Songs like Sonata for Piano No. 3, Op. 92 No. 4: II. Theme, Canons and Variations. Andantino - Agitato - Allegretto - Stereo Version by Ernst Krenek
Based on a tempo of (+/- 10%) and a similar genre
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Richard Strauss
Don Quixote, Op. 35, TrV 184: Finale: Do...
83 bpm • D Maj • 05:39 • -31.48db
10% Popularity • 17% Danceability • 2% Energy • 9% Liveness
36% Instrumentalness • 3% Positiveness
10% Popularity • 17% Danceability • 2% Energy • 9% Liveness
36% Instrumentalness • 3% Positiveness
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Édouard Lalo
Suite No.1 from "Namouna": No. 2, Séré...
83 bpm • D min • 02:34 • -24.5db
8% Popularity • 21% Danceability • 12% Energy • 6% Liveness
82% Instrumentalness • 33% Positiveness
8% Popularity • 21% Danceability • 12% Energy • 6% Liveness
82% Instrumentalness • 33% Positiveness
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Ernst Krenek
Trio Fantasie, Op. 63: I. Andante sosten...
83 bpm • G# Maj • 03:57 • -20.96db
1% Popularity • 20% Danceability • 4% Energy • 36% Liveness
30% Instrumentalness • 4% Positiveness
1% Popularity • 20% Danceability • 4% Energy • 36% Liveness
30% Instrumentalness • 4% Positiveness
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Mieczysław Weinberg
The Passenger, Op. 97, Act I Scene 1 "Sc...
83 bpm • C Maj • 07:37 • -26.55db
8% Popularity • 24% Danceability • 3% Energy • 22% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 24% Danceability • 3% Energy • 22% Liveness
0% Instrumentalness • 4% Positiveness
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AntonĂn Dvořák
Armida, Op. 115, B. 206, Act II: Act II:...
83 bpm • D# Maj • 01:06 • -35.22db
30% Popularity • 12% Danceability • 1% Energy • 9% Liveness
76% Instrumentalness • 12% Positiveness
30% Popularity • 12% Danceability • 1% Energy • 9% Liveness
76% Instrumentalness • 12% Positiveness
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Leoš Janáček
Katya Kabanova, JW I/8, Act I Scene 1: I...
83 bpm • F# Maj • 01:18 • -24.86db
18% Popularity • 11% Danceability • 3% Energy • 34% Liveness
90% Instrumentalness • 4% Positiveness
18% Popularity • 11% Danceability • 3% Energy • 34% Liveness
90% Instrumentalness • 4% Positiveness
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Gustav Mahler
Symphony No. 9: IVe. Stets sehr gehalten...
83 bpm • D Maj • 01:55 • -30.19db
9% Popularity • 17% Danceability • 2% Energy • 77% Liveness
95% Instrumentalness • 7% Positiveness
9% Popularity • 17% Danceability • 2% Energy • 77% Liveness
95% Instrumentalness • 7% Positiveness
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Jean Sibelius
Symphony No. 2 in D Major, Op. 43: III. ...
83 bpm • F# Maj • 06:16 • -25.49db
16% Popularity • 11% Danceability • 4% Energy • 17% Liveness
90% Instrumentalness • 4% Positiveness
16% Popularity • 11% Danceability • 4% Energy • 17% Liveness
90% Instrumentalness • 4% Positiveness
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Erik Satie
Relâche, Pt. 2: No. 3, Rentrée de la f...
83 bpm • F Maj • 02:00 • -34.46db
6% Popularity • 15% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 7% Positiveness
6% Popularity • 15% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 7% Positiveness
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Ernst Krenek
Symphonie, Op. 137 "Pallas Athene": I. A...
83 bpm • G Maj • 08:56 • -24.62db
0% Popularity • 11% Danceability • 5% Energy • 8% Liveness
32% Instrumentalness • 3% Positiveness
0% Popularity • 11% Danceability • 5% Energy • 8% Liveness
32% Instrumentalness • 3% Positiveness
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Ottorino Respighi
Pines of Rome, P. 141: I. The Pines of t...
83 bpm • F Maj • 02:43 • -17.12db
14% Popularity • 22% Danceability • 35% Energy • 52% Liveness
94% Instrumentalness • 58% Positiveness
14% Popularity • 22% Danceability • 35% Energy • 52% Liveness
94% Instrumentalness • 58% Positiveness
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Anton Bruckner
Te Deum, WAB 45: IV. Salvum fac populum ...
83 bpm • F min • 06:38 • -25.34db
12% Popularity • 17% Danceability • 4% Energy • 10% Liveness
56% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 4% Energy • 10% Liveness
56% Instrumentalness • 4% Positiveness
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Claude Debussy
Debussy: Nocturnes, CD 98, L. 91: No. 1,...
82 bpm • C Maj • 08:14 • -35.23db
0% Popularity • 11% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 3% Positiveness
0% Popularity • 11% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 3% Positiveness
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Alexander Glazunov
The Seasons, Op. 67, Pt. 2 "Le printemps...
82 bpm • C# min • 05:44 • -26.37db
14% Popularity • 15% Danceability • 4% Energy • 9% Liveness
79% Instrumentalness • 10% Positiveness
14% Popularity • 15% Danceability • 4% Energy • 9% Liveness
79% Instrumentalness • 10% Positiveness
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Camille Saint-Saëns
Phaéton, Op. 39
84 bpm • D# Maj • 08:08 • -21.36db
10% Popularity • 28% Danceability • 8% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
10% Popularity • 28% Danceability • 8% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
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Zoltán Kocsis
Le tombeau de Couperin (arr. Z. Kocsis):...
82 bpm • E min • 03:12 • -31.68db
16% Popularity • 13% Danceability • 2% Energy • 15% Liveness
92% Instrumentalness • 14% Positiveness
16% Popularity • 13% Danceability • 2% Energy • 15% Liveness
92% Instrumentalness • 14% Positiveness
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Ernst Krenek
String Quartet No. 5, Op. 65: III. Phant...
84 bpm • A Maj • 12:24 • -23.87db
0% Popularity • 15% Danceability • 4% Energy • 10% Liveness
35% Instrumentalness • 4% Positiveness
0% Popularity • 15% Danceability • 4% Energy • 10% Liveness
35% Instrumentalness • 4% Positiveness
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Gabriel Yared
As Far as Florence
84 bpm • G Maj • 04:31 • -25.96db
23% Popularity • 12% Danceability • 5% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
23% Popularity • 12% Danceability • 5% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
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Alban Berg
4 Gesänge, Op. 2: II. Schlafend trägt ...
84 bpm • A# Maj • 01:04 • -22db
10% Popularity • 22% Danceability • 11% Energy • 10% Liveness
32% Instrumentalness • 3% Positiveness
10% Popularity • 22% Danceability • 11% Energy • 10% Liveness
32% Instrumentalness • 3% Positiveness
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Jean Sibelius
Lemminkäinen, Op. 22: II. The Swan of T...
82 bpm • E min • 09:48 • -37.69db
12% Popularity • 8% Danceability • 1% Energy • 8% Liveness
34% Instrumentalness • 3% Positiveness
12% Popularity • 8% Danceability • 1% Energy • 8% Liveness
34% Instrumentalness • 3% Positiveness
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György Ligeti
Violin Concerto: III. Intermezzo
82 bpm • A# Maj • 02:31 • -24db
16% Popularity • 22% Danceability • 10% Energy • 43% Liveness
74% Instrumentalness • 12% Positiveness
16% Popularity • 22% Danceability • 10% Energy • 43% Liveness
74% Instrumentalness • 12% Positiveness
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Erwin Schulhoff
5 Pieces: No. 1. Alla Valse Viennese
82 bpm • C Maj • 02:05 • -19db
11% Popularity • 57% Danceability • 21% Energy • 12% Liveness
15% Instrumentalness • 21% Positiveness
11% Popularity • 57% Danceability • 21% Energy • 12% Liveness
15% Instrumentalness • 21% Positiveness
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Ernst Krenek
Der Diktator, Op. 49: Scene 1: Intermezz...
82 bpm • F Maj • 01:56 • -24.74db
0% Popularity • 24% Danceability • 4% Energy • 56% Liveness
87% Instrumentalness • 4% Positiveness
0% Popularity • 24% Danceability • 4% Energy • 56% Liveness
87% Instrumentalness • 4% Positiveness
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Arnold Schoenberg
Schoenberg: Verklärte Nacht, Op. 4: IV....
82 bpm • D Maj • 10:03 • -21db
27% Popularity • 8% Danceability • 13% Energy • 11% Liveness
68% Instrumentalness • 4% Positiveness
27% Popularity • 8% Danceability • 13% Energy • 11% Liveness
68% Instrumentalness • 4% Positiveness
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Winfred Jeremiah
The Stormy Weather
82 bpm • C Maj • 02:07 • -20.58db
10% Popularity • 21% Danceability • 9% Energy • 21% Liveness
77% Instrumentalness • 15% Positiveness
10% Popularity • 21% Danceability • 9% Energy • 21% Liveness
77% Instrumentalness • 15% Positiveness
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Carl Maria von Weber
Bassoon Concerto in F Major, Op. 75, J. ...
82 bpm • A# Maj • 04:33 • -34db
9% Popularity • 8% Danceability • 1% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
9% Popularity • 8% Danceability • 1% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Olivier Messiaen
Thème et variations: I. Thème. Modér�...
84 bpm • C min • 01:50 • -32.26db
10% Popularity • 12% Danceability • 2% Energy • 10% Liveness
71% Instrumentalness • 3% Positiveness
10% Popularity • 12% Danceability • 2% Energy • 10% Liveness
71% Instrumentalness • 3% Positiveness
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Paul Hindemith
Hindemith: Flute Sonata: III. Sehr lebha...
82 bpm • A# min • 04:33 • -20db
8% Popularity • 32% Danceability • 12% Energy • 14% Liveness
84% Instrumentalness • 20% Positiveness
8% Popularity • 32% Danceability • 12% Energy • 14% Liveness
84% Instrumentalness • 20% Positiveness
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Ernst Krenek
Der Diktator, Op. 49: Scene 2: Ich werde...
82 bpm • D min • 01:49 • -23.85db
0% Popularity • 38% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 38% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Robert Muczynski
Duos for Flute and Clarinet, Op. 24: No....
82 bpm • G min • 01:02 • -22.08db
13% Popularity • 18% Danceability • 2% Energy • 15% Liveness
58% Instrumentalness • 5% Positiveness
13% Popularity • 18% Danceability • 2% Energy • 15% Liveness
58% Instrumentalness • 5% Positiveness
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Luigi Nono
Como una ola de fuerza y luz (1971-2): I...
84 bpm • A Maj • 01:46 • -32.86db
8% Popularity • 15% Danceability • 1% Energy • 8% Liveness
12% Instrumentalness • 3% Positiveness
8% Popularity • 15% Danceability • 1% Energy • 8% Liveness
12% Instrumentalness • 3% Positiveness
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Radoslaw Pallarz
In der Stube
84 bpm • D Maj • 03:52 • -26.98db
8% Popularity • 31% Danceability • 3% Energy • 12% Liveness
86% Instrumentalness • 26% Positiveness
8% Popularity • 31% Danceability • 3% Energy • 12% Liveness
86% Instrumentalness • 26% Positiveness
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Jean Sibelius
The Tempest Suite No. 1, Op. 109, No. 2:...
82 bpm • A# Maj • 03:06 • -38.37db
15% Popularity • 8% Danceability • 0% Energy • 10% Liveness
7% Instrumentalness • 2% Positiveness
15% Popularity • 8% Danceability • 0% Energy • 10% Liveness
7% Instrumentalness • 2% Positiveness
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Haukur TĂłmasson
Náttúruljóð (v) (hunangsblaut fluga)
82 bpm • C min • 03:18 • -26.12db
10% Popularity • 9% Danceability • 5% Energy • 21% Liveness
31% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 5% Energy • 21% Liveness
31% Instrumentalness • 4% Positiveness
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Ernst Krenek
Ă” Lacrymosa, Op. 48: No. 3, Aber die Wi...
84 bpm • C# Maj • 02:23 • -21.45db
0% Popularity • 37% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
0% Popularity • 37% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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James Whitbourn
Annelies (chamber version): I. Introit -...
84 bpm • C min • 04:33 • -21.96db
11% Popularity • 13% Danceability • 10% Energy • 12% Liveness
61% Instrumentalness • 4% Positiveness
11% Popularity • 13% Danceability • 10% Energy • 12% Liveness
61% Instrumentalness • 4% Positiveness
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Vitezslava Kaprálová
Piano Concerto in D Minor, Op. 7: I. All...
82 bpm • A min • 10:10 • -18.87db
16% Popularity • 19% Danceability • 17% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
16% Popularity • 19% Danceability • 17% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Arnold Schoenberg
Verklärte Nacht, Op. 4: Molto rallentan...
84 bpm • F# min • 04:53 • -19.93db
8% Popularity • 21% Danceability • 10% Energy • 36% Liveness
83% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 10% Energy • 36% Liveness
83% Instrumentalness • 4% Positiveness
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BĂ©la BartĂłk
Divertimento for Strings, BB 118 (Sz.113...
81 bpm • F# Maj • 09:36 • -28.4db
8% Popularity • 8% Danceability • 1% Energy • 8% Liveness
47% Instrumentalness • 3% Positiveness
8% Popularity • 8% Danceability • 1% Energy • 8% Liveness
47% Instrumentalness • 3% Positiveness
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Witold Lutosławski
Concerto for Orchestra: II. Capriccio no...
81 bpm • C# Maj • 05:46 • -25.68db
9% Popularity • 18% Danceability • 6% Energy • 36% Liveness
56% Instrumentalness • 10% Positiveness
9% Popularity • 18% Danceability • 6% Energy • 36% Liveness
56% Instrumentalness • 10% Positiveness
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Ernst Krenek
Das geheime Konigreich, Op. 50: Scene 1:...
81 bpm • A min • 04:39 • -20.42db
0% Popularity • 29% Danceability • 17% Energy • 63% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 29% Danceability • 17% Energy • 63% Liveness
0% Instrumentalness • 24% Positiveness
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Darius Milhaud
Suite, Op. 157b: III. Jeu
85 bpm • D Maj • 01:38 • -14.96db
16% Popularity • 46% Danceability • 14% Energy • 10% Liveness
38% Instrumentalness • 64% Positiveness
16% Popularity • 46% Danceability • 14% Energy • 10% Liveness
38% Instrumentalness • 64% Positiveness
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György Ligeti
Concerto pour violon et orchestre: III. ...
81 bpm • C min • 02:16 • -19.62db
18% Popularity • 16% Danceability • 15% Energy • 74% Liveness
33% Instrumentalness • 11% Positiveness
18% Popularity • 16% Danceability • 15% Energy • 74% Liveness
33% Instrumentalness • 11% Positiveness
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Alfred Schnittke
Schnittke: String Quartet No. 3: I. Anda...
85 bpm • G Maj • 05:56 • -21.27db
9% Popularity • 16% Danceability • 6% Energy • 10% Liveness
57% Instrumentalness • 3% Positiveness
9% Popularity • 16% Danceability • 6% Energy • 10% Liveness
57% Instrumentalness • 3% Positiveness
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BĂ©la BartĂłk
Music for Strings, Percussion and Celest...
85 bpm • A# min • 06:33 • -28.41db
18% Popularity • 8% Danceability • 1% Energy • 8% Liveness
55% Instrumentalness • 3% Positiveness
18% Popularity • 8% Danceability • 1% Energy • 8% Liveness
55% Instrumentalness • 3% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: V. Louange...
81 bpm • E Maj • 08:48 • -23.19db
23% Popularity • 8% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 2% Positiveness
23% Popularity • 8% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 2% Positiveness
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Taipei New Dynasty Philharmonic & Chorus
Transcendental Symphony Part III. Adagio...
81 bpm • D Maj • 09:30 • -20.02db
8% Popularity • 22% Danceability • 21% Energy • 10% Liveness
28% Instrumentalness • 4% Positiveness
8% Popularity • 22% Danceability • 21% Energy • 10% Liveness
28% Instrumentalness • 4% Positiveness
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Alban Berg
Four Pieces For Clarinet And Piano, Op. ...
81 bpm • C min • 01:28 • -22.99db
14% Popularity • 30% Danceability • 2% Energy • 8% Liveness
26% Instrumentalness • 4% Positiveness
14% Popularity • 30% Danceability • 2% Energy • 8% Liveness
26% Instrumentalness • 4% Positiveness
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Douglas Anderson
Chamber Symphony No. 4: I. Introduction
85 bpm • G Maj • 04:49 • -22.17db
9% Popularity • 24% Danceability • 10% Energy • 10% Liveness
28% Instrumentalness • 4% Positiveness
9% Popularity • 24% Danceability • 10% Energy • 10% Liveness
28% Instrumentalness • 4% Positiveness
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Ernst Krenek
String Quartet No. 1, Op. 6: VIII. Lento...
81 bpm • G Maj • 02:20 • -36.8db
0% Popularity • 11% Danceability • 0% Energy • 9% Liveness
41% Instrumentalness • 3% Positiveness
0% Popularity • 11% Danceability • 0% Energy • 9% Liveness
41% Instrumentalness • 3% Positiveness
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Peter Kiesewetter
Reineke Fuchs (Arr. H. Ruhmann for Narra...
81 bpm • C# Maj • 01:00 • -13.29db
9% Popularity • 56% Danceability • 42% Energy • 11% Liveness
87% Instrumentalness • 59% Positiveness
9% Popularity • 56% Danceability • 42% Energy • 11% Liveness
87% Instrumentalness • 59% Positiveness
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RTÉ National Symphony Orchestra
Dr. Merryheart: VI. Variation 5: Merryhe...
85 bpm • F min • 00:59 • -39.52db
20% Popularity • 19% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 34% Positiveness
20% Popularity • 19% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 34% Positiveness
► Preview
Henri Dutilleux
Dutilleux: The Shadows of Time: V. Domin...
85 bpm • C# Maj • 04:46 • -29.08db
2% Popularity • 15% Danceability • 6% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
2% Popularity • 15% Danceability • 6% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
► Preview
Gabriel Fauré
Élégie in C Minor, Op. 24 (Arr. for Vi...
86 bpm • G# Maj • 06:24 • -26.81db
8% Popularity • 9% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
8% Popularity • 9% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
► Preview
Maurice Ravel
Antar (After N. Rimsky-Korsakov): No. 13...
86 bpm • C# Maj • 07:27 • -22.1db
8% Popularity • 18% Danceability • 11% Energy • 8% Liveness
16% Instrumentalness • 3% Positiveness
8% Popularity • 18% Danceability • 11% Energy • 8% Liveness
16% Instrumentalness • 3% Positiveness
► Preview
Ernst Krenek
Suite aus "Jonny spielt auf": Szene 3. Z...
85 bpm • E Maj • 01:45 • -28.3db
1% Popularity • 56% Danceability • 3% Energy • 9% Liveness
72% Instrumentalness • 55% Positiveness
1% Popularity • 56% Danceability • 3% Energy • 9% Liveness
72% Instrumentalness • 55% Positiveness
► Preview
Edward Burlingame Hill
Flute Sonata, Op. 31: I. Allegro moderat...
80 bpm • D# Maj • 04:24 • -24.86db
9% Popularity • 31% Danceability • 5% Energy • 17% Liveness
92% Instrumentalness • 10% Positiveness
9% Popularity • 31% Danceability • 5% Energy • 17% Liveness
92% Instrumentalness • 10% Positiveness
► Preview
Georges Bizet
L’arlésienne Suite No. 1, Op. 23bis, ...
80 bpm • F Maj • 03:34 • -34db
6% Popularity • 10% Danceability • 0% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
6% Popularity • 10% Danceability • 0% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Igor Stravinsky
Violin Concerto in D Major, K075: II. Ar...
86 bpm • D min • 04:20 • -20.79db
1% Popularity • 22% Danceability • 18% Energy • 18% Liveness
17% Instrumentalness • 16% Positiveness
1% Popularity • 22% Danceability • 18% Energy • 18% Liveness
17% Instrumentalness • 16% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Sextet in D Minor, Op. 70, TH 118 "Souve...
80 bpm • D min • 06:47 • -18.03db
20% Popularity • 44% Danceability • 17% Energy • 11% Liveness
68% Instrumentalness • 29% Positiveness
20% Popularity • 44% Danceability • 17% Energy • 11% Liveness
68% Instrumentalness • 29% Positiveness
► Preview
Franz Schreker
Schubert / Orch. Mahler: String Quartet ...
80 bpm • A Maj • 06:33 • -27db
10% Popularity • 9% Danceability • 3% Energy • 13% Liveness
63% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 3% Energy • 13% Liveness
63% Instrumentalness • 4% Positiveness
► Preview
Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78 "Organ...
86 bpm • C# Maj • 08:48 • -27.77db
9% Popularity • 15% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
9% Popularity • 15% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Bernard B. Scherr
Victimae Paschali Laudes (USA)
80 bpm • A min • 07:18 • -28.37db
13% Popularity • 8% Danceability • 2% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
13% Popularity • 8% Danceability • 2% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Charles Koechlin
Les Heures persanes (Persian Hours), Op....
86 bpm • A# min • 02:50 • -35.51db
4% Popularity • 10% Danceability • 1% Energy • 11% Liveness
20% Instrumentalness • 3% Positiveness
4% Popularity • 10% Danceability • 1% Energy • 11% Liveness
20% Instrumentalness • 3% Positiveness
► Preview
Arnold Schoenberg
Schoenberg: Verklärte Nacht, Op. 4: III...
86 bpm • A# min • 03:05 • -24.24db
25% Popularity • 18% Danceability • 5% Energy • 12% Liveness
53% Instrumentalness • 4% Positiveness
25% Popularity • 18% Danceability • 5% Energy • 12% Liveness
53% Instrumentalness • 4% Positiveness
► Preview
Carl Nielsen
Symphony No. 4, Op. 29 "The Inextinguish...
80 bpm • A min • 10:46 • -19.9db
10% Popularity • 10% Danceability • 14% Energy • 65% Liveness
88% Instrumentalness • 5% Positiveness
10% Popularity • 10% Danceability • 14% Energy • 65% Liveness
88% Instrumentalness • 5% Positiveness
► Preview
Ludwig van Beethoven
Symphony No. 9 in D Minor, Op. 125 "Chor...
80 bpm • D Maj • 02:57 • -28.08db
20% Popularity • 22% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 7% Positiveness
20% Popularity • 22% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 7% Positiveness
► Preview
Heitor Villa-Lobos
Cello Concerto No. 2, W516: IV. Allegro ...
80 bpm • C min • 03:40 • -22.38db
12% Popularity • 31% Danceability • 14% Energy • 12% Liveness
91% Instrumentalness • 27% Positiveness
12% Popularity • 31% Danceability • 14% Energy • 12% Liveness
91% Instrumentalness • 27% Positiveness
► Preview
Alban Berg
Berg: Piano Sonata in B Minor, Op. 1 (Ar...
80 bpm • B min • 12:25 • -23.79db
2% Popularity • 13% Danceability • 4% Energy • 10% Liveness
74% Instrumentalness • 3% Positiveness
2% Popularity • 13% Danceability • 4% Energy • 10% Liveness
74% Instrumentalness • 3% Positiveness
► Preview
Thomas Hyde
Symphony, Op. 20: VII. Temps suspendu
79 bpm • G# min • 00:57 • -45.42db
12% Popularity • 17% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Robert Schumann
Bilder aus Osten, Op. 66 (Arr. for Strin...
79 bpm • D Maj • 03:43 • -26.62db
11% Popularity • 16% Danceability • 6% Energy • 24% Liveness
81% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 6% Energy • 24% Liveness
81% Instrumentalness • 4% Positiveness
► Preview
Sergei Prokofiev
Romeo and Juliet, Op. 64: Dance Of The K...
87 bpm • A min • 02:13 • -14.24db
22% Popularity • 35% Danceability • 16% Energy • 8% Liveness
95% Instrumentalness • 25% Positiveness
22% Popularity • 35% Danceability • 16% Energy • 8% Liveness
95% Instrumentalness • 25% Positiveness
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Ernst Krenek
Karl V., Pt. 1: I. Charles in San Geroni...
79 bpm • C# Maj • 07:31 • -32.99db
0% Popularity • 30% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
0% Popularity • 30% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36,...
87 bpm • G# Maj • 02:30 • -35.71db
11% Popularity • 11% Danceability • 0% Energy • 9% Liveness
41% Instrumentalness • 7% Positiveness
11% Popularity • 11% Danceability • 0% Energy • 9% Liveness
41% Instrumentalness • 7% Positiveness
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Arthur Bliss
Clarinet Quintet: I. Moderato
79 bpm • F# min • 05:27 • -20.78db
7% Popularity • 12% Danceability • 10% Energy • 8% Liveness
80% Instrumentalness • 7% Positiveness
7% Popularity • 12% Danceability • 10% Energy • 8% Liveness
80% Instrumentalness • 7% Positiveness
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Alban Berg
String Quartet, Op. 3: I. Langsam
87 bpm • G Maj • 10:14 • -18.3db
8% Popularity • 20% Danceability • 10% Energy • 26% Liveness
57% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 10% Energy • 26% Liveness
57% Instrumentalness • 4% Positiveness
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Charles Griffes
3 Tone-Pictures, Op. 5 (version for orch...
79 bpm • D# Maj • 02:52 • -36db
12% Popularity • 7% Danceability • 1% Energy • 9% Liveness
30% Instrumentalness • 3% Positiveness
12% Popularity • 7% Danceability • 1% Energy • 9% Liveness
30% Instrumentalness • 3% Positiveness
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Leoš Janáček
Katya Kabanova, JW I/8, Act II Scene 2: ...
79 bpm • G# Maj • 01:20 • -30.96db
12% Popularity • 11% Danceability • 0% Energy • 19% Liveness
50% Instrumentalness • 5% Positiveness
12% Popularity • 11% Danceability • 0% Energy • 19% Liveness
50% Instrumentalness • 5% Positiveness
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Ernst Krenek
Ă” Lacrymosa, Op. 48: No. 1, O Tranenvol...
87 bpm • F# Maj • 04:19 • -23.69db
0% Popularity • 23% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
0% Popularity • 23% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Canada's National Arts Centre Orchestra
Symphony No.9 in E-Flat Major, Op.70: II...
87 bpm • G Maj • 06:58 • -30.59db
11% Popularity • 11% Danceability • 1% Energy • 12% Liveness
5% Instrumentalness • 3% Positiveness
11% Popularity • 11% Danceability • 1% Energy • 12% Liveness
5% Instrumentalness • 3% Positiveness
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Allan Pettersson
Romanza for Violin & Piano
87 bpm • A# min • 03:12 • -16.94db
18% Popularity • 19% Danceability • 16% Energy • 8% Liveness
2% Instrumentalness • 9% Positiveness
18% Popularity • 19% Danceability • 16% Energy • 8% Liveness
2% Instrumentalness • 9% Positiveness
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Johannes Brahms
Concerto in D Major, Op. 77: II. Adagio
87 bpm • C Maj • 08:41 • -30.46db
52% Popularity • 12% Danceability • 2% Energy • 7% Liveness
14% Instrumentalness • 4% Positiveness
52% Popularity • 12% Danceability • 2% Energy • 7% Liveness
14% Instrumentalness • 4% Positiveness
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Paul Hindemith
Symphonie "Mathis der Maler": 2. Grableg...
88 bpm • F# min • 04:09 • -20.26db
10% Popularity • 20% Danceability • 8% Energy • 8% Liveness
83% Instrumentalness • 3% Positiveness
10% Popularity • 20% Danceability • 8% Energy • 8% Liveness
83% Instrumentalness • 3% Positiveness
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Sergei Prokofiev
Piano Concerto No. 2 in G Minor, Op. 16:...
79 bpm • D min • 02:28 • -20.36db
9% Popularity • 49% Danceability • 27% Energy • 13% Liveness
95% Instrumentalness • 50% Positiveness
9% Popularity • 49% Danceability • 27% Energy • 13% Liveness
95% Instrumentalness • 50% Positiveness
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Selena Ivanova
Synthesis
79 bpm • C min • 02:04 • -39.42db
14% Popularity • 14% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 16% Positiveness
14% Popularity • 14% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 16% Positiveness
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Maya Badian
Violin Concerto: III. Sonata
88 bpm • G# Maj • 05:30 • -24db
4% Popularity • 26% Danceability • 16% Energy • 68% Liveness
50% Instrumentalness • 15% Positiveness
4% Popularity • 26% Danceability • 16% Energy • 68% Liveness
50% Instrumentalness • 15% Positiveness
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Claudio Monteverdi
Lamento della Ninfa: III. Si tra sdegnos...
79 bpm • C Maj • 00:51 • -29.67db
0% Popularity • 22% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
0% Popularity • 22% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Richard Strauss
R. Strauss: Sinfonia Domestica, Op. 53, ...
88 bpm • F Maj • 01:04 • -30db
14% Popularity • 11% Danceability • 2% Energy • 50% Liveness
96% Instrumentalness • 4% Positiveness
14% Popularity • 11% Danceability • 2% Energy • 50% Liveness
96% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
String Quartet No. 8 in C Minor, Op. 110...
88 bpm • G Maj • 04:26 • -32.75db
10% Popularity • 9% Danceability • 1% Energy • 11% Liveness
37% Instrumentalness • 3% Positiveness
10% Popularity • 9% Danceability • 1% Energy • 11% Liveness
37% Instrumentalness • 3% Positiveness
► Preview
Eunho Chang
Sensational Bliss (2021-2022): Part 2: V
88 bpm • A Maj • 03:02 • -16.17db
9% Popularity • 29% Danceability • 33% Energy • 17% Liveness
75% Instrumentalness • 32% Positiveness
9% Popularity • 29% Danceability • 33% Energy • 17% Liveness
75% Instrumentalness • 32% Positiveness
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Ernst Krenek
Reisebuch aus den österreichischen Alpe...
78 bpm • G Maj • 02:24 • -19.93db
0% Popularity • 48% Danceability • 9% Energy • 13% Liveness
4% Instrumentalness • 41% Positiveness
0% Popularity • 48% Danceability • 9% Energy • 13% Liveness
4% Instrumentalness • 41% Positiveness
► Preview
Francis Poulenc
Organ Concerto in G Minor, FP 93: VI. Te...
88 bpm • G Maj • 02:09 • -22.48db
14% Popularity • 13% Danceability • 16% Energy • 42% Liveness
89% Instrumentalness • 22% Positiveness
14% Popularity • 13% Danceability • 16% Energy • 42% Liveness
89% Instrumentalness • 22% Positiveness
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Paul Hindemith
Konzertmusik fĂĽr Streichorchester und B...
88 bpm • D min • 05:11 • -18.01db
9% Popularity • 34% Danceability • 33% Energy • 63% Liveness
92% Instrumentalness • 22% Positiveness
9% Popularity • 34% Danceability • 33% Energy • 63% Liveness
92% Instrumentalness • 22% Positiveness
► Preview
Thomas Adès
Alchymia: II. The Woods So Wild
78 bpm • C Maj • 03:10 • -28.77db
12% Popularity • 28% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 49% Positiveness
12% Popularity • 28% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 49% Positiveness
► Preview
Igor Stravinsky
The Firebird Suite, K010, (1945 Version)...
78 bpm • B Maj • 04:42 • -38.56db
33% Popularity • 14% Danceability • 0% Energy • 10% Liveness
34% Instrumentalness • 4% Positiveness
33% Popularity • 14% Danceability • 0% Energy • 10% Liveness
34% Instrumentalness • 4% Positiveness
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Georges Bizet
Bizet: L'Arlésienne Suite No. 1, Op. 23...
88 bpm • F Maj • 03:20 • -33.81db
8% Popularity • 9% Danceability • 0% Energy • 8% Liveness
98% Instrumentalness • 3% Positiveness
8% Popularity • 9% Danceability • 0% Energy • 8% Liveness
98% Instrumentalness • 3% Positiveness
► Preview
Ernst Krenek
Sechs Motetten nach Worten von Franz Kaf...
78 bpm • B Maj • 04:14 • -25.29db
0% Popularity • 16% Danceability • 6% Energy • 6% Liveness
4% Instrumentalness • 3% Positiveness
0% Popularity • 16% Danceability • 6% Energy • 6% Liveness
4% Instrumentalness • 3% Positiveness
► Preview
Andre Caplet
Children's Corner (arr. A. Caplet for or...
78 bpm • D Maj • 02:59 • -34db
23% Popularity • 22% Danceability • 2% Energy • 13% Liveness
57% Instrumentalness • 4% Positiveness
23% Popularity • 22% Danceability • 2% Energy • 13% Liveness
57% Instrumentalness • 4% Positiveness
