby Washington
Move On
82 bpm • A# Maj • 01:59 • -7.3db
15% Popularity • 67% Danceability • 70% Energy • 53% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 67% Danceability • 70% Energy • 53% Liveness
0% Instrumentalness • 88% Positiveness
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Bunker Hill
You Can't Make Me Doubt...
82 bpm • D# Maj • 02:15 • -5.88db
10% Popularity • 71% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
10% Popularity • 71% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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Lula Reed
Rock Love
82 bpm • F min • 02:08 • -7.88db
11% Popularity • 82% Danceability • 50% Energy • 8% Liveness
1% Instrumentalness • 90% Positiveness
11% Popularity • 82% Danceability • 50% Energy • 8% Liveness
1% Instrumentalness • 90% Positiveness
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The Capitols
We Got a Thing That's in the Groove
82 bpm • A Maj • 02:27 • -12.42db
20% Popularity • 66% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
20% Popularity • 66% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Willie Jones & The Royal Jokers
Something Happened to My Heart
104 bpm • D Maj • 02:26 • -7.56db
0% Popularity • 45% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 45% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Little Willie John
Leave My Kitten Alone
104 bpm • G# Maj • 02:33 • -7db
27% Popularity • 52% Danceability • 78% Energy • 40% Liveness
0% Instrumentalness • 86% Positiveness
27% Popularity • 52% Danceability • 78% Energy • 40% Liveness
0% Instrumentalness • 86% Positiveness
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Rosco Gordon
No More Doggin'
104 bpm • G# Maj • 03:11 • -7db
21% Popularity • 66% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 66% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
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Eddie Bo
I Love to Rock & Roll - Remastered
81 bpm • F Maj • 02:27 • -6.27db
3% Popularity • 57% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
3% Popularity • 57% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Young Jessie
I Smell a Rat
105 bpm • G# Maj • 02:16 • -7db
8% Popularity • 62% Danceability • 87% Energy • 52% Liveness
3% Instrumentalness • 93% Positiveness
8% Popularity • 62% Danceability • 87% Energy • 52% Liveness
3% Instrumentalness • 93% Positiveness
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Lou Johnson
Magic Potion
81 bpm • F Maj • 03:10 • -6db
16% Popularity • 68% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 68% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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Willie Jones & The Royal Jokers
Break Free
104 bpm • A Maj • 03:25 • -6.05db
0% Popularity • 73% Danceability • 78% Energy • 29% Liveness
0% Instrumentalness • 93% Positiveness
0% Popularity • 73% Danceability • 78% Energy • 29% Liveness
0% Instrumentalness • 93% Positiveness
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Little Willie John
Leave My Kitten Alone
104 bpm • G# Maj • 02:33 • -9.67db
17% Popularity • 50% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
17% Popularity • 50% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
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Andre Williams
Cadillac Jack
105 bpm • A Maj • 03:09 • -14.14db
11% Popularity • 64% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
11% Popularity • 64% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Gino Parks
For This I Thank You
80 bpm • F# Maj • 02:34 • -8db
15% Popularity • 54% Danceability • 67% Energy • 58% Liveness
0% Instrumentalness • 91% Positiveness
15% Popularity • 54% Danceability • 67% Energy • 58% Liveness
0% Instrumentalness • 91% Positiveness
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Johnny "Guitar" Watson
I Say I Love You
80 bpm • G# Maj • 02:58 • -12db
28% Popularity • 66% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
28% Popularity • 66% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Johnny Nash
I'm Movin On
80 bpm • A# min • 02:21 • -5.93db
10% Popularity • 42% Danceability • 97% Energy • 6% Liveness
11% Instrumentalness • 56% Positiveness
10% Popularity • 42% Danceability • 97% Energy • 6% Liveness
11% Instrumentalness • 56% Positiveness
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Shorty Long
Devil With The Blue Dress
106 bpm • D# Maj • 03:13 • -15.41db
29% Popularity • 76% Danceability • 46% Energy • 6% Liveness
4% Instrumentalness • 75% Positiveness
29% Popularity • 76% Danceability • 46% Energy • 6% Liveness
4% Instrumentalness • 75% Positiveness
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Ernie K-Doe
Hello My Lover
106 bpm • E Maj • 02:52 • -9.35db
13% Popularity • 78% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 78% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Wynona Carr
It's Raining Outside
106 bpm • G Maj • 02:06 • -8.14db
16% Popularity • 73% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 73% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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Bobby "Blue" Bland
Yield Not To Temptation - Single Version
106 bpm • F Maj • 02:35 • -7.46db
18% Popularity • 62% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 62% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Betty Harris
Mean Man
107 bpm • B Maj • 02:34 • -11.56db
17% Popularity • 76% Danceability • 50% Energy • 3% Liveness
14% Instrumentalness • 78% Positiveness
17% Popularity • 76% Danceability • 50% Energy • 3% Liveness
14% Instrumentalness • 78% Positiveness
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Andre Williams
Sweet Little Pussy Cat
107 bpm • A# Maj • 02:17 • -3.15db
10% Popularity • 79% Danceability • 82% Energy • 18% Liveness
72% Instrumentalness • 95% Positiveness
10% Popularity • 79% Danceability • 82% Energy • 18% Liveness
72% Instrumentalness • 95% Positiveness
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Baby Washington
I've Got A Feeling
79 bpm • G# Maj • 02:54 • -11db
29% Popularity • 58% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
29% Popularity • 58% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Ernie K-Doe
Wanted $10,000.00 Reward
79 bpm • G# Maj • 02:09 • -9.83db
11% Popularity • 69% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 69% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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LaVern Baker
Tra la La
79 bpm • D# min • 02:11 • -8.47db
18% Popularity • 78% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
18% Popularity • 78% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Wynona Carr
Touch And Go
79 bpm • F min • 02:12 • -10.44db
20% Popularity • 60% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 60% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Huey "Piano" Smith
Little Liza Jane
107 bpm • C Maj • 02:08 • -9.16db
14% Popularity • 58% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
14% Popularity • 58% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Inez & Charlie Foxx
Broken Hearted Fool
108 bpm • E Maj • 02:17 • 0.78db
8% Popularity • 83% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
8% Popularity • 83% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Jackie Wilson
Yeah! Yeah! Yeah!
108 bpm • G# Maj • 02:25 • -8.16db
8% Popularity • 66% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 91% Positiveness
8% Popularity • 66% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 91% Positiveness
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Willie Jones & The Royal Jokers
Every Day Is New
108 bpm • G min • 03:46 • -5.92db
0% Popularity • 66% Danceability • 83% Energy • 40% Liveness
0% Instrumentalness • 91% Positiveness
0% Popularity • 66% Danceability • 83% Energy • 40% Liveness
0% Instrumentalness • 91% Positiveness
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LaVern Baker
It's so Fine
79 bpm • C# Maj • 02:22 • -9.69db
17% Popularity • 66% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
17% Popularity • 66% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
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Mable John
Sweet Devil
109 bpm • G# Maj • 02:28 • -9.69db
14% Popularity • 77% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
14% Popularity • 77% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
